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Color name
CMYK 0 / 16 / 31 / 2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 16 / 31 / 2 it is the complementary color CMYK 94 / 46 / 0 / 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 16 / 31 / 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 16 / 31 / 2 shade: CMYK 0 / 18 / 35 / 0, CMYK 0 / 11 / 27 / 0, CMYK 0 / 4 / 20 / 0, CMYK 0 / 0 / 12 / 0 and CMYK 0 / 0 / 5 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 16 / 31 / 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 16 / 31 / 2 shade: CMYK 0 / 16 / 31 / 2, CMYK 0 / 18 / 34 / 9, CMYK 0 / 19 / 38 / 15, CMYK 0 / 22 / 42 / 22 and CMYK 0 / 24 / 47 / 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 16 / 31 / 2 shade: CMYK 0 / 16 / 31 / 2, CMYK 0 / 24 / 31 / 2 and CMYK 0 / 31 / 31 / 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 16 / 31 / 2 shade: CMYK 0 / 16 / 31 / 2, CMYK 0 / 8 / 31 / 2, CMYK 1 / 0 / 31 / 2, CMYK 9 / 0 / 31 / 2 and CMYK 18 / 0 / 31 / 2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 16 / 31 / 2 shade matches the following richer shades: CMYK 0 / 16 / 31 / 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 16 / 31 / 2 shade: CMYK 0 / 16 / 31 / 2, CMYK 0 / 14 / 26 / 5, CMYK 0 / 11 / 21 / 7, CMYK 0 / 8 / 15 / 10 and CMYK 0 / 5 / 9 / 13

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 16 / 31 / 2 shade: CMYK 0 / 31 / 30 / 2, CMYK 0 / 24 / 31 / 2, CMYK 0 / 16 / 31 / 2, CMYK 0 / 8 / 31 / 2 and CMYK 1 / 0 / 31 / 2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 16 / 31 / 2 shade: CMYK 0 / 31 / 61 / 4, CMYK 0 / 23 / 46 / 3, CMYK 0 / 16 / 31 / 2, CMYK 0 / 8 / 16 / 1 and CMYK 0 / 1 / 1 / 0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 16 / 31 / 2 shade: CMYK 0 / 16 / 31 / 2, CMYK 21 / 0 / 31 / 2 and CMYK 28 / 31 / 0 / 2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 16 / 31 / 2 shade: CMYK 0 / 16 / 31 / 2, CMYK 31 / 0 / 16 / 2 and CMYK 16 / 31 / 0 / 2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 16 / 31 / 2 shade: CMYK 0 / 16 / 31 / 2, CMYK 21 / 0 / 31 / 2, CMYK 31 / 15 / 0 / 2 and CMYK 10 / 31 / 0 / 2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 16 / 31 / 2 shade: CMYK 0 / 16 / 31 / 2, CMYK 30 / 0 / 31 / 2, CMYK 31 / 15 / 0 / 2 and CMYK 1 / 31 / 0 / 2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 31 / 2

HEX #FAD2AC

RGB 250 210 172

HSL 29.23, 0.89%, 0.83%

LAB 86.7, 8.68, 24.08

 

Complementary color

CMYK 94 / 46 / 0 / 67

HEX #052D53

RGB 5 45 83

HSL 209.23, 0.89%, 0.17%

LAB 18.07, 3.07, -26.86

 

CMYK 0 / 18 / 35 / 0

HEX #FFD2A7

RGB 255 210 167

HSL 29.32, 1%, 0.83%

LAB 87.07, 9.98, 27.26

 

CMYK 0 / 11 / 27 / 0

HEX #FFE4BA

RGB 255 228 186

HSL 36.52, 1%, 0.86%

LAB 91.82, 3.09, 23.9

 

CMYK 0 / 4 / 20 / 0

HEX #FFF6CD

RGB 255 246 205

HSL 49.2, 1%, 0.9%

LAB 96.65, -3.42, 20.84

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE0

RGB 255 255 224

HSL 60, 1%, 0.94%

LAB 99.28, -5.1, 14.83

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF3

RGB 255 255 243

HSL 60, 1%, 0.98%

LAB 99.71, -2.05, 5.72

 

CMYK 0 / 16 / 31 / 2

HEX #FAD2AC

RGB 250 210 172

HSL 29.23, 0.89%, 0.83%

LAB 86.7, 8.68, 24.08

 

CMYK 0 / 18 / 34 / 9

HEX #E9C099

RGB 233 192 153

HSL 29.25, 0.65%, 0.76%

LAB 80.36, 9.25, 25.16

 

CMYK 0 / 19 / 38 / 15

HEX #D8AE86

RGB 216 174 134

HSL 29.27, 0.51%, 0.69%

LAB 73.93, 9.88, 26.32

 

CMYK 0 / 22 / 42 / 22

HEX #C79C73

RGB 199 156 115

HSL 29.29, 0.43%, 0.62%

LAB 67.39, 10.61, 27.57

 

CMYK 0 / 24 / 47 / 29

HEX #B68A60

RGB 182 138 96

HSL 29.3, 0.37%, 0.55%

LAB 60.75, 11.45, 28.92

 

CMYK 0 / 16 / 31 / 2

HEX #FAD2AD

RGB 250 210 173

HSL 28.83, 0.89%, 0.83%

LAB 86.72, 8.81, 23.58

 

CMYK 0 / 24 / 31 / 2

HEX #FABDAD

RGB 250 189 173

HSL 12.47, 0.89%, 0.83%

LAB 81.69, 19.79, 16.62

 

CMYK 0 / 31 / 31 / 2

HEX #FAADAD

RGB 250 173 173

HSL 0, 0.89%, 0.83%

LAB 78.01, 28.21, 11.42

 

CMYK 0 / 16 / 31 / 2

HEX #FAD2AD

RGB 250 210 173

HSL 28.83, 0.89%, 0.83%

LAB 86.72, 8.81, 23.58

 

CMYK 0 / 8 / 31 / 2

HEX #FAE7AD

RGB 250 231 173

HSL 45.19, 0.89%, 0.83%

LAB 91.91, -1.96, 30.63

 

CMYK 1 / 0 / 31 / 2

HEX #F8FAAD

RGB 248 250 173

HSL 61.56, 0.89%, 0.83%

LAB 96.55, -12.19, 36.8

 

CMYK 9 / 0 / 31 / 2

HEX #E3FAAD

RGB 227 250 173

HSL 77.92, 0.89%, 0.83%

LAB 95.04, -19.89, 34.53

 

CMYK 18 / 0 / 31 / 2

HEX #CEFAAD

RGB 206 250 173

HSL 94.29, 0.89%, 0.83%

LAB 93.67, -27.33, 32.45

 

CMYK 0 / 16 / 31 / 2

HEX #FAD2AD

RGB 250 210 173

HSL 28.83, 0.89%, 0.83%

LAB 86.72, 8.81, 23.58

 

CMYK 0 / 16 / 31 / 2

HEX #FAD2AD

RGB 250 210 173

HSL 28.83, 0.89%, 0.83%

LAB 86.72, 8.81, 23.58

 

CMYK 0 / 14 / 26 / 5

HEX #F3D2B4

RGB 243 210 180

HSL 28.57, 0.72%, 0.83%

LAB 86.23, 7.1, 19.13

 

CMYK 0 / 11 / 21 / 7

HEX #ECD3BB

RGB 236 211 187

HSL 29.39, 0.56%, 0.83%

LAB 86.01, 4.97, 15.05

 

CMYK 0 / 8 / 15 / 10

HEX #E5D3C2

RGB 229 211 194

HSL 29.14, 0.4%, 0.83%

LAB 85.58, 3.47, 10.66

 

CMYK 0 / 5 / 9 / 13

HEX #DED3C9

RGB 222 211 201

HSL 28.57, 0.24%, 0.83%

LAB 85.17, 2.09, 6.29

 

CMYK 0 / 31 / 30 / 2

HEX #FAADB0

RGB 250 173 176

HSL 357.66, 0.89%, 0.83%

LAB 78.08, 28.6, 9.89

 

CMYK 0 / 24 / 31 / 2

HEX #FABDAD

RGB 250 189 173

HSL 12.47, 0.89%, 0.83%

LAB 81.69, 19.79, 16.62

 

CMYK 0 / 16 / 31 / 2

HEX #FAD2AD

RGB 250 210 173

HSL 28.83, 0.89%, 0.83%

LAB 86.72, 8.81, 23.58

 

CMYK 0 / 8 / 31 / 2

HEX #FAE6AD

RGB 250 230 173

HSL 44.42, 0.89%, 0.83%

LAB 91.66, -1.45, 30.29

 

CMYK 1 / 0 / 31 / 2

HEX #F8FAAD

RGB 248 250 173

HSL 61.56, 0.89%, 0.83%

LAB 96.55, -12.19, 36.8

 

CMYK 0 / 31 / 61 / 4

HEX #F5A85F

RGB 245 168 95

HSL 29.2, 0.88%, 0.67%

LAB 74.98, 21.26, 48.52

 

CMYK 0 / 23 / 46 / 3

HEX #F7BD86

RGB 247 189 134

HSL 29.2, 0.88%, 0.75%

LAB 80.68, 14.24, 35.8

 

CMYK 0 / 16 / 31 / 2

HEX #FAD2AD

RGB 250 210 173

HSL 28.83, 0.89%, 0.83%

LAB 86.72, 8.81, 23.58

 

CMYK 0 / 8 / 16 / 1

HEX #FCE7D4

RGB 252 231 212

HSL 28.5, 0.87%, 0.91%

LAB 92.84, 4.14, 11.83

 

CMYK 0 / 1 / 1 / 0

HEX #FEFCFB

RGB 254 252 251

HSL 20, 0.6%, 0.99%

LAB 99.09, 0.49, 0.7

 

CMYK 0 / 16 / 31 / 2

HEX #FAD2AC

RGB 250 210 172

HSL 29.23, 0.89%, 0.83%

LAB 86.7, 8.68, 24.08

 

CMYK 21 / 0 / 31 / 2

HEX #C5FAAD

RGB 197 250 173

HSL 101.3, 0.89%, 0.83%

LAB 93.13, -30.42, 31.63

 

CMYK 28 / 31 / 0 / 2

HEX #B3ADFA

RGB 179 173 250

HSL 244.68, 0.89%, 0.83%

LAB 73.79, 18.73, -37.45

 

CMYK 0 / 16 / 31 / 2

HEX #FAD2AC

RGB 250 210 172

HSL 29.23, 0.89%, 0.83%

LAB 86.7, 8.68, 24.08

 

CMYK 31 / 0 / 16 / 2

HEX #ADFAD2

RGB 173 250 210

HSL 148.83, 0.89%, 0.83%

LAB 92.53, -31.75, 11.72

 

CMYK 16 / 31 / 0 / 2

HEX #D2ADFA

RGB 210 173 250

HSL 268.83, 0.89%, 0.83%

LAB 76.37, 27.84, -33.24

 

CMYK 0 / 16 / 31 / 2

HEX #FAD2AC

RGB 250 210 172

HSL 29.23, 0.89%, 0.83%

LAB 86.7, 8.68, 24.08

 

CMYK 21 / 0 / 31 / 2

HEX #C5FAAD

RGB 197 250 173

HSL 101.3, 0.89%, 0.83%

LAB 93.13, -30.42, 31.63

 

CMYK 31 / 15 / 0 / 2

HEX #ADD4FA

RGB 173 212 250

HSL 209.61, 0.89%, 0.83%

LAB 83.38, -4.17, -22.76

 

CMYK 10 / 31 / 0 / 2

HEX #E1ADFA

RGB 225 173 250

HSL 280.52, 0.89%, 0.83%

LAB 77.75, 32.41, -30.99

 

CMYK 0 / 16 / 31 / 2

HEX #FAD2AC

RGB 250 210 172

HSL 29.23, 0.89%, 0.83%

LAB 86.7, 8.68, 24.08

 

CMYK 30 / 0 / 31 / 2

HEX #AEFAAD

RGB 174 250 173

HSL 119.22, 0.89%, 0.83%

LAB 91.86, -37.94, 29.7

 

CMYK 31 / 15 / 0 / 2

HEX #ADD4FA

RGB 173 212 250

HSL 209.61, 0.89%, 0.83%

LAB 83.38, -4.17, -22.76

 

CMYK 1 / 31 / 0 / 2

HEX #F8ADFA

RGB 248 173 250

HSL 298.44, 0.89%, 0.83%

LAB 80.04, 39.53, -27.3

 

Description

Color code: CMYK 0 / 16 / 31 / 2 | qconv.com Color code: CMYK 0 / 16 / 31 / 2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 210 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 210 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 31 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 31% 2% C M Y K

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Provide designers and agencies with accurate color values.

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