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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 25 / 58 / 32 it is the complementary color CMYK 55 / 31 / 0 / 29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 25 / 58 / 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 25 / 58 / 32 shade: CMYK 0 / 27 / 62 / 30, CMYK 0 / 24 / 55 / 24, CMYK 0 / 22 / 50 / 17, CMYK 0 / 20 / 45 / 10 and CMYK 0 / 18 / 41 / 4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 25 / 58 / 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 25 / 58 / 32 shade: CMYK 0 / 25 / 58 / 32, CMYK 0 / 28 / 65 / 39, CMYK 0 / 32 / 75 / 45, CMYK 0 / 38 / 87 / 52 and CMYK 0 / 45 / 100 / 59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 25 / 58 / 32 shade: CMYK 0 / 25 / 58 / 33, CMYK 0 / 41 / 58 / 33, CMYK 0 / 56 / 58 / 33 and CMYK 0 / 58 / 58 / 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 25 / 58 / 32 shade: CMYK 0 / 25 / 58 / 33, CMYK 0 / 9 / 58 / 33, CMYK 6 / 0 / 58 / 33, CMYK 22 / 0 / 58 / 33 and CMYK 38 / 0 / 58 / 33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 25 / 58 / 32 shade matches the following richer shades: CMYK 0 / 25 / 58 / 33, CMYK 0 / 31 / 73 / 25, CMYK 0 / 37 / 85 / 17 and CMYK 0 / 41 / 95 / 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 25 / 58 / 32 shade: CMYK 0 / 25 / 58 / 33, CMYK 0 / 17 / 39 / 40, CMYK 0 / 7 / 16 / 48, CMYK 14 / 8 / 0 / 49 and CMYK 38 / 22 / 0 / 41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 25 / 58 / 32 shade: CMYK 0 / 56 / 58 / 33, CMYK 0 / 41 / 58 / 33, CMYK 0 / 25 / 58 / 33, CMYK 0 / 10 / 58 / 33 and CMYK 6 / 0 / 58 / 33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 25 / 58 / 32 shade: CMYK 0 / 25 / 59 / 55, CMYK 0 / 25 / 58 / 44, CMYK 0 / 25 / 58 / 33, CMYK 0 / 21 / 48 / 26 and CMYK 0 / 16 / 37 / 21

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 25 / 58 / 32 shade: CMYK 0 / 25 / 58 / 32, CMYK 45 / 0 / 58 / 33 and CMYK 49 / 58 / 0 / 33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 25 / 58 / 32 shade: CMYK 0 / 25 / 58 / 32, CMYK 58 / 0 / 25 / 33 and CMYK 25 / 58 / 0 / 33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 25 / 58 / 32 shade: CMYK 0 / 25 / 58 / 32, CMYK 45 / 0 / 58 / 33, CMYK 58 / 33 / 0 / 33 and CMYK 13 / 58 / 0 / 33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 25 / 58 / 32 shade: CMYK 0 / 25 / 58 / 32, CMYK 58 / 0 / 55 / 33, CMYK 58 / 33 / 0 / 33 and CMYK 0 / 58 / 4 / 33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 58 / 32

HEX #AD8249

RGB 173 130 73

HSL 34.2, 0.41%, 0.48%

LAB 57.4, 9.95, 36.91

 

Complementary color

CMYK 55 / 31 / 0 / 29

HEX #527DB6

RGB 82 125 182

HSL 214.2, 0.41%, 0.52%

LAB 51.65, 2.05, -34.58

 

CMYK 0 / 27 / 62 / 30

HEX #B28244

RGB 178 130 68

HSL 33.82, 0.45%, 0.48%

LAB 57.89, 11.74, 40.23

 

CMYK 0 / 24 / 55 / 24

HEX #C39457

RGB 195 148 87

HSL 33.89, 0.47%, 0.55%

LAB 64.54, 10.6, 38.78

 

CMYK 0 / 22 / 50 / 17

HEX #D4A66A

RGB 212 166 106

HSL 33.96, 0.55%, 0.62%

LAB 71.08, 9.63, 37.38

 

CMYK 0 / 20 / 45 / 10

HEX #E5B87D

RGB 229 184 125

HSL 34.04, 0.67%, 0.69%

LAB 77.53, 8.79, 36.05

 

CMYK 0 / 18 / 41 / 4

HEX #F6CA90

RGB 246 202 144

HSL 34.12, 0.85%, 0.76%

LAB 83.89, 8.07, 34.79

 

CMYK 0 / 25 / 58 / 32

HEX #AD8249

RGB 173 130 73

HSL 34.2, 0.41%, 0.48%

LAB 57.4, 9.95, 36.91

 

CMYK 0 / 28 / 65 / 39

HEX #9C7036

RGB 156 112 54

HSL 34.12, 0.49%, 0.41%

LAB 50.6, 11.18, 38.38

 

CMYK 0 / 32 / 75 / 45

HEX #8B5E23

RGB 139 94 35

HSL 34.04, 0.6%, 0.34%

LAB 43.68, 12.69, 39.73

 

CMYK 0 / 38 / 87 / 52

HEX #7A4C10

RGB 122 76 16

HSL 33.96, 0.77%, 0.27%

LAB 36.64, 14.57, 40.48

 

CMYK 0 / 45 / 100 / 59

HEX #693A00

RGB 105 58 0

HSL 33.14, 1%, 0.21%

LAB 29.49, 16.85, 39.73

 

CMYK 0 / 25 / 58 / 33

HEX #AC8148

RGB 172 129 72

HSL 34.2, 0.41%, 0.48%

LAB 57.02, 9.99, 36.96

 

CMYK 0 / 41 / 58 / 33

HEX #AC6648

RGB 172 102 72

HSL 18, 0.41%, 0.48%

LAB 50.38, 25.15, 28.84

 

CMYK 0 / 56 / 58 / 33

HEX #AC4B48

RGB 172 75 72

HSL 1.8, 0.41%, 0.48%

LAB 44.62, 39.53, 21.47

 

CMYK 0 / 58 / 58 / 33

HEX #AC4848

RGB 172 72 72

HSL 0, 0.41%, 0.48%

LAB 44.05, 41.02, 20.73

 

CMYK 0 / 25 / 58 / 33

HEX #AC8148

RGB 172 129 72

HSL 34.2, 0.41%, 0.48%

LAB 57.02, 9.99, 36.96

 

CMYK 0 / 9 / 58 / 33

HEX #AC9C48

RGB 172 156 72

HSL 50.4, 0.41%, 0.48%

LAB 64.17, -4.87, 45.31

 

CMYK 6 / 0 / 58 / 33

HEX #A1AC48

RGB 161 172 72

HSL 66.6, 0.41%, 0.48%

LAB 67.69, -17.96, 49.03

 

CMYK 22 / 0 / 58 / 33

HEX #86AC48

RGB 134 172 72

HSL 82.8, 0.41%, 0.48%

LAB 65.78, -28.96, 46.36

 

CMYK 38 / 0 / 58 / 33

HEX #6BAC48

RGB 107 172 72

HSL 99, 0.41%, 0.48%

LAB 64.24, -38.94, 44.19

 

CMYK 0 / 25 / 58 / 33

HEX #AC8148

RGB 172 129 72

HSL 34.2, 0.41%, 0.48%

LAB 57.02, 9.99, 36.96

 

CMYK 0 / 31 / 73 / 25

HEX #C08434

RGB 192 132 52

HSL 34.29, 0.57%, 0.48%

LAB 59.85, 15.78, 50.53

 

CMYK 0 / 37 / 85 / 17

HEX #D48620

RGB 212 134 32

HSL 34, 0.74%, 0.48%

LAB 62.64, 22.61, 61.71

 

CMYK 0 / 41 / 95 / 9

HEX #E7890C

RGB 231 137 12

HSL 34.25, 0.9%, 0.48%

LAB 65.68, 28.69, 69.81

 

CMYK 0 / 25 / 58 / 33

HEX #AC8148

RGB 172 129 72

HSL 34.2, 0.41%, 0.48%

LAB 57.02, 9.99, 36.96

 

CMYK 0 / 17 / 39 / 40

HEX #987E5C

RGB 152 126 92

HSL 34, 0.25%, 0.48%

LAB 54.42, 5.05, 22.26

 

CMYK 0 / 7 / 16 / 48

HEX #847B6F

RGB 132 123 111

HSL 34.29, 0.09%, 0.48%

LAB 52.08, 1.27, 7.79

 

CMYK 14 / 8 / 0 / 49

HEX #717983

RGB 113 121 131

HSL 213.33, 0.07%, 0.48%

LAB 50.48, -0.79, -6.48

 

CMYK 38 / 22 / 0 / 41

HEX #5D7697

RGB 93 118 151

HSL 214.14, 0.24%, 0.48%

LAB 48.91, -0.4, -20.77

 

CMYK 0 / 56 / 58 / 33

HEX #AC4B48

RGB 172 75 72

HSL 1.8, 0.41%, 0.48%

LAB 44.62, 39.53, 21.47

 

CMYK 0 / 41 / 58 / 33

HEX #AC6648

RGB 172 102 72

HSL 18, 0.41%, 0.48%

LAB 50.38, 25.15, 28.84

 

CMYK 0 / 25 / 58 / 33

HEX #AC8148

RGB 172 129 72

HSL 34.2, 0.41%, 0.48%

LAB 57.02, 9.99, 36.96

 

CMYK 0 / 10 / 58 / 33

HEX #AC9B48

RGB 172 155 72

HSL 49.8, 0.41%, 0.48%

LAB 63.9, -4.33, 45

 

CMYK 6 / 0 / 58 / 33

HEX #A2AC48

RGB 162 172 72

HSL 66, 0.41%, 0.48%

LAB 67.77, -17.54, 49.14

 

CMYK 0 / 25 / 59 / 55

HEX #72552F

RGB 114 85 47

HSL 34.03, 0.42%, 0.32%

LAB 38.34, 7.21, 26.6

 

CMYK 0 / 25 / 58 / 44

HEX #8F6B3C

RGB 143 107 60

HSL 33.98, 0.41%, 0.4%

LAB 47.86, 8.67, 31.62

 

CMYK 0 / 25 / 58 / 33

HEX #AC8148

RGB 172 129 72

HSL 34.2, 0.41%, 0.48%

LAB 57.02, 9.99, 36.96

 

CMYK 0 / 21 / 48 / 26

HEX #BC9561

RGB 188 149 97

HSL 34.29, 0.4%, 0.56%

LAB 64.2, 8, 32.92

 

CMYK 0 / 16 / 37 / 21

HEX #C9A87E

RGB 201 168 126

HSL 33.6, 0.41%, 0.64%

LAB 70.82, 6.17, 26.21

 

CMYK 0 / 25 / 58 / 32

HEX #AD8249

RGB 173 130 73

HSL 34.2, 0.41%, 0.48%

LAB 57.4, 9.95, 36.91

 

CMYK 45 / 0 / 58 / 33

HEX #5FAC48

RGB 95 172 72

HSL 106.2, 0.41%, 0.48%

LAB 63.68, -42.89, 43.39

 

CMYK 49 / 58 / 0 / 33

HEX #5848AC

RGB 88 72 172

HSL 249.6, 0.41%, 0.48%

LAB 37.28, 33.08, -51.59

 

CMYK 0 / 25 / 58 / 32

HEX #AD8249

RGB 173 130 73

HSL 34.2, 0.41%, 0.48%

LAB 57.4, 9.95, 36.91

 

CMYK 58 / 0 / 25 / 33

HEX #48AC81

RGB 72 172 129

HSL 154.2, 0.41%, 0.48%

LAB 63.73, -39.53, 13.53

 

CMYK 25 / 58 / 0 / 33

HEX #8148AC

RGB 129 72 172

HSL 274.2, 0.41%, 0.48%

LAB 41.66, 42.88, -44.31

 

CMYK 0 / 25 / 58 / 32

HEX #AD8249

RGB 173 130 73

HSL 34.2, 0.41%, 0.48%

LAB 57.4, 9.95, 36.91

 

CMYK 45 / 0 / 58 / 33

HEX #5FAC48

RGB 95 172 72

HSL 106.2, 0.41%, 0.48%

LAB 63.68, -42.89, 43.39

 

CMYK 58 / 33 / 0 / 33

HEX #4873AC

RGB 72 115 172

HSL 214.2, 0.41%, 0.48%

LAB 47.77, 2.61, -34.91

 

CMYK 13 / 58 / 0 / 33

HEX #9548AC

RGB 149 72 172

HSL 286.2, 0.41%, 0.48%

LAB 44.24, 48.09, -40.05

 

CMYK 0 / 25 / 58 / 32

HEX #AD8249

RGB 173 130 73

HSL 34.2, 0.41%, 0.48%

LAB 57.4, 9.95, 36.91

 

CMYK 58 / 0 / 55 / 33

HEX #48AC4E

RGB 72 172 78

HSL 123.6, 0.41%, 0.48%

LAB 62.87, -48.64, 39.35

 

CMYK 58 / 33 / 0 / 33

HEX #4873AC

RGB 72 115 172

HSL 214.2, 0.41%, 0.48%

LAB 47.77, 2.61, -34.91

 

CMYK 0 / 58 / 4 / 33

HEX #AC48A5

RGB 172 72 165

HSL 304.2, 0.41%, 0.48%

LAB 47.13, 52.95, -31.13

 

Description

Color code: CMYK 0 / 25 / 58 / 32 | qconv.com Color code: CMYK 0 / 25 / 58 / 32 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 130 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 130 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 58 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 58% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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