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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 32 / 34 / 27 it is the complementary color CMYK 48 / 3 / 0 / 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 32 / 34 / 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 32 / 34 / 27 shade: CMYK 0 / 34 / 38 / 25, CMYK 0 / 30 / 34 / 18, CMYK 0 / 28 / 31 / 12, CMYK 0 / 25 / 28 / 5 and CMYK 0 / 22 / 24 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 32 / 34 / 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 32 / 34 / 27 shade: CMYK 0 / 32 / 34 / 27, CMYK 0 / 36 / 38 / 34, CMYK 0 / 40 / 44 / 40, CMYK 0 / 46 / 51 / 47 and CMYK 0 / 53 / 60 / 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 32 / 34 / 27 shade: CMYK 0 / 31 / 33 / 27 and CMYK 0 / 33 / 33 / 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 32 / 34 / 27 shade: CMYK 0 / 31 / 33 / 27, CMYK 0 / 22 / 33 / 27, CMYK 0 / 13 / 33 / 27, CMYK 0 / 4 / 33 / 27 and CMYK 5 / 0 / 33 / 27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 32 / 34 / 27 shade matches the following richer shades: CMYK 0 / 31 / 33 / 27, CMYK 0 / 44 / 47 / 21, CMYK 0 / 54 / 58 / 15, CMYK 0 / 63 / 68 / 8 and CMYK 0 / 71 / 76 / 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 32 / 34 / 27 shade: CMYK 0 / 31 / 33 / 27, CMYK 0 / 16 / 18 / 33, CMYK 1 / 0 / 0 / 39, CMYK 20 / 1 / 0 / 33 and CMYK 35 / 3 / 0 / 26

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 32 / 34 / 27 shade: CMYK 0 / 33 / 17 / 27, CMYK 0 / 33 / 26 / 27, CMYK 0 / 32 / 33 / 27, CMYK 0 / 23 / 33 / 27 and CMYK 0 / 14 / 33 / 27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 32 / 34 / 27 shade: CMYK 0 / 44 / 48 / 42, CMYK 0 / 41 / 44 / 33, CMYK 0 / 31 / 33 / 27, CMYK 0 / 23 / 25 / 22 and CMYK 0 / 15 / 17 / 16

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 32 / 34 / 27 shade: CMYK 0 / 32 / 34 / 27, CMYK 9 / 0 / 33 / 27 and CMYK 33 / 22 / 0 / 27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 32 / 34 / 27 shade: CMYK 0 / 32 / 34 / 27, CMYK 33 / 0 / 32 / 27 and CMYK 32 / 33 / 0 / 27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 32 / 34 / 27 shade: CMYK 0 / 32 / 34 / 27, CMYK 9 / 0 / 33 / 27, CMYK 33 / 2 / 0 / 27 and CMYK 25 / 33 / 0 / 27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 32 / 34 / 27 shade: CMYK 0 / 32 / 34 / 27, CMYK 18 / 0 / 33 / 27, CMYK 33 / 2 / 0 / 27 and CMYK 15 / 33 / 0 / 27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 34 / 27

HEX #BA7F7B

RGB 186 127 123

HSL 3.81, 0.31%, 0.61%

LAB 59.02, 22.34, 11.45

 

Complementary color

CMYK 48 / 3 / 0 / 48

HEX #458084

RGB 69 128 132

HSL 183.81, 0.31%, 0.39%

LAB 49.94, -18.06, -8.15

 

CMYK 0 / 34 / 38 / 25

HEX #BF7F76

RGB 191 127 118

HSL 7.4, 0.36%, 0.61%

LAB 59.49, 23.69, 15.06

 

CMYK 0 / 30 / 34 / 18

HEX #D09189

RGB 208 145 137

HSL 6.76, 0.43%, 0.68%

LAB 66.11, 22.8, 13.83

 

CMYK 0 / 28 / 31 / 12

HEX #E1A39C

RGB 225 163 156

HSL 6.09, 0.53%, 0.75%

LAB 72.63, 22.01, 12.72

 

CMYK 0 / 25 / 28 / 5

HEX #F2B5AF

RGB 242 181 175

HSL 5.37, 0.72%, 0.82%

LAB 79.05, 21.29, 11.7

 

CMYK 0 / 22 / 24 / 0

HEX #FFC7C2

RGB 255 199 194

HSL 4.92, 1%, 0.88%

LAB 85, 19.19, 10.15

 

CMYK 0 / 32 / 34 / 27

HEX #BA7F7B

RGB 186 127 123

HSL 3.81, 0.31%, 0.61%

LAB 59.02, 22.34, 11.45

 

CMYK 0 / 36 / 38 / 34

HEX #A96D68

RGB 169 109 104

HSL 4.62, 0.27%, 0.54%

LAB 52.25, 23.27, 12.7

 

CMYK 0 / 40 / 44 / 40

HEX #985B55

RGB 152 91 85

HSL 5.37, 0.28%, 0.46%

LAB 45.38, 24.32, 14.14

 

CMYK 0 / 46 / 51 / 47

HEX #874942

RGB 135 73 66

HSL 6.09, 0.34%, 0.39%

LAB 38.39, 25.51, 15.85

 

CMYK 0 / 53 / 60 / 54

HEX #76372F

RGB 118 55 47

HSL 6.76, 0.43%, 0.32%

LAB 31.32, 26.84, 17.96

 

CMYK 0 / 31 / 33 / 27

HEX #BA807C

RGB 186 128 124

HSL 3.87, 0.31%, 0.61%

LAB 59.28, 21.92, 11.24

 

CMYK 0 / 33 / 33 / 27

HEX #BA7C7C

RGB 186 124 124

HSL 0, 0.31%, 0.61%

LAB 58.33, 24.14, 9.9

 

CMYK 0 / 31 / 33 / 27

HEX #BA807C

RGB 186 128 124

HSL 3.87, 0.31%, 0.61%

LAB 59.28, 21.92, 11.24

 

CMYK 0 / 22 / 33 / 27

HEX #BA917C

RGB 186 145 124

HSL 20.32, 0.31%, 0.61%

LAB 63.46, 12.47, 17.07

 

CMYK 0 / 13 / 33 / 27

HEX #BAA17C

RGB 186 161 124

HSL 35.81, 0.31%, 0.61%

LAB 67.56, 3.68, 22.67

 

CMYK 0 / 4 / 33 / 27

HEX #BAB27C

RGB 186 178 124

HSL 52.26, 0.31%, 0.61%

LAB 72.05, -5.44, 28.67

 

CMYK 5 / 0 / 33 / 27

HEX #B1BA7C

RGB 177 186 124

HSL 68.71, 0.31%, 0.61%

LAB 73.49, -13.16, 30.44

 

CMYK 0 / 31 / 33 / 27

HEX #BA807C

RGB 186 128 124

HSL 3.87, 0.31%, 0.61%

LAB 59.28, 21.92, 11.24

 

CMYK 0 / 44 / 47 / 21

HEX #CA726C

RGB 202 114 108

HSL 3.83, 0.47%, 0.61%

LAB 57.73, 33.92, 18.58

 

CMYK 0 / 54 / 58 / 15

HEX #DA645C

RGB 218 100 92

HSL 3.81, 0.63%, 0.61%

LAB 56.87, 45.64, 27.05

 

CMYK 0 / 63 / 68 / 8

HEX #EA564C

RGB 234 86 76

HSL 3.8, 0.79%, 0.61%

LAB 56.75, 56.57, 36.52

 

CMYK 0 / 71 / 76 / 2

HEX #FA483C

RGB 250 72 60

HSL 3.79, 0.95%, 0.61%

LAB 57.35, 66.34, 46.68

 

CMYK 0 / 31 / 33 / 27

HEX #BA807C

RGB 186 128 124

HSL 3.87, 0.31%, 0.61%

LAB 59.28, 21.92, 11.24

 

CMYK 0 / 16 / 18 / 33

HEX #AA8E8C

RGB 170 142 140

HSL 4, 0.15%, 0.61%

LAB 61.47, 10.2, 5

 

CMYK 1 / 0 / 0 / 39

HEX #9A9C9C

RGB 154 156 156

HSL 180, 0.01%, 0.61%

LAB 64.2, -0.72, -0.26

 

CMYK 20 / 1 / 0 / 33

HEX #8AAAAC

RGB 138 170 172

HSL 183.53, 0.17%, 0.61%

LAB 67.38, -10.45, -4.66

 

CMYK 35 / 3 / 0 / 26

HEX #7AB8BD

RGB 122 184 189

HSL 184.48, 0.34%, 0.61%

LAB 70.93, -18.56, -8.87

 

CMYK 0 / 33 / 17 / 27

HEX #BA7C9A

RGB 186 124 154

HSL 330.97, 0.31%, 0.61%

LAB 59.15, 28.54, -6.21

 

CMYK 0 / 33 / 26 / 27

HEX #BA7C8A

RGB 186 124 138

HSL 346.45, 0.31%, 0.61%

LAB 58.69, 26.08, 2.34

 

CMYK 0 / 32 / 33 / 27

HEX #BA7F7C

RGB 186 127 124

HSL 2.9, 0.31%, 0.61%

LAB 59.04, 22.47, 10.9

 

CMYK 0 / 23 / 33 / 27

HEX #BA907C

RGB 186 144 124

HSL 19.35, 0.31%, 0.61%

LAB 63.21, 13.02, 16.72

 

CMYK 0 / 14 / 33 / 27

HEX #BAA07C

RGB 186 160 124

HSL 34.84, 0.31%, 0.61%

LAB 67.3, 4.22, 22.32

 

CMYK 0 / 44 / 48 / 42

HEX #95534E

RGB 149 83 78

HSL 4.23, 0.31%, 0.45%

LAB 42.95, 26.85, 15

 

CMYK 0 / 41 / 44 / 33

HEX #AC6661

RGB 172 102 97

HSL 4, 0.31%, 0.53%

LAB 50.85, 27.56, 14.93

 

CMYK 0 / 31 / 33 / 27

HEX #BA807C

RGB 186 128 124

HSL 3.87, 0.31%, 0.61%

LAB 59.28, 21.92, 11.24

 

CMYK 0 / 23 / 25 / 22

HEX #C89A97

RGB 200 154 151

HSL 3.67, 0.31%, 0.69%

LAB 67.74, 16.71, 8.19

 

CMYK 0 / 15 / 17 / 16

HEX #D6B5B2

RGB 214 181 178

HSL 5, 0.31%, 0.77%

LAB 76.41, 11.38, 5.94

 

CMYK 0 / 32 / 34 / 27

HEX #BA7F7B

RGB 186 127 123

HSL 3.81, 0.31%, 0.61%

LAB 59.02, 22.34, 11.45

 

CMYK 9 / 0 / 33 / 27

HEX #AABA7C

RGB 170 186 124

HSL 75.48, 0.31%, 0.61%

LAB 72.97, -15.88, 29.66

 

CMYK 33 / 22 / 0 / 27

HEX #7C92BA

RGB 124 146 186

HSL 218.71, 0.31%, 0.61%

LAB 60.24, 1.91, -23.36

 

CMYK 0 / 32 / 34 / 27

HEX #BA7F7B

RGB 186 127 123

HSL 3.81, 0.31%, 0.61%

LAB 59.02, 22.34, 11.45

 

CMYK 33 / 0 / 32 / 27

HEX #7CBA7F

RGB 124 186 127

HSL 122.9, 0.31%, 0.61%

LAB 70.13, -31.95, 23.77

 

CMYK 32 / 33 / 0 / 27

HEX #7F7CBA

RGB 127 124 186

HSL 242.9, 0.31%, 0.61%

LAB 54.52, 15.62, -32.17

 

CMYK 0 / 32 / 34 / 27

HEX #BA7F7B

RGB 186 127 123

HSL 3.81, 0.31%, 0.61%

LAB 59.02, 22.34, 11.45

 

CMYK 9 / 0 / 33 / 27

HEX #AABA7C

RGB 170 186 124

HSL 75.48, 0.31%, 0.61%

LAB 72.97, -15.88, 29.66

 

CMYK 33 / 2 / 0 / 27

HEX #7CB7BA

RGB 124 183 186

HSL 182.9, 0.31%, 0.61%

LAB 70.66, -18.23, -7.62

 

CMYK 25 / 33 / 0 / 27

HEX #8C7CBA

RGB 140 124 186

HSL 255.48, 0.31%, 0.61%

LAB 55.62, 19.51, -30.38

 

CMYK 0 / 32 / 34 / 27

HEX #BA7F7B

RGB 186 127 123

HSL 3.81, 0.31%, 0.61%

LAB 59.02, 22.34, 11.45

 

CMYK 18 / 0 / 33 / 27

HEX #98BA7C

RGB 152 186 124

HSL 92.9, 0.31%, 0.61%

LAB 71.72, -22.67, 27.78

 

CMYK 33 / 2 / 0 / 27

HEX #7CB7BA

RGB 124 183 186

HSL 182.9, 0.31%, 0.61%

LAB 70.66, -18.23, -7.62

 

CMYK 15 / 33 / 0 / 27

HEX #9E7CBA

RGB 158 124 186

HSL 272.9, 0.31%, 0.61%

LAB 57.3, 25.14, -27.65

 

Description

Color code: CMYK 0 / 32 / 34 / 27 | qconv.com Color code: CMYK 0 / 32 / 34 / 27 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 127 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 127 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 34 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 34% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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