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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 34 / 3 / 30 it is the complementary color CMYK 45 / 0 / 40 / 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 34 / 3 / 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 34 / 3 / 30 shade: CMYK 0 / 36 / 9 / 28, CMYK 0 / 32 / 7 / 21, CMYK 0 / 29 / 6 / 15, CMYK 0 / 27 / 4 / 8 and CMYK 0 / 25 / 3 / 1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 34 / 3 / 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 34 / 3 / 30 shade: CMYK 0 / 34 / 3 / 30, CMYK 0 / 38 / 5 / 36, CMYK 0 / 43 / 7 / 43, CMYK 0 / 50 / 9 / 50 and CMYK 0 / 59 / 13 / 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 34 / 3 / 30 shade: CMYK 0 / 35 / 3 / 30, CMYK 0 / 35 / 12 / 30, CMYK 0 / 35 / 22 / 30, CMYK 0 / 35 / 31 / 30 and CMYK 0 / 35 / 35 / 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 34 / 3 / 30 shade: CMYK 0 / 35 / 3 / 30, CMYK 6 / 35 / 0 / 30, CMYK 15 / 35 / 0 / 30, CMYK 25 / 35 / 0 / 30 and CMYK 34 / 35 / 0 / 30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 34 / 3 / 30 shade matches the following richer shades: CMYK 0 / 35 / 3 / 30, CMYK 0 / 49 / 5 / 23, CMYK 0 / 62 / 6 / 16, CMYK 0 / 72 / 7 / 10 and CMYK 0 / 81 / 8 / 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 34 / 3 / 30 shade: CMYK 0 / 35 / 3 / 30, CMYK 0 / 17 / 2 / 37, CMYK 5 / 0 / 4 / 41, CMYK 25 / 0 / 22 / 34 and CMYK 41 / 0 / 37 / 27

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 34 / 3 / 30 shade: CMYK 15 / 35 / 0 / 30, CMYK 6 / 35 / 0 / 30, CMYK 0 / 35 / 3 / 30, CMYK 0 / 35 / 12 / 30 and CMYK 0 / 35 / 21 / 30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 34 / 3 / 30 shade: CMYK 0 / 45 / 4 / 46, CMYK 0 / 45 / 5 / 36, CMYK 0 / 35 / 3 / 30, CMYK 0 / 26 / 3 / 24 and CMYK 0 / 18 / 2 / 18

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 34 / 3 / 30 shade: CMYK 0 / 34 / 3 / 30, CMYK 0 / 25 / 35 / 30 and CMYK 35 / 0 / 11 / 30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 34 / 3 / 30 shade: CMYK 0 / 34 / 3 / 30, CMYK 3 / 0 / 35 / 30 and CMYK 35 / 3 / 0 / 30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 34 / 3 / 30 shade: CMYK 0 / 34 / 3 / 30, CMYK 0 / 25 / 35 / 30, CMYK 35 / 0 / 31 / 30 and CMYK 35 / 10 / 0 / 30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 34 / 3 / 30 shade: CMYK 0 / 34 / 3 / 30, CMYK 0 / 14 / 35 / 30, CMYK 35 / 0 / 31 / 30 and CMYK 35 / 20 / 0 / 30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 3 / 30

HEX #B376AD

RGB 179 118 173

HSL 305.9, 0.29%, 0.58%

LAB 57.61, 32.73, -19.53

 

Complementary color

CMYK 45 / 0 / 40 / 46

HEX #4C8952

RGB 76 137 82

HSL 125.9, 0.29%, 0.42%

LAB 51.88, -32.03, 23.49

 

CMYK 0 / 36 / 9 / 28

HEX #B876A8

RGB 184 118 168

HSL 314.55, 0.32%, 0.59%

LAB 58.01, 33.51, -15.99

 

CMYK 0 / 32 / 7 / 21

HEX #C988BB

RGB 201 136 187

HSL 312.92, 0.38%, 0.66%

LAB 64.65, 32.77, -16.56

 

CMYK 0 / 29 / 6 / 15

HEX #DA9ACE

RGB 218 154 206

HSL 311.25, 0.46%, 0.73%

LAB 71.2, 32.07, -17.08

 

CMYK 0 / 27 / 4 / 8

HEX #EBACE1

RGB 235 172 225

HSL 309.52, 0.61%, 0.8%

LAB 77.64, 31.41, -17.57

 

CMYK 0 / 25 / 3 / 1

HEX #FCBEF4

RGB 252 190 244

HSL 307.74, 0.91%, 0.87%

LAB 83.99, 30.8, -18.04

 

CMYK 0 / 34 / 3 / 30

HEX #B376AD

RGB 179 118 173

HSL 305.9, 0.29%, 0.58%

LAB 57.61, 32.73, -19.53

 

CMYK 0 / 38 / 5 / 36

HEX #A2649A

RGB 162 100 154

HSL 307.74, 0.25%, 0.51%

LAB 50.84, 33.5, -19.01

 

CMYK 0 / 43 / 7 / 43

HEX #915287

RGB 145 82 135

HSL 309.52, 0.28%, 0.45%

LAB 43.95, 34.29, -18.42

 

CMYK 0 / 50 / 9 / 50

HEX #804074

RGB 128 64 116

HSL 311.25, 0.33%, 0.38%

LAB 36.96, 35.07, -17.69

 

CMYK 0 / 59 / 13 / 56

HEX #6F2E61

RGB 111 46 97

HSL 312.92, 0.41%, 0.31%

LAB 29.9, 35.72, -16.73

 

CMYK 0 / 35 / 3 / 30

HEX #B274AC

RGB 178 116 172

HSL 305.81, 0.29%, 0.58%

LAB 57.01, 33.32, -19.88

 

CMYK 0 / 35 / 12 / 30

HEX #B2749C

RGB 178 116 156

HSL 321.29, 0.29%, 0.58%

LAB 56.44, 30.46, -11.5

 

CMYK 0 / 35 / 22 / 30

HEX #B2748B

RGB 178 116 139

HSL 337.74, 0.29%, 0.58%

LAB 55.91, 27.69, -2.42

 

CMYK 0 / 35 / 31 / 30

HEX #B2747A

RGB 178 116 122

HSL 354.19, 0.29%, 0.58%

LAB 55.44, 25.22, 6.82

 

CMYK 0 / 35 / 35 / 30

HEX #B27474

RGB 178 116 116

HSL 0, 0.29%, 0.58%

LAB 55.29, 24.43, 10.11

 

CMYK 0 / 35 / 3 / 30

HEX #B274AC

RGB 178 116 172

HSL 305.81, 0.29%, 0.58%

LAB 57.01, 33.32, -19.88

 

CMYK 6 / 35 / 0 / 30

HEX #A874B2

RGB 168 116 178

HSL 290.32, 0.29%, 0.58%

LAB 56.12, 31.2, -24.8

 

CMYK 15 / 35 / 0 / 30

HEX #9774B2

RGB 151 116 178

HSL 273.87, 0.29%, 0.58%

LAB 54.33, 25.73, -27.72

 

CMYK 25 / 35 / 0 / 30

HEX #8674B2

RGB 134 116 178

HSL 257.42, 0.29%, 0.58%

LAB 52.7, 20.4, -30.37

 

CMYK 34 / 35 / 0 / 30

HEX #7674B2

RGB 118 116 178

HSL 241.94, 0.29%, 0.58%

LAB 51.33, 15.61, -32.61

 

CMYK 0 / 35 / 3 / 30

HEX #B274AC

RGB 178 116 172

HSL 305.81, 0.29%, 0.58%

LAB 57.01, 33.32, -19.88

 

CMYK 0 / 49 / 5 / 23

HEX #C463BA

RGB 196 99 186

HSL 306.19, 0.45%, 0.58%

LAB 56.29, 50.46, -28.86

 

CMYK 0 / 62 / 6 / 16

HEX #D552C8

RGB 213 82 200

HSL 305.95, 0.61%, 0.58%

LAB 56.44, 65.2, -36.47

 

CMYK 0 / 72 / 7 / 10

HEX #E640D6

RGB 230 64 214

HSL 305.78, 0.77%, 0.58%

LAB 57.41, 77.85, -42.74

 

CMYK 0 / 81 / 8 / 3

HEX #F82FE4

RGB 248 47 228

HSL 305.97, 0.93%, 0.58%

LAB 59.52, 87.92, -47.13

 

CMYK 0 / 35 / 3 / 30

HEX #B274AC

RGB 178 116 172

HSL 305.81, 0.29%, 0.58%

LAB 57.01, 33.32, -19.88

 

CMYK 0 / 17 / 2 / 37

HEX #A1869E

RGB 161 134 158

HSL 306.67, 0.13%, 0.58%

LAB 59.06, 14.58, -8.91

 

CMYK 5 / 0 / 4 / 41

HEX #909791

RGB 144 151 145

HSL 128.57, 0.03%, 0.58%

LAB 61.75, -3.7, 2.27

 

CMYK 25 / 0 / 22 / 34

HEX #7EA883

RGB 126 168 131

HSL 127.14, 0.19%, 0.58%

LAB 65.03, -21.77, 14.6

 

CMYK 41 / 0 / 37 / 27

HEX #6DBA75

RGB 109 186 117

HSL 126.23, 0.36%, 0.58%

LAB 69.22, -38.34, 27.73

 

CMYK 15 / 35 / 0 / 30

HEX #9774B2

RGB 151 116 178

HSL 273.87, 0.29%, 0.58%

LAB 54.33, 25.73, -27.72

 

CMYK 6 / 35 / 0 / 30

HEX #A774B2

RGB 167 116 178

HSL 289.35, 0.29%, 0.58%

LAB 56.01, 30.87, -24.98

 

CMYK 0 / 35 / 3 / 30

HEX #B274AD

RGB 178 116 173

HSL 304.84, 0.29%, 0.58%

LAB 57.05, 33.51, -20.4

 

CMYK 0 / 35 / 12 / 30

HEX #B2749D

RGB 178 116 157

HSL 320.32, 0.29%, 0.58%

LAB 56.48, 30.63, -12.03

 

CMYK 0 / 35 / 21 / 30

HEX #B2748C

RGB 178 116 140

HSL 336.77, 0.29%, 0.58%

LAB 55.94, 27.84, -2.95

 

CMYK 0 / 45 / 4 / 46

HEX #894B83

RGB 137 75 131

HSL 305.81, 0.29%, 0.42%

LAB 41.2, 34.77, -20.31

 

CMYK 0 / 45 / 5 / 36

HEX #A45A9C

RGB 164 90 156

HSL 306.49, 0.29%, 0.5%

LAB 49.01, 39.99, -22.97

 

CMYK 0 / 35 / 3 / 30

HEX #B274AC

RGB 178 116 172

HSL 305.81, 0.29%, 0.58%

LAB 57.01, 33.32, -19.88

 

CMYK 0 / 26 / 3 / 24

HEX #C18FBC

RGB 193 143 188

HSL 306, 0.29%, 0.66%

LAB 65.45, 26.4, -16.01

 

CMYK 0 / 18 / 2 / 18

HEX #D0AACC

RGB 208 170 204

HSL 306.32, 0.29%, 0.74%

LAB 73.88, 19.64, -12.04

 

CMYK 0 / 34 / 3 / 30

HEX #B376AD

RGB 179 118 173

HSL 305.9, 0.29%, 0.58%

LAB 57.61, 32.73, -19.53

 

CMYK 0 / 25 / 35 / 30

HEX #B28674

RGB 178 134 116

HSL 17.42, 0.29%, 0.58%

LAB 59.69, 14.34, 16.24

 

CMYK 35 / 0 / 11 / 30

HEX #74B29F

RGB 116 178 159

HSL 161.61, 0.29%, 0.58%

LAB 68.06, -24.26, 3.39

 

CMYK 0 / 34 / 3 / 30

HEX #B376AD

RGB 179 118 173

HSL 305.9, 0.29%, 0.58%

LAB 57.61, 32.73, -19.53

 

CMYK 3 / 0 / 35 / 30

HEX #ADB274

RGB 173 178 116

HSL 64.84, 0.29%, 0.58%

LAB 70.86, -11.62, 31.15

 

CMYK 35 / 3 / 0 / 30

HEX #74ADB2

RGB 116 173 178

HSL 184.84, 0.29%, 0.58%

LAB 67.14, -17.23, -8.49

 

CMYK 0 / 34 / 3 / 30

HEX #B376AD

RGB 179 118 173

HSL 305.9, 0.29%, 0.58%

LAB 57.61, 32.73, -19.53

 

CMYK 0 / 25 / 35 / 30

HEX #B28674

RGB 178 134 116

HSL 17.42, 0.29%, 0.58%

LAB 59.69, 14.34, 16.24

 

CMYK 35 / 0 / 31 / 30

HEX #74B27A

RGB 116 178 122

HSL 125.81, 0.29%, 0.58%

LAB 67.25, -31.62, 22.48

 

CMYK 35 / 10 / 0 / 30

HEX #74A1B2

RGB 116 161 178

HSL 196.45, 0.29%, 0.58%

LAB 63.69, -10.85, -13.66

 

CMYK 0 / 34 / 3 / 30

HEX #B376AD

RGB 179 118 173

HSL 305.9, 0.29%, 0.58%

LAB 57.61, 32.73, -19.53

 

CMYK 0 / 14 / 35 / 30

HEX #B29974

RGB 178 153 116

HSL 35.81, 0.29%, 0.58%

LAB 64.57, 3.79, 22.89

 

CMYK 35 / 0 / 31 / 30

HEX #74B27A

RGB 116 178 122

HSL 125.81, 0.29%, 0.58%

LAB 67.25, -31.62, 22.48

 

CMYK 35 / 20 / 0 / 30

HEX #748EB2

RGB 116 142 178

HSL 214.84, 0.29%, 0.58%

LAB 58.3, -0.26, -21.84

 

Description

Color code: CMYK 0 / 34 / 3 / 30 | qconv.com Color code: CMYK 0 / 34 / 3 / 30 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 118 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 118 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 3 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 3% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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