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Color name
CMYK 0 / 77 / 58 / 26

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 77 / 58 / 26 it is the complementary color CMYK 69 / 0 / 17 / 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 77 / 58 / 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 77 / 58 / 26 shade: CMYK 0 / 78 / 62 / 24, CMYK 0 / 71 / 56 / 17, CMYK 0 / 65 / 51 / 11, CMYK 0 / 60 / 47 / 4 and CMYK 0 / 55 / 41 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 77 / 58 / 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 77 / 58 / 26 shade: CMYK 0 / 77 / 58 / 26, CMYK 0 / 85 / 65 / 33, CMYK 0 / 95 / 74 / 39, CMYK 0 / 100 / 84 / 46 and CMYK 0 / 100 / 98 / 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 77 / 58 / 26 shade: CMYK 0 / 78 / 58 / 27 and CMYK 0 / 78 / 78 / 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 77 / 58 / 26 shade: CMYK 0 / 78 / 58 / 27, CMYK 0 / 78 / 37 / 27, CMYK 0 / 78 / 17 / 27, CMYK 4 / 78 / 0 / 27 and CMYK 25 / 78 / 0 / 27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 77 / 58 / 26 shade matches the following richer shades: CMYK 0 / 78 / 58 / 27, CMYK 0 / 89 / 67 / 20 and CMYK 0 / 98 / 74 / 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 77 / 58 / 26 shade: CMYK 0 / 78 / 58 / 27, CMYK 0 / 64 / 48 / 34, CMYK 0 / 47 / 36 / 42, CMYK 0 / 25 / 19 / 49 and CMYK 3 / 0 / 1 / 55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 77 / 58 / 26 shade: CMYK 0 / 78 / 17 / 27, CMYK 0 / 78 / 37 / 27, CMYK 0 / 78 / 58 / 27, CMYK 0 / 76 / 78 / 27 and CMYK 0 / 56 / 78 / 27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 77 / 58 / 26 shade: CMYK 0 / 77 / 58 / 53, CMYK 0 / 78 / 58 / 40, CMYK 0 / 78 / 58 / 27, CMYK 0 / 71 / 54 / 18 and CMYK 0 / 57 / 43 / 15

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 77 / 58 / 26 shade: CMYK 0 / 77 / 58 / 26, CMYK 0 / 4 / 78 / 27 and CMYK 78 / 27 / 0 / 27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 77 / 58 / 26 shade: CMYK 0 / 77 / 58 / 26, CMYK 58 / 0 / 78 / 27 and CMYK 78 / 58 / 0 / 27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 77 / 58 / 26 shade: CMYK 0 / 77 / 58 / 26, CMYK 0 / 4 / 78 / 27, CMYK 78 / 0 / 20 / 27 and CMYK 78 / 74 / 0 / 27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 77 / 58 / 26 shade: CMYK 0 / 77 / 58 / 26, CMYK 20 / 0 / 78 / 27, CMYK 78 / 0 / 20 / 27 and CMYK 58 / 78 / 0 / 27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 58 / 26

HEX #BD2B4F

RGB 189 43 79

HSL 345.21, 0.63%, 0.45%

LAB 42.93, 58.74, 15.46

 

Complementary color

CMYK 69 / 0 / 17 / 17

HEX #42D4B0

RGB 66 212 176

HSL 165.21, 0.63%, 0.55%

LAB 76.91, -46.84, 6.69

 

CMYK 0 / 78 / 62 / 24

HEX #C22B4A

RGB 194 43 74

HSL 347.68, 0.64%, 0.46%

LAB 43.79, 59.85, 19.88

 

CMYK 0 / 71 / 56 / 17

HEX #D33D5D

RGB 211 61 93

HSL 347.2, 0.63%, 0.53%

LAB 49.47, 60.16, 16.41

 

CMYK 0 / 65 / 51 / 11

HEX #E44F70

RGB 228 79 112

HSL 346.71, 0.73%, 0.6%

LAB 55.33, 59.94, 13.57

 

CMYK 0 / 60 / 47 / 4

HEX #F56183

RGB 245 97 131

HSL 346.22, 0.88%, 0.67%

LAB 61.31, 59.42, 11.21

 

CMYK 0 / 55 / 41 / 0

HEX #FF7396

RGB 255 115 150

HSL 345, 1%, 0.73%

LAB 66.31, 56.45, 7.62

 

CMYK 0 / 77 / 58 / 26

HEX #BD2B4F

RGB 189 43 79

HSL 345.21, 0.63%, 0.45%

LAB 42.93, 58.74, 15.46

 

CMYK 0 / 85 / 65 / 33

HEX #AC193C

RGB 172 25 60

HSL 345.71, 0.75%, 0.39%

LAB 37.47, 57.61, 19.59

 

CMYK 0 / 95 / 74 / 39

HEX #9B0729

RGB 155 7 41

HSL 346.22, 0.91%, 0.32%

LAB 32.44, 55.24, 24.72

 

CMYK 0 / 100 / 84 / 46

HEX #8A0016

RGB 138 0 22

HSL 350.43, 1%, 0.27%

LAB 28.01, 51.17, 30.72

 

CMYK 0 / 100 / 98 / 53

HEX #790003

RGB 121 0 3

HSL 358.51, 1%, 0.24%

LAB 23.91, 46.21, 34.7

 

CMYK 0 / 78 / 58 / 27

HEX #BB2A4E

RGB 187 42 78

HSL 345.1, 0.63%, 0.45%

LAB 42.42, 58.41, 15.32

 

CMYK 0 / 78 / 78 / 27

HEX #BB2A2A

RGB 187 42 42

HSL 0, 0.63%, 0.45%

LAB 41.83, 56.53, 36.5

 

CMYK 0 / 78 / 58 / 27

HEX #BB2A4E

RGB 187 42 78

HSL 345.1, 0.63%, 0.45%

LAB 42.42, 58.41, 15.32

 

CMYK 0 / 78 / 37 / 27

HEX #BB2A75

RGB 187 42 117

HSL 328.97, 0.63%, 0.45%

LAB 43.51, 61.82, -7.45

 

CMYK 0 / 78 / 17 / 27

HEX #BB2A9C

RGB 187 42 156

HSL 312.83, 0.63%, 0.45%

LAB 45.11, 66.58, -28.75

 

CMYK 4 / 78 / 0 / 27

HEX #B32ABB

RGB 179 42 187

HSL 296.69, 0.63%, 0.45%

LAB 45.4, 69.58, -46.76

 

CMYK 25 / 78 / 0 / 27

HEX #8C2ABB

RGB 140 42 187

HSL 280.55, 0.63%, 0.45%

LAB 39.27, 62.15, -56.93

 

CMYK 0 / 78 / 58 / 27

HEX #BB2A4E

RGB 187 42 78

HSL 345.1, 0.63%, 0.45%

LAB 42.42, 58.41, 15.32

 

CMYK 0 / 89 / 67 / 20

HEX #CD1744

RGB 205 23 68

HSL 345.16, 0.8%, 0.45%

LAB 44.25, 67.07, 24.62

 

CMYK 0 / 98 / 74 / 12

HEX #E0053B

RGB 224 5 59

HSL 345.21, 0.96%, 0.45%

LAB 47.33, 73.35, 34.75

 

CMYK 0 / 78 / 58 / 27

HEX #BB2A4E

RGB 187 42 78

HSL 345.1, 0.63%, 0.45%

LAB 42.42, 58.41, 15.32

 

CMYK 0 / 64 / 48 / 34

HEX #A83D57

RGB 168 61 87

HSL 345.42, 0.47%, 0.45%

LAB 41.77, 46.09, 8.26

 

CMYK 0 / 47 / 36 / 42

HEX #954F60

RGB 149 79 96

HSL 345.43, 0.31%, 0.45%

LAB 42.5, 31.21, 3.32

 

CMYK 0 / 25 / 19 / 49

HEX #83626A

RGB 131 98 106

HSL 345.45, 0.14%, 0.45%

LAB 45.08, 14.67, 0.68

 

CMYK 3 / 0 / 1 / 55

HEX #707473

RGB 112 116 115

HSL 165, 0.02%, 0.45%

LAB 48.48, -1.72, 0.02

 

CMYK 0 / 78 / 17 / 27

HEX #BB2A9B

RGB 187 42 155

HSL 313.24, 0.63%, 0.45%

LAB 45.06, 66.44, -28.23

 

CMYK 0 / 78 / 37 / 27

HEX #BB2A75

RGB 187 42 117

HSL 328.97, 0.63%, 0.45%

LAB 43.51, 61.82, -7.45

 

CMYK 0 / 78 / 58 / 27

HEX #BB2A4E

RGB 187 42 78

HSL 345.1, 0.63%, 0.45%

LAB 42.42, 58.41, 15.32

 

CMYK 0 / 76 / 78 / 27

HEX #BB2C2A

RGB 187 44 42

HSL 0.83, 0.63%, 0.45%

LAB 42.05, 55.9, 36.74

 

CMYK 0 / 56 / 78 / 27

HEX #BB532A

RGB 187 83 42

HSL 16.97, 0.63%, 0.45%

LAB 48.16, 39.51, 43.09

 

CMYK 0 / 77 / 58 / 53

HEX #771B32

RGB 119 27 50

HSL 345, 0.63%, 0.29%

LAB 26.55, 40.84, 9.66

 

CMYK 0 / 78 / 58 / 40

HEX #992240

RGB 153 34 64

HSL 344.87, 0.64%, 0.37%

LAB 34.57, 50, 12.47

 

CMYK 0 / 78 / 58 / 27

HEX #BB2A4E

RGB 187 42 78

HSL 345.1, 0.63%, 0.45%

LAB 42.42, 58.41, 15.32

 

CMYK 0 / 71 / 54 / 18

HEX #D23C61

RGB 210 60 97

HSL 345.2, 0.63%, 0.53%

LAB 49.25, 60.52, 13.65

 

CMYK 0 / 57 / 43 / 15

HEX #DA5D7C

RGB 218 93 124

HSL 345.12, 0.63%, 0.61%

LAB 56.28, 51.78, 7.58

 

CMYK 0 / 77 / 58 / 26

HEX #BD2B4F

RGB 189 43 79

HSL 345.21, 0.63%, 0.45%

LAB 42.93, 58.74, 15.46

 

CMYK 0 / 4 / 78 / 27

HEX #BBB32A

RGB 187 179 42

HSL 56.69, 0.63%, 0.45%

LAB 71.54, -12.12, 65.34

 

CMYK 78 / 27 / 0 / 27

HEX #2A88BB

RGB 42 136 187

HSL 201.1, 0.63%, 0.45%

LAB 53.69, -9.45, -34.36

 

CMYK 0 / 77 / 58 / 26

HEX #BD2B4F

RGB 189 43 79

HSL 345.21, 0.63%, 0.45%

LAB 42.93, 58.74, 15.46

 

CMYK 58 / 0 / 78 / 27

HEX #4EBB2A

RGB 78 187 42

HSL 105.1, 0.63%, 0.45%

LAB 67.52, -56.16, 59.3

 

CMYK 78 / 58 / 0 / 27

HEX #2A4EBB

RGB 42 78 187

HSL 225.1, 0.63%, 0.45%

LAB 36.98, 26.9, -61.06

 

CMYK 0 / 77 / 58 / 26

HEX #BD2B4F

RGB 189 43 79

HSL 345.21, 0.63%, 0.45%

LAB 42.93, 58.74, 15.46

 

CMYK 0 / 4 / 78 / 27

HEX #BBB32A

RGB 187 179 42

HSL 56.69, 0.63%, 0.45%

LAB 71.54, -12.12, 65.34

 

CMYK 78 / 0 / 20 / 27

HEX #2ABB96

RGB 42 187 150

HSL 164.69, 0.63%, 0.45%

LAB 68.19, -45.87, 8.21

 

CMYK 78 / 74 / 0 / 27

HEX #2A31BB

RGB 42 49 187

HSL 237.1, 0.63%, 0.45%

LAB 30.1, 45.12, -72.35

 

CMYK 0 / 77 / 58 / 26

HEX #BD2B4F

RGB 189 43 79

HSL 345.21, 0.63%, 0.45%

LAB 42.93, 58.74, 15.46

 

CMYK 20 / 0 / 78 / 27

HEX #96BB2A

RGB 150 187 42

HSL 75.31, 0.63%, 0.45%

LAB 71, -31.71, 63.82

 

CMYK 78 / 0 / 20 / 27

HEX #2ABB96

RGB 42 187 150

HSL 164.69, 0.63%, 0.45%

LAB 68.19, -45.87, 8.21

 

CMYK 58 / 78 / 0 / 27

HEX #4E2ABB

RGB 78 42 187

HSL 254.9, 0.63%, 0.45%

LAB 31.49, 52.5, -69.96

 

Description

Color code: CMYK 0 / 77 / 58 / 26 | qconv.com Color code: CMYK 0 / 77 / 58 / 26 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 43 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 43 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 58 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 58% 26% C M Y K

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Provide designers and agencies with accurate color values.

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