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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 93 / 3 / 7 it is the complementary color CMYK 92 / 0 / 89 / 7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 93 / 3 / 7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 93 / 3 / 7 shade: CMYK 0 / 93 / 7 / 5, CMYK 0 / 86 / 4 / 0, CMYK 0 / 79 / 0 / 0, CMYK 0 / 72 / 0 / 0 and CMYK 0 / 65 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 93 / 3 / 7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 93 / 3 / 7 shade: CMYK 0 / 93 / 3 / 7, CMYK 0 / 100 / 4 / 14, CMYK 0 / 100 / 5 / 20, CMYK 0 / 100 / 7 / 27 and CMYK 0 / 100 / 9 / 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 93 / 3 / 7 shade: CMYK 0 / 93 / 3 / 7, CMYK 0 / 93 / 28 / 7, CMYK 0 / 93 / 53 / 7, CMYK 0 / 93 / 79 / 7 and CMYK 0 / 93 / 93 / 7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 93 / 3 / 7 shade: CMYK 0 / 93 / 3 / 7, CMYK 22 / 93 / 0 / 7, CMYK 47 / 93 / 0 / 7, CMYK 72 / 93 / 0 / 7 and CMYK 93 / 93 / 0 / 7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 93 / 3 / 7 shade matches the following richer shades: CMYK 0 / 93 / 3 / 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 93 / 3 / 7 shade: CMYK 0 / 93 / 3 / 7, CMYK 0 / 83 / 2 / 15, CMYK 0 / 71 / 3 / 23, CMYK 0 / 56 / 2 / 31 and CMYK 0 / 36 / 1 / 39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 93 / 3 / 7 shade: CMYK 48 / 93 / 0 / 7, CMYK 24 / 93 / 0 / 7, CMYK 0 / 93 / 2 / 7, CMYK 0 / 93 / 26 / 7 and CMYK 0 / 93 / 51 / 7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 93 / 3 / 7 shade: CMYK 0 / 93 / 3 / 37, CMYK 0 / 93 / 3 / 22, CMYK 0 / 93 / 3 / 7, CMYK 0 / 77 / 2 / 5 and CMYK 0 / 62 / 2 / 5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 93 / 3 / 7 shade: CMYK 0 / 93 / 3 / 7, CMYK 0 / 73 / 93 / 7 and CMYK 93 / 0 / 36 / 7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 93 / 3 / 7 shade: CMYK 0 / 93 / 3 / 7, CMYK 2 / 0 / 93 / 7 and CMYK 93 / 2 / 0 / 7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 93 / 3 / 7 shade: CMYK 0 / 93 / 3 / 7, CMYK 0 / 73 / 93 / 7, CMYK 93 / 0 / 92 / 7 and CMYK 93 / 20 / 0 / 7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 93 / 3 / 7 shade: CMYK 0 / 93 / 3 / 7, CMYK 0 / 45 / 93 / 7, CMYK 93 / 0 / 92 / 7 and CMYK 93 / 48 / 0 / 7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 3 / 7

HEX #ED11E6

RGB 237 17 230

HSL 301.91, 0.87%, 0.5%

LAB 56.21, 90.79, -53.63

 

Complementary color

CMYK 92 / 0 / 89 / 7

HEX #12EE19

RGB 18 238 25

HSL 121.91, 0.87%, 0.5%

LAB 82.57, -80.68, 76.43

 

CMYK 0 / 93 / 7 / 5

HEX #F211E1

RGB 242 17 225

HSL 304.53, 0.9%, 0.51%

LAB 56.8, 90.95, -49.81

 

CMYK 0 / 86 / 4 / 0

HEX #FF23F4

RGB 255 35 244

HSL 303, 1%, 0.57%

LAB 60.78, 93.58, -54.01

 

CMYK 0 / 79 / 0 / 0

HEX #FF35FF

RGB 255 53 255

HSL 300, 1%, 0.6%

LAB 62.53, 91.77, -57.31

 

CMYK 0 / 72 / 0 / 0

HEX #FF47FF

RGB 255 71 255

HSL 300, 1%, 0.64%

LAB 64.15, 87.09, -54.73

 

CMYK 0 / 65 / 0 / 0

HEX #FF59FF

RGB 255 89 255

HSL 300, 1%, 0.67%

LAB 66.23, 81.18, -51.43

 

CMYK 0 / 93 / 3 / 7

HEX #ED11E6

RGB 237 17 230

HSL 301.91, 0.87%, 0.5%

LAB 56.21, 90.79, -53.63

 

CMYK 0 / 100 / 4 / 14

HEX #DC00D3

RGB 220 0 211

HSL 302.45, 1%, 0.43%

LAB 51.75, 86.62, -50.12

 

CMYK 0 / 100 / 5 / 20

HEX #CB00C0

RGB 203 0 192

HSL 303.25, 1%, 0.4%

LAB 47.63, 81.18, -45.88

 

CMYK 0 / 100 / 7 / 27

HEX #BA00AD

RGB 186 0 173

HSL 304.19, 1%, 0.36%

LAB 43.44, 75.65, -41.54

 

CMYK 0 / 100 / 9 / 34

HEX #A9009A

RGB 169 0 154

HSL 305.33, 1%, 0.33%

LAB 39.19, 70.02, -37.1

 

CMYK 0 / 93 / 3 / 7

HEX #EE10E7

RGB 238 16 231

HSL 301.89, 0.87%, 0.5%

LAB 56.4, 91.19, -53.86

 

CMYK 0 / 93 / 28 / 7

HEX #EE10AB

RGB 238 16 171

HSL 318.11, 0.87%, 0.5%

LAB 53.48, 83.75, -23.95

 

CMYK 0 / 93 / 53 / 7

HEX #EE106F

RGB 238 16 111

HSL 334.32, 0.87%, 0.5%

LAB 51.49, 78.45, 9.05

 

CMYK 0 / 93 / 79 / 7

HEX #EE1033

RGB 238 16 51

HSL 350.54, 0.87%, 0.5%

LAB 50.44, 75.54, 43.61

 

CMYK 0 / 93 / 93 / 7

HEX #EE1010

RGB 238 16 16

HSL 0, 0.87%, 0.5%

LAB 50.2, 74.87, 59.63

 

CMYK 0 / 93 / 3 / 7

HEX #EE10E7

RGB 238 16 231

HSL 301.89, 0.87%, 0.5%

LAB 56.4, 91.19, -53.86

 

CMYK 22 / 93 / 0 / 7

HEX #B910EE

RGB 185 16 238

HSL 285.68, 0.87%, 0.5%

LAB 48.08, 84.3, -71.67

 

CMYK 47 / 93 / 0 / 7

HEX #7D10EE

RGB 125 16 238

HSL 269.46, 0.87%, 0.5%

LAB 39.42, 77.49, -86.21

 

CMYK 72 / 93 / 0 / 7

HEX #4210EE

RGB 66 16 238

HSL 253.51, 0.87%, 0.5%

LAB 33.35, 73.68, -96.45

 

CMYK 93 / 93 / 0 / 7

HEX #1010EE

RGB 16 16 238

HSL 240, 0.87%, 0.5%

LAB 31.01, 72.5, -100.43

 

CMYK 0 / 93 / 3 / 7

HEX #EE10E7

RGB 238 16 231

HSL 301.89, 0.87%, 0.5%

LAB 56.4, 91.19, -53.86

 

CMYK 0 / 93 / 3 / 7

HEX #EE10E7

RGB 238 16 231

HSL 301.89, 0.87%, 0.5%

LAB 56.4, 91.19, -53.86

 

CMYK 0 / 83 / 2 / 15

HEX #D925D4

RGB 217 37 212

HSL 301.67, 0.71%, 0.5%

LAB 52.76, 81.9, -49.1

 

CMYK 0 / 71 / 3 / 23

HEX #C539C0

RGB 197 57 192

HSL 302.14, 0.55%, 0.5%

LAB 50.22, 69.52, -41.83

 

CMYK 0 / 56 / 2 / 31

HEX #B04EAD

RGB 176 78 173

HSL 301.84, 0.39%, 0.5%

LAB 49.13, 52.66, -32.68

 

CMYK 0 / 36 / 1 / 39

HEX #9B639A

RGB 155 99 154

HSL 301.07, 0.22%, 0.5%

LAB 49.77, 31.72, -20.72

 

CMYK 48 / 93 / 0 / 7

HEX #7B10EE

RGB 123 16 238

HSL 268.92, 0.87%, 0.5%

LAB 39.16, 77.31, -86.64

 

CMYK 24 / 93 / 0 / 7

HEX #B610EE

RGB 182 16 238

HSL 284.86, 0.87%, 0.5%

LAB 47.61, 83.89, -72.46

 

CMYK 0 / 93 / 2 / 7

HEX #EE10EA

RGB 238 16 234

HSL 301.08, 0.87%, 0.5%

LAB 56.57, 91.61, -55.28

 

CMYK 0 / 93 / 26 / 7

HEX #EE10AF

RGB 238 16 175

HSL 317.03, 0.87%, 0.5%

LAB 53.65, 84.18, -26.04

 

CMYK 0 / 93 / 51 / 7

HEX #EE1074

RGB 238 16 116

HSL 332.97, 0.87%, 0.5%

LAB 51.62, 78.8, 6.19

 

CMYK 0 / 93 / 3 / 37

HEX #A10B9C

RGB 161 11 156

HSL 302, 0.87%, 0.34%

LAB 38.23, 67.65, -39.93

 

CMYK 0 / 93 / 3 / 22

HEX #C70DC1

RGB 199 13 193

HSL 301.94, 0.88%, 0.42%

LAB 47.34, 79.55, -46.96

 

CMYK 0 / 93 / 3 / 7

HEX #EE10E7

RGB 238 16 231

HSL 301.89, 0.87%, 0.5%

LAB 56.4, 91.19, -53.86

 

CMYK 0 / 77 / 2 / 5

HEX #F137EB

RGB 241 55 235

HSL 301.94, 0.87%, 0.58%

LAB 59.37, 85.73, -51.36

 

CMYK 0 / 62 / 2 / 5

HEX #F35DEF

RGB 243 93 239

HSL 301.6, 0.86%, 0.66%

LAB 64.25, 74.38, -45.84

 

CMYK 0 / 93 / 3 / 7

HEX #ED11E6

RGB 237 17 230

HSL 301.91, 0.87%, 0.5%

LAB 56.21, 90.79, -53.63

 

CMYK 0 / 73 / 93 / 7

HEX #EE4010

RGB 238 64 16

HSL 12.97, 0.87%, 0.5%

LAB 53.9, 64.4, 61.81

 

CMYK 93 / 0 / 36 / 7

HEX #10EE99

RGB 16 238 153

HSL 157.03, 0.87%, 0.5%

LAB 83.74, -66.34, 28.15

 

CMYK 0 / 93 / 3 / 7

HEX #ED11E6

RGB 237 17 230

HSL 301.91, 0.87%, 0.5%

LAB 56.21, 90.79, -53.63

 

CMYK 2 / 0 / 93 / 7

HEX #EAEE10

RGB 234 238 16

HSL 61.08, 0.87%, 0.5%

LAB 91.09, -21.98, 88.03

 

CMYK 93 / 2 / 0 / 7

HEX #10EAEE

RGB 16 234 238

HSL 181.08, 0.87%, 0.5%

LAB 84.55, -43.51, -15.09

 

CMYK 0 / 93 / 3 / 7

HEX #ED11E6

RGB 237 17 230

HSL 301.91, 0.87%, 0.5%

LAB 56.21, 90.79, -53.63

 

CMYK 0 / 73 / 93 / 7

HEX #EE4010

RGB 238 64 16

HSL 12.97, 0.87%, 0.5%

LAB 53.9, 64.4, 61.81

 

CMYK 93 / 0 / 92 / 7

HEX #10EE14

RGB 16 238 20

HSL 121.08, 0.87%, 0.5%

LAB 82.54, -80.91, 77.14

 

CMYK 93 / 20 / 0 / 7

HEX #10BEEE

RGB 16 190 238

HSL 192.97, 0.87%, 0.5%

LAB 71.63, -22.57, -34.8

 

CMYK 0 / 93 / 3 / 7

HEX #ED11E6

RGB 237 17 230

HSL 301.91, 0.87%, 0.5%

LAB 56.21, 90.79, -53.63

 

CMYK 0 / 45 / 93 / 7

HEX #EE8310

RGB 238 131 16

HSL 31.08, 0.87%, 0.5%

LAB 65.32, 34.73, 69.31

 

CMYK 93 / 0 / 92 / 7

HEX #10EE14

RGB 16 238 20

HSL 121.08, 0.87%, 0.5%

LAB 82.54, -80.91, 77.14

 

CMYK 93 / 48 / 0 / 7

HEX #107BEE

RGB 16 123 238

HSL 211.08, 0.87%, 0.5%

LAB 52.34, 15.78, -65.34

 

Description

Color code: CMYK 0 / 93 / 3 / 7 | qconv.com Color code: CMYK 0 / 93 / 3 / 7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 17 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 17 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 3 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 3% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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