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Color name
CMYK 0 / 89 / 3 / 39

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 89 / 3 / 39 it is the complementary color CMYK 58 / 0 / 56 / 7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 89 / 3 / 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 89 / 3 / 39 shade: CMYK 0 / 89 / 9 / 37, CMYK 0 / 80 / 7 / 30, CMYK 0 / 73 / 6 / 24, CMYK 0 / 67 / 4 / 17 and CMYK 0 / 61 / 3 / 10

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 89 / 3 / 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 89 / 3 / 39 shade: CMYK 0 / 89 / 3 / 39, CMYK 0 / 100 / 5 / 45, CMYK 0 / 100 / 7 / 52, CMYK 0 / 100 / 10 / 59 and CMYK 0 / 100 / 15 / 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 89 / 3 / 39 shade: CMYK 0 / 89 / 3 / 39, CMYK 0 / 89 / 28 / 39, CMYK 0 / 89 / 51 / 39, CMYK 0 / 89 / 76 / 39 and CMYK 0 / 89 / 89 / 39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 89 / 3 / 39 shade: CMYK 0 / 89 / 3 / 39, CMYK 21 / 89 / 0 / 39, CMYK 45 / 89 / 0 / 39, CMYK 69 / 89 / 0 / 39 and CMYK 89 / 89 / 0 / 39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 89 / 3 / 39 shade matches the following richer shades: CMYK 0 / 89 / 3 / 39 and CMYK 0 / 98 / 4 / 33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 89 / 3 / 39 shade: CMYK 0 / 89 / 3 / 39, CMYK 0 / 78 / 3 / 44, CMYK 0 / 65 / 2 / 50, CMYK 0 / 48 / 1 / 56 and CMYK 0 / 26 / 1 / 61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 89 / 3 / 39 shade: CMYK 45 / 89 / 0 / 39, CMYK 21 / 89 / 0 / 39, CMYK 0 / 89 / 3 / 39, CMYK 0 / 89 / 27 / 39 and CMYK 0 / 89 / 51 / 39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 89 / 3 / 39 shade: CMYK 0 / 89 / 2 / 68, CMYK 0 / 89 / 3 / 54, CMYK 0 / 89 / 3 / 39, CMYK 0 / 89 / 3 / 24 and CMYK 0 / 89 / 3 / 10

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 89 / 3 / 39 shade: CMYK 0 / 89 / 3 / 39, CMYK 0 / 69 / 89 / 39 and CMYK 89 / 0 / 33 / 39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 89 / 3 / 39 shade: CMYK 0 / 89 / 3 / 39, CMYK 3 / 0 / 89 / 39 and CMYK 89 / 3 / 0 / 39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 89 / 3 / 39 shade: CMYK 0 / 89 / 3 / 39, CMYK 0 / 69 / 89 / 39, CMYK 89 / 0 / 87 / 39 and CMYK 89 / 21 / 0 / 39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 89 / 3 / 39 shade: CMYK 0 / 89 / 3 / 39, CMYK 0 / 42 / 89 / 39, CMYK 89 / 0 / 87 / 39 and CMYK 89 / 47 / 0 / 39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 3 / 39

HEX #9C1197

RGB 156 17 151

HSL 302.16, 0.8%, 0.34%

LAB 37.3, 65.12, -38.42

 

Complementary color

CMYK 58 / 0 / 56 / 7

HEX #63EE68

RGB 99 238 104

HSL 122.16, 0.8%, 0.66%

LAB 84.38, -63.63, 52.95

 

CMYK 0 / 89 / 9 / 37

HEX #A11192

RGB 161 17 146

HSL 306.25, 0.81%, 0.35%

LAB 37.94, 65.33, -34.3

 

CMYK 0 / 80 / 7 / 30

HEX #B223A5

RGB 178 35 165

HSL 305.45, 0.67%, 0.42%

LAB 43.34, 67.79, -37.04

 

CMYK 0 / 73 / 6 / 24

HEX #C335B8

RGB 195 53 184

HSL 304.65, 0.57%, 0.49%

LAB 49.02, 69.14, -39.09

 

CMYK 0 / 67 / 4 / 17

HEX #D447CB

RGB 212 71 203

HSL 303.83, 0.62%, 0.55%

LAB 54.88, 69.74, -40.65

 

CMYK 0 / 61 / 3 / 10

HEX #E559DE

RGB 229 89 222

HSL 303, 0.73%, 0.62%

LAB 60.85, 69.86, -41.85

 

CMYK 0 / 89 / 3 / 39

HEX #9C1197

RGB 156 17 151

HSL 302.16, 0.8%, 0.34%

LAB 37.3, 65.12, -38.42

 

CMYK 0 / 100 / 5 / 45

HEX #8B0084

RGB 139 0 132

HSL 303.02, 1%, 0.27%

LAB 32.16, 61.5, -35.09

 

CMYK 0 / 100 / 7 / 52

HEX #7A0071

RGB 122 0 113

HSL 304.43, 1%, 0.24%

LAB 27.65, 55.55, -30.43

 

CMYK 0 / 100 / 10 / 59

HEX #69005E

RGB 105 0 94

HSL 306.29, 1%, 0.21%

LAB 23.04, 49.44, -25.59

 

CMYK 0 / 100 / 15 / 65

HEX #58004B

RGB 88 0 75

HSL 308.86, 1%, 0.17%

LAB 18.29, 43.16, -20.53

 

CMYK 0 / 89 / 3 / 39

HEX #9C1197

RGB 156 17 151

HSL 302.16, 0.8%, 0.34%

LAB 37.3, 65.12, -38.42

 

CMYK 0 / 89 / 28 / 39

HEX #9C1171

RGB 156 17 113

HSL 318.56, 0.8%, 0.34%

LAB 35.32, 59.89, -17.93

 

CMYK 0 / 89 / 51 / 39

HEX #9C114C

RGB 156 17 76

HSL 334.53, 0.8%, 0.34%

LAB 33.96, 56.13, 3.88

 

CMYK 0 / 89 / 76 / 39

HEX #9C1126

RGB 156 17 38

HSL 350.94, 0.8%, 0.34%

LAB 33.15, 53.81, 27.52

 

CMYK 0 / 89 / 89 / 39

HEX #9C1111

RGB 156 17 17

HSL 0, 0.8%, 0.34%

LAB 32.94, 53.19, 39.37

 

CMYK 0 / 89 / 3 / 39

HEX #9C1197

RGB 156 17 151

HSL 302.16, 0.8%, 0.34%

LAB 37.3, 65.12, -38.42

 

CMYK 21 / 89 / 0 / 39

HEX #7B119C

RGB 123 17 156

HSL 285.76, 0.8%, 0.34%

LAB 31.83, 60.18, -50.57

 

CMYK 45 / 89 / 0 / 39

HEX #56119C

RGB 86 17 156

HSL 269.78, 0.8%, 0.34%

LAB 26.1, 54.89, -60.18

 

CMYK 69 / 89 / 0 / 39

HEX #30119C

RGB 48 17 156

HSL 253.38, 0.8%, 0.34%

LAB 21.69, 51.25, -67.61

 

CMYK 89 / 89 / 0 / 39

HEX #11119C

RGB 17 17 156

HSL 240, 0.8%, 0.34%

LAB 19.72, 49.78, -70.93

 

CMYK 0 / 89 / 3 / 39

HEX #9C1197

RGB 156 17 151

HSL 302.16, 0.8%, 0.34%

LAB 37.3, 65.12, -38.42

 

CMYK 0 / 98 / 4 / 33

HEX #AA03A4

RGB 170 3 164

HSL 302.16, 0.97%, 0.34%

LAB 40.07, 71.31, -41.72

 

CMYK 0 / 89 / 3 / 39

HEX #9C1197

RGB 156 17 151

HSL 302.16, 0.8%, 0.34%

LAB 37.3, 65.12, -38.42

 

CMYK 0 / 78 / 3 / 44

HEX #8E1F8A

RGB 142 31 138

HSL 302.16, 0.64%, 0.34%

LAB 35.13, 57, -34.05

 

CMYK 0 / 65 / 2 / 50

HEX #802D7D

RGB 128 45 125

HSL 302.17, 0.48%, 0.34%

LAB 33.87, 46.18, -28.12

 

CMYK 0 / 48 / 1 / 56

HEX #713B70

RGB 113 59 112

HSL 301.11, 0.31%, 0.34%

LAB 33.58, 32.14, -20.58

 

CMYK 0 / 26 / 1 / 61

HEX #634962

RGB 99 73 98

HSL 302.31, 0.15%, 0.34%

LAB 34.6, 15.82, -10.34

 

CMYK 45 / 89 / 0 / 39

HEX #56119C

RGB 86 17 156

HSL 269.78, 0.8%, 0.34%

LAB 26.1, 54.89, -60.18

 

CMYK 21 / 89 / 0 / 39

HEX #7B119C

RGB 123 17 156

HSL 285.76, 0.8%, 0.34%

LAB 31.83, 60.18, -50.57

 

CMYK 0 / 89 / 3 / 39

HEX #9C1197

RGB 156 17 151

HSL 302.16, 0.8%, 0.34%

LAB 37.3, 65.12, -38.42

 

CMYK 0 / 89 / 27 / 39

HEX #9C1172

RGB 156 17 114

HSL 318.13, 0.8%, 0.34%

LAB 35.37, 60.01, -18.5

 

CMYK 0 / 89 / 51 / 39

HEX #9C114D

RGB 156 17 77

HSL 334.1, 0.8%, 0.34%

LAB 33.99, 56.21, 3.26

 

CMYK 0 / 89 / 2 / 68

HEX #51094F

RGB 81 9 79

HSL 301.67, 0.8%, 0.18%

LAB 17.96, 39.74, -23.88

 

CMYK 0 / 89 / 3 / 54

HEX #760D73

RGB 118 13 115

HSL 301.71, 0.8%, 0.26%

LAB 27.78, 52.78, -31.55

 

CMYK 0 / 89 / 3 / 39

HEX #9C1197

RGB 156 17 151

HSL 302.16, 0.8%, 0.34%

LAB 37.3, 65.12, -38.42

 

CMYK 0 / 89 / 3 / 24

HEX #C115BB

RGB 193 21 187

HSL 302.09, 0.8%, 0.42%

LAB 46.26, 76.66, -45.24

 

CMYK 0 / 89 / 3 / 10

HEX #E51ADE

RGB 229 26 222

HSL 302.07, 0.8%, 0.5%

LAB 54.73, 87.31, -51.53

 

CMYK 0 / 89 / 3 / 39

HEX #9C1197

RGB 156 17 151

HSL 302.16, 0.8%, 0.34%

LAB 37.3, 65.12, -38.42

 

CMYK 0 / 69 / 89 / 39

HEX #9C3111

RGB 156 49 17

HSL 13.81, 0.8%, 0.34%

LAB 36.57, 43.09, 42.26

 

CMYK 89 / 0 / 33 / 39

HEX #119C69

RGB 17 156 105

HSL 157.99, 0.8%, 0.34%

LAB 56.99, -46.43, 17.32

 

CMYK 0 / 89 / 3 / 39

HEX #9C1197

RGB 156 17 151

HSL 302.16, 0.8%, 0.34%

LAB 37.3, 65.12, -38.42

 

CMYK 3 / 0 / 89 / 39

HEX #979C11

RGB 151 156 17

HSL 62.16, 0.8%, 0.34%

LAB 62, -16.89, 62.41

 

CMYK 89 / 3 / 0 / 39

HEX #11979C

RGB 17 151 156

HSL 182.16, 0.8%, 0.34%

LAB 56.74, -30.16, -11.99

 

CMYK 0 / 89 / 3 / 39

HEX #9C1197

RGB 156 17 151

HSL 302.16, 0.8%, 0.34%

LAB 37.3, 65.12, -38.42

 

CMYK 0 / 69 / 89 / 39

HEX #9C3111

RGB 156 49 17

HSL 13.81, 0.8%, 0.34%

LAB 36.57, 43.09, 42.26

 

CMYK 89 / 0 / 87 / 39

HEX #119C15

RGB 17 156 21

HSL 121.73, 0.8%, 0.34%

LAB 56.04, -57.91, 54.11

 

CMYK 89 / 21 / 0 / 39

HEX #117B9C

RGB 17 123 156

HSL 194.24, 0.8%, 0.34%

LAB 47.86, -15.58, -25.54

 

CMYK 0 / 89 / 3 / 39

HEX #9C1197

RGB 156 17 151

HSL 302.16, 0.8%, 0.34%

LAB 37.3, 65.12, -38.42

 

CMYK 0 / 42 / 89 / 39

HEX #9C5B11

RGB 156 91 17

HSL 31.94, 0.8%, 0.34%

LAB 45.07, 21.51, 49.05

 

CMYK 89 / 0 / 87 / 39

HEX #119C15

RGB 17 156 21

HSL 121.73, 0.8%, 0.34%

LAB 56.04, -57.91, 54.11

 

CMYK 89 / 47 / 0 / 39

HEX #11529C

RGB 17 82 156

HSL 211.94, 0.8%, 0.34%

LAB 35.11, 9.67, -45.7

 

Description

Color code: CMYK 0 / 89 / 3 / 39 | qconv.com Color code: CMYK 0 / 89 / 3 / 39 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 17 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 17 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 3 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 3% 39% C M Y K

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Provide designers and agencies with accurate color values.

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