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Color name
CMYK 0 / 31 / 67 / 53

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 31 / 67 / 53 it is the complementary color CMYK 37 / 20 / 0 / 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 31 / 67 / 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 31 / 67 / 53 shade: CMYK 0 / 34 / 72 / 51, CMYK 0 / 29 / 62 / 44, CMYK 0 / 25 / 54 / 38, CMYK 0 / 22 / 48 / 31 and CMYK 0 / 20 / 42 / 24

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 31 / 67 / 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 31 / 67 / 53 shade: CMYK 0 / 31 / 67 / 53, CMYK 0 / 37 / 80 / 60, CMYK 0 / 45 / 98 / 66, CMYK 0 / 58 / 100 / 73 and CMYK 0 / 79 / 100 / 80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 31 / 67 / 53 shade: CMYK 0 / 31 / 67 / 54, CMYK 0 / 49 / 67 / 54 and CMYK 0 / 67 / 67 / 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 31 / 67 / 53 shade: CMYK 0 / 31 / 67 / 54, CMYK 0 / 13 / 67 / 54, CMYK 5 / 0 / 67 / 54, CMYK 23 / 0 / 67 / 54 and CMYK 42 / 0 / 67 / 54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 31 / 67 / 53 shade matches the following richer shades: CMYK 0 / 31 / 67 / 54, CMYK 0 / 37 / 80 / 49, CMYK 0 / 42 / 91 / 44 and CMYK 0 / 46 / 99 / 39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 31 / 67 / 53 shade: CMYK 0 / 31 / 67 / 54, CMYK 0 / 23 / 50 / 59, CMYK 0 / 13 / 29 / 64, CMYK 0 / 1 / 4 / 69 and CMYK 26 / 13 / 0 / 65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 31 / 67 / 53 shade: CMYK 0 / 67 / 67 / 54, CMYK 0 / 49 / 67 / 54, CMYK 0 / 31 / 67 / 54, CMYK 0 / 14 / 67 / 54 and CMYK 4 / 0 / 67 / 54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 31 / 67 / 53 shade: CMYK 0 / 30 / 68 / 78, CMYK 0 / 31 / 67 / 66, CMYK 0 / 31 / 67 / 54, CMYK 0 / 31 / 67 / 42 and CMYK 0 / 31 / 67 / 29

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 31 / 67 / 53 shade: CMYK 0 / 31 / 67 / 53, CMYK 49 / 0 / 67 / 54 and CMYK 58 / 67 / 0 / 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 31 / 67 / 53 shade: CMYK 0 / 31 / 67 / 53, CMYK 67 / 0 / 31 / 54 and CMYK 31 / 67 / 0 / 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 31 / 67 / 53 shade: CMYK 0 / 31 / 67 / 53, CMYK 49 / 0 / 67 / 54, CMYK 67 / 36 / 0 / 54 and CMYK 18 / 67 / 0 / 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 31 / 67 / 53 shade: CMYK 0 / 31 / 67 / 53, CMYK 67 / 0 / 64 / 54, CMYK 67 / 36 / 0 / 54 and CMYK 0 / 67 / 3 / 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 67 / 53

HEX #785328

RGB 120 83 40

HSL 32.25, 0.5%, 0.31%

LAB 38.43, 10.66, 30.81

 

Complementary color

CMYK 37 / 20 / 0 / 16

HEX #87ACD7

RGB 135 172 215

HSL 212.25, 0.5%, 0.69%

LAB 69.16, -1.94, -25.77

 

CMYK 0 / 34 / 72 / 51

HEX #7D5323

RGB 125 83 35

HSL 32, 0.56%, 0.31%

LAB 39.02, 12.68, 34.28

 

CMYK 0 / 29 / 62 / 44

HEX #8E6536

RGB 142 101 54

HSL 32.05, 0.45%, 0.38%

LAB 46.08, 11.22, 32.74

 

CMYK 0 / 25 / 54 / 38

HEX #9F7749

RGB 159 119 73

HSL 32.09, 0.37%, 0.45%

LAB 53, 10.04, 31.2

 

CMYK 0 / 22 / 48 / 31

HEX #B0895C

RGB 176 137 92

HSL 32.14, 0.35%, 0.53%

LAB 59.79, 9.07, 29.75

 

CMYK 0 / 20 / 42 / 24

HEX #C19B6F

RGB 193 155 111

HSL 32.2, 0.4%, 0.6%

LAB 66.46, 8.25, 28.4

 

CMYK 0 / 31 / 67 / 53

HEX #785328

RGB 120 83 40

HSL 32.25, 0.5%, 0.31%

LAB 38.43, 10.66, 30.81

 

CMYK 0 / 37 / 80 / 60

HEX #674115

RGB 103 65 21

HSL 32.2, 0.66%, 0.24%

LAB 31.16, 12.33, 32.27

 

CMYK 0 / 45 / 98 / 66

HEX #562F02

RGB 86 47 2

HSL 32.14, 0.95%, 0.17%

LAB 23.72, 14.43, 32.66

 

CMYK 0 / 58 / 100 / 73

HEX #451D00

RGB 69 29 0

HSL 25.22, 1%, 0.14%

LAB 16.23, 17.22, 24.24

 

CMYK 0 / 79 / 100 / 80

HEX #340B00

RGB 52 11 0

HSL 12.69, 1%, 0.1%

LAB 8.73, 19.8, 13.54

 

CMYK 0 / 31 / 67 / 54

HEX #765227

RGB 118 82 39

HSL 32.66, 0.5%, 0.31%

LAB 37.9, 10.25, 30.68

 

CMYK 0 / 49 / 67 / 54

HEX #763C27

RGB 118 60 39

HSL 15.95, 0.5%, 0.31%

LAB 32.32, 23.37, 24.17

 

CMYK 0 / 67 / 67 / 54

HEX #762727

RGB 118 39 39

HSL 0, 0.5%, 0.31%

LAB 27.98, 34.59, 18.83

 

CMYK 0 / 31 / 67 / 54

HEX #765227

RGB 118 82 39

HSL 32.66, 0.5%, 0.31%

LAB 37.9, 10.25, 30.68

 

CMYK 0 / 13 / 67 / 54

HEX #766727

RGB 118 103 39

HSL 48.61, 0.5%, 0.31%

LAB 43.8, -2.21, 37.2

 

CMYK 5 / 0 / 67 / 54

HEX #707627

RGB 112 118 39

HSL 64.56, 0.5%, 0.31%

LAB 47.69, -13.46, 41.17

 

CMYK 23 / 0 / 67 / 54

HEX #5B7627

RGB 91 118 39

HSL 80.51, 0.5%, 0.31%

LAB 46.08, -22.75, 38.98

 

CMYK 42 / 0 / 67 / 54

HEX #457627

RGB 69 118 39

HSL 97.22, 0.5%, 0.31%

LAB 44.76, -31.49, 37.16

 

CMYK 0 / 31 / 67 / 54

HEX #765227

RGB 118 82 39

HSL 32.66, 0.5%, 0.31%

LAB 37.9, 10.25, 30.68

 

CMYK 0 / 37 / 80 / 49

HEX #83521A

RGB 131 82 26

HSL 32, 0.67%, 0.31%

LAB 39.47, 15.61, 39.36

 

CMYK 0 / 42 / 91 / 44

HEX #90530D

RGB 144 83 13

HSL 32.06, 0.83%, 0.31%

LAB 41.45, 20.58, 46.7

 

CMYK 0 / 46 / 99 / 39

HEX #9C5401

RGB 156 84 1

HSL 32.13, 0.99%, 0.31%

LAB 43.38, 25.15, 52.12

 

CMYK 0 / 31 / 67 / 54

HEX #765227

RGB 118 82 39

HSL 32.66, 0.5%, 0.31%

LAB 37.9, 10.25, 30.68

 

CMYK 0 / 23 / 50 / 59

HEX #695134

RGB 105 81 52

HSL 32.83, 0.34%, 0.31%

LAB 36.24, 5.93, 20.84

 

CMYK 0 / 13 / 29 / 64

HEX #5C5041

RGB 92 80 65

HSL 33.33, 0.17%, 0.31%

LAB 34.79, 2.33, 10.68

 

CMYK 0 / 1 / 4 / 69

HEX #504F4D

RGB 80 79 77

HSL 40, 0.02%, 0.31%

LAB 33.63, -0.01, 1.32

 

CMYK 26 / 13 / 0 / 65

HEX #434E5A

RGB 67 78 90

HSL 211.3, 0.15%, 0.31%

LAB 32.66, -1.3, -8.5

 

CMYK 0 / 67 / 67 / 54

HEX #762727

RGB 118 39 39

HSL 0, 0.5%, 0.31%

LAB 27.98, 34.59, 18.83

 

CMYK 0 / 49 / 67 / 54

HEX #763C27

RGB 118 60 39

HSL 15.95, 0.5%, 0.31%

LAB 32.32, 23.37, 24.17

 

CMYK 0 / 31 / 67 / 54

HEX #765127

RGB 118 81 39

HSL 31.9, 0.5%, 0.31%

LAB 37.63, 10.86, 30.37

 

CMYK 0 / 14 / 67 / 54

HEX #766627

RGB 118 102 39

HSL 47.85, 0.5%, 0.31%

LAB 43.51, -1.63, 36.89

 

CMYK 4 / 0 / 67 / 54

HEX #717627

RGB 113 118 39

HSL 63.8, 0.5%, 0.31%

LAB 47.77, -13, 41.28

 

CMYK 0 / 30 / 68 / 78

HEX #382712

RGB 56 39 18

HSL 33.16, 0.51%, 0.15%

LAB 17.16, 5.09, 16.81

 

CMYK 0 / 31 / 67 / 66

HEX #573C1D

RGB 87 60 29

HSL 32.07, 0.5%, 0.23%

LAB 27.7, 8.12, 23.56

 

CMYK 0 / 31 / 67 / 54

HEX #765227

RGB 118 82 39

HSL 32.66, 0.5%, 0.31%

LAB 37.9, 10.25, 30.68

 

CMYK 0 / 31 / 67 / 42

HEX #956731

RGB 149 103 49

HSL 32.4, 0.51%, 0.39%

LAB 47.38, 12.87, 37.11

 

CMYK 0 / 31 / 67 / 29

HEX #B47C3C

RGB 180 124 60

HSL 32, 0.5%, 0.47%

LAB 56.53, 15.43, 42.78

 

CMYK 0 / 31 / 67 / 53

HEX #785328

RGB 120 83 40

HSL 32.25, 0.5%, 0.31%

LAB 38.43, 10.66, 30.81

 

CMYK 49 / 0 / 67 / 54

HEX #3C7627

RGB 60 118 39

HSL 104.05, 0.5%, 0.31%

LAB 44.32, -34.61, 36.57

 

CMYK 58 / 67 / 0 / 54

HEX #322776

RGB 50 39 118

HSL 248.35, 0.5%, 0.31%

LAB 21.72, 28.58, -43.76

 

CMYK 0 / 31 / 67 / 53

HEX #785328

RGB 120 83 40

HSL 32.25, 0.5%, 0.31%

LAB 38.43, 10.66, 30.81

 

CMYK 67 / 0 / 31 / 54

HEX #277651

RGB 39 118 81

HSL 151.9, 0.5%, 0.31%

LAB 44.21, -33.32, 13.51

 

CMYK 31 / 67 / 0 / 54

HEX #512776

RGB 81 39 118

HSL 271.9, 0.5%, 0.31%

LAB 25.29, 35.44, -37.81

 

CMYK 0 / 31 / 67 / 53

HEX #785328

RGB 120 83 40

HSL 32.25, 0.5%, 0.31%

LAB 38.43, 10.66, 30.81

 

CMYK 49 / 0 / 67 / 54

HEX #3C7627

RGB 60 118 39

HSL 104.05, 0.5%, 0.31%

LAB 44.32, -34.61, 36.57

 

CMYK 67 / 36 / 0 / 54

HEX #274C76

RGB 39 76 118

HSL 211.9, 0.5%, 0.31%

LAB 31.6, 1.29, -27.95

 

CMYK 18 / 67 / 0 / 54

HEX #612776

RGB 97 39 118

HSL 284.05, 0.5%, 0.31%

LAB 27.57, 39.45, -34.01

 

CMYK 0 / 31 / 67 / 53

HEX #785328

RGB 120 83 40

HSL 32.25, 0.5%, 0.31%

LAB 38.43, 10.66, 30.81

 

CMYK 67 / 0 / 64 / 54

HEX #27762A

RGB 39 118 42

HSL 122.28, 0.5%, 0.31%

LAB 43.59, -40.19, 34.11

 

CMYK 67 / 36 / 0 / 54

HEX #274C76

RGB 39 76 118

HSL 211.9, 0.5%, 0.31%

LAB 31.6, 1.29, -27.95

 

CMYK 0 / 67 / 3 / 54

HEX #762773

RGB 118 39 115

HSL 302.28, 0.5%, 0.31%

LAB 30.74, 44.34, -26.87

 

Description

Color code: CMYK 0 / 31 / 67 / 53 | qconv.com Color code: CMYK 0 / 31 / 67 / 53 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 83 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 83 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 67 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 67% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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