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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 9 / 98 / 1 it is the complementary color CMYK 99 / 90 / 0 / 2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 9 / 98 / 1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 9 / 98 / 1 shade: CMYK 0 / 10 / 100 / 0, CMYK 0 / 3 / 93 / 0, CMYK 0 / 0 / 85 / 0, CMYK 0 / 0 / 78 / 0 and CMYK 0 / 0 / 70 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 9 / 98 / 1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 9 / 98 / 1 shade: CMYK 0 / 9 / 98 / 1, CMYK 0 / 10 / 100 / 8, CMYK 0 / 11 / 100 / 15, CMYK 0 / 12 / 100 / 21 and CMYK 0 / 14 / 100 / 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 9 / 98 / 1 shade: CMYK 0 / 9 / 99 / 1, CMYK 0 / 36 / 99 / 1, CMYK 0 / 62 / 99 / 1, CMYK 0 / 89 / 99 / 1 and CMYK 0 / 99 / 99 / 1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 9 / 98 / 1 shade: CMYK 0 / 9 / 99 / 1, CMYK 18 / 0 / 99 / 1, CMYK 45 / 0 / 99 / 1, CMYK 71 / 0 / 99 / 1 and CMYK 98 / 0 / 99 / 1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 9 / 98 / 1 shade matches the following richer shades: CMYK 0 / 9 / 99 / 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 9 / 98 / 1 shade: CMYK 0 / 9 / 99 / 1, CMYK 0 / 8 / 90 / 9, CMYK 0 / 7 / 80 / 17, CMYK 0 / 6 / 66 / 25 and CMYK 0 / 4 / 50 / 34

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 9 / 98 / 1 shade: CMYK 0 / 63 / 99 / 1, CMYK 0 / 37 / 99 / 1, CMYK 0 / 10 / 99 / 1, CMYK 17 / 0 / 99 / 1 and CMYK 43 / 0 / 99 / 1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 9 / 98 / 1 shade: CMYK 0 / 9 / 99 / 33, CMYK 0 / 9 / 99 / 17, CMYK 0 / 9 / 99 / 1, CMYK 0 / 7 / 83 / 1 and CMYK 0 / 6 / 67 / 1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 9 / 98 / 1 shade: CMYK 0 / 9 / 98 / 1, CMYK 99 / 0 / 89 / 1 and CMYK 50 / 99 / 0 / 1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 9 / 98 / 1 shade: CMYK 0 / 9 / 98 / 1, CMYK 99 / 0 / 10 / 1 and CMYK 10 / 99 / 0 / 1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 9 / 98 / 1 shade: CMYK 0 / 9 / 98 / 1, CMYK 99 / 0 / 89 / 1, CMYK 99 / 89 / 0 / 1 and CMYK 0 / 99 / 10 / 1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 9 / 98 / 1 shade: CMYK 0 / 9 / 98 / 1, CMYK 99 / 0 / 60 / 1, CMYK 99 / 89 / 0 / 1 and CMYK 0 / 99 / 40 / 1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 98 / 1

HEX #FCE605

RGB 252 230 5

HSL 54.66, 0.98%, 0.5%

LAB 90.46, -10.66, 89.14

 

Complementary color

CMYK 99 / 90 / 0 / 2

HEX #0319FA

RGB 3 25 250

HSL 234.66, 0.98%, 0.5%

LAB 33.17, 73.26, -103.6

 

CMYK 0 / 10 / 100 / 0

HEX #FFE600

RGB 255 230 0

HSL 54.12, 1%, 0.5%

LAB 90.71, -9.43, 89.83

 

CMYK 0 / 3 / 93 / 0

HEX #FFF813

RGB 255 248 19

HSL 58.22, 1%, 0.54%

LAB 95.35, -18.06, 91.67

 

CMYK 0 / 0 / 85 / 0

HEX #FFFF26

RGB 255 255 38

HSL 60, 1%, 0.57%

LAB 97.2, -21.1, 90.31

 

CMYK 0 / 0 / 78 / 0

HEX #FFFF39

RGB 255 255 57

HSL 60, 1%, 0.61%

LAB 97.26, -20.59, 86.04

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4C

RGB 255 255 76

HSL 60, 1%, 0.65%

LAB 97.35, -19.85, 80.39

 

CMYK 0 / 9 / 98 / 1

HEX #FCE605

RGB 252 230 5

HSL 54.66, 0.98%, 0.5%

LAB 90.46, -10.66, 89.14

 

CMYK 0 / 10 / 100 / 8

HEX #EBD400

RGB 235 212 0

HSL 54.13, 1%, 0.46%

LAB 84.35, -8.94, 84.47

 

CMYK 0 / 11 / 100 / 15

HEX #DAC200

RGB 218 194 0

HSL 53.39, 1%, 0.43%

LAB 78.16, -7.14, 79.34

 

CMYK 0 / 12 / 100 / 21

HEX #C9B000

RGB 201 176 0

HSL 52.54, 1%, 0.39%

LAB 71.87, -5.28, 74.14

 

CMYK 0 / 14 / 100 / 28

HEX #B89E00

RGB 184 158 0

HSL 51.52, 1%, 0.36%

LAB 65.47, -3.35, 68.84

 

CMYK 0 / 9 / 99 / 1

HEX #FCE602

RGB 252 230 2

HSL 54.72, 0.98%, 0.5%

LAB 90.46, -10.68, 89.37

 

CMYK 0 / 36 / 99 / 1

HEX #FCA202

RGB 252 162 2

HSL 38.4, 0.98%, 0.5%

LAB 73.89, 24.26, 77.87

 

CMYK 0 / 62 / 99 / 1

HEX #FC5F02

RGB 252 95 2

HSL 22.32, 0.98%, 0.5%

LAB 60.68, 57, 69.85

 

CMYK 0 / 89 / 99 / 1

HEX #FC1C02

RGB 252 28 2

HSL 6.24, 0.98%, 0.5%

LAB 53.53, 76.79, 66.45

 

CMYK 0 / 99 / 99 / 1

HEX #FC0202

RGB 252 2 2

HSL 0, 0.98%, 0.5%

LAB 52.67, 79.27, 66.12

 

CMYK 0 / 9 / 99 / 1

HEX #FCE602

RGB 252 230 2

HSL 54.72, 0.98%, 0.5%

LAB 90.46, -10.68, 89.37

 

CMYK 18 / 0 / 99 / 1

HEX #CFFC02

RGB 207 252 2

HSL 70.8, 0.98%, 0.5%

LAB 92.97, -39.45, 89.73

 

CMYK 45 / 0 / 99 / 1

HEX #8BFC02

RGB 139 252 2

HSL 87.12, 0.98%, 0.5%

LAB 89.45, -63.46, 85.49

 

CMYK 71 / 0 / 99 / 1

HEX #48FC02

RGB 72 252 2

HSL 103.2, 0.98%, 0.5%

LAB 87.49, -79.36, 83.11

 

CMYK 98 / 0 / 99 / 1

HEX #05FC02

RGB 5 252 2

HSL 119.28, 0.98%, 0.5%

LAB 86.83, -85.24, 82.3

 

CMYK 0 / 9 / 99 / 1

HEX #FCE602

RGB 252 230 2

HSL 54.72, 0.98%, 0.5%

LAB 90.46, -10.68, 89.37

 

CMYK 0 / 9 / 99 / 1

HEX #FCE602

RGB 252 230 2

HSL 54.72, 0.98%, 0.5%

LAB 90.46, -10.68, 89.37

 

CMYK 0 / 8 / 90 / 9

HEX #E7D517

RGB 231 213 23

HSL 54.81, 0.82%, 0.5%

LAB 84.3, -10.91, 81.83

 

CMYK 0 / 7 / 80 / 17

HEX #D3C42B

RGB 211 196 43

HSL 54.64, 0.66%, 0.5%

LAB 78.17, -10.41, 71.73

 

CMYK 0 / 6 / 66 / 25

HEX #BEB340

RGB 190 179 64

HSL 54.76, 0.5%, 0.5%

LAB 71.93, -9.77, 57.78

 

CMYK 0 / 4 / 50 / 34

HEX #A9A255

RGB 169 162 85

HSL 55, 0.33%, 0.5%

LAB 65.7, -8.25, 40.62

 

CMYK 0 / 63 / 99 / 1

HEX #FC5E02

RGB 252 94 2

HSL 22.08, 0.98%, 0.5%

LAB 60.52, 57.42, 69.76

 

CMYK 0 / 37 / 99 / 1

HEX #FCA002

RGB 252 160 2

HSL 37.92, 0.98%, 0.5%

LAB 73.44, 25.31, 77.57

 

CMYK 0 / 10 / 99 / 1

HEX #FCE302

RGB 252 227 2

HSL 54, 0.98%, 0.5%

LAB 89.69, -9.2, 88.82

 

CMYK 17 / 0 / 99 / 1

HEX #D2FC02

RGB 210 252 2

HSL 70.08, 0.98%, 0.5%

LAB 93.16, -38.28, 89.96

 

CMYK 43 / 0 / 99 / 1

HEX #90FC02

RGB 144 252 2

HSL 85.92, 0.98%, 0.5%

LAB 89.65, -61.92, 85.74

 

CMYK 0 / 9 / 99 / 33

HEX #AA9B01

RGB 170 155 1

HSL 54.67, 0.99%, 0.34%

LAB 63.34, -8.07, 66.57

 

CMYK 0 / 9 / 99 / 17

HEX #D3C002

RGB 211 192 2

HSL 54.55, 0.98%, 0.42%

LAB 77.01, -9.14, 78.03

 

CMYK 0 / 9 / 99 / 1

HEX #FCE602

RGB 252 230 2

HSL 54.72, 0.98%, 0.5%

LAB 90.46, -10.68, 89.37

 

CMYK 0 / 7 / 83 / 1

HEX #FCEA2B

RGB 252 234 43

HSL 54.83, 0.97%, 0.58%

LAB 91.56, -12.07, 84.54

 

CMYK 0 / 6 / 67 / 1

HEX #FDEE54

RGB 253 238 84

HSL 54.67, 0.98%, 0.66%

LAB 92.87, -12.04, 73.05

 

CMYK 0 / 9 / 98 / 1

HEX #FCE605

RGB 252 230 5

HSL 54.66, 0.98%, 0.5%

LAB 90.46, -10.66, 89.14

 

CMYK 99 / 0 / 89 / 1

HEX #02FC1B

RGB 2 252 27

HSL 126, 0.98%, 0.5%

LAB 86.86, -84.85, 79.76

 

CMYK 50 / 99 / 0 / 1

HEX #7F02FC

RGB 127 2 252

HSL 270, 0.98%, 0.5%

LAB 40.55, 82.27, -92.23

 

CMYK 0 / 9 / 98 / 1

HEX #FCE605

RGB 252 230 5

HSL 54.66, 0.98%, 0.5%

LAB 90.46, -10.66, 89.14

 

CMYK 99 / 0 / 10 / 1

HEX #02FCE3

RGB 2 252 227

HSL 174, 0.98%, 0.5%

LAB 89.48, -54.54, -2.02

 

CMYK 10 / 99 / 0 / 1

HEX #E302FC

RGB 227 2 252

HSL 294, 0.98%, 0.5%

LAB 55.48, 93.53, -67.2

 

CMYK 0 / 9 / 98 / 1

HEX #FCE605

RGB 252 230 5

HSL 54.66, 0.98%, 0.5%

LAB 90.46, -10.66, 89.14

 

CMYK 99 / 0 / 89 / 1

HEX #02FC1B

RGB 2 252 27

HSL 126, 0.98%, 0.5%

LAB 86.86, -84.85, 79.76

 

CMYK 99 / 89 / 0 / 1

HEX #021BFC

RGB 2 27 252

HSL 234, 0.98%, 0.5%

LAB 33.62, 73.2, -103.98

 

CMYK 0 / 99 / 10 / 1

HEX #FC02E3

RGB 252 2 227

HSL 306, 0.98%, 0.5%

LAB 58.31, 93.91, -48.44

 

CMYK 0 / 9 / 98 / 1

HEX #FCE605

RGB 252 230 5

HSL 54.66, 0.98%, 0.5%

LAB 90.46, -10.66, 89.14

 

CMYK 99 / 0 / 60 / 1

HEX #02FC66

RGB 2 252 102

HSL 144, 0.98%, 0.5%

LAB 87.29, -79.35, 56.88

 

CMYK 99 / 89 / 0 / 1

HEX #021BFC

RGB 2 27 252

HSL 234, 0.98%, 0.5%

LAB 33.62, 73.2, -103.98

 

CMYK 0 / 99 / 40 / 1

HEX #FC0298

RGB 252 2 152

HSL 324, 0.98%, 0.5%

LAB 55.08, 85.72, -10.05

 

Description

Color code: CMYK 0 / 9 / 98 / 1 | qconv.com Color code: CMYK 0 / 9 / 98 / 1 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 230 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 230 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 98 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 98% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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