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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 19 / 78 / 43 it is the complementary color CMYK 51 / 39 / 0 / 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 19 / 78 / 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 19 / 78 / 43 shade: CMYK 0 / 21 / 82 / 41, CMYK 0 / 19 / 72 / 35, CMYK 0 / 16 / 65 / 28, CMYK 0 / 14 / 58 / 21 and CMYK 0 / 13 / 53 / 15

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 19 / 78 / 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 19 / 78 / 43 shade: CMYK 0 / 19 / 78 / 43, CMYK 0 / 22 / 90 / 50, CMYK 0 / 26 / 100 / 56, CMYK 0 / 32 / 100 / 63 and CMYK 0 / 40 / 100 / 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 19 / 78 / 43 shade: CMYK 0 / 18 / 78 / 43, CMYK 0 / 40 / 78 / 43, CMYK 0 / 61 / 78 / 43 and CMYK 0 / 78 / 78 / 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 19 / 78 / 43 shade: CMYK 0 / 18 / 78 / 43, CMYK 3 / 0 / 78 / 43, CMYK 23 / 0 / 78 / 43, CMYK 45 / 0 / 78 / 43 and CMYK 66 / 0 / 78 / 43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 19 / 78 / 43 shade matches the following richer shades: CMYK 0 / 18 / 78 / 43, CMYK 0 / 21 / 89 / 37 and CMYK 0 / 23 / 98 / 31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 19 / 78 / 43 shade: CMYK 0 / 18 / 78 / 43, CMYK 0 / 15 / 65 / 49, CMYK 0 / 12 / 48 / 54, CMYK 0 / 7 / 27 / 60 and CMYK 1 / 1 / 0 / 65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 19 / 78 / 43 shade: CMYK 0 / 62 / 78 / 43, CMYK 0 / 40 / 78 / 43, CMYK 0 / 20 / 78 / 43, CMYK 1 / 0 / 78 / 43 and CMYK 22 / 0 / 78 / 43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 19 / 78 / 43 shade: CMYK 0 / 18 / 78 / 69, CMYK 0 / 19 / 79 / 56, CMYK 0 / 18 / 78 / 43, CMYK 0 / 19 / 78 / 29 and CMYK 0 / 18 / 76 / 18

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 19 / 78 / 43 shade: CMYK 0 / 19 / 78 / 43, CMYK 75 / 0 / 78 / 43 and CMYK 51 / 78 / 0 / 43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 19 / 78 / 43 shade: CMYK 0 / 19 / 78 / 43, CMYK 78 / 0 / 20 / 43 and CMYK 20 / 78 / 0 / 43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 19 / 78 / 43 shade: CMYK 0 / 19 / 78 / 43, CMYK 75 / 0 / 78 / 43, CMYK 78 / 59 / 0 / 43 and CMYK 4 / 78 / 0 / 43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 19 / 78 / 43 shade: CMYK 0 / 19 / 78 / 43, CMYK 78 / 0 / 59 / 43, CMYK 78 / 59 / 0 / 43 and CMYK 0 / 78 / 20 / 43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 78 / 43

HEX #917620

RGB 145 118 32

HSL 45.66, 0.64%, 0.35%

LAB 50.78, 1.48, 48.22

 

Complementary color

CMYK 51 / 39 / 0 / 13

HEX #6E89DF

RGB 110 137 223

HSL 225.66, 0.64%, 0.65%

LAB 58.54, 14.13, -46.86

 

CMYK 0 / 21 / 82 / 41

HEX #96761B

RGB 150 118 27

HSL 44.39, 0.69%, 0.35%

LAB 51.29, 3.61, 50.72

 

CMYK 0 / 19 / 72 / 35

HEX #A7882E

RGB 167 136 46

HSL 44.63, 0.57%, 0.42%

LAB 58.06, 2.14, 50.42

 

CMYK 0 / 16 / 65 / 28

HEX #B89A41

RGB 184 154 65

HSL 44.87, 0.48%, 0.49%

LAB 64.71, 0.95, 49.52

 

CMYK 0 / 14 / 58 / 21

HEX #C9AC54

RGB 201 172 84

HSL 45.13, 0.52%, 0.56%

LAB 71.26, -0.04, 48.38

 

CMYK 0 / 13 / 53 / 15

HEX #DABE67

RGB 218 190 103

HSL 45.39, 0.61%, 0.63%

LAB 77.7, -0.88, 47.15

 

CMYK 0 / 19 / 78 / 43

HEX #917620

RGB 145 118 32

HSL 45.66, 0.64%, 0.35%

LAB 50.78, 1.48, 48.22

 

CMYK 0 / 22 / 90 / 50

HEX #80640D

RGB 128 100 13

HSL 45.39, 0.82%, 0.28%

LAB 43.85, 3.12, 47.75

 

CMYK 0 / 26 / 100 / 56

HEX #6F5200

RGB 111 82 0

HSL 44.32, 1%, 0.22%

LAB 36.77, 5.18, 45.12

 

CMYK 0 / 32 / 100 / 63

HEX #5E4000

RGB 94 64 0

HSL 40.85, 1%, 0.18%

LAB 29.53, 7.69, 39.08

 

CMYK 0 / 40 / 100 / 70

HEX #4D2E00

RGB 77 46 0

HSL 35.84, 1%, 0.15%

LAB 22.06, 10.41, 31.33

 

CMYK 0 / 18 / 78 / 43

HEX #927720

RGB 146 119 32

HSL 45.79, 0.64%, 0.35%

LAB 51.16, 1.37, 48.62

 

CMYK 0 / 40 / 78 / 43

HEX #925820

RGB 146 88 32

HSL 29.47, 0.64%, 0.35%

LAB 43.06, 19.24, 40.81

 

CMYK 0 / 61 / 78 / 43

HEX #923920

RGB 146 57 32

HSL 13.16, 0.64%, 0.35%

LAB 36.26, 36.14, 33.9

 

CMYK 0 / 78 / 78 / 43

HEX #922020

RGB 146 32 32

HSL 0, 0.64%, 0.35%

LAB 32.37, 46.68, 29.76

 

CMYK 0 / 18 / 78 / 43

HEX #927720

RGB 146 119 32

HSL 45.79, 0.64%, 0.35%

LAB 51.16, 1.37, 48.62

 

CMYK 3 / 0 / 78 / 43

HEX #8E9220

RGB 142 146 32

HSL 62.11, 0.64%, 0.35%

LAB 58.43, -15.24, 55.2

 

CMYK 23 / 0 / 78 / 43

HEX #709220

RGB 112 146 32

HSL 77.89, 0.64%, 0.35%

LAB 56.19, -28.25, 52.32

 

CMYK 45 / 0 / 78 / 43

HEX #519220

RGB 81 146 32

HSL 94.21, 0.64%, 0.35%

LAB 54.46, -40.07, 50.07

 

CMYK 66 / 0 / 78 / 43

HEX #329220

RGB 50 146 32

HSL 110.53, 0.64%, 0.35%

LAB 53.32, -48.97, 48.57

 

CMYK 0 / 18 / 78 / 43

HEX #927720

RGB 146 119 32

HSL 45.79, 0.64%, 0.35%

LAB 51.16, 1.37, 48.62

 

CMYK 0 / 21 / 89 / 37

HEX #A07E11

RGB 160 126 17

HSL 45.73, 0.81%, 0.35%

LAB 54.49, 3.45, 56.76

 

CMYK 0 / 23 / 98 / 31

HEX #AF8603

RGB 175 134 3

HSL 45.7, 0.97%, 0.35%

LAB 58.2, 5.67, 62.83

 

CMYK 0 / 18 / 78 / 43

HEX #927720

RGB 146 119 32

HSL 45.79, 0.64%, 0.35%

LAB 51.16, 1.37, 48.62

 

CMYK 0 / 15 / 65 / 49

HEX #836F2E

RGB 131 111 46

HSL 45.88, 0.48%, 0.35%

LAB 47.48, -0.25, 38.17

 

CMYK 0 / 12 / 48 / 54

HEX #75673D

RGB 117 103 61

HSL 45, 0.31%, 0.35%

LAB 43.97, -0.7, 25.66

 

CMYK 0 / 7 / 27 / 60

HEX #67604B

RGB 103 96 75

HSL 45, 0.16%, 0.35%

LAB 40.83, -0.94, 13.03

 

CMYK 1 / 1 / 0 / 65

HEX #585859

RGB 88 88 89

HSL 240, 0.01%, 0.35%

LAB 37.44, 0.22, -0.58

 

CMYK 0 / 62 / 78 / 43

HEX #923820

RGB 146 56 32

HSL 12.63, 0.64%, 0.35%

LAB 36.07, 36.63, 33.7

 

CMYK 0 / 40 / 78 / 43

HEX #925720

RGB 146 87 32

HSL 28.95, 0.64%, 0.35%

LAB 42.81, 19.81, 40.57

 

CMYK 0 / 20 / 78 / 43

HEX #927520

RGB 146 117 32

HSL 44.74, 0.64%, 0.35%

LAB 50.61, 2.51, 48.1

 

CMYK 1 / 0 / 78 / 43

HEX #909220

RGB 144 146 32

HSL 61.05, 0.64%, 0.35%

LAB 58.59, -14.34, 55.41

 

CMYK 22 / 0 / 78 / 43

HEX #729220

RGB 114 146 32

HSL 76.84, 0.64%, 0.35%

LAB 56.33, -27.42, 52.49

 

CMYK 0 / 18 / 78 / 69

HEX #4E4011

RGB 78 64 17

HSL 46.23, 0.64%, 0.19%

LAB 27.65, 0.17, 29.65

 

CMYK 0 / 19 / 79 / 56

HEX #705B18

RGB 112 91 24

HSL 45.68, 0.65%, 0.27%

LAB 39.57, 1.06, 39.51

 

CMYK 0 / 18 / 78 / 43

HEX #927720

RGB 146 119 32

HSL 45.79, 0.64%, 0.35%

LAB 51.16, 1.37, 48.62

 

CMYK 0 / 19 / 78 / 29

HEX #B49227

RGB 180 146 39

HSL 45.53, 0.64%, 0.43%

LAB 62, 2.18, 57.4

 

CMYK 0 / 18 / 76 / 18

HEX #D2AC32

RGB 210 172 50

HSL 45.75, 0.64%, 0.51%

LAB 71.85, 1.89, 63.73

 

CMYK 0 / 19 / 78 / 43

HEX #917620

RGB 145 118 32

HSL 45.66, 0.64%, 0.35%

LAB 50.78, 1.48, 48.22

 

CMYK 75 / 0 / 78 / 43

HEX #259220

RGB 37 146 32

HSL 117.37, 0.64%, 0.35%

LAB 53.01, -51.58, 48.16

 

CMYK 51 / 78 / 0 / 43

HEX #482092

RGB 72 32 146

HSL 261.05, 0.64%, 0.35%

LAB 25.22, 44.85, -55.54

 

CMYK 0 / 19 / 78 / 43

HEX #917620

RGB 145 118 32

HSL 45.66, 0.64%, 0.35%

LAB 50.78, 1.48, 48.22

 

CMYK 78 / 0 / 20 / 43

HEX #209275

RGB 32 146 117

HSL 164.74, 0.64%, 0.35%

LAB 54.18, -37.93, 6.64

 

CMYK 20 / 78 / 0 / 43

HEX #752092

RGB 117 32 146

HSL 284.74, 0.64%, 0.35%

LAB 31.56, 52.9, -44.94

 

CMYK 0 / 19 / 78 / 43

HEX #917620

RGB 145 118 32

HSL 45.66, 0.64%, 0.35%

LAB 50.78, 1.48, 48.22

 

CMYK 75 / 0 / 78 / 43

HEX #259220

RGB 37 146 32

HSL 117.37, 0.64%, 0.35%

LAB 53.01, -51.58, 48.16

 

CMYK 78 / 59 / 0 / 43

HEX #203C92

RGB 32 60 146

HSL 225.26, 0.64%, 0.35%

LAB 28.42, 22.05, -50.43

 

CMYK 4 / 78 / 0 / 43

HEX #8C2092

RGB 140 32 146

HSL 296.84, 0.64%, 0.35%

LAB 35.37, 57.62, -38.62

 

CMYK 0 / 19 / 78 / 43

HEX #917620

RGB 145 118 32

HSL 45.66, 0.64%, 0.35%

LAB 50.78, 1.48, 48.22

 

CMYK 78 / 0 / 59 / 43

HEX #20923C

RGB 32 146 60

HSL 134.74, 0.64%, 0.35%

LAB 53.16, -49.44, 36.36

 

CMYK 78 / 59 / 0 / 43

HEX #203C92

RGB 32 60 146

HSL 225.26, 0.64%, 0.35%

LAB 28.42, 22.05, -50.43

 

CMYK 0 / 78 / 20 / 43

HEX #922075

RGB 146 32 117

HSL 315.26, 0.64%, 0.35%

LAB 34.86, 54.43, -21.33

 

Description

Color code: CMYK 0 / 19 / 78 / 43 | qconv.com Color code: CMYK 0 / 19 / 78 / 43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 118 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 118 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 78 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 78% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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