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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 18 / 26 / 35 it is the complementary color CMYK 33 / 10 / 0 / 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 18 / 26 / 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 18 / 26 / 35 shade: CMYK 0 / 20 / 31 / 33, CMYK 0 / 18 / 27 / 26, CMYK 0 / 16 / 24 / 20, CMYK 0 / 14 / 21 / 13 and CMYK 0 / 13 / 19 / 6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 18 / 26 / 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 18 / 26 / 35 shade: CMYK 0 / 18 / 26 / 35, CMYK 0 / 21 / 30 / 42, CMYK 0 / 24 / 36 / 48, CMYK 0 / 29 / 43 / 55 and CMYK 0 / 35 / 52 / 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 18 / 26 / 35 shade: CMYK 0 / 17 / 25 / 35, CMYK 0 / 25 / 25 / 35 and CMYK 0 / 25 / 25 / 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 18 / 26 / 35 shade: CMYK 0 / 17 / 25 / 35, CMYK 0 / 11 / 25 / 35, CMYK 0 / 4 / 25 / 35, CMYK 3 / 0 / 25 / 35 and CMYK 10 / 0 / 25 / 35

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 18 / 26 / 35 shade matches the following richer shades: CMYK 0 / 17 / 25 / 35, CMYK 0 / 29 / 42 / 28, CMYK 0 / 39 / 56 / 21, CMYK 0 / 47 / 68 / 14 and CMYK 0 / 54 / 78 / 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 18 / 26 / 35 shade: CMYK 0 / 17 / 25 / 35, CMYK 0 / 3 / 4 / 42, CMYK 18 / 5 / 0 / 38, CMYK 37 / 11 / 0 / 31 and CMYK 51 / 15 / 0 / 24

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 18 / 26 / 35 shade: CMYK 0 / 25 / 19 / 35, CMYK 0 / 25 / 25 / 35, CMYK 0 / 17 / 25 / 35, CMYK 0 / 11 / 25 / 35 and CMYK 0 / 4 / 25 / 35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 18 / 26 / 35 shade: CMYK 0 / 22 / 32 / 52, CMYK 0 / 22 / 32 / 42, CMYK 0 / 17 / 25 / 35, CMYK 0 / 13 / 18 / 29 and CMYK 0 / 9 / 13 / 22

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 18 / 26 / 35 shade: CMYK 0 / 18 / 26 / 35, CMYK 13 / 0 / 25 / 35 and CMYK 25 / 23 / 0 / 35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 18 / 26 / 35 shade: CMYK 0 / 18 / 26 / 35, CMYK 25 / 0 / 17 / 35 and CMYK 17 / 25 / 0 / 35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 18 / 26 / 35 shade: CMYK 0 / 18 / 26 / 35, CMYK 13 / 0 / 25 / 35, CMYK 25 / 8 / 0 / 35 and CMYK 13 / 25 / 0 / 35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 18 / 26 / 35 shade: CMYK 0 / 18 / 26 / 35, CMYK 20 / 0 / 25 / 35, CMYK 25 / 8 / 0 / 35 and CMYK 5 / 25 / 0 / 35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 26 / 35

HEX #A6887B

RGB 166 136 123

HSL 18.14, 0.19%, 0.57%

LAB 59.11, 9.36, 11.26

 

Complementary color

CMYK 33 / 10 / 0 / 48

HEX #597784

RGB 89 119 132

HSL 198.14, 0.19%, 0.43%

LAB 48.24, -7.4, -10.6

 

CMYK 0 / 20 / 31 / 33

HEX #AB8876

RGB 171 136 118

HSL 20.38, 0.24%, 0.57%

LAB 59.5, 10.66, 14.73

 

CMYK 0 / 18 / 27 / 26

HEX #BC9A89

RGB 188 154 137

HSL 20, 0.28%, 0.64%

LAB 66.22, 10.06, 13.67

 

CMYK 0 / 16 / 24 / 20

HEX #CDAC9C

RGB 205 172 156

HSL 19.59, 0.33%, 0.71%

LAB 72.82, 9.54, 12.7

 

CMYK 0 / 14 / 21 / 13

HEX #DEBEAF

RGB 222 190 175

HSL 19.15, 0.42%, 0.78%

LAB 79.3, 9.07, 11.79

 

CMYK 0 / 13 / 19 / 6

HEX #EFD0C2

RGB 239 208 194

HSL 18.67, 0.58%, 0.85%

LAB 85.68, 8.66, 10.93

 

CMYK 0 / 18 / 26 / 35

HEX #A6887B

RGB 166 136 123

HSL 18.14, 0.19%, 0.57%

LAB 59.11, 9.36, 11.26

 

CMYK 0 / 21 / 30 / 42

HEX #957668

RGB 149 118 104

HSL 18.67, 0.18%, 0.5%

LAB 52.23, 9.97, 12.32

 

CMYK 0 / 24 / 36 / 48

HEX #846455

RGB 132 100 85

HSL 19.15, 0.22%, 0.43%

LAB 45.19, 10.68, 13.49

 

CMYK 0 / 29 / 43 / 55

HEX #735242

RGB 115 82 66

HSL 19.59, 0.27%, 0.35%

LAB 37.97, 11.54, 14.83

 

CMYK 0 / 35 / 52 / 62

HEX #62402F

RGB 98 64 47

HSL 20, 0.35%, 0.28%

LAB 30.57, 12.63, 16.4

 

CMYK 0 / 17 / 25 / 35

HEX #A6897C

RGB 166 137 124

HSL 18.57, 0.19%, 0.57%

LAB 59.39, 8.95, 11.09

 

CMYK 0 / 25 / 25 / 35

HEX #A67D7C

RGB 166 125 124

HSL 1.43, 0.19%, 0.57%

LAB 56.32, 15.74, 6.73

 

CMYK 0 / 25 / 25 / 35

HEX #A67C7C

RGB 166 124 124

HSL 0, 0.19%, 0.57%

LAB 56.07, 16.31, 6.37

 

CMYK 0 / 17 / 25 / 35

HEX #A6897C

RGB 166 137 124

HSL 18.57, 0.19%, 0.57%

LAB 59.39, 8.95, 11.09

 

CMYK 0 / 11 / 25 / 35

HEX #A6947C

RGB 166 148 124

HSL 34.29, 0.19%, 0.57%

LAB 62.29, 2.8, 15.14

 

CMYK 0 / 4 / 25 / 35

HEX #A69F7C

RGB 166 159 124

HSL 50, 0.19%, 0.57%

LAB 65.25, -3.23, 19.22

 

CMYK 3 / 0 / 25 / 35

HEX #A1A67C

RGB 161 166 124

HSL 67.14, 0.19%, 0.57%

LAB 66.75, -8.96, 21.21

 

CMYK 10 / 0 / 25 / 35

HEX #96A67C

RGB 150 166 124

HSL 82.86, 0.19%, 0.57%

LAB 65.91, -13.2, 19.93

 

CMYK 0 / 17 / 25 / 35

HEX #A6897C

RGB 166 137 124

HSL 18.57, 0.19%, 0.57%

LAB 59.39, 8.95, 11.09

 

CMYK 0 / 29 / 42 / 28

HEX #B7826A

RGB 183 130 106

HSL 18.7, 0.35%, 0.57%

LAB 59.04, 17.4, 21.11

 

CMYK 0 / 39 / 56 / 21

HEX #C97B59

RGB 201 123 89

HSL 18.21, 0.51%, 0.57%

LAB 59.26, 26.95, 31.31

 

CMYK 0 / 47 / 68 / 14

HEX #DB7447

RGB 219 116 71

HSL 18.24, 0.67%, 0.57%

LAB 59.89, 36.62, 42.34

 

CMYK 0 / 54 / 78 / 7

HEX #ED6D35

RGB 237 109 53

HSL 18.26, 0.84%, 0.57%

LAB 60.96, 46.19, 53.17

 

CMYK 0 / 17 / 25 / 35

HEX #A6897C

RGB 166 137 124

HSL 18.57, 0.19%, 0.57%

LAB 59.39, 8.95, 11.09

 

CMYK 0 / 3 / 4 / 42

HEX #94908E

RGB 148 144 142

HSL 20, 0.03%, 0.57%

LAB 60.06, 1.1, 1.58

 

CMYK 18 / 5 / 0 / 38

HEX #82979F

RGB 130 151 159

HSL 196.55, 0.13%, 0.57%

LAB 61.12, -5.64, -6.7

 

CMYK 37 / 11 / 0 / 31

HEX #709EB1

RGB 112 158 177

HSL 197.54, 0.29%, 0.57%

LAB 62.57, -10.61, -14.8

 

CMYK 51 / 15 / 0 / 24

HEX #5FA5C3

RGB 95 165 195

HSL 198, 0.45%, 0.57%

LAB 64.39, -13.72, -22.19

 

CMYK 0 / 25 / 19 / 35

HEX #A67C86

RGB 166 124 134

HSL 345.71, 0.19%, 0.57%

LAB 56.33, 17.87, 0.95

 

CMYK 0 / 25 / 25 / 35

HEX #A67D7C

RGB 166 125 124

HSL 1.43, 0.19%, 0.57%

LAB 56.32, 15.74, 6.73

 

CMYK 0 / 17 / 25 / 35

HEX #A6897C

RGB 166 137 124

HSL 18.57, 0.19%, 0.57%

LAB 59.39, 8.95, 11.09

 

CMYK 0 / 11 / 25 / 35

HEX #A6947C

RGB 166 148 124

HSL 34.29, 0.19%, 0.57%

LAB 62.29, 2.8, 15.14

 

CMYK 0 / 4 / 25 / 35

HEX #A69F7C

RGB 166 159 124

HSL 50, 0.19%, 0.57%

LAB 65.25, -3.23, 19.22

 

CMYK 0 / 22 / 32 / 52

HEX #7B6054

RGB 123 96 84

HSL 18.46, 0.19%, 0.41%

LAB 43.09, 9.06, 11.03

 

CMYK 0 / 22 / 32 / 42

HEX #947365

RGB 148 115 101

HSL 17.87, 0.19%, 0.49%

LAB 51.26, 10.86, 12.71

 

CMYK 0 / 17 / 25 / 35

HEX #A6897C

RGB 166 137 124

HSL 18.57, 0.19%, 0.57%

LAB 59.39, 8.95, 11.09

 

CMYK 0 / 13 / 18 / 29

HEX #B69F95

RGB 182 159 149

HSL 18.18, 0.18%, 0.65%

LAB 67.21, 6.79, 8.31

 

CMYK 0 / 9 / 13 / 22

HEX #C7B5AD

RGB 199 181 173

HSL 18.46, 0.19%, 0.73%

LAB 74.96, 5.07, 6.39

 

CMYK 0 / 18 / 26 / 35

HEX #A6887B

RGB 166 136 123

HSL 18.14, 0.19%, 0.57%

LAB 59.11, 9.36, 11.26

 

CMYK 13 / 0 / 25 / 35

HEX #91A67C

RGB 145 166 124

HSL 90, 0.19%, 0.57%

LAB 65.55, -15.1, 19.38

 

CMYK 25 / 23 / 0 / 35

HEX #7C80A6

RGB 124 128 166

HSL 234.29, 0.19%, 0.57%

LAB 54.53, 7.19, -20.69

 

CMYK 0 / 18 / 26 / 35

HEX #A6887B

RGB 166 136 123

HSL 18.14, 0.19%, 0.57%

LAB 59.11, 9.36, 11.26

 

CMYK 25 / 0 / 17 / 35

HEX #7CA689

RGB 124 166 137

HSL 138.57, 0.19%, 0.57%

LAB 64.45, -20.29, 10.46

 

CMYK 17 / 25 / 0 / 35

HEX #897CA6

RGB 137 124 166

HSL 258.57, 0.19%, 0.57%

LAB 54.54, 13.76, -20.57

 

CMYK 0 / 18 / 26 / 35

HEX #A6887B

RGB 166 136 123

HSL 18.14, 0.19%, 0.57%

LAB 59.11, 9.36, 11.26

 

CMYK 13 / 0 / 25 / 35

HEX #91A67C

RGB 145 166 124

HSL 90, 0.19%, 0.57%

LAB 65.55, -15.1, 19.38

 

CMYK 25 / 8 / 0 / 35

HEX #7C99A6

RGB 124 153 166

HSL 198.57, 0.19%, 0.57%

LAB 61.5, -7.05, -10.13

 

CMYK 13 / 25 / 0 / 35

HEX #917CA6

RGB 145 124 166

HSL 270, 0.19%, 0.57%

LAB 55.27, 16.43, -19.4

 

CMYK 0 / 18 / 26 / 35

HEX #A6887B

RGB 166 136 123

HSL 18.14, 0.19%, 0.57%

LAB 59.11, 9.36, 11.26

 

CMYK 20 / 0 / 25 / 35

HEX #84A67C

RGB 132 166 124

HSL 108.57, 0.19%, 0.57%

LAB 64.67, -19.89, 18.02

 

CMYK 25 / 8 / 0 / 35

HEX #7C99A6

RGB 124 153 166

HSL 198.57, 0.19%, 0.57%

LAB 61.5, -7.05, -10.13

 

CMYK 5 / 25 / 0 / 35

HEX #9D7CA6

RGB 157 124 166

HSL 287.14, 0.19%, 0.57%

LAB 56.42, 20.5, -17.53

 

Description

Color code: CMYK 0 / 18 / 26 / 35 | qconv.com Color code: CMYK 0 / 18 / 26 / 35 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 136 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 136 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 26 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 26% 35% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

15% - Last Call
Link: http://trylastcall.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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