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Color name
CMYK 0 / 19 / 42 / 64

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 19 / 42 / 64 it is the complementary color CMYK 19 / 10 / 0 / 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 19 / 42 / 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 19 / 42 / 64 shade: CMYK 0 / 24 / 51 / 62, CMYK 0 / 19 / 41 / 55, CMYK 0 / 16 / 34 / 49, CMYK 0 / 14 / 29 / 42 and CMYK 0 / 12 / 25 / 35

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 19 / 42 / 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 19 / 42 / 64 shade: CMYK 0 / 20 / 42 / 64, CMYK 0 / 25 / 55 / 71, CMYK 0 / 34 / 74 / 77, CMYK 0 / 51 / 100 / 84 and CMYK 0 / 92 / 100 / 91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 19 / 42 / 64 shade: CMYK 0 / 20 / 42 / 65, CMYK 0 / 31 / 42 / 65 and CMYK 0 / 42 / 42 / 65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 19 / 42 / 64 shade: CMYK 0 / 20 / 42 / 65, CMYK 0 / 8 / 42 / 65, CMYK 3 / 0 / 42 / 65, CMYK 14 / 0 / 42 / 65 and CMYK 27 / 0 / 42 / 65

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 19 / 42 / 64 shade matches the following richer shades: CMYK 0 / 20 / 42 / 65, CMYK 0 / 28 / 61 / 60, CMYK 0 / 35 / 74 / 56, CMYK 0 / 40 / 86 / 51 and CMYK 0 / 44 / 96 / 47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 19 / 42 / 64 shade: CMYK 0 / 20 / 42 / 65, CMYK 0 / 10 / 20 / 69, CMYK 11 / 5 / 0 / 71, CMYK 35 / 19 / 0 / 66 and CMYK 55 / 30 / 0 / 62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 19 / 42 / 64 shade: CMYK 0 / 42 / 42 / 65, CMYK 0 / 31 / 42 / 65, CMYK 0 / 20 / 42 / 65, CMYK 0 / 9 / 42 / 65 and CMYK 2 / 0 / 42 / 65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 19 / 42 / 64 shade: CMYK 0 / 21 / 42 / 85, CMYK 0 / 20 / 42 / 75, CMYK 0 / 20 / 42 / 65, CMYK 0 / 20 / 42 / 55 and CMYK 0 / 20 / 43 / 44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 19 / 42 / 64 shade: CMYK 0 / 20 / 42 / 64, CMYK 31 / 0 / 42 / 65 and CMYK 37 / 42 / 0 / 65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 19 / 42 / 64 shade: CMYK 0 / 20 / 42 / 64, CMYK 42 / 0 / 20 / 65 and CMYK 20 / 42 / 0 / 65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 19 / 42 / 64 shade: CMYK 0 / 20 / 42 / 64, CMYK 31 / 0 / 42 / 65, CMYK 42 / 22 / 0 / 65 and CMYK 11 / 42 / 0 / 65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 19 / 42 / 64 shade: CMYK 0 / 20 / 42 / 64, CMYK 42 / 0 / 41 / 65, CMYK 42 / 22 / 0 / 65 and CMYK 0 / 42 / 1 / 65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 42 / 64

HEX #5C4A35

RGB 92 74 53

HSL 32.31, 0.27%, 0.28%

LAB 32.77, 4.31, 15.41

 

Complementary color

CMYK 19 / 10 / 0 / 21

HEX #A3B5CA

RGB 163 181 202

HSL 212.31, 0.27%, 0.72%

LAB 72.96, -1.73, -12.71

 

CMYK 0 / 24 / 51 / 62

HEX #614A30

RGB 97 74 48

HSL 31.84, 0.34%, 0.28%

LAB 33.25, 6.04, 19.23

 

CMYK 0 / 19 / 41 / 55

HEX #725C43

RGB 114 92 67

HSL 31.91, 0.26%, 0.35%

LAB 40.63, 5.18, 17.77

 

CMYK 0 / 16 / 34 / 49

HEX #836E56

RGB 131 110 86

HSL 32, 0.21%, 0.43%

LAB 47.81, 4.51, 16.48

 

CMYK 0 / 14 / 29 / 42

HEX #948069

RGB 148 128 105

HSL 32.09, 0.17%, 0.5%

LAB 54.82, 3.97, 15.32

 

CMYK 0 / 12 / 25 / 35

HEX #A5927C

RGB 165 146 124

HSL 32.2, 0.19%, 0.57%

LAB 61.66, 3.52, 14.26

 

CMYK 0 / 20 / 42 / 64

HEX #5C4A35

RGB 92 74 53

HSL 32.31, 0.27%, 0.28%

LAB 32.77, 4.31, 15.41

 

CMYK 0 / 25 / 55 / 71

HEX #4B3822

RGB 75 56 34

HSL 32.2, 0.38%, 0.21%

LAB 25.07, 5.23, 16.95

 

CMYK 0 / 34 / 74 / 77

HEX #3A260F

RGB 58 38 15

HSL 32.09, 0.59%, 0.14%

LAB 17.09, 6.57, 18.49

 

CMYK 0 / 51 / 100 / 84

HEX #291400

RGB 41 20 0

HSL 29.27, 1%, 0.08%

LAB 8.75, 8.57, 13.29

 

CMYK 0 / 92 / 100 / 91

HEX #180200

RGB 24 2 0

HSL 5, 1%, 0.05%

LAB 2.15, 7.07, 3.34

 

CMYK 0 / 20 / 42 / 65

HEX #5A4834

RGB 90 72 52

HSL 31.58, 0.27%, 0.28%

LAB 31.93, 4.49, 14.89

 

CMYK 0 / 31 / 42 / 65

HEX #5A3E34

RGB 90 62 52

HSL 15.79, 0.27%, 0.28%

LAB 29.07, 10.8, 11.03

 

CMYK 0 / 42 / 42 / 65

HEX #5A3434

RGB 90 52 52

HSL 0, 0.27%, 0.28%

LAB 26.38, 17.11, 7.31

 

CMYK 0 / 20 / 42 / 65

HEX #5A4834

RGB 90 72 52

HSL 31.58, 0.27%, 0.28%

LAB 31.93, 4.49, 14.89

 

CMYK 0 / 8 / 42 / 65

HEX #5A5334

RGB 90 83 52

HSL 48.95, 0.27%, 0.28%

LAB 35.22, -2.29, 19.2

 

CMYK 3 / 0 / 42 / 65

HEX #575A34

RGB 87 90 52

HSL 64.74, 0.27%, 0.28%

LAB 37.09, -7.84, 21.54

 

CMYK 14 / 0 / 42 / 65

HEX #4D5A34

RGB 77 90 52

HSL 80.53, 0.27%, 0.28%

LAB 36.25, -12.32, 20.3

 

CMYK 27 / 0 / 42 / 65

HEX #425A34

RGB 66 90 52

HSL 97.89, 0.27%, 0.28%

LAB 35.44, -17, 19.09

 

CMYK 0 / 20 / 42 / 65

HEX #5A4834

RGB 90 72 52

HSL 31.58, 0.27%, 0.28%

LAB 31.93, 4.49, 14.89

 

CMYK 0 / 28 / 61 / 60

HEX #664928

RGB 102 73 40

HSL 31.94, 0.44%, 0.28%

LAB 33.44, 8.23, 24.39

 

CMYK 0 / 35 / 74 / 56

HEX #714A1D

RGB 113 74 29

HSL 32.14, 0.59%, 0.28%

LAB 35, 12.07, 32.62

 

CMYK 0 / 40 / 86 / 51

HEX #7D4B11

RGB 125 75 17

HSL 32.22, 0.76%, 0.28%

LAB 36.8, 16.61, 40.4

 

CMYK 0 / 44 / 96 / 47

HEX #884C05

RGB 136 76 5

HSL 32.52, 0.93%, 0.28%

LAB 38.58, 20.82, 46.36

 

CMYK 0 / 20 / 42 / 65

HEX #5A4834

RGB 90 72 52

HSL 31.58, 0.27%, 0.28%

LAB 31.93, 4.49, 14.89

 

CMYK 0 / 10 / 20 / 69

HEX #4F473F

RGB 79 71 63

HSL 30, 0.11%, 0.28%

LAB 30.71, 1.83, 6.03

 

CMYK 11 / 5 / 0 / 71

HEX #43474B

RGB 67 71 75

HSL 210, 0.06%, 0.28%

LAB 29.93, -0.7, -2.96

 

CMYK 35 / 19 / 0 / 66

HEX #384656

RGB 56 70 86

HSL 212, 0.21%, 0.28%

LAB 29.14, -1.17, -11.35

 

CMYK 55 / 30 / 0 / 62

HEX #2C4562

RGB 44 69 98

HSL 212.22, 0.38%, 0.28%

LAB 28.57, -0.25, -20.01

 

CMYK 0 / 42 / 42 / 65

HEX #5A3434

RGB 90 52 52

HSL 0, 0.27%, 0.28%

LAB 26.38, 17.11, 7.31

 

CMYK 0 / 31 / 42 / 65

HEX #5A3E34

RGB 90 62 52

HSL 15.79, 0.27%, 0.28%

LAB 29.07, 10.8, 11.03

 

CMYK 0 / 20 / 42 / 65

HEX #5A4834

RGB 90 72 52

HSL 31.58, 0.27%, 0.28%

LAB 31.93, 4.49, 14.89

 

CMYK 0 / 9 / 42 / 65

HEX #5A5234

RGB 90 82 52

HSL 47.37, 0.27%, 0.28%

LAB 34.92, -1.69, 18.81

 

CMYK 2 / 0 / 42 / 65

HEX #585A34

RGB 88 90 52

HSL 63.16, 0.27%, 0.28%

LAB 37.18, -7.39, 21.67

 

CMYK 0 / 21 / 42 / 85

HEX #261E16

RGB 38 30 22

HSL 30, 0.27%, 0.12%

LAB 11.95, 2.34, 6.94

 

CMYK 0 / 20 / 42 / 75

HEX #403325

RGB 64 51 37

HSL 31.11, 0.27%, 0.2%

LAB 22.27, 3.45, 11.09

 

CMYK 0 / 20 / 42 / 65

HEX #5A4834

RGB 90 72 52

HSL 31.58, 0.27%, 0.28%

LAB 31.93, 4.49, 14.89

 

CMYK 0 / 20 / 42 / 55

HEX #745D43

RGB 116 93 67

HSL 31.84, 0.27%, 0.36%

LAB 41.13, 5.48, 18.47

 

CMYK 0 / 20 / 43 / 44

HEX #8F7352

RGB 143 115 82

HSL 32.46, 0.27%, 0.44%

LAB 50.35, 6.28, 22.4

 

CMYK 0 / 20 / 42 / 64

HEX #5C4A35

RGB 92 74 53

HSL 32.31, 0.27%, 0.28%

LAB 32.77, 4.31, 15.41

 

CMYK 31 / 0 / 42 / 65

HEX #3E5A34

RGB 62 90 52

HSL 104.21, 0.27%, 0.28%

LAB 35.17, -18.62, 18.69

 

CMYK 37 / 42 / 0 / 65

HEX #39345A

RGB 57 52 90

HSL 247.89, 0.27%, 0.28%

LAB 23.88, 12.41, -22.09

 

CMYK 0 / 20 / 42 / 64

HEX #5C4A35

RGB 92 74 53

HSL 32.31, 0.27%, 0.28%

LAB 32.77, 4.31, 15.41

 

CMYK 42 / 0 / 20 / 65

HEX #345A48

RGB 52 90 72

HSL 151.58, 0.27%, 0.28%

LAB 35.02, -18.2, 6.19

 

CMYK 20 / 42 / 0 / 65

HEX #48345A

RGB 72 52 90

HSL 271.58, 0.27%, 0.28%

LAB 25.48, 17.45, -19.47

 

CMYK 0 / 20 / 42 / 64

HEX #5C4A35

RGB 92 74 53

HSL 32.31, 0.27%, 0.28%

LAB 32.77, 4.31, 15.41

 

CMYK 31 / 0 / 42 / 65

HEX #3E5A34

RGB 62 90 52

HSL 104.21, 0.27%, 0.28%

LAB 35.17, -18.62, 18.69

 

CMYK 42 / 22 / 0 / 65

HEX #34465A

RGB 52 70 90

HSL 211.58, 0.27%, 0.28%

LAB 29.03, -1.25, -14.12

 

CMYK 11 / 42 / 0 / 65

HEX #50345A

RGB 80 52 90

HSL 284.21, 0.27%, 0.28%

LAB 26.45, 20.26, -17.89

 

CMYK 0 / 20 / 42 / 64

HEX #5C4A35

RGB 92 74 53

HSL 32.31, 0.27%, 0.28%

LAB 32.77, 4.31, 15.41

 

CMYK 42 / 0 / 41 / 65

HEX #345A35

RGB 52 90 53

HSL 121.58, 0.27%, 0.28%

LAB 34.6, -22.22, 17.24

 

CMYK 42 / 22 / 0 / 65

HEX #34465A

RGB 52 70 90

HSL 211.58, 0.27%, 0.28%

LAB 29.03, -1.25, -14.12

 

CMYK 0 / 42 / 1 / 65

HEX #5A3459

RGB 90 52 89

HSL 301.58, 0.27%, 0.28%

LAB 27.71, 23.61, -15.18

 

Description

Color code: CMYK 0 / 19 / 42 / 64 | qconv.com Color code: CMYK 0 / 19 / 42 / 64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 74 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 74 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 42 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 42% 64% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

15% - Charbonnel et Walker...
Link: http://www.charbonnel.co.uk

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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