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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 31 / 14 / 30 it is the complementary color CMYK 42 / 0 / 23 / 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 31 / 14 / 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 31 / 14 / 30 shade: CMYK 0 / 33 / 19 / 28, CMYK 0 / 30 / 16 / 21, CMYK 0 / 27 / 14 / 15, CMYK 0 / 25 / 12 / 8 and CMYK 0 / 23 / 11 / 1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 31 / 14 / 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 31 / 14 / 30 shade: CMYK 0 / 31 / 14 / 30, CMYK 0 / 35 / 17 / 36, CMYK 0 / 40 / 20 / 43, CMYK 0 / 46 / 24 / 50 and CMYK 0 / 54 / 30 / 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 31 / 14 / 30 shade: CMYK 0 / 31 / 14 / 30, CMYK 0 / 31 / 22 / 30, CMYK 0 / 31 / 31 / 30 and CMYK 0 / 31 / 31 / 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 31 / 14 / 30 shade: CMYK 0 / 31 / 14 / 30, CMYK 0 / 31 / 6 / 30, CMYK 3 / 31 / 0 / 30, CMYK 11 / 31 / 0 / 30 and CMYK 20 / 31 / 0 / 30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 31 / 14 / 30 shade matches the following richer shades: CMYK 0 / 31 / 14 / 30, CMYK 0 / 46 / 21 / 24, CMYK 0 / 58 / 26 / 17, CMYK 0 / 69 / 31 / 10 and CMYK 0 / 78 / 35 / 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 31 / 14 / 30 shade: CMYK 0 / 31 / 14 / 30, CMYK 0 / 14 / 6 / 37, CMYK 8 / 0 / 4 / 39, CMYK 26 / 0 / 14 / 33 and CMYK 41 / 0 / 23 / 26

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 31 / 14 / 30 shade: CMYK 3 / 31 / 0 / 30, CMYK 0 / 31 / 5 / 30, CMYK 0 / 31 / 13 / 30, CMYK 0 / 31 / 22 / 30 and CMYK 0 / 31 / 30 / 30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 31 / 14 / 30 shade: CMYK 0 / 43 / 19 / 46, CMYK 0 / 41 / 18 / 36, CMYK 0 / 31 / 14 / 30, CMYK 0 / 23 / 10 / 24 and CMYK 0 / 16 / 7 / 18

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 31 / 14 / 30 shade: CMYK 0 / 31 / 14 / 30, CMYK 0 / 12 / 31 / 30 and CMYK 31 / 1 / 0 / 30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 31 / 14 / 30 shade: CMYK 0 / 31 / 14 / 30, CMYK 13 / 0 / 31 / 30 and CMYK 31 / 13 / 0 / 30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 31 / 14 / 30 shade: CMYK 0 / 31 / 14 / 30, CMYK 0 / 12 / 31 / 30, CMYK 31 / 0 / 18 / 30 and CMYK 31 / 20 / 0 / 30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 31 / 14 / 30 shade: CMYK 0 / 31 / 14 / 30, CMYK 0 / 2 / 31 / 30, CMYK 31 / 0 / 18 / 30 and CMYK 31 / 30 / 0 / 30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 14 / 30

HEX #B37B9A

RGB 179 123 154

HSL 326.79, 0.27%, 0.59%

LAB 58.12, 26.57, -7.83

 

Complementary color

CMYK 42 / 0 / 23 / 48

HEX #4C8465

RGB 76 132 101

HSL 146.79, 0.27%, 0.41%

LAB 50.66, -25.94, 11.05

 

CMYK 0 / 33 / 19 / 28

HEX #B87B95

RGB 184 123 149

HSL 334.43, 0.3%, 0.6%

LAB 58.53, 27.57, -4.26

 

CMYK 0 / 30 / 16 / 21

HEX #C98DA8

RGB 201 141 168

HSL 333, 0.36%, 0.67%

LAB 65.2, 26.83, -5.04

 

CMYK 0 / 27 / 14 / 15

HEX #DA9FBB

RGB 218 159 187

HSL 331.53, 0.44%, 0.74%

LAB 71.75, 26.15, -5.75

 

CMYK 0 / 25 / 12 / 8

HEX #EBB1CE

RGB 235 177 206

HSL 330, 0.59%, 0.81%

LAB 78.21, 25.52, -6.42

 

CMYK 0 / 23 / 11 / 1

HEX #FCC3E1

RGB 252 195 225

HSL 328.42, 0.9%, 0.88%

LAB 84.57, 24.94, -7.04

 

CMYK 0 / 31 / 14 / 30

HEX #B37B9A

RGB 179 123 154

HSL 326.79, 0.27%, 0.59%

LAB 58.12, 26.57, -7.83

 

CMYK 0 / 35 / 17 / 36

HEX #A26987

RGB 162 105 135

HSL 328.42, 0.23%, 0.52%

LAB 51.31, 27.34, -7.09

 

CMYK 0 / 40 / 20 / 43

HEX #915774

RGB 145 87 116

HSL 330, 0.25%, 0.45%

LAB 44.37, 28.17, -6.25

 

CMYK 0 / 46 / 24 / 50

HEX #804561

RGB 128 69 97

HSL 331.53, 0.3%, 0.39%

LAB 37.31, 29.05, -5.25

 

CMYK 0 / 54 / 30 / 56

HEX #6F334E

RGB 111 51 78

HSL 333, 0.37%, 0.32%

LAB 30.15, 29.94, -4

 

CMYK 0 / 31 / 14 / 30

HEX #B27A99

RGB 178 122 153

HSL 326.79, 0.27%, 0.59%

LAB 57.74, 26.6, -7.83

 

CMYK 0 / 31 / 22 / 30

HEX #B27A8A

RGB 178 122 138

HSL 342.86, 0.27%, 0.59%

LAB 57.29, 24.18, 0.19

 

CMYK 0 / 31 / 31 / 30

HEX #B27A7B

RGB 178 122 123

HSL 358.93, 0.27%, 0.59%

LAB 56.89, 22, 8.31

 

CMYK 0 / 31 / 31 / 30

HEX #B27A7A

RGB 178 122 122

HSL 0, 0.27%, 0.59%

LAB 56.87, 21.87, 8.85

 

CMYK 0 / 31 / 14 / 30

HEX #B27A99

RGB 178 122 153

HSL 326.79, 0.27%, 0.59%

LAB 57.74, 26.6, -7.83

 

CMYK 0 / 31 / 6 / 30

HEX #B27AA8

RGB 178 122 168

HSL 310.71, 0.27%, 0.59%

LAB 58.24, 29.25, -15.72

 

CMYK 3 / 31 / 0 / 30

HEX #AD7AB2

RGB 173 122 178

HSL 294.64, 0.27%, 0.59%

LAB 58.05, 29.47, -21.78

 

CMYK 11 / 31 / 0 / 30

HEX #9E7AB2

RGB 158 122 178

HSL 278.57, 0.27%, 0.59%

LAB 56.49, 24.53, -24.32

 

CMYK 20 / 31 / 0 / 30

HEX #8E7AB2

RGB 142 122 178

HSL 261.43, 0.27%, 0.59%

LAB 54.95, 19.37, -26.82

 

CMYK 0 / 31 / 14 / 30

HEX #B27A99

RGB 178 122 153

HSL 326.79, 0.27%, 0.59%

LAB 57.74, 26.6, -7.83

 

CMYK 0 / 46 / 21 / 24

HEX #C3699B

RGB 195 105 155

HSL 326.67, 0.43%, 0.59%

LAB 56.16, 42.06, -11.13

 

CMYK 0 / 58 / 26 / 17

HEX #D4589D

RGB 212 88 157

HSL 326.61, 0.59%, 0.59%

LAB 55.49, 56.02, -13.06

 

CMYK 0 / 69 / 31 / 10

HEX #E5479E

RGB 229 71 158

HSL 326.96, 0.75%, 0.59%

LAB 55.72, 67.85, -13.04

 

CMYK 0 / 78 / 35 / 4

HEX #F636A0

RGB 246 54 160

HSL 326.88, 0.91%, 0.59%

LAB 56.85, 77.62, -12.22

 

CMYK 0 / 31 / 14 / 30

HEX #B27A99

RGB 178 122 153

HSL 326.79, 0.27%, 0.59%

LAB 57.74, 26.6, -7.83

 

CMYK 0 / 14 / 6 / 37

HEX #A18B97

RGB 161 139 151

HSL 327.27, 0.1%, 0.59%

LAB 60.14, 10.41, -3.32

 

CMYK 8 / 0 / 4 / 39

HEX #909C95

RGB 144 156 149

HSL 145, 0.06%, 0.59%

LAB 63.24, -5.66, 2.19

 

CMYK 26 / 0 / 14 / 33

HEX #7FAC94

RGB 127 172 148

HSL 148, 0.21%, 0.59%

LAB 66.64, -20.17, 7.5

 

CMYK 41 / 0 / 23 / 26

HEX #6FBD92

RGB 111 189 146

HSL 146.92, 0.37%, 0.59%

LAB 70.77, -33.79, 14.32

 

CMYK 3 / 31 / 0 / 30

HEX #AD7AB2

RGB 173 122 178

HSL 294.64, 0.27%, 0.59%

LAB 58.05, 29.47, -21.78

 

CMYK 0 / 31 / 5 / 30

HEX #B27AA9

RGB 178 122 169

HSL 309.64, 0.27%, 0.59%

LAB 58.27, 29.43, -16.24

 

CMYK 0 / 31 / 13 / 30

HEX #B27A9A

RGB 178 122 154

HSL 325.71, 0.27%, 0.59%

LAB 57.77, 26.77, -8.36

 

CMYK 0 / 31 / 22 / 30

HEX #B27A8B

RGB 178 122 139

HSL 341.79, 0.27%, 0.59%

LAB 57.32, 24.34, -0.35

 

CMYK 0 / 31 / 30 / 30

HEX #B27A7C

RGB 178 122 124

HSL 357.86, 0.27%, 0.59%

LAB 56.92, 22.14, 7.77

 

CMYK 0 / 43 / 19 / 46

HEX #8A4F70

RGB 138 79 112

HSL 326.44, 0.27%, 0.43%

LAB 41.48, 29.49, -8.22

 

CMYK 0 / 41 / 18 / 36

HEX #A36085

RGB 163 96 133

HSL 326.87, 0.27%, 0.51%

LAB 49.31, 32.41, -8.87

 

CMYK 0 / 31 / 14 / 30

HEX #B27A99

RGB 178 122 153

HSL 326.79, 0.27%, 0.59%

LAB 57.74, 26.6, -7.83

 

CMYK 0 / 23 / 10 / 24

HEX #C194AD

RGB 193 148 173

HSL 326.67, 0.27%, 0.67%

LAB 66.16, 20.94, -6.52

 

CMYK 0 / 16 / 7 / 18

HEX #D0AEC1

RGB 208 174 193

HSL 326.47, 0.27%, 0.75%

LAB 74.53, 15.49, -5.06

 

CMYK 0 / 31 / 14 / 30

HEX #B37B9A

RGB 179 123 154

HSL 326.79, 0.27%, 0.59%

LAB 58.12, 26.57, -7.83

 

CMYK 0 / 12 / 31 / 30

HEX #B29D7A

RGB 178 157 122

HSL 37.5, 0.27%, 0.59%

LAB 65.74, 2.38, 21.17

 

CMYK 31 / 1 / 0 / 30

HEX #7AB0B2

RGB 122 176 178

HSL 182.14, 0.27%, 0.59%

LAB 68.32, -17.1, -6.7

 

CMYK 0 / 31 / 14 / 30

HEX #B37B9A

RGB 179 123 154

HSL 326.79, 0.27%, 0.59%

LAB 58.12, 26.57, -7.83

 

CMYK 13 / 0 / 31 / 30

HEX #9AB27A

RGB 154 178 122

HSL 85.71, 0.27%, 0.59%

LAB 69.55, -18.19, 25.98

 

CMYK 31 / 13 / 0 / 30

HEX #7A9AB2

RGB 122 154 178

HSL 205.71, 0.27%, 0.59%

LAB 62.05, -5.26, -16.09

 

CMYK 0 / 31 / 14 / 30

HEX #B37B9A

RGB 179 123 154

HSL 326.79, 0.27%, 0.59%

LAB 58.12, 26.57, -7.83

 

CMYK 0 / 12 / 31 / 30

HEX #B29D7A

RGB 178 157 122

HSL 37.5, 0.27%, 0.59%

LAB 65.74, 2.38, 21.17

 

CMYK 31 / 0 / 18 / 30

HEX #7AB292

RGB 122 178 146

HSL 145.71, 0.27%, 0.59%

LAB 68.06, -25.2, 10.58

 

CMYK 31 / 20 / 0 / 30

HEX #7A8EB2

RGB 122 142 178

HSL 218.57, 0.27%, 0.59%

LAB 58.69, 1.51, -21.2

 

CMYK 0 / 31 / 14 / 30

HEX #B37B9A

RGB 179 123 154

HSL 326.79, 0.27%, 0.59%

LAB 58.12, 26.57, -7.83

 

CMYK 0 / 2 / 31 / 30

HEX #B2AE7A

RGB 178 174 122

HSL 55.71, 0.27%, 0.59%

LAB 70.28, -6.76, 27.27

 

CMYK 31 / 0 / 18 / 30

HEX #7AB292

RGB 122 178 146

HSL 145.71, 0.27%, 0.59%

LAB 68.06, -25.2, 10.58

 

CMYK 31 / 30 / 0 / 30

HEX #7A7DB2

RGB 122 125 178

HSL 236.79, 0.27%, 0.59%

LAB 54.05, 11.43, -28.35

 

Description

Color code: CMYK 0 / 31 / 14 / 30 | qconv.com Color code: CMYK 0 / 31 / 14 / 30 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 123 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 123 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 14 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 14% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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