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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 23 / 4 / 40 it is the complementary color CMYK 26 / 0 / 21 / 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 23 / 4 / 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 23 / 4 / 40 shade: CMYK 0 / 25 / 10 / 38, CMYK 0 / 22 / 8 / 31, CMYK 0 / 20 / 6 / 25, CMYK 0 / 18 / 5 / 18 and CMYK 0 / 16 / 4 / 11

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 23 / 4 / 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 23 / 4 / 40 shade: CMYK 0 / 23 / 4 / 40, CMYK 0 / 26 / 6 / 47, CMYK 0 / 31 / 8 / 53, CMYK 0 / 37 / 12 / 60 and CMYK 0 / 46 / 16 / 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 23 / 4 / 40 shade: CMYK 0 / 24 / 5 / 40, CMYK 0 / 24 / 10 / 40, CMYK 0 / 24 / 17 / 40, CMYK 0 / 24 / 24 / 40 and CMYK 0 / 24 / 24 / 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 23 / 4 / 40 shade: CMYK 0 / 24 / 5 / 40, CMYK 3 / 24 / 0 / 40, CMYK 9 / 24 / 0 / 40, CMYK 15 / 24 / 0 / 40 and CMYK 22 / 24 / 0 / 40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 23 / 4 / 40 shade matches the following richer shades: CMYK 0 / 24 / 5 / 40, CMYK 0 / 44 / 8 / 33, CMYK 0 / 59 / 10 / 25, CMYK 0 / 73 / 12 / 17 and CMYK 0 / 83 / 14 / 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 23 / 4 / 40 shade: CMYK 0 / 24 / 5 / 40, CMYK 2 / 0 / 1 / 47, CMYK 26 / 0 / 22 / 39, CMYK 46 / 0 / 38 / 31 and CMYK 61 / 0 / 51 / 24

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 23 / 4 / 40 shade: CMYK 9 / 24 / 0 / 40, CMYK 3 / 24 / 0 / 40, CMYK 0 / 24 / 4 / 40, CMYK 0 / 24 / 10 / 40 and CMYK 0 / 24 / 17 / 40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 23 / 4 / 40 shade: CMYK 0 / 26 / 4 / 58, CMYK 0 / 26 / 5 / 49, CMYK 0 / 24 / 5 / 40, CMYK 0 / 18 / 3 / 33 and CMYK 0 / 13 / 2 / 26

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 23 / 4 / 40 shade: CMYK 0 / 23 / 4 / 40, CMYK 0 / 15 / 24 / 40 and CMYK 24 / 0 / 6 / 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 23 / 4 / 40 shade: CMYK 0 / 23 / 4 / 40, CMYK 4 / 0 / 24 / 40 and CMYK 24 / 4 / 0 / 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 23 / 4 / 40 shade: CMYK 0 / 23 / 4 / 40, CMYK 0 / 15 / 24 / 40, CMYK 24 / 0 / 20 / 40 and CMYK 24 / 9 / 0 / 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 23 / 4 / 40 shade: CMYK 0 / 23 / 4 / 40, CMYK 0 / 8 / 24 / 40, CMYK 24 / 0 / 20 / 40 and CMYK 24 / 16 / 0 / 40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 4 / 40

HEX #997693

RGB 153 118 147

HSL 310.29, 0.15%, 0.53%

LAB 53.85, 18.77, -10.44

 

Complementary color

CMYK 26 / 0 / 21 / 46

HEX #66896C

RGB 102 137 108

HSL 130.29, 0.15%, 0.47%

LAB 53.81, -18.48, 11.64

 

CMYK 0 / 25 / 10 / 38

HEX #9E768E

RGB 158 118 142

HSL 324, 0.17%, 0.54%

LAB 54.22, 19.66, -6.92

 

CMYK 0 / 22 / 8 / 31

HEX #AF88A1

RGB 175 136 161

HSL 321.54, 0.2%, 0.61%

LAB 61.04, 19.05, -7.53

 

CMYK 0 / 20 / 6 / 25

HEX #C09AB4

RGB 192 154 180

HSL 318.95, 0.23%, 0.68%

LAB 67.73, 18.49, -8.11

 

CMYK 0 / 18 / 5 / 18

HEX #D1ACC7

RGB 209 172 199

HSL 316.22, 0.29%, 0.75%

LAB 74.31, 17.99, -8.66

 

CMYK 0 / 16 / 4 / 11

HEX #E2BEDA

RGB 226 190 218

HSL 313.33, 0.38%, 0.82%

LAB 80.77, 17.52, -9.19

 

CMYK 0 / 23 / 4 / 40

HEX #997693

RGB 153 118 147

HSL 310.29, 0.15%, 0.53%

LAB 53.85, 18.77, -10.44

 

CMYK 0 / 26 / 6 / 47

HEX #886480

RGB 136 100 128

HSL 313.33, 0.15%, 0.46%

LAB 46.85, 19.41, -9.9

 

CMYK 0 / 31 / 8 / 53

HEX #77526D

RGB 119 82 109

HSL 316.22, 0.18%, 0.39%

LAB 39.68, 20.13, -9.31

 

CMYK 0 / 37 / 12 / 60

HEX #66405A

RGB 102 64 90

HSL 318.95, 0.23%, 0.33%

LAB 32.32, 20.93, -8.65

 

CMYK 0 / 46 / 16 / 67

HEX #552E47

RGB 85 46 71

HSL 321.54, 0.3%, 0.26%

LAB 24.77, 21.82, -7.84

 

CMYK 0 / 24 / 5 / 40

HEX #997592

RGB 153 117 146

HSL 311.67, 0.15%, 0.53%

LAB 53.57, 19.15, -10.28

 

CMYK 0 / 24 / 10 / 40

HEX #997589

RGB 153 117 137

HSL 326.67, 0.15%, 0.53%

LAB 53.28, 17.48, -5.45

 

CMYK 0 / 24 / 17 / 40

HEX #99757F

RGB 153 117 127

HSL 343.33, 0.15%, 0.53%

LAB 52.98, 15.73, -0.02

 

CMYK 0 / 24 / 24 / 40

HEX #997575

RGB 153 117 117

HSL 0, 0.15%, 0.53%

LAB 52.71, 14.11, 5.45

 

CMYK 0 / 24 / 24 / 40

HEX #997575

RGB 153 117 117

HSL 0, 0.15%, 0.53%

LAB 52.71, 14.11, 5.45

 

CMYK 0 / 24 / 5 / 40

HEX #997592

RGB 153 117 146

HSL 311.67, 0.15%, 0.53%

LAB 53.57, 19.15, -10.28

 

CMYK 3 / 24 / 0 / 40

HEX #957599

RGB 149 117 153

HSL 293.33, 0.15%, 0.53%

LAB 53.4, 19.11, -14.66

 

CMYK 9 / 24 / 0 / 40

HEX #8B7599

RGB 139 117 153

HSL 276.67, 0.15%, 0.53%

LAB 52.41, 15.61, -16.25

 

CMYK 15 / 24 / 0 / 40

HEX #827599

RGB 130 117 153

HSL 261.67, 0.15%, 0.53%

LAB 51.57, 12.52, -17.6

 

CMYK 22 / 24 / 0 / 40

HEX #787599

RGB 120 117 153

HSL 245, 0.15%, 0.53%

LAB 50.71, 9.16, -19.01

 

CMYK 0 / 24 / 5 / 40

HEX #997592

RGB 153 117 146

HSL 311.67, 0.15%, 0.53%

LAB 53.57, 19.15, -10.28

 

CMYK 0 / 44 / 8 / 33

HEX #AC619F

RGB 172 97 159

HSL 310.4, 0.31%, 0.53%

LAB 51.64, 39.35, -20.62

 

CMYK 0 / 59 / 10 / 25

HEX #BF4EAC

RGB 191 78 172

HSL 310.09, 0.47%, 0.53%

LAB 51.27, 56.62, -28.59

 

CMYK 0 / 73 / 12 / 17

HEX #D33AB9

RGB 211 58 185

HSL 310.2, 0.63%, 0.53%

LAB 52.26, 71.29, -34.39

 

CMYK 0 / 83 / 14 / 10

HEX #E627C5

RGB 230 39 197

HSL 310.37, 0.79%, 0.53%

LAB 54.35, 81.9, -37.83

 

CMYK 0 / 24 / 5 / 40

HEX #997592

RGB 153 117 146

HSL 311.67, 0.15%, 0.53%

LAB 53.57, 19.15, -10.28

 

CMYK 2 / 0 / 1 / 47

HEX #858886

RGB 133 136 134

HSL 140, 0.01%, 0.53%

LAB 56.4, -1.5, 0.68

 

CMYK 26 / 0 / 22 / 39

HEX #729B79

RGB 114 155 121

HSL 130.24, 0.17%, 0.53%

LAB 60.25, -21.14, 13.39

 

CMYK 46 / 0 / 38 / 31

HEX #5EAF6C

RGB 94 175 108

HSL 130.37, 0.34%, 0.53%

LAB 65.06, -39.39, 26.87

 

CMYK 61 / 0 / 51 / 24

HEX #4BC25F

RGB 75 194 95

HSL 130.08, 0.49%, 0.53%

LAB 70.11, -54, 39.84

 

CMYK 9 / 24 / 0 / 40

HEX #8B7599

RGB 139 117 153

HSL 276.67, 0.15%, 0.53%

LAB 52.41, 15.61, -16.25

 

CMYK 3 / 24 / 0 / 40

HEX #957599

RGB 149 117 153

HSL 293.33, 0.15%, 0.53%

LAB 53.4, 19.11, -14.66

 

CMYK 0 / 24 / 4 / 40

HEX #997593

RGB 153 117 147

HSL 310, 0.15%, 0.53%

LAB 53.6, 19.34, -10.81

 

CMYK 0 / 24 / 10 / 40

HEX #997589

RGB 153 117 137

HSL 326.67, 0.15%, 0.53%

LAB 53.28, 17.48, -5.45

 

CMYK 0 / 24 / 17 / 40

HEX #99757F

RGB 153 117 127

HSL 343.33, 0.15%, 0.53%

LAB 52.98, 15.73, -0.02

 

CMYK 0 / 26 / 4 / 58

HEX #6B4F67

RGB 107 79 103

HSL 308.57, 0.15%, 0.36%

LAB 37.29, 16.2, -9.32

 

CMYK 0 / 26 / 5 / 49

HEX #83617D

RGB 131 97 125

HSL 310.59, 0.15%, 0.45%

LAB 45.44, 18.75, -10.28

 

CMYK 0 / 24 / 5 / 40

HEX #997592

RGB 153 117 146

HSL 311.67, 0.15%, 0.53%

LAB 53.57, 19.15, -10.28

 

CMYK 0 / 18 / 3 / 33

HEX #AA8CA5

RGB 170 140 165

HSL 310, 0.15%, 0.61%

LAB 61.67, 15.74, -8.92

 

CMYK 0 / 13 / 2 / 26

HEX #BCA4B8

RGB 188 164 184

HSL 310, 0.15%, 0.69%

LAB 69.97, 12.29, -7.06

 

CMYK 0 / 23 / 4 / 40

HEX #997693

RGB 153 118 147

HSL 310.29, 0.15%, 0.53%

LAB 53.85, 18.77, -10.44

 

CMYK 0 / 15 / 24 / 40

HEX #998275

RGB 153 130 117

HSL 21.67, 0.15%, 0.53%

LAB 56.11, 6.66, 10.29

 

CMYK 24 / 0 / 6 / 40

HEX #759990

RGB 117 153 144

HSL 165, 0.15%, 0.53%

LAB 60.41, -14.36, 0.66

 

CMYK 0 / 23 / 4 / 40

HEX #997693

RGB 153 118 147

HSL 310.29, 0.15%, 0.53%

LAB 53.85, 18.77, -10.44

 

CMYK 4 / 0 / 24 / 40

HEX #939975

RGB 147 153 117

HSL 70, 0.15%, 0.53%

LAB 61.89, -8.52, 18.24

 

CMYK 24 / 4 / 0 / 40

HEX #759399

RGB 117 147 153

HSL 190, 0.15%, 0.53%

LAB 58.93, -9.06, -6.63

 

CMYK 0 / 23 / 4 / 40

HEX #997693

RGB 153 118 147

HSL 310.29, 0.15%, 0.53%

LAB 53.85, 18.77, -10.44

 

CMYK 0 / 15 / 24 / 40

HEX #998275

RGB 153 130 117

HSL 21.67, 0.15%, 0.53%

LAB 56.11, 6.66, 10.29

 

CMYK 24 / 0 / 20 / 40

HEX #75997B

RGB 117 153 123

HSL 130, 0.15%, 0.53%

LAB 59.88, -18.69, 11.78

 

CMYK 24 / 9 / 0 / 40

HEX #758B99

RGB 117 139 153

HSL 203.33, 0.15%, 0.53%

LAB 56.63, -4.6, -10.06

 

CMYK 0 / 23 / 4 / 40

HEX #997693

RGB 153 118 147

HSL 310.29, 0.15%, 0.53%

LAB 53.85, 18.77, -10.44

 

CMYK 0 / 8 / 24 / 40

HEX #998D75

RGB 153 141 117

HSL 40, 0.15%, 0.53%

LAB 59.07, 0.45, 14.44

 

CMYK 24 / 0 / 20 / 40

HEX #75997B

RGB 117 153 123

HSL 130, 0.15%, 0.53%

LAB 59.88, -18.69, 11.78

 

CMYK 24 / 16 / 0 / 40

HEX #758199

RGB 117 129 153

HSL 220, 0.15%, 0.53%

LAB 53.8, 1.12, -14.33

 

Description

Color code: CMYK 0 / 23 / 4 / 40 | qconv.com Color code: CMYK 0 / 23 / 4 / 40 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 118 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 118 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 4 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 4% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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