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Color name
CMYK 0 / 12 / 48 / 21

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 12 / 48 / 21 it is the complementary color CMYK 64 / 48 / 0 / 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 12 / 48 / 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 12 / 48 / 21 shade: CMYK 0 / 14 / 51 / 19, CMYK 0 / 13 / 47 / 13, CMYK 0 / 11 / 43 / 6, CMYK 0 / 9 / 38 / 0 and CMYK 0 / 2 / 31 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 12 / 48 / 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 12 / 48 / 21 shade: CMYK 0 / 12 / 48 / 21, CMYK 0 / 14 / 53 / 28, CMYK 0 / 16 / 60 / 35, CMYK 0 / 18 / 68 / 41 and CMYK 0 / 21 / 78 / 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 12 / 48 / 21 shade: CMYK 0 / 12 / 48 / 22, CMYK 0 / 25 / 48 / 22, CMYK 0 / 38 / 48 / 22 and CMYK 0 / 48 / 48 / 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 12 / 48 / 21 shade: CMYK 0 / 12 / 48 / 22, CMYK 0 / 0 / 48 / 22, CMYK 14 / 0 / 48 / 22, CMYK 27 / 0 / 48 / 22 and CMYK 40 / 0 / 48 / 22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 12 / 48 / 21 shade matches the following richer shades: CMYK 0 / 12 / 48 / 22, CMYK 0 / 15 / 59 / 15, CMYK 0 / 17 / 69 / 9 and CMYK 0 / 20 / 78 / 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 12 / 48 / 21 shade: CMYK 0 / 12 / 48 / 22, CMYK 0 / 9 / 34 / 28, CMYK 0 / 4 / 17 / 35, CMYK 2 / 1 / 0 / 40 and CMYK 22 / 16 / 0 / 33

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 12 / 48 / 21 shade: CMYK 0 / 38 / 48 / 22, CMYK 0 / 25 / 48 / 22, CMYK 0 / 12 / 48 / 22, CMYK 0 / 0 / 48 / 22 and CMYK 14 / 0 / 48 / 22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 12 / 48 / 21 shade: CMYK 0 / 16 / 64 / 36, CMYK 0 / 15 / 61 / 25, CMYK 0 / 12 / 48 / 22, CMYK 0 / 9 / 36 / 17 and CMYK 0 / 6 / 26 / 13

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 12 / 48 / 21 shade: CMYK 0 / 12 / 48 / 21, CMYK 46 / 0 / 48 / 22 and CMYK 31 / 48 / 0 / 22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 12 / 48 / 21 shade: CMYK 0 / 12 / 48 / 21, CMYK 48 / 0 / 12 / 22 and CMYK 12 / 48 / 0 / 22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 12 / 48 / 21 shade: CMYK 0 / 12 / 48 / 21, CMYK 46 / 0 / 48 / 22, CMYK 48 / 36 / 0 / 22 and CMYK 2 / 48 / 0 / 22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 12 / 48 / 21 shade: CMYK 0 / 12 / 48 / 21, CMYK 48 / 0 / 36 / 22, CMYK 48 / 36 / 0 / 22 and CMYK 0 / 48 / 12 / 22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 48 / 21

HEX #C9B169

RGB 201 177 105

HSL 45, 0.47%, 0.6%

LAB 72.81, -0.9, 39.83

 

Complementary color

CMYK 64 / 48 / 0 / 41

HEX #364E96

RGB 54 78 150

HSL 225, 0.47%, 0.4%

LAB 34.87, 14.78, -42.38

 

CMYK 0 / 14 / 51 / 19

HEX #CEB164

RGB 206 177 100

HSL 43.58, 0.52%, 0.6%

LAB 73.21, 0.72, 42.95

 

CMYK 0 / 13 / 47 / 13

HEX #DFC377

RGB 223 195 119

HSL 43.85, 0.62%, 0.67%

LAB 79.64, 0.01, 41.68

 

CMYK 0 / 11 / 43 / 6

HEX #F0D58A

RGB 240 213 138

HSL 44.12, 0.77%, 0.74%

LAB 85.98, -0.61, 40.45

 

CMYK 0 / 9 / 38 / 0

HEX #FFE79D

RGB 255 231 157

HSL 45.31, 1%, 0.81%

LAB 92.06, -1.91, 39.01

 

CMYK 0 / 2 / 31 / 0

HEX #FFF9B0

RGB 255 249 176

HSL 55.44, 1%, 0.85%

LAB 96.88, -8.73, 35.84

 

CMYK 0 / 12 / 48 / 21

HEX #C9B169

RGB 201 177 105

HSL 45, 0.47%, 0.6%

LAB 72.81, -0.9, 39.83

 

CMYK 0 / 14 / 53 / 28

HEX #B89F56

RGB 184 159 86

HSL 44.69, 0.41%, 0.53%

LAB 66.26, -0.17, 41.11

 

CMYK 0 / 16 / 60 / 35

HEX #A78D43

RGB 167 141 67

HSL 44.4, 0.43%, 0.46%

LAB 59.59, 0.72, 42.39

 

CMYK 0 / 18 / 68 / 41

HEX #967B30

RGB 150 123 48

HSL 44.12, 0.52%, 0.39%

LAB 52.8, 1.8, 43.55

 

CMYK 0 / 21 / 78 / 48

HEX #85691D

RGB 133 105 29

HSL 43.85, 0.64%, 0.32%

LAB 45.88, 3.16, 44.3

 

CMYK 0 / 12 / 48 / 22

HEX #C8B069

RGB 200 176 105

HSL 44.84, 0.46%, 0.6%

LAB 72.46, -0.78, 39.37

 

CMYK 0 / 25 / 48 / 22

HEX #C89769

RGB 200 151 105

HSL 29.05, 0.46%, 0.6%

LAB 66.08, 12.7, 31.29

 

CMYK 0 / 38 / 48 / 22

HEX #C87D69

RGB 200 125 105

HSL 12.63, 0.46%, 0.6%

LAB 59.86, 26.92, 23.12

 

CMYK 0 / 48 / 48 / 22

HEX #C86969

RGB 200 105 105

HSL 0, 0.46%, 0.6%

LAB 55.48, 37.6, 17.22

 

CMYK 0 / 12 / 48 / 22

HEX #C8B069

RGB 200 176 105

HSL 44.84, 0.46%, 0.6%

LAB 72.46, -0.78, 39.37

 

CMYK 0 / 0 / 48 / 22

HEX #C7C869

RGB 199 200 105

HSL 60.63, 0.46%, 0.6%

LAB 78.74, -13.64, 47.03

 

CMYK 14 / 0 / 48 / 22

HEX #ADC869

RGB 173 200 105

HSL 77.05, 0.46%, 0.6%

LAB 76.81, -23.98, 44.24

 

CMYK 27 / 0 / 48 / 22

HEX #93C869

RGB 147 200 105

HSL 93.47, 0.46%, 0.6%

LAB 75.16, -33.74, 41.85

 

CMYK 40 / 0 / 48 / 22

HEX #79C869

RGB 121 200 105

HSL 109.89, 0.46%, 0.6%

LAB 73.8, -42.57, 39.86

 

CMYK 0 / 12 / 48 / 22

HEX #C8B069

RGB 200 176 105

HSL 44.84, 0.46%, 0.6%

LAB 72.46, -0.78, 39.37

 

CMYK 0 / 15 / 59 / 15

HEX #D9B958

RGB 217 185 88

HSL 45.12, 0.63%, 0.6%

LAB 76.16, 0.15, 52.5

 

CMYK 0 / 17 / 69 / 9

HEX #E9C148

RGB 233 193 72

HSL 45.09, 0.79%, 0.6%

LAB 79.57, 1.76, 63.63

 

CMYK 0 / 20 / 78 / 2

HEX #FAC937

RGB 250 201 55

HSL 44.92, 0.95%, 0.6%

LAB 83.11, 4.08, 73.84

 

CMYK 0 / 12 / 48 / 22

HEX #C8B069

RGB 200 176 105

HSL 44.84, 0.46%, 0.6%

LAB 72.46, -0.78, 39.37

 

CMYK 0 / 9 / 34 / 28

HEX #B8A879

RGB 184 168 121

HSL 44.76, 0.31%, 0.6%

LAB 69.17, -1.29, 26.42

 

CMYK 0 / 4 / 17 / 35

HEX #A7A08A

RGB 167 160 138

HSL 45.52, 0.14%, 0.6%

LAB 65.9, -1.25, 12.39

 

CMYK 2 / 1 / 0 / 40

HEX #97989A

RGB 151 152 154

HSL 220, 0.01%, 0.6%

LAB 62.82, 0.03, -1.18

 

CMYK 22 / 16 / 0 / 33

HEX #868FAB

RGB 134 143 171

HSL 225.41, 0.18%, 0.6%

LAB 59.57, 2.95, -15.8

 

CMYK 0 / 38 / 48 / 22

HEX #C87D69

RGB 200 125 105

HSL 12.63, 0.46%, 0.6%

LAB 59.86, 26.92, 23.12

 

CMYK 0 / 25 / 48 / 22

HEX #C89769

RGB 200 151 105

HSL 29.05, 0.46%, 0.6%

LAB 66.08, 12.7, 31.29

 

CMYK 0 / 12 / 48 / 22

HEX #C8B069

RGB 200 176 105

HSL 44.84, 0.46%, 0.6%

LAB 72.46, -0.78, 39.37

 

CMYK 0 / 0 / 48 / 22

HEX #C7C869

RGB 199 200 105

HSL 60.63, 0.46%, 0.6%

LAB 78.74, -13.64, 47.03

 

CMYK 14 / 0 / 48 / 22

HEX #ADC869

RGB 173 200 105

HSL 77.05, 0.46%, 0.6%

LAB 76.81, -23.98, 44.24

 

CMYK 0 / 16 / 64 / 36

HEX #A48A3B

RGB 164 138 59

HSL 45.14, 0.47%, 0.44%

LAB 58.4, 0.47, 44.85

 

CMYK 0 / 15 / 61 / 25

HEX #BEA14A

RGB 190 161 74

HSL 45, 0.47%, 0.52%

LAB 67.23, 0.39, 48.27

 

CMYK 0 / 12 / 48 / 22

HEX #C8B069

RGB 200 176 105

HSL 44.84, 0.46%, 0.6%

LAB 72.46, -0.78, 39.37

 

CMYK 0 / 9 / 36 / 17

HEX #D3C087

RGB 211 192 135

HSL 45, 0.46%, 0.68%

LAB 78.05, -1.53, 31.2

 

CMYK 0 / 6 / 26 / 13

HEX #DED0A5

RGB 222 208 165

HSL 45.26, 0.46%, 0.76%

LAB 83.63, -1.79, 23.14

 

CMYK 0 / 12 / 48 / 21

HEX #C9B169

RGB 201 177 105

HSL 45, 0.47%, 0.6%

LAB 72.81, -0.9, 39.83

 

CMYK 46 / 0 / 48 / 22

HEX #6DC869

RGB 109 200 105

HSL 117.47, 0.46%, 0.6%

LAB 73.27, -46.22, 39.09

 

CMYK 31 / 48 / 0 / 22

HEX #8A69C8

RGB 138 105 200

HSL 260.84, 0.46%, 0.6%

LAB 51.47, 33.58, -44.93

 

CMYK 0 / 12 / 48 / 21

HEX #C9B169

RGB 201 177 105

HSL 45, 0.47%, 0.6%

LAB 72.81, -0.9, 39.83

 

CMYK 48 / 0 / 12 / 22

HEX #69C8B0

RGB 105 200 176

HSL 164.84, 0.46%, 0.6%

LAB 74.47, -33.94, 3.33

 

CMYK 12 / 48 / 0 / 22

HEX #B069C8

RGB 176 105 200

HSL 284.84, 0.46%, 0.6%

LAB 55.59, 44.21, -38.16

 

CMYK 0 / 12 / 48 / 21

HEX #C9B169

RGB 201 177 105

HSL 45, 0.47%, 0.6%

LAB 72.81, -0.9, 39.83

 

CMYK 46 / 0 / 48 / 22

HEX #6DC869

RGB 109 200 105

HSL 117.47, 0.46%, 0.6%

LAB 73.27, -46.22, 39.09

 

CMYK 48 / 36 / 0 / 22

HEX #6981C8

RGB 105 129 200

HSL 224.84, 0.46%, 0.6%

LAB 54.94, 10.69, -39.61

 

CMYK 2 / 48 / 0 / 22

HEX #C469C8

RGB 196 105 200

HSL 297.47, 0.46%, 0.6%

LAB 58.05, 49.96, -34.13

 

CMYK 0 / 12 / 48 / 21

HEX #C9B169

RGB 201 177 105

HSL 45, 0.47%, 0.6%

LAB 72.81, -0.9, 39.83

 

CMYK 48 / 0 / 36 / 22

HEX #69C881

RGB 105 200 129

HSL 135.16, 0.46%, 0.6%

LAB 73.48, -43.59, 27.05

 

CMYK 48 / 36 / 0 / 22

HEX #6981C8

RGB 105 129 200

HSL 224.84, 0.46%, 0.6%

LAB 54.94, 10.69, -39.61

 

CMYK 0 / 48 / 12 / 22

HEX #C869B0

RGB 200 105 176

HSL 315.16, 0.46%, 0.6%

LAB 57.58, 46.98, -21.08

 

Description

Color code: CMYK 0 / 12 / 48 / 21 | qconv.com Color code: CMYK 0 / 12 / 48 / 21 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 177 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 177 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 48 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 48% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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