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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 98 / 18 / 1 it is the complementary color CMYK 99 / 0 / 81 / 2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 98 / 18 / 1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 98 / 18 / 1 shade: CMYK 0 / 98 / 21 / 0, CMYK 0 / 91 / 13 / 0, CMYK 0 / 84 / 6 / 0, CMYK 0 / 77 / 0 / 0 and CMYK 0 / 70 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 98 / 18 / 1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 98 / 18 / 1 shade: CMYK 0 / 98 / 18 / 1, CMYK 0 / 100 / 20 / 8, CMYK 0 / 100 / 22 / 15, CMYK 0 / 100 / 25 / 21 and CMYK 0 / 100 / 29 / 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 98 / 18 / 1 shade: CMYK 0 / 99 / 18 / 1, CMYK 0 / 99 / 45 / 1, CMYK 0 / 99 / 71 / 1, CMYK 0 / 99 / 98 / 1 and CMYK 0 / 99 / 99 / 1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 98 / 18 / 1 shade: CMYK 0 / 99 / 18 / 1, CMYK 9 / 99 / 0 / 1, CMYK 35 / 99 / 0 / 1, CMYK 62 / 99 / 0 / 1 and CMYK 89 / 99 / 0 / 1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 98 / 18 / 1 shade matches the following richer shades: CMYK 0 / 99 / 18 / 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 98 / 18 / 1 shade: CMYK 0 / 99 / 18 / 1, CMYK 0 / 90 / 16 / 9, CMYK 0 / 80 / 15 / 17, CMYK 0 / 66 / 12 / 25 and CMYK 0 / 50 / 9 / 34

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 98 / 18 / 1 shade: CMYK 37 / 99 / 0 / 1, CMYK 10 / 99 / 0 / 1, CMYK 0 / 99 / 17 / 1, CMYK 0 / 99 / 43 / 1 and CMYK 0 / 99 / 69 / 1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 98 / 18 / 1 shade: CMYK 0 / 99 / 18 / 33, CMYK 0 / 99 / 18 / 17, CMYK 0 / 99 / 18 / 1, CMYK 0 / 83 / 15 / 1 and CMYK 0 / 67 / 12 / 1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 98 / 18 / 1 shade: CMYK 0 / 98 / 18 / 1, CMYK 0 / 63 / 99 / 1 and CMYK 99 / 0 / 23 / 1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 98 / 18 / 1 shade: CMYK 0 / 98 / 18 / 1, CMYK 17 / 0 / 99 / 1 and CMYK 99 / 17 / 0 / 1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 98 / 18 / 1 shade: CMYK 0 / 98 / 18 / 1, CMYK 0 / 63 / 99 / 1, CMYK 99 / 0 / 83 / 1 and CMYK 99 / 37 / 0 / 1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 98 / 18 / 1 shade: CMYK 0 / 98 / 18 / 1, CMYK 0 / 33 / 99 / 1, CMYK 99 / 0 / 83 / 1 and CMYK 99 / 66 / 0 / 1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 18 / 1

HEX #FC05CF

RGB 252 5 207

HSL 310.93, 0.98%, 0.5%

LAB 57.38, 91.25, -38.55

 

Complementary color

CMYK 99 / 0 / 81 / 2

HEX #03FA30

RGB 3 250 48

HSL 130.93, 0.98%, 0.5%

LAB 86.31, -83.43, 74.95

 

CMYK 0 / 98 / 21 / 0

HEX #FF05CA

RGB 255 5 202

HSL 312.72, 1%, 0.51%

LAB 57.69, 91.2, -35.16

 

CMYK 0 / 91 / 13 / 0

HEX #FF17DD

RGB 255 23 221

HSL 308.79, 1%, 0.55%

LAB 59.06, 92.1, -43.82

 

CMYK 0 / 84 / 6 / 0

HEX #FF29F0

RGB 255 41 240

HSL 304.21, 1%, 0.58%

LAB 60.9, 92.04, -51.58

 

CMYK 0 / 77 / 0 / 0

HEX #FF3BFF

RGB 255 59 255

HSL 300, 1%, 0.62%

LAB 63.02, 90.35, -56.54

 

CMYK 0 / 70 / 0 / 0

HEX #FF4DFF

RGB 255 77 255

HSL 300, 1%, 0.65%

LAB 64.79, 85.25, -53.71

 

CMYK 0 / 98 / 18 / 1

HEX #FC05CF

RGB 252 5 207

HSL 310.93, 0.98%, 0.5%

LAB 57.38, 91.25, -38.55

 

CMYK 0 / 100 / 20 / 8

HEX #EB00BC

RGB 235 0 188

HSL 312, 1%, 0.46%

LAB 53.27, 86.27, -34.25

 

CMYK 0 / 100 / 22 / 15

HEX #DA00A9

RGB 218 0 169

HSL 313.49, 1%, 0.43%

LAB 49.22, 80.91, -29.67

 

CMYK 0 / 100 / 25 / 21

HEX #C90096

RGB 201 0 150

HSL 315.22, 1%, 0.39%

LAB 45.11, 75.48, -24.95

 

CMYK 0 / 100 / 29 / 28

HEX #B80083

RGB 184 0 131

HSL 317.28, 1%, 0.36%

LAB 40.94, 69.99, -20.06

 

CMYK 0 / 99 / 18 / 1

HEX #FC02CE

RGB 252 2 206

HSL 311.04, 0.98%, 0.5%

LAB 57.27, 91.32, -38.15

 

CMYK 0 / 99 / 45 / 1

HEX #FC028B

RGB 252 2 139

HSL 327.12, 0.98%, 0.5%

LAB 54.66, 84.62, -2.92

 

CMYK 0 / 99 / 71 / 1

HEX #FC0248

RGB 252 2 72

HSL 343.2, 0.98%, 0.5%

LAB 53.18, 80.65, 35.34

 

CMYK 0 / 99 / 98 / 1

HEX #FC0204

RGB 252 2 4

HSL 359.52, 0.98%, 0.5%

LAB 52.67, 79.28, 65.62

 

CMYK 0 / 99 / 99 / 1

HEX #FC0202

RGB 252 2 2

HSL 0, 0.98%, 0.5%

LAB 52.67, 79.27, 66.12

 

CMYK 0 / 99 / 18 / 1

HEX #FC02CE

RGB 252 2 206

HSL 311.04, 0.98%, 0.5%

LAB 57.27, 91.32, -38.15

 

CMYK 9 / 99 / 0 / 1

HEX #E602FC

RGB 230 2 252

HSL 294.72, 0.98%, 0.5%

LAB 55.98, 93.97, -66.37

 

CMYK 35 / 99 / 0 / 1

HEX #A302FC

RGB 163 2 252

HSL 278.64, 0.98%, 0.5%

LAB 45.44, 85.52, -83.99

 

CMYK 62 / 99 / 0 / 1

HEX #5F02FC

RGB 95 2 252

HSL 262.32, 0.98%, 0.5%

LAB 36.94, 80.26, -98.32

 

CMYK 89 / 99 / 0 / 1

HEX #1C02FC

RGB 28 2 252

HSL 246.24, 0.98%, 0.5%

LAB 32.52, 78.37, -105.8

 

CMYK 0 / 99 / 18 / 1

HEX #FC02CE

RGB 252 2 206

HSL 311.04, 0.98%, 0.5%

LAB 57.27, 91.32, -38.15

 

CMYK 0 / 99 / 18 / 1

HEX #FC02CE

RGB 252 2 206

HSL 311.04, 0.98%, 0.5%

LAB 57.27, 91.32, -38.15

 

CMYK 0 / 90 / 16 / 9

HEX #E717C1

RGB 231 23 193

HSL 310.96, 0.82%, 0.5%

LAB 53.44, 84.19, -36.94

 

CMYK 0 / 80 / 15 / 17

HEX #D32BB4

RGB 211 43 180

HSL 311.07, 0.66%, 0.5%

LAB 50.54, 74.85, -34.18

 

CMYK 0 / 66 / 12 / 25

HEX #BE40A7

RGB 190 64 167

HSL 310.95, 0.5%, 0.5%

LAB 48.77, 61.44, -29.56

 

CMYK 0 / 50 / 9 / 34

HEX #A9559A

RGB 169 85 154

HSL 310.71, 0.33%, 0.5%

LAB 48.59, 43.83, -22.38

 

CMYK 37 / 99 / 0 / 1

HEX #A002FC

RGB 160 2 252

HSL 277.92, 0.98%, 0.5%

LAB 45, 85.21, -84.72

 

CMYK 10 / 99 / 0 / 1

HEX #E302FC

RGB 227 2 252

HSL 294, 0.98%, 0.5%

LAB 55.48, 93.53, -67.2

 

CMYK 0 / 99 / 17 / 1

HEX #FC02D2

RGB 252 2 210

HSL 310.08, 0.98%, 0.5%

LAB 57.46, 91.79, -40.14

 

CMYK 0 / 99 / 43 / 1

HEX #FC0290

RGB 252 2 144

HSL 325.92, 0.98%, 0.5%

LAB 54.82, 85.03, -5.68

 

CMYK 0 / 99 / 69 / 1

HEX #FC024D

RGB 252 2 77

HSL 342, 0.98%, 0.5%

LAB 53.25, 80.85, 32.47

 

CMYK 0 / 99 / 18 / 33

HEX #AA018B

RGB 170 1 139

HSL 311.01, 0.99%, 0.34%

LAB 38.61, 68.09, -28.84

 

CMYK 0 / 99 / 18 / 17

HEX #D302AD

RGB 211 2 173

HSL 310.91, 0.98%, 0.42%

LAB 48.15, 79.93, -33.81

 

CMYK 0 / 99 / 18 / 1

HEX #FC02CE

RGB 252 2 206

HSL 311.04, 0.98%, 0.5%

LAB 57.27, 91.32, -38.15

 

CMYK 0 / 83 / 15 / 1

HEX #FC2BD6

RGB 252 43 214

HSL 310.91, 0.97%, 0.58%

LAB 59.23, 87.65, -39.62

 

CMYK 0 / 67 / 12 / 1

HEX #FD54DE

RGB 253 84 222

HSL 311.01, 0.98%, 0.66%

LAB 63.75, 77.55, -37.05

 

CMYK 0 / 98 / 18 / 1

HEX #FC05CF

RGB 252 5 207

HSL 310.93, 0.98%, 0.5%

LAB 57.38, 91.25, -38.55

 

CMYK 0 / 63 / 99 / 1

HEX #FC5E02

RGB 252 94 2

HSL 22.08, 0.98%, 0.5%

LAB 60.52, 57.42, 69.76

 

CMYK 99 / 0 / 23 / 1

HEX #02FCC2

RGB 2 252 194

HSL 166.08, 0.98%, 0.5%

LAB 88.7, -62.83, 13.96

 

CMYK 0 / 98 / 18 / 1

HEX #FC05CF

RGB 252 5 207

HSL 310.93, 0.98%, 0.5%

LAB 57.38, 91.25, -38.55

 

CMYK 17 / 0 / 99 / 1

HEX #D2FC02

RGB 210 252 2

HSL 70.08, 0.98%, 0.5%

LAB 93.16, -38.28, 89.96

 

CMYK 99 / 17 / 0 / 1

HEX #02D2FC

RGB 2 210 252

HSL 190.08, 0.98%, 0.5%

LAB 77.95, -28.29, -32.55

 

CMYK 0 / 98 / 18 / 1

HEX #FC05CF

RGB 252 5 207

HSL 310.93, 0.98%, 0.5%

LAB 57.38, 91.25, -38.55

 

CMYK 0 / 63 / 99 / 1

HEX #FC5E02

RGB 252 94 2

HSL 22.08, 0.98%, 0.5%

LAB 60.52, 57.42, 69.76

 

CMYK 99 / 0 / 83 / 1

HEX #02FC2C

RGB 2 252 44

HSL 130.08, 0.98%, 0.5%

LAB 86.91, -84.19, 76.48

 

CMYK 99 / 37 / 0 / 1

HEX #02A0FC

RGB 2 160 252

HSL 202.08, 0.98%, 0.5%

LAB 63.49, -1.58, -55.2

 

CMYK 0 / 98 / 18 / 1

HEX #FC05CF

RGB 252 5 207

HSL 310.93, 0.98%, 0.5%

LAB 57.38, 91.25, -38.55

 

CMYK 0 / 33 / 99 / 1

HEX #FCA902

RGB 252 169 2

HSL 40.08, 0.98%, 0.5%

LAB 75.5, 20.6, 78.93

 

CMYK 99 / 0 / 83 / 1

HEX #02FC2C

RGB 2 252 44

HSL 130.08, 0.98%, 0.5%

LAB 86.91, -84.19, 76.48

 

CMYK 99 / 66 / 0 / 1

HEX #0255FC

RGB 2 85 252

HSL 220.08, 0.98%, 0.5%

LAB 43.56, 44.78, -87.48

 

Description

Color code: CMYK 0 / 98 / 18 / 1 | qconv.com Color code: CMYK 0 / 98 / 18 / 1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 5 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 5 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 18 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 18% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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