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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 37 / 82 / 2 it is the complementary color CMYK 98 / 53 / 0 / 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 37 / 82 / 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 37 / 82 / 2 shade: CMYK 0 / 38 / 84 / 0, CMYK 0 / 31 / 77 / 0, CMYK 0 / 24 / 69 / 0, CMYK 0 / 17 / 62 / 0 and CMYK 0 / 10 / 55 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 37 / 82 / 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 37 / 82 / 2 shade: CMYK 0 / 37 / 82 / 2, CMYK 0 / 40 / 89 / 9, CMYK 0 / 44 / 97 / 15, CMYK 0 / 48 / 100 / 22 and CMYK 0 / 53 / 100 / 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 37 / 82 / 2 shade: CMYK 0 / 37 / 82 / 2, CMYK 0 / 59 / 82 / 2, CMYK 0 / 81 / 82 / 2 and CMYK 0 / 82 / 82 / 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 37 / 82 / 2 shade: CMYK 0 / 37 / 82 / 2, CMYK 0 / 15 / 82 / 2, CMYK 7 / 0 / 82 / 2, CMYK 29 / 0 / 82 / 2 and CMYK 51 / 0 / 82 / 2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 37 / 82 / 2 shade matches the following richer shades: CMYK 0 / 37 / 82 / 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 37 / 82 / 2 shade: CMYK 0 / 37 / 82 / 2, CMYK 0 / 33 / 73 / 9, CMYK 0 / 28 / 63 / 16, CMYK 0 / 23 / 50 / 23 and CMYK 0 / 17 / 36 / 29

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 37 / 82 / 2 shade: CMYK 0 / 82 / 82 / 2, CMYK 0 / 60 / 82 / 2, CMYK 0 / 38 / 82 / 2, CMYK 0 / 16 / 82 / 2 and CMYK 5 / 0 / 82 / 2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 37 / 82 / 2 shade: CMYK 0 / 44 / 98 / 19, CMYK 0 / 44 / 98 / 3, CMYK 0 / 37 / 82 / 2, CMYK 0 / 30 / 66 / 2 and CMYK 0 / 23 / 50 / 2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 37 / 82 / 2 shade: CMYK 0 / 37 / 82 / 2, CMYK 60 / 0 / 82 / 2 and CMYK 71 / 82 / 0 / 2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 37 / 82 / 2 shade: CMYK 0 / 37 / 82 / 2, CMYK 82 / 0 / 38 / 2 and CMYK 38 / 82 / 0 / 2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 37 / 82 / 2 shade: CMYK 0 / 37 / 82 / 2, CMYK 60 / 0 / 82 / 2, CMYK 82 / 43 / 0 / 2 and CMYK 22 / 82 / 0 / 2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 37 / 82 / 2 shade: CMYK 0 / 37 / 82 / 2, CMYK 82 / 0 / 79 / 2, CMYK 82 / 43 / 0 / 2 and CMYK 0 / 82 / 3 / 2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 82 / 2

HEX #FA9D2D

RGB 250 157 45

HSL 32.78, 0.95%, 0.58%

LAB 72.65, 26.73, 67.84

 

Complementary color

CMYK 98 / 53 / 0 / 18

HEX #0562D2

RGB 5 98 210

HSL 212.78, 0.95%, 0.42%

LAB 43.39, 20.45, -64.01

 

CMYK 0 / 38 / 84 / 0

HEX #FF9D28

RGB 255 157 40

HSL 32.65, 1%, 0.58%

LAB 73.24, 28.65, 70.21

 

CMYK 0 / 31 / 77 / 0

HEX #FFAF3B

RGB 255 175 59

HSL 35.51, 1%, 0.62%

LAB 77.42, 19.85, 67.37

 

CMYK 0 / 24 / 69 / 0

HEX #FFC14E

RGB 255 193 78

HSL 38.98, 1%, 0.65%

LAB 81.81, 11.3, 64.15

 

CMYK 0 / 17 / 62 / 0

HEX #FFD361

RGB 255 211 97

HSL 43.29, 1%, 0.69%

LAB 86.36, 3.09, 60.83

 

CMYK 0 / 10 / 55 / 0

HEX #FFE574

RGB 255 229 116

HSL 48.78, 1%, 0.73%

LAB 91.03, -4.7, 57.56

 

CMYK 0 / 37 / 82 / 2

HEX #FA9D2D

RGB 250 157 45

HSL 32.78, 0.95%, 0.58%

LAB 72.65, 26.73, 67.84

 

CMYK 0 / 40 / 89 / 9

HEX #E98B1A

RGB 233 139 26

HSL 32.75, 0.82%, 0.51%

LAB 66.42, 28.67, 67.58

 

CMYK 0 / 44 / 97 / 15

HEX #D87907

RGB 216 121 7

HSL 32.73, 0.94%, 0.44%

LAB 60.15, 30.82, 65.9

 

CMYK 0 / 48 / 100 / 22

HEX #C76700

RGB 199 103 0

HSL 31.06, 1%, 0.39%

LAB 53.86, 33.16, 61.99

 

CMYK 0 / 53 / 100 / 29

HEX #B65500

RGB 182 85 0

HSL 28.02, 1%, 0.36%

LAB 47.55, 35.57, 56.92

 

CMYK 0 / 37 / 82 / 2

HEX #F99D2E

RGB 249 157 46

HSL 32.81, 0.94%, 0.58%

LAB 72.53, 26.34, 67.35

 

CMYK 0 / 59 / 82 / 2

HEX #F9662E

RGB 249 102 46

HSL 16.55, 0.94%, 0.58%

LAB 61.52, 53.58, 57.5

 

CMYK 0 / 81 / 82 / 2

HEX #F92F2E

RGB 249 47 46

HSL 0.3, 0.94%, 0.58%

LAB 54.42, 72.96, 50.93

 

CMYK 0 / 82 / 82 / 2

HEX #F92E2E

RGB 249 46 46

HSL 0, 0.94%, 0.58%

LAB 54.33, 73.2, 50.86

 

CMYK 0 / 37 / 82 / 2

HEX #F99D2E

RGB 249 157 46

HSL 32.81, 0.94%, 0.58%

LAB 72.53, 26.34, 67.35

 

CMYK 0 / 15 / 82 / 2

HEX #F9D42E

RGB 249 212 46

HSL 49.06, 0.94%, 0.58%

LAB 85.72, -2.25, 78.76

 

CMYK 7 / 0 / 82 / 2

HEX #E8F92E

RGB 232 249 46

HSL 65.02, 0.94%, 0.58%

LAB 93.93, -27.41, 85.22

 

CMYK 29 / 0 / 82 / 2

HEX #B1F92E

RGB 177 249 46

HSL 81.28, 0.94%, 0.58%

LAB 90.46, -48.62, 80.86

 

CMYK 51 / 0 / 82 / 2

HEX #7AF92E

RGB 122 249 46

HSL 97.54, 0.94%, 0.58%

LAB 88.01, -66.29, 77.75

 

CMYK 0 / 37 / 82 / 2

HEX #F99D2E

RGB 249 157 46

HSL 32.81, 0.94%, 0.58%

LAB 72.53, 26.34, 67.35

 

CMYK 0 / 37 / 82 / 2

HEX #F99D2E

RGB 249 157 46

HSL 32.81, 0.94%, 0.58%

LAB 72.53, 26.34, 67.35

 

CMYK 0 / 33 / 73 / 9

HEX #E89B3F

RGB 232 155 63

HSL 32.66, 0.79%, 0.58%

LAB 70.15, 20.95, 57.73

 

CMYK 0 / 28 / 63 / 16

HEX #D69A50

RGB 214 154 80

HSL 33.13, 0.62%, 0.58%

LAB 68.01, 14.86, 46.94

 

CMYK 0 / 23 / 50 / 23

HEX #C59862

RGB 197 152 98

HSL 32.73, 0.46%, 0.58%

LAB 65.91, 10.23, 34.75

 

CMYK 0 / 17 / 36 / 29

HEX #B49673

RGB 180 150 115

HSL 32.31, 0.3%, 0.58%

LAB 63.96, 6.13, 22.66

 

CMYK 0 / 82 / 82 / 2

HEX #F92E2E

RGB 249 46 46

HSL 0, 0.94%, 0.58%

LAB 54.33, 73.2, 50.86

 

CMYK 0 / 60 / 82 / 2

HEX #F9642E

RGB 249 100 46

HSL 15.96, 0.94%, 0.58%

LAB 61.18, 54.47, 57.19

 

CMYK 0 / 38 / 82 / 2

HEX #F99A2E

RGB 249 154 46

HSL 31.92, 0.94%, 0.58%

LAB 71.86, 27.91, 66.76

 

CMYK 0 / 16 / 82 / 2

HEX #F9D02E

RGB 249 208 46

HSL 47.88, 0.94%, 0.58%

LAB 84.71, -0.21, 77.91

 

CMYK 5 / 0 / 82 / 2

HEX #ECF92E

RGB 236 249 46

HSL 63.84, 0.94%, 0.58%

LAB 94.22, -25.79, 85.59

 

CMYK 0 / 44 / 98 / 19

HEX #CF7405

RGB 207 116 5

HSL 32.97, 0.95%, 0.42%

LAB 57.82, 29.68, 64.1

 

CMYK 0 / 44 / 98 / 3

HEX #F88A06

RGB 248 138 6

HSL 32.73, 0.95%, 0.5%

LAB 68.13, 35.09, 73.36

 

CMYK 0 / 37 / 82 / 2

HEX #F99D2E

RGB 249 157 46

HSL 32.81, 0.94%, 0.58%

LAB 72.53, 26.34, 67.35

 

CMYK 0 / 30 / 66 / 2

HEX #FAB056

RGB 250 176 86

HSL 32.93, 0.94%, 0.66%

LAB 77.31, 18.54, 55.63

 

CMYK 0 / 23 / 50 / 2

HEX #FBC27E

RGB 251 194 126

HSL 32.64, 0.94%, 0.74%

LAB 82.16, 12.47, 41.88

 

CMYK 0 / 37 / 82 / 2

HEX #FA9D2D

RGB 250 157 45

HSL 32.78, 0.95%, 0.58%

LAB 72.65, 26.73, 67.84

 

CMYK 60 / 0 / 82 / 2

HEX #64F92E

RGB 100 249 46

HSL 104.04, 0.94%, 0.58%

LAB 87.32, -71.82, 76.87

 

CMYK 71 / 82 / 0 / 2

HEX #492EF9

RGB 73 46 249

HSL 247.98, 0.94%, 0.58%

LAB 38.22, 67.73, -94.56

 

CMYK 0 / 37 / 82 / 2

HEX #FA9D2D

RGB 250 157 45

HSL 32.78, 0.95%, 0.58%

LAB 72.65, 26.73, 67.84

 

CMYK 82 / 0 / 38 / 2

HEX #2EF99A

RGB 46 249 154

HSL 151.92, 0.94%, 0.58%

LAB 87.32, -68.07, 32.48

 

CMYK 38 / 82 / 0 / 2

HEX #9A2EF9

RGB 154 46 249

HSL 271.92, 0.94%, 0.58%

LAB 46.53, 76.13, -80.57

 

CMYK 0 / 37 / 82 / 2

HEX #FA9D2D

RGB 250 157 45

HSL 32.78, 0.95%, 0.58%

LAB 72.65, 26.73, 67.84

 

CMYK 60 / 0 / 82 / 2

HEX #64F92E

RGB 100 249 46

HSL 104.04, 0.94%, 0.58%

LAB 87.32, -71.82, 76.87

 

CMYK 82 / 43 / 0 / 2

HEX #2E8DF9

RGB 46 141 249

HSL 211.92, 0.94%, 0.58%

LAB 58.48, 10.66, -61.53

 

CMYK 22 / 82 / 0 / 2

HEX #C32EF9

RGB 195 46 249

HSL 284.04, 0.94%, 0.58%

LAB 52.28, 82.18, -70.95

 

CMYK 0 / 37 / 82 / 2

HEX #FA9D2D

RGB 250 157 45

HSL 32.78, 0.95%, 0.58%

LAB 72.65, 26.73, 67.84

 

CMYK 82 / 0 / 79 / 2

HEX #2EF934

RGB 46 249 52

HSL 121.77, 0.94%, 0.58%

LAB 86.3, -80.44, 73.98

 

CMYK 82 / 43 / 0 / 2

HEX #2E8DF9

RGB 46 141 249

HSL 211.92, 0.94%, 0.58%

LAB 58.48, 10.66, -61.53

 

CMYK 0 / 82 / 3 / 2

HEX #F92EF2

RGB 249 46 242

HSL 302.07, 0.94%, 0.58%

LAB 60.34, 90.28, -53.64

 

Description

Color code: CMYK 0 / 37 / 82 / 2 | qconv.com Color code: CMYK 0 / 37 / 82 / 2 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 157 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 157 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 82 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 82% 2% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

25% - Google 推出自家產品專屬縮網址服務...
Link: http://techorange.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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