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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 25 / 3 / 52 it is the complementary color CMYK 18 / 0 / 17 / 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 25 / 3 / 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 25 / 3 / 52 shade: CMYK 0 / 28 / 10 / 50, CMYK 0 / 24 / 8 / 44, CMYK 0 / 20 / 6 / 37, CMYK 0 / 18 / 4 / 30 and CMYK 0 / 16 / 3 / 24

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 25 / 3 / 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 25 / 3 / 52 shade: CMYK 0 / 25 / 2 / 52, CMYK 0 / 30 / 5 / 59, CMYK 0 / 36 / 8 / 65, CMYK 0 / 46 / 13 / 72 and CMYK 0 / 63 / 20 / 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 25 / 3 / 52 shade: CMYK 0 / 25 / 2 / 52, CMYK 0 / 25 / 9 / 52, CMYK 0 / 25 / 16 / 52, CMYK 0 / 25 / 23 / 52 and CMYK 0 / 25 / 25 / 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 25 / 3 / 52 shade: CMYK 0 / 25 / 2 / 52, CMYK 4 / 25 / 0 / 52, CMYK 11 / 25 / 0 / 52, CMYK 18 / 25 / 0 / 52 and CMYK 25 / 25 / 0 / 52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 25 / 3 / 52 shade matches the following richer shades: CMYK 0 / 25 / 2 / 52, CMYK 0 / 47 / 5 / 45, CMYK 0 / 63 / 6 / 39, CMYK 0 / 77 / 8 / 32 and CMYK 0 / 88 / 9 / 25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 25 / 3 / 52 shade: CMYK 0 / 25 / 2 / 52, CMYK 5 / 0 / 4 / 57, CMYK 31 / 0 / 28 / 51, CMYK 51 / 0 / 47 / 44 and CMYK 68 / 0 / 61 / 37

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 25 / 3 / 52 shade: CMYK 11 / 25 / 0 / 52, CMYK 4 / 25 / 0 / 52, CMYK 0 / 25 / 2 / 52, CMYK 0 / 25 / 9 / 52 and CMYK 0 / 25 / 16 / 52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 25 / 3 / 52 shade: CMYK 0 / 25 / 3 / 71, CMYK 0 / 24 / 2 / 62, CMYK 0 / 25 / 2 / 52, CMYK 0 / 25 / 3 / 43 and CMYK 0 / 18 / 2 / 36

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 25 / 3 / 52 shade: CMYK 0 / 25 / 2 / 52, CMYK 0 / 17 / 25 / 52 and CMYK 25 / 0 / 7 / 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 25 / 3 / 52 shade: CMYK 0 / 25 / 2 / 52, CMYK 2 / 0 / 25 / 52 and CMYK 25 / 2 / 0 / 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 25 / 3 / 52 shade: CMYK 0 / 25 / 2 / 52, CMYK 0 / 17 / 25 / 52, CMYK 25 / 0 / 22 / 52 and CMYK 25 / 7 / 0 / 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 25 / 3 / 52 shade: CMYK 0 / 25 / 2 / 52, CMYK 0 / 10 / 25 / 52, CMYK 25 / 0 / 22 / 52 and CMYK 25 / 15 / 0 / 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 3 / 52

HEX #7A5C77

RGB 122 92 119

HSL 306, 0.14%, 0.42%

LAB 42.95, 17.2, -10.49

 

Complementary color

CMYK 18 / 0 / 17 / 36

HEX #85A388

RGB 133 163 136

HSL 126, 0.14%, 0.58%

LAB 64.13, -15.83, 10.64

 

CMYK 0 / 28 / 10 / 50

HEX #7F5C72

RGB 127 92 114

HSL 322.29, 0.16%, 0.43%

LAB 43.33, 18.11, -6.81

 

CMYK 0 / 24 / 8 / 44

HEX #906E85

RGB 144 110 133

HSL 319.41, 0.13%, 0.5%

LAB 50.42, 17.45, -7.44

 

CMYK 0 / 20 / 6 / 37

HEX #A18098

RGB 161 128 152

HSL 316.36, 0.15%, 0.57%

LAB 57.35, 16.87, -8.02

 

CMYK 0 / 18 / 4 / 30

HEX #B292AB

RGB 178 146 171

HSL 313.13, 0.17%, 0.64%

LAB 64.13, 16.34, -8.57

 

CMYK 0 / 16 / 3 / 24

HEX #C3A4BE

RGB 195 164 190

HSL 309.68, 0.21%, 0.7%

LAB 70.78, 15.86, -9.1

 

CMYK 0 / 25 / 2 / 52

HEX #7A5C77

RGB 122 92 119

HSL 306, 0.14%, 0.42%

LAB 42.95, 17.2, -10.49

 

CMYK 0 / 30 / 5 / 59

HEX #694A64

RGB 105 74 100

HSL 309.68, 0.17%, 0.35%

LAB 35.64, 17.91, -9.96

 

CMYK 0 / 36 / 8 / 65

HEX #583851

RGB 88 56 81

HSL 313.13, 0.22%, 0.28%

LAB 28.11, 18.71, -9.37

 

CMYK 0 / 46 / 13 / 72

HEX #47263E

RGB 71 38 62

HSL 316.36, 0.3%, 0.21%

LAB 20.34, 19.6, -8.64

 

CMYK 0 / 63 / 20 / 79

HEX #36142B

RGB 54 20 43

HSL 319.41, 0.46%, 0.15%

LAB 12.34, 20.48, -7.6

 

CMYK 0 / 25 / 2 / 52

HEX #7A5C77

RGB 122 92 119

HSL 306, 0.14%, 0.42%

LAB 42.95, 17.2, -10.49

 

CMYK 0 / 25 / 9 / 52

HEX #7A5C6F

RGB 122 92 111

HSL 322, 0.14%, 0.42%

LAB 42.67, 15.63, -6.03

 

CMYK 0 / 25 / 16 / 52

HEX #7A5C66

RGB 122 92 102

HSL 340, 0.14%, 0.42%

LAB 42.39, 13.97, -0.95

 

CMYK 0 / 25 / 23 / 52

HEX #7A5C5E

RGB 122 92 94

HSL 356, 0.14%, 0.42%

LAB 42.15, 12.6, 3.61

 

CMYK 0 / 25 / 25 / 52

HEX #7A5C5C

RGB 122 92 92

HSL 0, 0.14%, 0.42%

LAB 42.1, 12.27, 4.75

 

CMYK 0 / 25 / 2 / 52

HEX #7A5C77

RGB 122 92 119

HSL 306, 0.14%, 0.42%

LAB 42.95, 17.2, -10.49

 

CMYK 4 / 25 / 0 / 52

HEX #755C7A

RGB 117 92 122

HSL 290, 0.14%, 0.42%

LAB 42.52, 15.99, -13.01

 

CMYK 11 / 25 / 0 / 52

HEX #6C5C7A

RGB 108 92 122

HSL 272, 0.14%, 0.42%

LAB 41.61, 12.73, -14.49

 

CMYK 18 / 25 / 0 / 52

HEX #645C7A

RGB 100 92 122

HSL 256, 0.14%, 0.42%

LAB 40.85, 9.89, -15.72

 

CMYK 25 / 25 / 0 / 52

HEX #5C5C7A

RGB 92 92 122

HSL 240, 0.14%, 0.42%

LAB 40.14, 7.13, -16.86

 

CMYK 0 / 25 / 2 / 52

HEX #7A5C77

RGB 122 92 119

HSL 306, 0.14%, 0.42%

LAB 42.95, 17.2, -10.49

 

CMYK 0 / 47 / 5 / 45

HEX #8B4A84

RGB 139 74 132

HSL 306.46, 0.31%, 0.42%

LAB 41.3, 36.17, -20.74

 

CMYK 0 / 63 / 6 / 39

HEX #9C3992

RGB 156 57 146

HSL 306.06, 0.46%, 0.42%

LAB 41.33, 52.08, -29.02

 

CMYK 0 / 77 / 8 / 32

HEX #AE28A0

RGB 174 40 160

HSL 306.27, 0.63%, 0.42%

LAB 42.84, 64.82, -34.87

 

CMYK 0 / 88 / 9 / 25

HEX #BF16AE

RGB 191 22 174

HSL 306.04, 0.79%, 0.42%

LAB 45.23, 74.28, -39.25

 

CMYK 0 / 25 / 2 / 52

HEX #7A5C77

RGB 122 92 119

HSL 306, 0.14%, 0.42%

LAB 42.95, 17.2, -10.49

 

CMYK 5 / 0 / 4 / 57

HEX #686D69

RGB 104 109 105

HSL 132, 0.02%, 0.42%

LAB 45.5, -2.74, 1.56

 

CMYK 31 / 0 / 28 / 51

HEX #577E5B

RGB 87 126 91

HSL 126.15, 0.18%, 0.42%

LAB 49.13, -21.3, 14.8

 

CMYK 51 / 0 / 47 / 44

HEX #46904D

RGB 70 144 77

HSL 125.68, 0.35%, 0.42%

LAB 53.8, -37.81, 28.64

 

CMYK 68 / 0 / 61 / 37

HEX #34A13F

RGB 52 161 63

HSL 126.06, 0.51%, 0.42%

LAB 58.58, -50.92, 41.34

 

CMYK 11 / 25 / 0 / 52

HEX #6D5C7A

RGB 109 92 122

HSL 274, 0.14%, 0.42%

LAB 41.71, 13.09, -14.33

 

CMYK 4 / 25 / 0 / 52

HEX #755C7A

RGB 117 92 122

HSL 290, 0.14%, 0.42%

LAB 42.52, 15.99, -13.01

 

CMYK 0 / 25 / 2 / 52

HEX #7A5C77

RGB 122 92 119

HSL 306, 0.14%, 0.42%

LAB 42.95, 17.2, -10.49

 

CMYK 0 / 25 / 9 / 52

HEX #7A5C6F

RGB 122 92 111

HSL 322, 0.14%, 0.42%

LAB 42.67, 15.63, -6.03

 

CMYK 0 / 25 / 16 / 52

HEX #7A5C67

RGB 122 92 103

HSL 338, 0.14%, 0.42%

LAB 42.42, 14.14, -1.52

 

CMYK 0 / 25 / 3 / 71

HEX #4B3849

RGB 75 56 73

HSL 306.32, 0.15%, 0.26%

LAB 26.17, 11.83, -7.18

 

CMYK 0 / 24 / 2 / 62

HEX #624A60

RGB 98 74 96

HSL 305, 0.14%, 0.34%

LAB 34.68, 14.39, -8.96

 

CMYK 0 / 25 / 2 / 52

HEX #7A5C77

RGB 122 92 119

HSL 306, 0.14%, 0.42%

LAB 42.95, 17.2, -10.49

 

CMYK 0 / 25 / 3 / 43

HEX #916D8D

RGB 145 109 141

HSL 306.67, 0.14%, 0.5%

LAB 50.55, 19.94, -11.97

 

CMYK 0 / 18 / 2 / 36

HEX #A385A0

RGB 163 133 160

HSL 306, 0.14%, 0.58%

LAB 59.07, 16.25, -10.03

 

CMYK 0 / 25 / 2 / 52

HEX #7A5C77

RGB 122 92 119

HSL 306, 0.14%, 0.42%

LAB 42.95, 17.2, -10.49

 

CMYK 0 / 17 / 25 / 52

HEX #7A655C

RGB 122 101 92

HSL 18, 0.14%, 0.42%

LAB 44.54, 6.89, 8.23

 

CMYK 25 / 0 / 7 / 52

HEX #5C7A71

RGB 92 122 113

HSL 162, 0.14%, 0.42%

LAB 48.74, -12.8, 1.41

 

CMYK 0 / 25 / 2 / 52

HEX #7A5C77

RGB 122 92 119

HSL 306, 0.14%, 0.42%

LAB 42.95, 17.2, -10.49

 

CMYK 2 / 0 / 25 / 52

HEX #777A5C

RGB 119 122 92

HSL 66, 0.14%, 0.42%

LAB 50.23, -6.57, 16.1

 

CMYK 25 / 2 / 0 / 52

HEX #5C777A

RGB 92 119 122

HSL 186, 0.14%, 0.42%

LAB 48.1, -8.99, -4.86

 

CMYK 0 / 25 / 2 / 52

HEX #7A5C77

RGB 122 92 119

HSL 306, 0.14%, 0.42%

LAB 42.95, 17.2, -10.49

 

CMYK 0 / 17 / 25 / 52

HEX #7A655C

RGB 122 101 92

HSL 18, 0.14%, 0.42%

LAB 44.54, 6.89, 8.23

 

CMYK 25 / 0 / 22 / 52

HEX #5C7A5F

RGB 92 122 95

HSL 126, 0.14%, 0.42%

LAB 48.29, -16.61, 11.35

 

CMYK 25 / 7 / 0 / 52

HEX #5C717A

RGB 92 113 122

HSL 198, 0.14%, 0.42%

LAB 46.3, -5.54, -7.54

 

CMYK 0 / 25 / 2 / 52

HEX #7A5C77

RGB 122 92 119

HSL 306, 0.14%, 0.42%

LAB 42.95, 17.2, -10.49

 

CMYK 0 / 10 / 25 / 52

HEX #7A6E5C

RGB 122 110 92

HSL 36, 0.14%, 0.42%

LAB 47.06, 1.58, 11.76

 

CMYK 25 / 0 / 22 / 52

HEX #5C7A5F

RGB 92 122 95

HSL 126, 0.14%, 0.42%

LAB 48.29, -16.61, 11.35

 

CMYK 25 / 15 / 0 / 52

HEX #5C687A

RGB 92 104 122

HSL 216, 0.14%, 0.42%

LAB 43.63, -0.21, -11.55

 

Description

Color code: CMYK 0 / 25 / 3 / 52 | qconv.com Color code: CMYK 0 / 25 / 3 / 52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 92 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 92 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 3 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 3% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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