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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 29 / 21 / 56 it is the complementary color CMYK 18 / 0 / 5 / 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 29 / 21 / 56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 29 / 21 / 56 shade: CMYK 0 / 32 / 28 / 54, CMYK 0 / 27 / 23 / 47, CMYK 0 / 23 / 19 / 41, CMYK 0 / 20 / 16 / 34 and CMYK 0 / 18 / 14 / 27

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 29 / 21 / 56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 29 / 21 / 56 shade: CMYK 0 / 29 / 21 / 56, CMYK 0 / 35 / 26 / 63, CMYK 0 / 44 / 35 / 69, CMYK 0 / 57 / 48 / 76 and CMYK 0 / 82 / 70 / 83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 29 / 21 / 56 shade: CMYK 0 / 29 / 21 / 56, CMYK 0 / 29 / 29 / 56 and CMYK 0 / 29 / 29 / 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 29 / 21 / 56 shade: CMYK 0 / 29 / 21 / 56, CMYK 0 / 29 / 13 / 56, CMYK 0 / 29 / 5 / 56, CMYK 3 / 29 / 0 / 56 and CMYK 11 / 29 / 0 / 56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 29 / 21 / 56 shade matches the following richer shades: CMYK 0 / 29 / 21 / 56, CMYK 0 / 50 / 36 / 49, CMYK 0 / 66 / 48 / 44, CMYK 0 / 79 / 57 / 37 and CMYK 0 / 90 / 65 / 31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 29 / 21 / 56 shade: CMYK 0 / 29 / 21 / 56, CMYK 0 / 1 / 1 / 62, CMYK 26 / 0 / 7 / 56, CMYK 48 / 0 / 13 / 50 and CMYK 65 / 0 / 18 / 44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 29 / 21 / 56 shade: CMYK 0 / 29 / 5 / 56, CMYK 0 / 29 / 13 / 56, CMYK 0 / 29 / 21 / 56, CMYK 0 / 29 / 29 / 56 and CMYK 0 / 22 / 29 / 56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 29 / 21 / 56 shade: CMYK 0 / 29 / 22 / 75, CMYK 0 / 29 / 21 / 65, CMYK 0 / 29 / 21 / 56, CMYK 0 / 29 / 21 / 46 and CMYK 0 / 25 / 18 / 38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 29 / 21 / 56 shade: CMYK 0 / 29 / 21 / 56, CMYK 0 / 3 / 29 / 56 and CMYK 29 / 10 / 0 / 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 29 / 21 / 56 shade: CMYK 0 / 29 / 21 / 56, CMYK 21 / 0 / 29 / 56 and CMYK 29 / 21 / 0 / 56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 29 / 21 / 56 shade: CMYK 0 / 29 / 21 / 56, CMYK 0 / 3 / 29 / 56, CMYK 29 / 0 / 8 / 56 and CMYK 29 / 27 / 0 / 56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 29 / 21 / 56 shade: CMYK 0 / 29 / 21 / 56, CMYK 6 / 0 / 29 / 56, CMYK 29 / 0 / 8 / 56 and CMYK 23 / 29 / 0 / 56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 21 / 56

HEX #705059

RGB 112 80 89

HSL 343.13, 0.17%, 0.38%

LAB 37.67, 14.92, 0.05

 

Complementary color

CMYK 18 / 0 / 5 / 31

HEX #8FAFA6

RGB 143 175 166

HSL 163.13, 0.17%, 0.62%

LAB 68.93, -12.76, 0.98

 

CMYK 0 / 32 / 28 / 54

HEX #755054

RGB 117 80 84

HSL 353.51, 0.19%, 0.39%

LAB 38.13, 16.16, 3.92

 

CMYK 0 / 27 / 23 / 47

HEX #866267

RGB 134 98 103

HSL 351.67, 0.16%, 0.45%

LAB 45.34, 15.37, 2.9

 

CMYK 0 / 23 / 19 / 41

HEX #97747A

RGB 151 116 122

HSL 349.71, 0.14%, 0.52%

LAB 52.37, 14.7, 2

 

CMYK 0 / 20 / 16 / 34

HEX #A8868D

RGB 168 134 141

HSL 347.65, 0.16%, 0.59%

LAB 59.25, 14.11, 1.19

 

CMYK 0 / 18 / 14 / 27

HEX #B998A0

RGB 185 152 160

HSL 345.45, 0.19%, 0.66%

LAB 65.99, 13.59, 0.43

 

CMYK 0 / 29 / 21 / 56

HEX #705059

RGB 112 80 89

HSL 343.13, 0.17%, 0.38%

LAB 37.67, 14.92, 0.05

 

CMYK 0 / 35 / 26 / 63

HEX #5F3E46

RGB 95 62 70

HSL 345.45, 0.21%, 0.31%

LAB 30.21, 15.74, 1.04

 

CMYK 0 / 44 / 35 / 69

HEX #4E2C33

RGB 78 44 51

HSL 347.65, 0.28%, 0.24%

LAB 22.51, 16.73, 2.25

 

CMYK 0 / 57 / 48 / 76

HEX #3D1A20

RGB 61 26 32

HSL 349.71, 0.4%, 0.17%

LAB 14.6, 17.89, 3.91

 

CMYK 0 / 82 / 70 / 83

HEX #2C080D

RGB 44 8 13

HSL 351.67, 0.69%, 0.1%

LAB 6.67, 18.66, 4.92

 

CMYK 0 / 29 / 21 / 56

HEX #715059

RGB 113 80 89

HSL 343.64, 0.17%, 0.38%

LAB 37.79, 15.33, 0.24

 

CMYK 0 / 29 / 29 / 56

HEX #715050

RGB 113 80 80

HSL 0, 0.17%, 0.38%

LAB 37.53, 13.86, 5.5

 

CMYK 0 / 29 / 29 / 56

HEX #715050

RGB 113 80 80

HSL 0, 0.17%, 0.38%

LAB 37.53, 13.86, 5.5

 

CMYK 0 / 29 / 21 / 56

HEX #715059

RGB 113 80 89

HSL 343.64, 0.17%, 0.38%

LAB 37.79, 15.33, 0.24

 

CMYK 0 / 29 / 13 / 56

HEX #715062

RGB 113 80 98

HSL 327.27, 0.17%, 0.38%

LAB 38.07, 16.94, -4.96

 

CMYK 0 / 29 / 5 / 56

HEX #71506B

RGB 113 80 107

HSL 310.91, 0.17%, 0.38%

LAB 38.39, 18.68, -10.08

 

CMYK 3 / 29 / 0 / 56

HEX #6E5071

RGB 110 80 113

HSL 294.55, 0.17%, 0.38%

LAB 38.28, 18.81, -14.01

 

CMYK 11 / 29 / 0 / 56

HEX #655071

RGB 101 80 113

HSL 278.18, 0.17%, 0.38%

LAB 37.29, 15.54, -15.61

 

CMYK 0 / 29 / 21 / 56

HEX #715059

RGB 113 80 89

HSL 343.64, 0.17%, 0.38%

LAB 37.79, 15.33, 0.24

 

CMYK 0 / 50 / 36 / 49

HEX #814052

RGB 129 64 82

HSL 343.38, 0.34%, 0.38%

LAB 35.87, 30.06, 2.14

 

CMYK 0 / 66 / 48 / 44

HEX #90314B

RGB 144 49 75

HSL 343.58, 0.49%, 0.38%

LAB 35.27, 42.25, 6.08

 

CMYK 0 / 79 / 57 / 37

HEX #A02145

RGB 160 33 69

HSL 342.99, 0.66%, 0.38%

LAB 35.97, 52.74, 11.37

 

CMYK 0 / 90 / 65 / 31

HEX #B0113E

RGB 176 17 62

HSL 343.02, 0.82%, 0.38%

LAB 37.8, 60.31, 18.91

 

CMYK 0 / 29 / 21 / 56

HEX #715059

RGB 113 80 89

HSL 343.64, 0.17%, 0.38%

LAB 37.79, 15.33, 0.24

 

CMYK 0 / 1 / 1 / 62

HEX #616060

RGB 97 96 96

HSL 0, 0.01%, 0.38%

LAB 40.82, 0.4, 0.13

 

CMYK 26 / 0 / 7 / 56

HEX #526F67

RGB 82 111 103

HSL 163.45, 0.15%, 0.38%

LAB 44.44, -12.4, 1.02

 

CMYK 48 / 0 / 13 / 50

HEX #427F6E

RGB 66 127 110

HSL 163.28, 0.32%, 0.38%

LAB 48.84, -24.19, 3.14

 

CMYK 65 / 0 / 18 / 44

HEX #328F75

RGB 50 143 117

HSL 163.23, 0.48%, 0.38%

LAB 53.61, -33.8, 5.86

 

CMYK 0 / 29 / 5 / 56

HEX #71506B

RGB 113 80 107

HSL 310.91, 0.17%, 0.38%

LAB 38.39, 18.68, -10.08

 

CMYK 0 / 29 / 13 / 56

HEX #715062

RGB 113 80 98

HSL 327.27, 0.17%, 0.38%

LAB 38.07, 16.94, -4.96

 

CMYK 0 / 29 / 21 / 56

HEX #715059

RGB 113 80 89

HSL 343.64, 0.17%, 0.38%

LAB 37.79, 15.33, 0.24

 

CMYK 0 / 29 / 29 / 56

HEX #715050

RGB 113 80 80

HSL 0, 0.17%, 0.38%

LAB 37.53, 13.86, 5.5

 

CMYK 0 / 22 / 29 / 56

HEX #715850

RGB 113 88 80

HSL 14.55, 0.17%, 0.38%

LAB 39.7, 8.99, 8.56

 

CMYK 0 / 29 / 22 / 75

HEX #412E33

RGB 65 46 51

HSL 344.21, 0.17%, 0.22%

LAB 21.27, 9.64, 0.22

 

CMYK 0 / 29 / 21 / 65

HEX #593F46

RGB 89 63 70

HSL 343.85, 0.17%, 0.3%

LAB 29.72, 12.56, 0.23

 

CMYK 0 / 29 / 21 / 56

HEX #715059

RGB 113 80 89

HSL 343.64, 0.17%, 0.38%

LAB 37.79, 15.33, 0.24

 

CMYK 0 / 29 / 21 / 46

HEX #89616C

RGB 137 97 108

HSL 343.5, 0.17%, 0.46%

LAB 45.57, 17.98, 0.26

 

CMYK 0 / 25 / 18 / 38

HEX #9E7681

RGB 158 118 129

HSL 343.5, 0.17%, 0.54%

LAB 53.83, 17.41, 0.11

 

CMYK 0 / 29 / 21 / 56

HEX #705059

RGB 112 80 89

HSL 343.13, 0.17%, 0.38%

LAB 37.67, 14.92, 0.05

 

CMYK 0 / 3 / 29 / 56

HEX #716E50

RGB 113 110 80

HSL 54.55, 0.17%, 0.38%

LAB 45.96, -4.07, 17.2

 

CMYK 29 / 10 / 0 / 56

HEX #506671

RGB 80 102 113

HSL 200, 0.17%, 0.38%

LAB 41.85, -5.38, -8.87

 

CMYK 0 / 29 / 21 / 56

HEX #705059

RGB 112 80 89

HSL 343.13, 0.17%, 0.38%

LAB 37.67, 14.92, 0.05

 

CMYK 21 / 0 / 29 / 56

HEX #597150

RGB 89 113 80

HSL 103.64, 0.17%, 0.38%

LAB 44.96, -15.65, 15.52

 

CMYK 29 / 21 / 0 / 56

HEX #505971

RGB 80 89 113

HSL 223.64, 0.17%, 0.38%

LAB 37.92, 2.54, -14.82

 

CMYK 0 / 29 / 21 / 56

HEX #705059

RGB 112 80 89

HSL 343.13, 0.17%, 0.38%

LAB 37.67, 14.92, 0.05

 

CMYK 0 / 3 / 29 / 56

HEX #716E50

RGB 113 110 80

HSL 54.55, 0.17%, 0.38%

LAB 45.96, -4.07, 17.2

 

CMYK 29 / 0 / 8 / 56

HEX #507168

RGB 80 113 104

HSL 163.64, 0.17%, 0.38%

LAB 44.96, -13.96, 1.17

 

CMYK 29 / 27 / 0 / 56

HEX #505371

RGB 80 83 113

HSL 234.55, 0.17%, 0.38%

LAB 36.15, 6.31, -17.54

 

CMYK 0 / 29 / 21 / 56

HEX #705059

RGB 112 80 89

HSL 343.13, 0.17%, 0.38%

LAB 37.67, 14.92, 0.05

 

CMYK 6 / 0 / 29 / 56

HEX #6A7150

RGB 106 113 80

HSL 72.73, 0.17%, 0.38%

LAB 46.25, -8.75, 17.48

 

CMYK 29 / 0 / 8 / 56

HEX #507168

RGB 80 113 104

HSL 163.64, 0.17%, 0.38%

LAB 44.96, -13.96, 1.17

 

CMYK 23 / 29 / 0 / 56

HEX #575071

RGB 87 80 113

HSL 252.73, 0.17%, 0.38%

LAB 35.9, 10.59, -17.87

 

Description

Color code: CMYK 0 / 29 / 21 / 56 | qconv.com Color code: CMYK 0 / 29 / 21 / 56 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 80 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 80 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 21 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 21% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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