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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 14 / 7 / 19 it is the complementary color CMYK 38 / 0 / 18 / 70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 14 / 7 / 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 14 / 7 / 19 shade: CMYK 0 / 16 / 12 / 17, CMYK 0 / 14 / 10 / 10, CMYK 0 / 13 / 9 / 4, CMYK 0 / 9 / 4 / 0 and CMYK 0 / 2 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 14 / 7 / 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 14 / 7 / 19 shade: CMYK 0 / 14 / 7 / 19, CMYK 0 / 16 / 9 / 25, CMYK 0 / 18 / 11 / 32, CMYK 0 / 21 / 13 / 39 and CMYK 0 / 24 / 17 / 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 14 / 7 / 19 shade: CMYK 0 / 14 / 7 / 20, CMYK 0 / 14 / 11 / 20 and CMYK 0 / 14 / 14 / 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 14 / 7 / 19 shade: CMYK 0 / 14 / 7 / 20, CMYK 0 / 14 / 3 / 20, CMYK 0 / 14 / 0 / 20, CMYK 4 / 14 / 0 / 20 and CMYK 8 / 14 / 0 / 20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 14 / 7 / 19 shade matches the following richer shades: CMYK 0 / 14 / 7 / 20, CMYK 0 / 23 / 12 / 15, CMYK 0 / 31 / 16 / 11, CMYK 0 / 39 / 20 / 7 and CMYK 0 / 45 / 23 / 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 14 / 7 / 19 shade: CMYK 0 / 14 / 7 / 20, CMYK 0 / 5 / 2 / 24, CMYK 6 / 0 / 3 / 23, CMYK 16 / 0 / 8 / 19 and CMYK 24 / 0 / 12 / 15

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 14 / 7 / 19 shade: CMYK 0 / 14 / 0 / 20, CMYK 0 / 14 / 3 / 20, CMYK 0 / 14 / 7 / 20, CMYK 0 / 14 / 11 / 20 and CMYK 0 / 13 / 14 / 20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 14 / 7 / 19 shade: CMYK 0 / 28 / 14 / 32, CMYK 0 / 21 / 11 / 25, CMYK 0 / 14 / 7 / 20, CMYK 0 / 9 / 5 / 13 and CMYK 0 / 4 / 2 / 7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 14 / 7 / 19 shade: CMYK 0 / 14 / 7 / 19, CMYK 0 / 4 / 14 / 20 and CMYK 14 / 1 / 0 / 20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 14 / 7 / 19 shade: CMYK 0 / 14 / 7 / 19, CMYK 7 / 0 / 14 / 20 and CMYK 14 / 7 / 0 / 20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 14 / 7 / 19 shade: CMYK 0 / 14 / 7 / 19, CMYK 0 / 4 / 14 / 20, CMYK 14 / 0 / 7 / 20 and CMYK 14 / 10 / 0 / 20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 14 / 7 / 19 shade: CMYK 0 / 14 / 7 / 19, CMYK 0 / 0 / 14 / 20, CMYK 14 / 0 / 7 / 20 and CMYK 14 / 14 / 0 / 20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 7 / 19

HEX #CFB2C0

RGB 207 178 192

HSL 331.03, 0.23%, 0.75%

LAB 75.4, 12.79, -3.24

 

Complementary color

CMYK 38 / 0 / 18 / 70

HEX #304D3F

RGB 48 77 63

HSL 151.03, 0.23%, 0.25%

LAB 30.14, -14.47, 4.89

 

CMYK 0 / 16 / 12 / 17

HEX #D4B2BB

RGB 212 178 187

HSL 344.12, 0.28%, 0.76%

LAB 75.72, 13.72, 0.01

 

CMYK 0 / 14 / 10 / 10

HEX #E5C4CE

RGB 229 196 206

HSL 341.82, 0.39%, 0.83%

LAB 82.16, 13.29, -0.67

 

CMYK 0 / 13 / 9 / 4

HEX #F6D6E1

RGB 246 214 225

HSL 339.38, 0.64%, 0.9%

LAB 88.51, 12.9, -1.31

 

CMYK 0 / 9 / 4 / 0

HEX #FFE8F4

RGB 255 232 244

HSL 328.7, 1%, 0.95%

LAB 94.1, 9.83, -2.97

 

CMYK 0 / 2 / 0 / 0

HEX #FFFAFF

RGB 255 250 255

HSL 300, 1%, 0.99%

LAB 98.77, 2.53, -1.81

 

CMYK 0 / 14 / 7 / 19

HEX #CFB2C0

RGB 207 178 192

HSL 331.03, 0.23%, 0.75%

LAB 75.4, 12.79, -3.24

 

CMYK 0 / 16 / 9 / 25

HEX #BEA0AD

RGB 190 160 173

HSL 334, 0.19%, 0.69%

LAB 68.83, 13.22, -2.61

 

CMYK 0 / 18 / 11 / 32

HEX #AD8E9A

RGB 173 142 154

HSL 336.77, 0.16%, 0.62%

LAB 62.14, 13.7, -1.95

 

CMYK 0 / 21 / 13 / 39

HEX #9C7C87

RGB 156 124 135

HSL 339.38, 0.14%, 0.55%

LAB 55.31, 14.22, -1.25

 

CMYK 0 / 24 / 17 / 45

HEX #8B6A74

RGB 139 106 116

HSL 341.82, 0.13%, 0.48%

LAB 48.33, 14.82, -0.48

 

CMYK 0 / 14 / 7 / 20

HEX #CDB0BE

RGB 205 176 190

HSL 331.03, 0.22%, 0.75%

LAB 74.67, 12.82, -3.25

 

CMYK 0 / 14 / 11 / 20

HEX #CDB0B6

RGB 205 176 182

HSL 347.59, 0.22%, 0.75%

LAB 74.45, 11.45, 0.81

 

CMYK 0 / 14 / 14 / 20

HEX #CDB0B0

RGB 205 176 176

HSL 0, 0.22%, 0.75%

LAB 74.29, 10.45, 3.87

 

CMYK 0 / 14 / 7 / 20

HEX #CDB0BE

RGB 205 176 190

HSL 331.03, 0.22%, 0.75%

LAB 74.67, 12.82, -3.25

 

CMYK 0 / 14 / 3 / 20

HEX #CDB0C6

RGB 205 176 198

HSL 314.48, 0.22%, 0.75%

LAB 74.89, 14.24, -7.28

 

CMYK 0 / 14 / 0 / 20

HEX #CDB0CD

RGB 205 176 205

HSL 300, 0.22%, 0.75%

LAB 75.1, 15.53, -10.8

 

CMYK 4 / 14 / 0 / 20

HEX #C5B0CD

RGB 197 176 205

HSL 283.45, 0.22%, 0.75%

LAB 74.4, 12.82, -11.92

 

CMYK 8 / 14 / 0 / 20

HEX #BDB0CD

RGB 189 176 205

HSL 266.9, 0.22%, 0.75%

LAB 73.73, 10.13, -13

 

CMYK 0 / 14 / 7 / 20

HEX #CDB0BE

RGB 205 176 190

HSL 331.03, 0.22%, 0.75%

LAB 74.67, 12.82, -3.25

 

CMYK 0 / 23 / 12 / 15

HEX #D8A6BE

RGB 216 166 190

HSL 331.2, 0.39%, 0.75%

LAB 73.28, 22.14, -5.17

 

CMYK 0 / 31 / 16 / 11

HEX #E29BBE

RGB 226 155 190

HSL 330.42, 0.55%, 0.75%

LAB 71.78, 31.58, -7.28

 

CMYK 0 / 39 / 20 / 7

HEX #EC91BD

RGB 236 145 189

HSL 330.99, 0.71%, 0.75%

LAB 70.7, 40.14, -8.2

 

CMYK 0 / 45 / 23 / 3

HEX #F787BD

RGB 247 135 189

HSL 331.07, 0.88%, 0.75%

LAB 70.02, 48.91, -9.07

 

CMYK 0 / 14 / 7 / 20

HEX #CDB0BE

RGB 205 176 190

HSL 331.03, 0.22%, 0.75%

LAB 74.67, 12.82, -3.25

 

CMYK 0 / 5 / 2 / 24

HEX #C3BABF

RGB 195 186 191

HSL 326.67, 0.07%, 0.75%

LAB 76.36, 4.07, -1.4

 

CMYK 6 / 0 / 3 / 23

HEX #B9C5BF

RGB 185 197 191

HSL 150, 0.09%, 0.75%

LAB 78.47, -5.24, 1.58

 

CMYK 16 / 0 / 8 / 19

HEX #AECFBF

RGB 174 207 191

HSL 150.91, 0.26%, 0.75%

LAB 80.4, -14.11, 4.28

 

CMYK 24 / 0 / 12 / 15

HEX #A4D9C0

RGB 164 217 192

HSL 151.7, 0.41%, 0.75%

LAB 82.55, -22.15, 6.78

 

CMYK 0 / 14 / 0 / 20

HEX #CDB0CD

RGB 205 176 205

HSL 300, 0.22%, 0.75%

LAB 75.1, 15.53, -10.8

 

CMYK 0 / 14 / 3 / 20

HEX #CDB0C6

RGB 205 176 198

HSL 314.48, 0.22%, 0.75%

LAB 74.89, 14.24, -7.28

 

CMYK 0 / 14 / 7 / 20

HEX #CDB0BE

RGB 205 176 190

HSL 331.03, 0.22%, 0.75%

LAB 74.67, 12.82, -3.25

 

CMYK 0 / 14 / 11 / 20

HEX #CDB0B6

RGB 205 176 182

HSL 347.59, 0.22%, 0.75%

LAB 74.45, 11.45, 0.81

 

CMYK 0 / 13 / 14 / 20

HEX #CDB2B0

RGB 205 178 176

HSL 4.14, 0.22%, 0.75%

LAB 74.8, 9.37, 4.59

 

CMYK 0 / 28 / 14 / 32

HEX #AE7D95

RGB 174 125 149

HSL 330.61, 0.23%, 0.59%

LAB 57.88, 22.79, -5.35

 

CMYK 0 / 21 / 11 / 25

HEX #BE97A9

RGB 190 151 169

HSL 332.31, 0.23%, 0.67%

LAB 66.48, 17.5, -3.84

 

CMYK 0 / 14 / 7 / 20

HEX #CDB0BE

RGB 205 176 190

HSL 331.03, 0.22%, 0.75%

LAB 74.67, 12.82, -3.25

 

CMYK 0 / 9 / 5 / 13

HEX #DDC9D3

RGB 221 201 211

HSL 330, 0.23%, 0.83%

LAB 82.83, 8.71, -2.44

 

CMYK 0 / 4 / 2 / 7

HEX #EDE3E8

RGB 237 227 232

HSL 330, 0.22%, 0.91%

LAB 91.13, 4.26, -1.23

 

CMYK 0 / 14 / 7 / 19

HEX #CFB2C0

RGB 207 178 192

HSL 331.03, 0.23%, 0.75%

LAB 75.4, 12.79, -3.24

 

CMYK 0 / 4 / 14 / 20

HEX #CDC5B0

RGB 205 197 176

HSL 43.45, 0.22%, 0.75%

LAB 79.64, -0.75, 11.53

 

CMYK 14 / 1 / 0 / 20

HEX #B0CACD

RGB 176 202 205

HSL 186.21, 0.22%, 0.75%

LAB 79.54, -8.08, -4.45

 

CMYK 0 / 14 / 7 / 19

HEX #CFB2C0

RGB 207 178 192

HSL 331.03, 0.23%, 0.75%

LAB 75.4, 12.79, -3.24

 

CMYK 7 / 0 / 14 / 20

HEX #BECDB0

RGB 190 205 176

HSL 91.03, 0.22%, 0.75%

LAB 80.6, -10.32, 12.72

 

CMYK 14 / 7 / 0 / 20

HEX #B0BECD

RGB 176 190 205

HSL 211.03, 0.22%, 0.75%

LAB 76.35, -1.74, -9.17

 

CMYK 0 / 14 / 7 / 19

HEX #CFB2C0

RGB 207 178 192

HSL 331.03, 0.23%, 0.75%

LAB 75.4, 12.79, -3.24

 

CMYK 0 / 4 / 14 / 20

HEX #CDC5B0

RGB 205 197 176

HSL 43.45, 0.22%, 0.75%

LAB 79.64, -0.75, 11.53

 

CMYK 14 / 0 / 7 / 20

HEX #B0CDBF

RGB 176 205 191

HSL 151.03, 0.22%, 0.75%

LAB 79.98, -12.43, 3.71

 

CMYK 14 / 10 / 0 / 20

HEX #B0B8CD

RGB 176 184 205

HSL 223.45, 0.22%, 0.75%

LAB 74.77, 1.48, -11.53

 

CMYK 0 / 14 / 7 / 19

HEX #CFB2C0

RGB 207 178 192

HSL 331.03, 0.23%, 0.75%

LAB 75.4, 12.79, -3.24

 

CMYK 0 / 0 / 14 / 20

HEX #CDCDB0

RGB 205 205 176

HSL 60, 0.22%, 0.75%

LAB 81.72, -4.93, 14.46

 

CMYK 14 / 0 / 7 / 20

HEX #B0CDBF

RGB 176 205 191

HSL 151.03, 0.22%, 0.75%

LAB 79.98, -12.43, 3.71

 

CMYK 14 / 14 / 0 / 20

HEX #B1B0CD

RGB 177 176 205

HSL 242.07, 0.22%, 0.75%

LAB 72.76, 6.16, -14.54

 

Description

Color code: CMYK 0 / 14 / 7 / 19 | qconv.com Color code: CMYK 0 / 14 / 7 / 19 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 178 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 178 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 7 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 7% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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