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Color name
CMYK 0 / 79 / 52 / 10

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 79 / 52 / 10 it is the complementary color CMYK 88 / 0 / 30 / 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 79 / 52 / 10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 79 / 52 / 10 shade: CMYK 0 / 80 / 55 / 8, CMYK 0 / 74 / 51 / 1, CMYK 0 / 67 / 44 / 0, CMYK 0 / 60 / 36 / 0 and CMYK 0 / 53 / 29 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 79 / 52 / 10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 79 / 52 / 10 shade: CMYK 0 / 79 / 52 / 10, CMYK 0 / 86 / 57 / 16, CMYK 0 / 94 / 63 / 23, CMYK 0 / 100 / 70 / 30 and CMYK 0 / 100 / 79 / 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 79 / 52 / 10 shade: CMYK 0 / 78 / 52 / 10, CMYK 0 / 78 / 72 / 10 and CMYK 0 / 78 / 78 / 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 79 / 52 / 10 shade: CMYK 0 / 78 / 52 / 10, CMYK 0 / 78 / 30 / 10, CMYK 0 / 78 / 9 / 10, CMYK 12 / 78 / 0 / 10 and CMYK 33 / 78 / 0 / 10

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 79 / 52 / 10 shade matches the following richer shades: CMYK 0 / 78 / 52 / 10 and CMYK 0 / 87 / 58 / 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 79 / 52 / 10 shade: CMYK 0 / 78 / 52 / 10, CMYK 0 / 67 / 45 / 17, CMYK 0 / 55 / 36 / 25, CMYK 0 / 39 / 26 / 32 and CMYK 0 / 19 / 13 / 39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 79 / 52 / 10 shade: CMYK 0 / 78 / 9 / 10, CMYK 0 / 78 / 30 / 10, CMYK 0 / 78 / 51 / 10, CMYK 0 / 78 / 72 / 10 and CMYK 0 / 64 / 78 / 10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 79 / 52 / 10 shade: CMYK 0 / 88 / 58 / 31, CMYK 0 / 88 / 58 / 17, CMYK 0 / 78 / 52 / 10, CMYK 0 / 63 / 41 / 8 and CMYK 0 / 48 / 32 / 7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 79 / 52 / 10 shade: CMYK 0 / 79 / 52 / 10, CMYK 0 / 12 / 78 / 10 and CMYK 78 / 19 / 0 / 10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 79 / 52 / 10 shade: CMYK 0 / 79 / 52 / 10, CMYK 51 / 0 / 78 / 10 and CMYK 78 / 51 / 0 / 10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 79 / 52 / 10 shade: CMYK 0 / 79 / 52 / 10, CMYK 0 / 12 / 78 / 10, CMYK 78 / 0 / 27 / 10 and CMYK 78 / 66 / 0 / 10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 79 / 52 / 10 shade: CMYK 0 / 79 / 52 / 10, CMYK 12 / 0 / 78 / 10, CMYK 78 / 0 / 27 / 10 and CMYK 66 / 78 / 0 / 10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 52 / 10

HEX #E6306E

RGB 230 48 110

HSL 339.56, 0.78%, 0.55%

LAB 51.91, 70.74, 10.02

 

Complementary color

CMYK 88 / 0 / 30 / 19

HEX #19CF91

RGB 25 207 145

HSL 159.56, 0.78%, 0.45%

LAB 74.11, -56.41, 19.19

 

CMYK 0 / 80 / 55 / 8

HEX #EB3069

RGB 235 48 105

HSL 341.71, 0.82%, 0.55%

LAB 52.73, 71.68, 14.33

 

CMYK 0 / 74 / 51 / 1

HEX #FC427C

RGB 252 66 124

HSL 341.29, 0.97%, 0.62%

LAB 58.08, 72.48, 10.93

 

CMYK 0 / 67 / 44 / 0

HEX #FF548F

RGB 255 84 143

HSL 339.3, 1%, 0.66%

LAB 61.29, 68.76, 4.44

 

CMYK 0 / 60 / 36 / 0

HEX #FF66A2

RGB 255 102 162

HSL 336.47, 1%, 0.7%

LAB 64.46, 63.47, -1.91

 

CMYK 0 / 53 / 29 / 0

HEX #FF78B5

RGB 255 120 181

HSL 332.89, 1%, 0.74%

LAB 68.04, 57.66, -7.41

 

CMYK 0 / 79 / 52 / 10

HEX #E6306E

RGB 230 48 110

HSL 339.56, 0.78%, 0.55%

LAB 51.91, 70.74, 10.02

 

CMYK 0 / 86 / 57 / 16

HEX #D51E5B

RGB 213 30 91

HSL 340, 0.75%, 0.48%

LAB 46.75, 69.17, 13.97

 

CMYK 0 / 94 / 63 / 23

HEX #C40C48

RGB 196 12 72

HSL 340.43, 0.88%, 0.41%

LAB 41.95, 66.54, 18.78

 

CMYK 0 / 100 / 70 / 30

HEX #B30035

RGB 179 0 53

HSL 342.23, 1%, 0.35%

LAB 37.56, 62.7, 24.47

 

CMYK 0 / 100 / 79 / 36

HEX #A20022

RGB 162 0 34

HSL 347.41, 1%, 0.32%

LAB 33.56, 57.73, 30.82

 

CMYK 0 / 78 / 52 / 10

HEX #E5326F

RGB 229 50 111

HSL 339.55, 0.77%, 0.55%

LAB 51.94, 70.02, 9.43

 

CMYK 0 / 78 / 72 / 10

HEX #E5323F

RGB 229 50 63

HSL 355.64, 0.77%, 0.55%

LAB 51.03, 67.21, 36.94

 

CMYK 0 / 78 / 78 / 10

HEX #E53232

RGB 229 50 50

HSL 0, 0.77%, 0.55%

LAB 50.88, 66.74, 44.06

 

CMYK 0 / 78 / 52 / 10

HEX #E5326F

RGB 229 50 111

HSL 339.55, 0.77%, 0.55%

LAB 51.94, 70.02, 9.43

 

CMYK 0 / 78 / 30 / 10

HEX #E532A0

RGB 229 50 160

HSL 323.13, 0.77%, 0.55%

LAB 53.47, 74.63, -17.63

 

CMYK 0 / 78 / 9 / 10

HEX #E532D0

RGB 229 50 208

HSL 307.04, 0.77%, 0.55%

LAB 55.58, 80.71, -42.22

 

CMYK 12 / 78 / 0 / 10

HEX #CA32E5

RGB 202 50 229

HSL 290.95, 0.77%, 0.55%

LAB 52.39, 78.77, -59.49

 

CMYK 33 / 78 / 0 / 10

HEX #9A32E5

RGB 154 50 229

HSL 274.86, 0.77%, 0.55%

LAB 45.37, 70.56, -71.19

 

CMYK 0 / 78 / 52 / 10

HEX #E5326F

RGB 229 50 111

HSL 339.55, 0.77%, 0.55%

LAB 51.94, 70.02, 9.43

 

CMYK 0 / 87 / 58 / 3

HEX #F82069

RGB 248 32 105

HSL 339.72, 0.94%, 0.55%

LAB 54.04, 78.28, 16.53

 

CMYK 0 / 78 / 52 / 10

HEX #E5326F

RGB 229 50 111

HSL 339.55, 0.77%, 0.55%

LAB 51.94, 70.02, 9.43

 

CMYK 0 / 67 / 45 / 17

HEX #D34575

RGB 211 69 117

HSL 339.72, 0.62%, 0.55%

LAB 51.14, 59.17, 4.24

 

CMYK 0 / 55 / 36 / 25

HEX #C0577B

RGB 192 87 123

HSL 339.43, 0.45%, 0.55%

LAB 51.21, 45.82, 0.37

 

CMYK 0 / 39 / 26 / 32

HEX #AE6A81

RGB 174 106 129

HSL 339.71, 0.3%, 0.55%

LAB 52.83, 30.25, -1.13

 

CMYK 0 / 19 / 13 / 39

HEX #9B7D87

RGB 155 125 135

HSL 340, 0.13%, 0.55%

LAB 55.47, 13.27, -1.03

 

CMYK 0 / 78 / 9 / 10

HEX #E532D0

RGB 229 50 208

HSL 307.04, 0.77%, 0.55%

LAB 55.58, 80.71, -42.22

 

CMYK 0 / 78 / 30 / 10

HEX #E532A1

RGB 229 50 161

HSL 322.79, 0.77%, 0.55%

LAB 53.51, 74.75, -18.16

 

CMYK 0 / 78 / 51 / 10

HEX #E53271

RGB 229 50 113

HSL 338.88, 0.77%, 0.55%

LAB 51.99, 70.17, 8.29

 

CMYK 0 / 78 / 72 / 10

HEX #E53241

RGB 229 50 65

HSL 354.97, 0.77%, 0.55%

LAB 51.06, 67.3, 35.82

 

CMYK 0 / 64 / 78 / 10

HEX #E55332

RGB 229 83 50

HSL 11.06, 0.77%, 0.55%

LAB 55.15, 55.03, 48.4

 

CMYK 0 / 88 / 58 / 31

HEX #B0154A

RGB 176 21 74

HSL 339.48, 0.79%, 0.39%

LAB 38.31, 60.35, 11.88

 

CMYK 0 / 88 / 58 / 17

HEX #D41A59

RGB 212 26 89

HSL 339.68, 0.78%, 0.47%

LAB 46.25, 69.52, 14.5

 

CMYK 0 / 78 / 52 / 10

HEX #E5326F

RGB 229 50 111

HSL 339.55, 0.77%, 0.55%

LAB 51.94, 70.02, 9.43

 

CMYK 0 / 63 / 41 / 8

HEX #EA5789

RGB 234 87 137

HSL 339.59, 0.78%, 0.63%

LAB 58.15, 60.81, 2.97

 

CMYK 0 / 48 / 32 / 7

HEX #EE7CA3

RGB 238 124 163

HSL 339.47, 0.77%, 0.71%

LAB 65.93, 47.97, -0.61

 

CMYK 0 / 79 / 52 / 10

HEX #E6306E

RGB 230 48 110

HSL 339.56, 0.78%, 0.55%

LAB 51.91, 70.74, 10.02

 

CMYK 0 / 12 / 78 / 10

HEX #E5CA32

RGB 229 202 50

HSL 50.95, 0.77%, 0.55%

LAB 81.36, -5.53, 73.1

 

CMYK 78 / 19 / 0 / 10

HEX #32B9E5

RGB 50 185 229

HSL 194.75, 0.77%, 0.55%

LAB 70.2, -20.81, -32.09

 

CMYK 0 / 79 / 52 / 10

HEX #E6306E

RGB 230 48 110

HSL 339.56, 0.78%, 0.55%

LAB 51.91, 70.74, 10.02

 

CMYK 51 / 0 / 78 / 10

HEX #71E532

RGB 113 229 50

HSL 98.88, 0.77%, 0.55%

LAB 81.72, -61.44, 70.79

 

CMYK 78 / 51 / 0 / 10

HEX #3271E5

RGB 50 113 229

HSL 218.88, 0.77%, 0.55%

LAB 49.67, 20.94, -64.58

 

CMYK 0 / 79 / 52 / 10

HEX #E6306E

RGB 230 48 110

HSL 339.56, 0.78%, 0.55%

LAB 51.91, 70.74, 10.02

 

CMYK 0 / 12 / 78 / 10

HEX #E5CA32

RGB 229 202 50

HSL 50.95, 0.77%, 0.55%

LAB 81.36, -5.53, 73.1

 

CMYK 78 / 0 / 27 / 10

HEX #32E5A7

RGB 50 229 167

HSL 159.22, 0.77%, 0.55%

LAB 81.57, -57.76, 18.01

 

CMYK 78 / 66 / 0 / 10

HEX #324DE5

RGB 50 77 229

HSL 230.95, 0.77%, 0.55%

LAB 40.64, 43.58, -79.3

 

CMYK 0 / 79 / 52 / 10

HEX #E6306E

RGB 230 48 110

HSL 339.56, 0.78%, 0.55%

LAB 51.91, 70.74, 10.02

 

CMYK 12 / 0 / 78 / 10

HEX #CAE532

RGB 202 229 50

HSL 69.05, 0.77%, 0.55%

LAB 86.42, -30.04, 76.83

 

CMYK 78 / 0 / 27 / 10

HEX #32E5A7

RGB 50 229 167

HSL 159.22, 0.77%, 0.55%

LAB 81.57, -57.76, 18.01

 

CMYK 66 / 78 / 0 / 10

HEX #4D32E5

RGB 77 50 229

HSL 249.05, 0.77%, 0.55%

LAB 36.96, 60.68, -85.32

 

Description

Color code: CMYK 0 / 79 / 52 / 10 | qconv.com Color code: CMYK 0 / 79 / 52 / 10 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 48 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 48 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 52 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 52% 10% C M Y K

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Provide designers and agencies with accurate color values.

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