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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 10 / 97 / 10 it is the complementary color CMYK 90 / 81 / 0 / 3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 10 / 97 / 10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 10 / 97 / 10 shade: CMYK 0 / 12 / 99 / 8, CMYK 0 / 11 / 92 / 1, CMYK 0 / 5 / 84 / 0, CMYK 0 / 0 / 77 / 0 and CMYK 0 / 0 / 69 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 10 / 97 / 10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 10 / 97 / 10 shade: CMYK 0 / 10 / 97 / 10, CMYK 0 / 11 / 100 / 16, CMYK 0 / 13 / 100 / 23, CMYK 0 / 15 / 100 / 30 and CMYK 0 / 17 / 100 / 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 10 / 97 / 10 shade: CMYK 0 / 10 / 97 / 11, CMYK 0 / 36 / 97 / 11, CMYK 0 / 63 / 97 / 11, CMYK 0 / 89 / 97 / 11 and CMYK 0 / 97 / 97 / 11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 10 / 97 / 10 shade: CMYK 0 / 10 / 97 / 11, CMYK 16 / 0 / 97 / 11, CMYK 42 / 0 / 97 / 11, CMYK 69 / 0 / 97 / 11 and CMYK 95 / 0 / 97 / 11

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 10 / 97 / 10 shade matches the following richer shades: CMYK 0 / 10 / 97 / 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 10 / 97 / 10 shade: CMYK 0 / 10 / 97 / 11, CMYK 0 / 9 / 88 / 18, CMYK 0 / 8 / 77 / 26, CMYK 0 / 6 / 63 / 33 and CMYK 0 / 5 / 46 / 41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 10 / 97 / 10 shade: CMYK 0 / 63 / 97 / 11, CMYK 0 / 37 / 97 / 11, CMYK 0 / 11 / 97 / 11, CMYK 15 / 0 / 97 / 11 and CMYK 41 / 0 / 97 / 11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 10 / 97 / 10 shade: CMYK 0 / 10 / 97 / 42, CMYK 0 / 10 / 97 / 27, CMYK 0 / 10 / 97 / 11, CMYK 0 / 9 / 89 / 3 and CMYK 0 / 8 / 73 / 2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 10 / 97 / 10 shade: CMYK 0 / 10 / 97 / 10, CMYK 97 / 0 / 89 / 11 and CMYK 50 / 97 / 0 / 11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 10 / 97 / 10 shade: CMYK 0 / 10 / 97 / 10, CMYK 97 / 0 / 11 / 11 and CMYK 11 / 97 / 0 / 11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 10 / 97 / 10 shade: CMYK 0 / 10 / 97 / 10, CMYK 97 / 0 / 89 / 11, CMYK 97 / 86 / 0 / 11 and CMYK 0 / 97 / 8 / 11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 10 / 97 / 10 shade: CMYK 0 / 10 / 97 / 10, CMYK 97 / 0 / 60 / 11, CMYK 97 / 86 / 0 / 11 and CMYK 0 / 97 / 37 / 11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 97 / 10

HEX #E6CF07

RGB 230 207 7

HSL 53.81, 0.94%, 0.46%

LAB 82.63, -8.5, 82.39

 

Complementary color

CMYK 90 / 81 / 0 / 3

HEX #1930F8

RGB 25 48 248

HSL 233.81, 0.94%, 0.54%

LAB 36.17, 64.37, -97.46

 

CMYK 0 / 12 / 99 / 8

HEX #EBCF02

RGB 235 207 2

HSL 52.79, 0.98%, 0.46%

LAB 83.07, -6.4, 83.37

 

CMYK 0 / 11 / 92 / 1

HEX #FCE115

RGB 252 225 21

HSL 52.99, 0.97%, 0.54%

LAB 89.21, -8.03, 86.67

 

CMYK 0 / 5 / 84 / 0

HEX #FFF328

RGB 255 243 40

HSL 56.65, 1%, 0.58%

LAB 94.1, -15.29, 87.4

 

CMYK 0 / 0 / 77 / 0

HEX #FFFF3B

RGB 255 255 59

HSL 60, 1%, 0.62%

LAB 97.27, -20.52, 85.51

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4E

RGB 255 255 78

HSL 60, 1%, 0.65%

LAB 97.36, -19.76, 79.73

 

CMYK 0 / 10 / 97 / 10

HEX #E6CF07

RGB 230 207 7

HSL 53.81, 0.94%, 0.46%

LAB 82.63, -8.5, 82.39

 

CMYK 0 / 11 / 100 / 16

HEX #D5BD00

RGB 213 189 0

HSL 53.24, 1%, 0.42%

LAB 76.4, -6.75, 77.88

 

CMYK 0 / 13 / 100 / 23

HEX #C4AB00

RGB 196 171 0

HSL 52.35, 1%, 0.38%

LAB 70.08, -4.87, 72.65

 

CMYK 0 / 15 / 100 / 30

HEX #B39900

RGB 179 153 0

HSL 51.28, 1%, 0.35%

LAB 63.64, -2.93, 67.32

 

CMYK 0 / 17 / 100 / 36

HEX #A28700

RGB 162 135 0

HSL 50, 1%, 0.32%

LAB 57.08, -0.91, 61.9

 

CMYK 0 / 10 / 97 / 11

HEX #E3CC07

RGB 227 204 7

HSL 53.73, 0.94%, 0.46%

LAB 81.58, -8.27, 81.51

 

CMYK 0 / 36 / 97 / 11

HEX #E39107

RGB 227 145 7

HSL 37.64, 0.94%, 0.46%

LAB 66.97, 22.72, 71.15

 

CMYK 0 / 63 / 97 / 11

HEX #E35507

RGB 227 85 7

HSL 21.27, 0.94%, 0.46%

LAB 54.91, 52.62, 63.46

 

CMYK 0 / 89 / 97 / 11

HEX #E31A07

RGB 227 26 7

HSL 5.18, 0.94%, 0.46%

LAB 48.37, 70.7, 59.96

 

CMYK 0 / 97 / 97 / 11

HEX #E30707

RGB 227 7 7

HSL 0, 0.94%, 0.46%

LAB 47.62, 72.85, 59.61

 

CMYK 0 / 10 / 97 / 11

HEX #E3CC07

RGB 227 204 7

HSL 53.73, 0.94%, 0.46%

LAB 81.58, -8.27, 81.51

 

CMYK 16 / 0 / 97 / 11

HEX #BEE307

RGB 190 227 7

HSL 70.09, 0.94%, 0.46%

LAB 84.95, -34.9, 82.76

 

CMYK 42 / 0 / 97 / 11

HEX #83E307

RGB 131 227 7

HSL 86.18, 0.94%, 0.46%

LAB 81.72, -56.55, 78.86

 

CMYK 69 / 0 / 97 / 11

HEX #47E307

RGB 71 227 7

HSL 102.55, 0.94%, 0.46%

LAB 79.78, -72.01, 76.5

 

CMYK 95 / 0 / 97 / 11

HEX #0CE307

RGB 12 227 7

HSL 118.64, 0.94%, 0.46%

LAB 79.06, -78.4, 75.61

 

CMYK 0 / 10 / 97 / 11

HEX #E3CC07

RGB 227 204 7

HSL 53.73, 0.94%, 0.46%

LAB 81.58, -8.27, 81.51

 

CMYK 0 / 10 / 97 / 11

HEX #E3CC07

RGB 227 204 7

HSL 53.73, 0.94%, 0.46%

LAB 81.58, -8.27, 81.51

 

CMYK 0 / 9 / 88 / 18

HEX #D0BD1A

RGB 208 189 26

HSL 53.74, 0.78%, 0.46%

LAB 76, -8.58, 73.93

 

CMYK 0 / 8 / 77 / 26

HEX #BDAE2C

RGB 189 174 44

HSL 53.79, 0.62%, 0.46%

LAB 70.37, -8.58, 63.69

 

CMYK 0 / 6 / 63 / 33

HEX #AA9F3F

RGB 170 159 63

HSL 53.83, 0.46%, 0.46%

LAB 64.72, -8, 50.06

 

CMYK 0 / 5 / 46 / 41

HEX #979052

RGB 151 144 82

HSL 53.91, 0.3%, 0.46%

LAB 59.1, -6.54, 33.75

 

CMYK 0 / 63 / 97 / 11

HEX #E35407

RGB 227 84 7

HSL 21, 0.94%, 0.46%

LAB 54.75, 53.05, 63.36

 

CMYK 0 / 37 / 97 / 11

HEX #E38F07

RGB 227 143 7

HSL 37.09, 0.94%, 0.46%

LAB 66.51, 23.78, 70.84

 

CMYK 0 / 11 / 97 / 11

HEX #E3C907

RGB 227 201 7

HSL 52.91, 0.94%, 0.46%

LAB 80.81, -6.75, 80.94

 

CMYK 15 / 0 / 97 / 11

HEX #C2E307

RGB 194 227 7

HSL 69, 0.94%, 0.46%

LAB 85.21, -33.29, 83.08

 

CMYK 41 / 0 / 97 / 11

HEX #87E307

RGB 135 227 7

HSL 85.09, 0.94%, 0.46%

LAB 81.89, -55.24, 79.08

 

CMYK 0 / 10 / 97 / 42

HEX #938404

RGB 147 132 4

HSL 53.71, 0.95%, 0.3%

LAB 54.78, -6.17, 58.87

 

CMYK 0 / 10 / 97 / 27

HEX #BBA805

RGB 187 168 5

HSL 53.74, 0.95%, 0.38%

LAB 68.45, -7.25, 70.47

 

CMYK 0 / 10 / 97 / 11

HEX #E3CC07

RGB 227 204 7

HSL 53.73, 0.94%, 0.46%

LAB 81.58, -8.27, 81.51

 

CMYK 0 / 9 / 89 / 3

HEX #F7E11B

RGB 247 225 27

HSL 54, 0.93%, 0.54%

LAB 88.78, -10.05, 85.27

 

CMYK 0 / 8 / 73 / 2

HEX #F9E643

RGB 249 230 67

HSL 53.74, 0.94%, 0.62%

LAB 90.39, -10.54, 76.59

 

CMYK 0 / 10 / 97 / 10

HEX #E6CF07

RGB 230 207 7

HSL 53.81, 0.94%, 0.46%

LAB 82.63, -8.5, 82.39

 

CMYK 97 / 0 / 89 / 11

HEX #07E319

RGB 7 227 25

HSL 124.91, 0.94%, 0.46%

LAB 79.07, -78.16, 73.43

 

CMYK 50 / 97 / 0 / 11

HEX #7107E3

RGB 113 7 227

HSL 268.91, 0.94%, 0.46%

LAB 36.38, 75.28, -85.01

 

CMYK 0 / 10 / 97 / 10

HEX #E6CF07

RGB 230 207 7

HSL 53.81, 0.94%, 0.46%

LAB 82.63, -8.5, 82.39

 

CMYK 97 / 0 / 11 / 11

HEX #07E3C9

RGB 7 227 201

HSL 172.91, 0.94%, 0.46%

LAB 81.4, -51.17, -0.19

 

CMYK 11 / 97 / 0 / 11

HEX #C907E3

RGB 201 7 227

HSL 292.91, 0.94%, 0.46%

LAB 49.64, 85.52, -62.81

 

CMYK 0 / 10 / 97 / 10

HEX #E6CF07

RGB 230 207 7

HSL 53.81, 0.94%, 0.46%

LAB 82.63, -8.5, 82.39

 

CMYK 97 / 0 / 89 / 11

HEX #07E319

RGB 7 227 25

HSL 124.91, 0.94%, 0.46%

LAB 79.07, -78.16, 73.43

 

CMYK 97 / 86 / 0 / 11

HEX #0720E3

RGB 7 32 227

HSL 233.18, 0.94%, 0.46%

LAB 30.94, 64.67, -94.27

 

CMYK 0 / 97 / 8 / 11

HEX #E307D1

RGB 227 7 209

HSL 304.91, 0.94%, 0.46%

LAB 53.04, 87.02, -46.83

 

CMYK 0 / 10 / 97 / 10

HEX #E6CF07

RGB 230 207 7

HSL 53.81, 0.94%, 0.46%

LAB 82.63, -8.5, 82.39

 

CMYK 97 / 0 / 60 / 11

HEX #07E35B

RGB 7 227 91

HSL 142.91, 0.94%, 0.46%

LAB 79.46, -73.17, 52.63

 

CMYK 97 / 86 / 0 / 11

HEX #0720E3

RGB 7 32 227

HSL 233.18, 0.94%, 0.46%

LAB 30.94, 64.67, -94.27

 

CMYK 0 / 97 / 37 / 11

HEX #E3078F

RGB 227 7 143

HSL 322.91, 0.94%, 0.46%

LAB 50.06, 79.41, -12.71

 

Description

Color code: CMYK 0 / 10 / 97 / 10 | qconv.com Color code: CMYK 0 / 10 / 97 / 10 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 207 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 207 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 97 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 97% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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