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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 27 / 9 / 63 it is the complementary color CMYK 13 / 0 / 9 / 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 27 / 9 / 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 27 / 9 / 63 shade: CMYK 0 / 30 / 18 / 61, CMYK 0 / 25 / 14 / 55, CMYK 0 / 21 / 11 / 48, CMYK 0 / 18 / 8 / 41 and CMYK 0 / 16 / 6 / 35

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 27 / 9 / 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 27 / 9 / 63 shade: CMYK 0 / 27 / 9 / 63, CMYK 0 / 34 / 13 / 70, CMYK 0 / 45 / 20 / 76, CMYK 0 / 65 / 33 / 83 and CMYK 0 / 100 / 62 / 90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 27 / 9 / 63 shade: CMYK 0 / 26 / 8 / 64, CMYK 0 / 26 / 15 / 64, CMYK 0 / 26 / 23 / 64 and CMYK 0 / 26 / 26 / 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 27 / 9 / 63 shade: CMYK 0 / 26 / 8 / 64, CMYK 0 / 26 / 1 / 64, CMYK 5 / 26 / 0 / 64, CMYK 13 / 26 / 0 / 64 and CMYK 19 / 26 / 0 / 64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 27 / 9 / 63 shade matches the following richer shades: CMYK 0 / 26 / 8 / 64, CMYK 0 / 48 / 16 / 58, CMYK 0 / 65 / 21 / 53, CMYK 0 / 78 / 25 / 48 and CMYK 0 / 89 / 28 / 43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 27 / 9 / 63 shade: CMYK 0 / 26 / 8 / 64, CMYK 2 / 0 / 1 / 68, CMYK 29 / 0 / 20 / 63, CMYK 50 / 0 / 34 / 58 and CMYK 66 / 0 / 46 / 52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 27 / 9 / 63 shade: CMYK 5 / 26 / 0 / 64, CMYK 0 / 26 / 1 / 64, CMYK 0 / 26 / 8 / 64, CMYK 0 / 26 / 15 / 64 and CMYK 0 / 26 / 22 / 64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 27 / 9 / 63 shade: CMYK 0 / 26 / 9 / 82, CMYK 0 / 27 / 9 / 73, CMYK 0 / 26 / 8 / 64, CMYK 0 / 26 / 9 / 54 and CMYK 0 / 26 / 9 / 45

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 27 / 9 / 63 shade: CMYK 0 / 27 / 9 / 63, CMYK 0 / 12 / 26 / 64 and CMYK 26 / 0 / 2 / 64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 27 / 9 / 63 shade: CMYK 0 / 27 / 9 / 63, CMYK 8 / 0 / 26 / 64 and CMYK 26 / 8 / 0 / 64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 27 / 9 / 63 shade: CMYK 0 / 27 / 9 / 63, CMYK 0 / 12 / 26 / 64, CMYK 26 / 0 / 17 / 64 and CMYK 26 / 13 / 0 / 64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 27 / 9 / 63 shade: CMYK 0 / 27 / 9 / 63, CMYK 0 / 4 / 26 / 64, CMYK 26 / 0 / 17 / 64 and CMYK 26 / 22 / 0 / 64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 9 / 63

HEX #5E4556

RGB 94 69 86

HSL 319.2, 0.15%, 0.32%

LAB 32.5, 13.89, -5.92

 

Complementary color

CMYK 13 / 0 / 9 / 27

HEX #A1BAA9

RGB 161 186 169

HSL 139.2, 0.15%, 0.68%

LAB 73.26, -11.87, 5.75

 

CMYK 0 / 30 / 18 / 61

HEX #634551

RGB 99 69 81

HSL 336, 0.18%, 0.33%

LAB 32.93, 14.96, -2.02

 

CMYK 0 / 25 / 14 / 55

HEX #745764

RGB 116 87 100

HSL 333.1, 0.14%, 0.4%

LAB 40.33, 14.23, -2.82

 

CMYK 0 / 21 / 11 / 48

HEX #856977

RGB 133 105 119

HSL 330, 0.12%, 0.47%

LAB 47.52, 13.61, -3.54

 

CMYK 0 / 18 / 8 / 41

HEX #967B8A

RGB 150 123 138

HSL 326.67, 0.11%, 0.54%

LAB 54.54, 13.07, -4.2

 

CMYK 0 / 16 / 6 / 35

HEX #A78D9D

RGB 167 141 157

HSL 323.08, 0.13%, 0.6%

LAB 61.39, 12.59, -4.82

 

CMYK 0 / 27 / 9 / 63

HEX #5E4556

RGB 94 69 86

HSL 319.2, 0.15%, 0.32%

LAB 32.5, 13.89, -5.92

 

CMYK 0 / 34 / 13 / 70

HEX #4D3343

RGB 77 51 67

HSL 323.08, 0.2%, 0.25%

LAB 24.8, 14.65, -5.22

 

CMYK 0 / 45 / 20 / 76

HEX #3C2130

RGB 60 33 48

HSL 326.67, 0.29%, 0.18%

LAB 16.81, 15.57, -4.36

 

CMYK 0 / 65 / 33 / 83

HEX #2B0F1D

RGB 43 15 29

HSL 330, 0.48%, 0.11%

LAB 8.52, 16.57, -3.11

 

CMYK 0 / 100 / 62 / 90

HEX #1A000A

RGB 26 0 10

HSL 336.92, 1%, 0.05%

LAB 2.18, 10.29, -0.65

 

CMYK 0 / 26 / 8 / 64

HEX #5D4556

RGB 93 69 86

HSL 317.5, 0.15%, 0.32%

LAB 32.38, 13.48, -6.11

 

CMYK 0 / 26 / 15 / 64

HEX #5D454F

RGB 93 69 79

HSL 335, 0.15%, 0.32%

LAB 32.14, 12.11, -1.98

 

CMYK 0 / 26 / 23 / 64

HEX #5D4548

RGB 93 69 72

HSL 352.5, 0.15%, 0.32%

LAB 31.92, 10.83, 2.2

 

CMYK 0 / 26 / 26 / 64

HEX #5D4545

RGB 93 69 69

HSL 0, 0.15%, 0.32%

LAB 31.84, 10.31, 4

 

CMYK 0 / 26 / 8 / 64

HEX #5D4556

RGB 93 69 86

HSL 317.5, 0.15%, 0.32%

LAB 32.38, 13.48, -6.11

 

CMYK 0 / 26 / 1 / 64

HEX #5D455C

RGB 93 69 92

HSL 302.5, 0.15%, 0.32%

LAB 32.6, 14.74, -9.61

 

CMYK 5 / 26 / 0 / 64

HEX #58455D

RGB 88 69 93

HSL 287.5, 0.15%, 0.32%

LAB 32.08, 13.04, -11.09

 

CMYK 13 / 26 / 0 / 64

HEX #51455D

RGB 81 69 93

HSL 270, 0.15%, 0.32%

LAB 31.34, 10.39, -12.29

 

CMYK 19 / 26 / 0 / 64

HEX #4B455D

RGB 75 69 93

HSL 255, 0.15%, 0.32%

LAB 30.74, 8.17, -13.26

 

CMYK 0 / 26 / 8 / 64

HEX #5D4556

RGB 93 69 86

HSL 317.5, 0.15%, 0.32%

LAB 32.38, 13.48, -6.11

 

CMYK 0 / 48 / 16 / 58

HEX #6B385A

RGB 107 56 90

HSL 320, 0.31%, 0.32%

LAB 31.1, 27.59, -10.44

 

CMYK 0 / 65 / 21 / 53

HEX #782A5F

RGB 120 42 95

HSL 319.23, 0.48%, 0.32%

LAB 30.58, 40.19, -14.27

 

CMYK 0 / 78 / 25 / 48

HEX #851D64

RGB 133 29 100

HSL 319.04, 0.64%, 0.32%

LAB 31.31, 49.74, -16.18

 

CMYK 0 / 89 / 28 / 43

HEX #921069

RGB 146 16 105

HSL 318.92, 0.8%, 0.32%

LAB 32.92, 56.84, -16.7

 

CMYK 0 / 26 / 8 / 64

HEX #5D4556

RGB 93 69 86

HSL 317.5, 0.15%, 0.32%

LAB 32.38, 13.48, -6.11

 

CMYK 2 / 0 / 1 / 68

HEX #505251

RGB 80 82 81

HSL 150, 0.01%, 0.32%

LAB 34.67, -1.02, 0.3

 

CMYK 29 / 0 / 20 / 63

HEX #435F4C

RGB 67 95 76

HSL 139.29, 0.17%, 0.32%

LAB 37.66, -14.84, 7.58

 

CMYK 50 / 0 / 34 / 58

HEX #366C47

RGB 54 108 71

HSL 138.89, 0.33%, 0.32%

LAB 41.16, -27.06, 15.32

 

CMYK 66 / 0 / 46 / 52

HEX #297A42

RGB 41 122 66

HSL 138.52, 0.5%, 0.32%

LAB 45.34, -37.7, 23.62

 

CMYK 5 / 26 / 0 / 64

HEX #58455D

RGB 88 69 93

HSL 287.5, 0.15%, 0.32%

LAB 32.08, 13.04, -11.09

 

CMYK 0 / 26 / 1 / 64

HEX #5D455C

RGB 93 69 92

HSL 302.5, 0.15%, 0.32%

LAB 32.6, 14.74, -9.61

 

CMYK 0 / 26 / 8 / 64

HEX #5D4556

RGB 93 69 86

HSL 317.5, 0.15%, 0.32%

LAB 32.38, 13.48, -6.11

 

CMYK 0 / 26 / 15 / 64

HEX #5D454F

RGB 93 69 79

HSL 335, 0.15%, 0.32%

LAB 32.14, 12.11, -1.98

 

CMYK 0 / 26 / 22 / 64

HEX #5D4549

RGB 93 69 73

HSL 350, 0.15%, 0.32%

LAB 31.95, 11, 1.6

 

CMYK 0 / 26 / 9 / 82

HEX #2E222A

RGB 46 34 42

HSL 320, 0.15%, 0.16%

LAB 14.91, 7.44, -3.12

 

CMYK 0 / 27 / 9 / 73

HEX #463340

RGB 70 51 64

HSL 318.95, 0.16%, 0.24%

LAB 23.8, 11.11, -4.79

 

CMYK 0 / 26 / 8 / 64

HEX #5D4556

RGB 93 69 86

HSL 317.5, 0.15%, 0.32%

LAB 32.38, 13.48, -6.11

 

CMYK 0 / 26 / 9 / 54

HEX #75566B

RGB 117 86 107

HSL 319.35, 0.15%, 0.4%

LAB 40.41, 16.56, -7.01

 

CMYK 0 / 26 / 9 / 45

HEX #8D6881

RGB 141 104 129

HSL 319.46, 0.15%, 0.48%

LAB 48.45, 19.1, -8.05

 

CMYK 0 / 27 / 9 / 63

HEX #5E4556

RGB 94 69 86

HSL 319.2, 0.15%, 0.32%

LAB 32.5, 13.89, -5.92

 

CMYK 0 / 12 / 26 / 64

HEX #5D5245

RGB 93 82 69

HSL 32.5, 0.15%, 0.32%

LAB 35.58, 2.19, 9.3

 

CMYK 26 / 0 / 2 / 64

HEX #455D5B

RGB 69 93 91

HSL 175, 0.15%, 0.32%

LAB 37.57, -9.46, -1.8

 

CMYK 0 / 27 / 9 / 63

HEX #5E4556

RGB 94 69 86

HSL 319.2, 0.15%, 0.32%

LAB 32.5, 13.89, -5.92

 

CMYK 8 / 0 / 26 / 64

HEX #565D45

RGB 86 93 69

HSL 77.5, 0.15%, 0.32%

LAB 38.26, -7.48, 12.9

 

CMYK 26 / 8 / 0 / 64

HEX #45565D

RGB 69 86 93

HSL 197.5, 0.15%, 0.32%

LAB 35.42, -4.76, -6.23

 

CMYK 0 / 27 / 9 / 63

HEX #5E4556

RGB 94 69 86

HSL 319.2, 0.15%, 0.32%

LAB 32.5, 13.89, -5.92

 

CMYK 0 / 12 / 26 / 64

HEX #5D5245

RGB 93 82 69

HSL 32.5, 0.15%, 0.32%

LAB 35.58, 2.19, 9.3

 

CMYK 26 / 0 / 17 / 64

HEX #455D4D

RGB 69 93 77

HSL 140, 0.15%, 0.32%

LAB 37.17, -12.75, 6.28

 

CMYK 26 / 13 / 0 / 64

HEX #45515D

RGB 69 81 93

HSL 210, 0.15%, 0.32%

LAB 33.86, -1.67, -8.58

 

CMYK 0 / 27 / 9 / 63

HEX #5E4556

RGB 94 69 86

HSL 319.2, 0.15%, 0.32%

LAB 32.5, 13.89, -5.92

 

CMYK 0 / 4 / 26 / 64

HEX #5D5945

RGB 93 89 69

HSL 50, 0.15%, 0.32%

LAB 37.67, -2.07, 12.18

 

CMYK 26 / 0 / 17 / 64

HEX #455D4D

RGB 69 93 77

HSL 140, 0.15%, 0.32%

LAB 37.17, -12.75, 6.28

 

CMYK 26 / 22 / 0 / 64

HEX #45495D

RGB 69 73 93

HSL 230, 0.15%, 0.32%

LAB 31.39, 3.41, -12.31

 

Description

Color code: CMYK 0 / 27 / 9 / 63 | qconv.com Color code: CMYK 0 / 27 / 9 / 63 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 69 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 69 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 9 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 9% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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