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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 72 / 89 / 16 it is the complementary color CMYK 82 / 16 / 0 / 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 72 / 89 / 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 72 / 89 / 16 shade: CMYK 0 / 73 / 91 / 14, CMYK 0 / 67 / 84 / 7, CMYK 0 / 62 / 77 / 1, CMYK 0 / 55 / 70 / 0 and CMYK 0 / 48 / 63 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 72 / 89 / 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 72 / 89 / 16 shade: CMYK 0 / 72 / 89 / 16, CMYK 0 / 79 / 97 / 23, CMYK 0 / 87 / 100 / 29, CMYK 0 / 96 / 100 / 36 and CMYK 0 / 100 / 100 / 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 72 / 89 / 16 shade: CMYK 0 / 72 / 89 / 16 and CMYK 0 / 89 / 89 / 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 72 / 89 / 16 shade: CMYK 0 / 72 / 89 / 16, CMYK 0 / 48 / 89 / 16, CMYK 0 / 24 / 89 / 16, CMYK 0 / 0 / 89 / 16 and CMYK 24 / 0 / 89 / 16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 72 / 89 / 16 shade matches the following richer shades: CMYK 0 / 72 / 89 / 16 and CMYK 0 / 80 / 98 / 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 72 / 89 / 16 shade: CMYK 0 / 72 / 89 / 16, CMYK 0 / 63 / 78 / 23, CMYK 0 / 52 / 65 / 31, CMYK 0 / 39 / 48 / 38 and CMYK 0 / 22 / 27 / 46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 72 / 89 / 16 shade: CMYK 0 / 89 / 58 / 16, CMYK 0 / 89 / 82 / 16, CMYK 0 / 73 / 89 / 16, CMYK 0 / 49 / 89 / 16 and CMYK 0 / 25 / 89 / 16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 72 / 89 / 16 shade: CMYK 0 / 72 / 89 / 45, CMYK 0 / 72 / 89 / 30, CMYK 0 / 72 / 89 / 16, CMYK 0 / 64 / 79 / 9 and CMYK 0 / 52 / 64 / 7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 72 / 89 / 16 shade: CMYK 0 / 72 / 89 / 16, CMYK 34 / 0 / 89 / 16 and CMYK 89 / 70 / 0 / 16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 72 / 89 / 16 shade: CMYK 0 / 72 / 89 / 16, CMYK 89 / 0 / 73 / 16 and CMYK 73 / 89 / 0 / 16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 72 / 89 / 16 shade: CMYK 0 / 72 / 89 / 16, CMYK 34 / 0 / 89 / 16, CMYK 89 / 16 / 0 / 16 and CMYK 55 / 89 / 0 / 16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 72 / 89 / 16 shade: CMYK 0 / 72 / 89 / 16, CMYK 61 / 0 / 89 / 16, CMYK 89 / 16 / 0 / 16 and CMYK 28 / 89 / 0 / 16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 89 / 16

HEX #D63C18

RGB 214 60 24

HSL 11.37, 0.8%, 0.47%

LAB 49, 58.41, 53.71

 

Complementary color

CMYK 82 / 16 / 0 / 9

HEX #29C3E7

RGB 41 195 231

HSL 191.37, 0.8%, 0.53%

LAB 73.07, -26.04, -28.76

 

CMYK 0 / 73 / 91 / 14

HEX #DB3C13

RGB 219 60 19

HSL 12.3, 0.84%, 0.47%

LAB 49.9, 59.91, 56.6

 

CMYK 0 / 67 / 84 / 7

HEX #EC4E26

RGB 236 78 38

HSL 12.12, 0.84%, 0.54%

LAB 55.5, 59.05, 54.81

 

CMYK 0 / 62 / 77 / 1

HEX #FD6039

RGB 253 96 57

HSL 11.94, 0.98%, 0.61%

LAB 61.26, 57.92, 52.41

 

CMYK 0 / 55 / 70 / 0

HEX #FF724C

RGB 255 114 76

HSL 12.74, 1%, 0.65%

LAB 64.82, 51.37, 46.74

 

CMYK 0 / 48 / 63 / 0

HEX #FF845F

RGB 255 132 95

HSL 13.88, 1%, 0.69%

LAB 68.45, 43.76, 41.05

 

CMYK 0 / 72 / 89 / 16

HEX #D63C18

RGB 214 60 24

HSL 11.37, 0.8%, 0.47%

LAB 49, 58.41, 53.71

 

CMYK 0 / 79 / 97 / 23

HEX #C52A05

RGB 197 42 5

HSL 11.56, 0.95%, 0.4%

LAB 43.56, 58.78, 54.77

 

CMYK 0 / 87 / 100 / 29

HEX #B41800

RGB 180 24 0

HSL 8, 1%, 0.35%

LAB 38.47, 58.31, 52.18

 

CMYK 0 / 96 / 100 / 36

HEX #A30600

RGB 163 6 0

HSL 2.21, 1%, 0.32%

LAB 33.81, 56.52, 47.87

 

CMYK 0 / 100 / 100 / 43

HEX #920000

RGB 146 0 0

HSL 0, 1%, 0.29%

LAB 29.69, 52.87, 43.26

 

CMYK 0 / 72 / 89 / 16

HEX #D73C17

RGB 215 60 23

HSL 11.56, 0.81%, 0.47%

LAB 49.18, 58.71, 54.31

 

CMYK 0 / 89 / 89 / 16

HEX #D71717

RGB 215 23 23

HSL 0, 0.81%, 0.47%

LAB 45.8, 68.22, 51.85

 

CMYK 0 / 72 / 89 / 16

HEX #D73C17

RGB 215 60 23

HSL 11.56, 0.81%, 0.47%

LAB 49.18, 58.71, 54.31

 

CMYK 0 / 48 / 89 / 16

HEX #D77017

RGB 215 112 23

HSL 27.81, 0.81%, 0.47%

LAB 58.13, 35.32, 61.01

 

CMYK 0 / 24 / 89 / 16

HEX #D7A317

RGB 215 163 23

HSL 43.75, 0.81%, 0.47%

LAB 69.97, 8.09, 70.09

 

CMYK 0 / 0 / 89 / 16

HEX #D7D717

RGB 215 215 23

HSL 60, 0.81%, 0.47%

LAB 83.5, -18.69, 80.64

 

CMYK 24 / 0 / 89 / 16

HEX #A4D717

RGB 164 215 23

HSL 75.94, 0.81%, 0.47%

LAB 79.93, -39.53, 76.28

 

CMYK 0 / 72 / 89 / 16

HEX #D73C17

RGB 215 60 23

HSL 11.56, 0.81%, 0.47%

LAB 49.18, 58.71, 54.31

 

CMYK 0 / 80 / 98 / 8

HEX #EB3004

RGB 235 48 4

HSL 11.43, 0.97%, 0.47%

LAB 51.59, 68.19, 63.15

 

CMYK 0 / 72 / 89 / 16

HEX #D73C17

RGB 215 60 23

HSL 11.56, 0.81%, 0.47%

LAB 49.18, 58.71, 54.31

 

CMYK 0 / 63 / 78 / 23

HEX #C4482B

RGB 196 72 43

HSL 11.37, 0.64%, 0.47%

LAB 47.68, 48.07, 42.58

 

CMYK 0 / 52 / 65 / 31

HEX #B0543E

RGB 176 84 62

HSL 11.58, 0.48%, 0.47%

LAB 46.87, 35.76, 30.33

 

CMYK 0 / 39 / 48 / 38

HEX #9D6052

RGB 157 96 82

HSL 11.2, 0.31%, 0.47%

LAB 47.16, 23.2, 18.47

 

CMYK 0 / 22 / 27 / 46

HEX #8A6C65

RGB 138 108 101

HSL 11.35, 0.15%, 0.47%

LAB 48.35, 10.8, 8.46

 

CMYK 0 / 89 / 58 / 16

HEX #D7175B

RGB 215 23 91

HSL 338.75, 0.81%, 0.47%

LAB 46.73, 70.87, 14.01

 

CMYK 0 / 89 / 82 / 16

HEX #D71727

RGB 215 23 39

HSL 355, 0.81%, 0.47%

LAB 45.92, 68.55, 44.13

 

CMYK 0 / 73 / 89 / 16

HEX #D73B17

RGB 215 59 23

HSL 11.25, 0.81%, 0.47%

LAB 49.05, 59.06, 54.22

 

CMYK 0 / 49 / 89 / 16

HEX #D76E17

RGB 215 110 23

HSL 27.19, 0.81%, 0.47%

LAB 57.71, 36.35, 60.69

 

CMYK 0 / 25 / 89 / 16

HEX #D7A117

RGB 215 161 23

HSL 43.13, 0.81%, 0.47%

LAB 69.47, 9.16, 69.7

 

CMYK 0 / 72 / 89 / 45

HEX #8D270F

RGB 141 39 15

HSL 11.43, 0.81%, 0.31%

LAB 32.14, 41.9, 38.37

 

CMYK 0 / 72 / 89 / 30

HEX #B23113

RGB 178 49 19

HSL 11.32, 0.81%, 0.39%

LAB 40.75, 50.67, 46.48

 

CMYK 0 / 72 / 89 / 16

HEX #D73C17

RGB 215 60 23

HSL 11.56, 0.81%, 0.47%

LAB 49.18, 58.71, 54.31

 

CMYK 0 / 64 / 79 / 9

HEX #E85330

RGB 232 83 48

HSL 11.41, 0.8%, 0.55%

LAB 55.64, 55.98, 50.05

 

CMYK 0 / 52 / 64 / 7

HEX #EC7255

RGB 236 114 85

HSL 11.52, 0.8%, 0.63%

LAB 62.1, 44.94, 38.09

 

CMYK 0 / 72 / 89 / 16

HEX #D63C18

RGB 214 60 24

HSL 11.37, 0.8%, 0.47%

LAB 49, 58.41, 53.71

 

CMYK 34 / 0 / 89 / 16

HEX #8ED717

RGB 142 215 23

HSL 82.81, 0.81%, 0.47%

LAB 78.7, -47.75, 74.77

 

CMYK 89 / 70 / 0 / 16

HEX #1741D7

RGB 23 65 215

HSL 226.88, 0.81%, 0.47%

LAB 35.73, 44.24, -79.42

 

CMYK 0 / 72 / 89 / 16

HEX #D63C18

RGB 214 60 24

HSL 11.37, 0.8%, 0.47%

LAB 49, 58.41, 53.71

 

CMYK 89 / 0 / 73 / 16

HEX #17D73B

RGB 23 215 59

HSL 131.25, 0.81%, 0.47%

LAB 75.51, -72.21, 61.17

 

CMYK 73 / 89 / 0 / 16

HEX #3B17D7

RGB 59 23 215

HSL 251.25, 0.81%, 0.47%

LAB 30.52, 65.89, -88.01

 

CMYK 0 / 72 / 89 / 16

HEX #D63C18

RGB 214 60 24

HSL 11.37, 0.8%, 0.47%

LAB 49, 58.41, 53.71

 

CMYK 34 / 0 / 89 / 16

HEX #8ED717

RGB 142 215 23

HSL 82.81, 0.81%, 0.47%

LAB 78.7, -47.75, 74.77

 

CMYK 89 / 16 / 0 / 16

HEX #17B4D7

RGB 23 180 215

HSL 190.94, 0.81%, 0.47%

LAB 67.82, -24.93, -28.13

 

CMYK 55 / 89 / 0 / 16

HEX #6117D7

RGB 97 23 215

HSL 263.13, 0.81%, 0.47%

LAB 34.11, 68.47, -81.94

 

CMYK 0 / 72 / 89 / 16

HEX #D63C18

RGB 214 60 24

HSL 11.37, 0.8%, 0.47%

LAB 49, 58.41, 53.71

 

CMYK 61 / 0 / 89 / 16

HEX #54D717

RGB 84 215 23

HSL 100.94, 0.81%, 0.47%

LAB 76.4, -65.16, 71.92

 

CMYK 89 / 16 / 0 / 16

HEX #17B4D7

RGB 23 180 215

HSL 190.94, 0.81%, 0.47%

LAB 67.82, -24.93, -28.13

 

CMYK 28 / 89 / 0 / 16

HEX #9B17D7

RGB 155 23 215

HSL 281.25, 0.81%, 0.47%

LAB 41.98, 75.03, -68.72

 

Description

Color code: CMYK 0 / 72 / 89 / 16 | qconv.com Color code: CMYK 0 / 72 / 89 / 16 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 60 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 60 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 89 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 89% 16% C M Y K

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Provide designers and agencies with accurate color values.

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