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Color name
CMYK 0 / 67 / 34 / 43

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 67 / 34 / 43 it is the complementary color CMYK 47 / 0 / 23 / 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 67 / 34 / 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 67 / 34 / 43 shade: CMYK 0 / 68 / 39 / 41, CMYK 0 / 60 / 34 / 35, CMYK 0 / 54 / 30 / 28, CMYK 0 / 49 / 26 / 21 and CMYK 0 / 45 / 23 / 15

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 67 / 34 / 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 67 / 34 / 43 shade: CMYK 0 / 67 / 34 / 43, CMYK 0 / 77 / 40 / 50, CMYK 0 / 89 / 48 / 56, CMYK 0 / 100 / 59 / 63 and CMYK 0 / 100 / 74 / 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 67 / 34 / 43 shade: CMYK 0 / 67 / 34 / 43, CMYK 0 / 67 / 52 / 43 and CMYK 0 / 67 / 67 / 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 67 / 34 / 43 shade: CMYK 0 / 67 / 34 / 43, CMYK 0 / 67 / 16 / 43, CMYK 2 / 67 / 0 / 43, CMYK 21 / 67 / 0 / 43 and CMYK 39 / 67 / 0 / 43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 67 / 34 / 43 shade matches the following richer shades: CMYK 0 / 67 / 34 / 43, CMYK 0 / 80 / 40 / 37, CMYK 0 / 90 / 45 / 31 and CMYK 0 / 99 / 51 / 25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 67 / 34 / 43 shade: CMYK 0 / 67 / 34 / 43, CMYK 0 / 50 / 26 / 49, CMYK 0 / 30 / 15 / 56, CMYK 0 / 3 / 2 / 62 and CMYK 26 / 0 / 13 / 56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 67 / 34 / 43 shade: CMYK 2 / 67 / 0 / 43, CMYK 0 / 67 / 16 / 43, CMYK 0 / 67 / 34 / 43, CMYK 0 / 67 / 51 / 43 and CMYK 0 / 65 / 67 / 43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 67 / 34 / 43 shade: CMYK 0 / 67 / 34 / 67, CMYK 0 / 67 / 34 / 55, CMYK 0 / 67 / 34 / 43, CMYK 0 / 67 / 34 / 31 and CMYK 0 / 60 / 30 / 23

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 67 / 34 / 43 shade: CMYK 0 / 67 / 34 / 43, CMYK 0 / 20 / 67 / 43 and CMYK 67 / 7 / 0 / 43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 67 / 34 / 43 shade: CMYK 0 / 67 / 34 / 43, CMYK 34 / 0 / 67 / 43 and CMYK 67 / 34 / 0 / 43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 67 / 34 / 43 shade: CMYK 0 / 67 / 34 / 43, CMYK 0 / 20 / 67 / 43, CMYK 67 / 0 / 34 / 43 and CMYK 67 / 47 / 0 / 43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 67 / 34 / 43 shade: CMYK 0 / 67 / 34 / 43, CMYK 0 / 0 / 67 / 43, CMYK 67 / 0 / 34 / 43 and CMYK 67 / 67 / 0 / 43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 34 / 43

HEX #913060

RGB 145 48 96

HSL 330.31, 0.5%, 0.38%

LAB 35.94, 45.38, -6.38

 

Complementary color

CMYK 47 / 0 / 23 / 19

HEX #6ECF9F

RGB 110 207 159

HSL 150.31, 0.5%, 0.62%

LAB 76.34, -39.63, 15.15

 

CMYK 0 / 68 / 39 / 41

HEX #96305B

RGB 150 48 91

HSL 334.71, 0.52%, 0.39%

LAB 36.66, 46.34, -2.04

 

CMYK 0 / 60 / 34 / 35

HEX #A7426E

RGB 167 66 110

HSL 333.86, 0.43%, 0.46%

LAB 43.12, 46, -4.08

 

CMYK 0 / 54 / 30 / 28

HEX #B85481

RGB 184 84 129

HSL 333, 0.41%, 0.53%

LAB 49.64, 45.36, -5.68

 

CMYK 0 / 49 / 26 / 21

HEX #C96694

RGB 201 102 148

HSL 332.12, 0.48%, 0.59%

LAB 56.15, 44.6, -6.98

 

CMYK 0 / 45 / 23 / 15

HEX #DA78A7

RGB 218 120 167

HSL 331.22, 0.57%, 0.66%

LAB 62.62, 43.8, -8.08

 

CMYK 0 / 67 / 34 / 43

HEX #913060

RGB 145 48 96

HSL 330.31, 0.5%, 0.38%

LAB 35.94, 45.38, -6.38

 

CMYK 0 / 77 / 40 / 50

HEX #801E4D

RGB 128 30 77

HSL 331.22, 0.62%, 0.31%

LAB 29.55, 45.15, -3.91

 

CMYK 0 / 89 / 48 / 56

HEX #6F0C3A

RGB 111 12 58

HSL 332.12, 0.8%, 0.24%

LAB 23.5, 43.74, -0.39

 

CMYK 0 / 100 / 59 / 63

HEX #5E0027

RGB 94 0 39

HSL 335.11, 1%, 0.18%

LAB 18.04, 40.42, 4.67

 

CMYK 0 / 100 / 74 / 70

HEX #4D0014

RGB 77 0 20

HSL 344.42, 1%, 0.15%

LAB 13.4, 34.5, 11.55

 

CMYK 0 / 67 / 34 / 43

HEX #913060

RGB 145 48 96

HSL 330.31, 0.5%, 0.38%

LAB 35.94, 45.38, -6.38

 

CMYK 0 / 67 / 52 / 43

HEX #913046

RGB 145 48 70

HSL 346.39, 0.5%, 0.38%

LAB 35.15, 42.55, 9.16

 

CMYK 0 / 67 / 67 / 43

HEX #913030

RGB 145 48 48

HSL 0, 0.5%, 0.38%

LAB 34.7, 40.86, 22.58

 

CMYK 0 / 67 / 34 / 43

HEX #913060

RGB 145 48 96

HSL 330.31, 0.5%, 0.38%

LAB 35.94, 45.38, -6.38

 

CMYK 0 / 67 / 16 / 43

HEX #91307A

RGB 145 48 122

HSL 314.23, 0.5%, 0.38%

LAB 37, 49.03, -21.15

 

CMYK 2 / 67 / 0 / 43

HEX #8E3091

RGB 142 48 145

HSL 298.14, 0.5%, 0.38%

LAB 37.68, 52.11, -34.31

 

CMYK 21 / 67 / 0 / 43

HEX #733091

RGB 115 48 145

HSL 281.44, 0.5%, 0.38%

LAB 33.57, 45.52, -41.1

 

CMYK 39 / 67 / 0 / 43

HEX #593091

RGB 89 48 145

HSL 265.36, 0.5%, 0.38%

LAB 30.11, 39.52, -46.85

 

CMYK 0 / 67 / 34 / 43

HEX #913060

RGB 145 48 96

HSL 330.31, 0.5%, 0.38%

LAB 35.94, 45.38, -6.38

 

CMYK 0 / 80 / 40 / 37

HEX #A12060

RGB 161 32 96

HSL 330.23, 0.67%, 0.38%

LAB 36.85, 55.72, -4.72

 

CMYK 0 / 90 / 45 / 31

HEX #B01160

RGB 176 17 96

HSL 330.19, 0.82%, 0.38%

LAB 38.68, 62.76, -1.67

 

CMYK 0 / 99 / 51 / 25

HEX #C0015F

RGB 192 1 95

HSL 330.47, 0.99%, 0.38%

LAB 41.3, 68.22, 3.18

 

CMYK 0 / 67 / 34 / 43

HEX #913060

RGB 145 48 96

HSL 330.31, 0.5%, 0.38%

LAB 35.94, 45.38, -6.38

 

CMYK 0 / 50 / 26 / 49

HEX #814060

RGB 129 64 96

HSL 330.46, 0.34%, 0.38%

LAB 36.33, 32.06, -6.08

 

CMYK 0 / 30 / 15 / 56

HEX #714F60

RGB 113 79 96

HSL 330, 0.18%, 0.38%

LAB 37.75, 17.18, -4.19

 

CMYK 0 / 3 / 2 / 62

HEX #625F60

RGB 98 95 96

HSL 340, 0.02%, 0.38%

LAB 40.61, 1.4, -0.15

 

CMYK 26 / 0 / 13 / 56

HEX #526F61

RGB 82 111 97

HSL 151.03, 0.15%, 0.38%

LAB 44.27, -13.77, 4.38

 

CMYK 2 / 67 / 0 / 43

HEX #8E3091

RGB 142 48 145

HSL 298.14, 0.5%, 0.38%

LAB 37.68, 52.11, -34.31

 

CMYK 0 / 67 / 16 / 43

HEX #91307A

RGB 145 48 122

HSL 314.23, 0.5%, 0.38%

LAB 37, 49.03, -21.15

 

CMYK 0 / 67 / 34 / 43

HEX #913060

RGB 145 48 96

HSL 330.31, 0.5%, 0.38%

LAB 35.94, 45.38, -6.38

 

CMYK 0 / 67 / 51 / 43

HEX #913047

RGB 145 48 71

HSL 345.77, 0.5%, 0.38%

LAB 35.18, 42.64, 8.55

 

CMYK 0 / 65 / 67 / 43

HEX #913330

RGB 145 51 48

HSL 1.86, 0.5%, 0.38%

LAB 35.2, 39.49, 23.21

 

CMYK 0 / 67 / 34 / 67

HEX #531B37

RGB 83 27 55

HSL 330, 0.51%, 0.22%

LAB 19.63, 29.26, -4.65

 

CMYK 0 / 67 / 34 / 55

HEX #72264B

RGB 114 38 75

HSL 330.79, 0.5%, 0.3%

LAB 28.04, 37.25, -5.11

 

CMYK 0 / 67 / 34 / 43

HEX #913060

RGB 145 48 96

HSL 330.31, 0.5%, 0.38%

LAB 35.94, 45.38, -6.38

 

CMYK 0 / 67 / 34 / 31

HEX #B03A74

RGB 176 58 116

HSL 330.51, 0.5%, 0.46%

LAB 43.53, 53.02, -7.01

 

CMYK 0 / 60 / 30 / 23

HEX #C44F89

RGB 196 79 137

HSL 330.26, 0.5%, 0.54%

LAB 50.84, 52.6, -8.47

 

CMYK 0 / 67 / 34 / 43

HEX #913060

RGB 145 48 96

HSL 330.31, 0.5%, 0.38%

LAB 35.94, 45.38, -6.38

 

CMYK 0 / 20 / 67 / 43

HEX #917430

RGB 145 116 48

HSL 42.06, 0.5%, 0.38%

LAB 50.36, 3.49, 40.77

 

CMYK 67 / 7 / 0 / 43

HEX #308791

RGB 48 135 145

HSL 186.19, 0.5%, 0.38%

LAB 51.84, -22.24, -12.97

 

CMYK 0 / 67 / 34 / 43

HEX #913060

RGB 145 48 96

HSL 330.31, 0.5%, 0.38%

LAB 35.94, 45.38, -6.38

 

CMYK 34 / 0 / 67 / 43

HEX #609130

RGB 96 145 48

HSL 90.31, 0.5%, 0.38%

LAB 55.02, -33.06, 44.65

 

CMYK 67 / 34 / 0 / 43

HEX #306091

RGB 48 96 145

HSL 210.31, 0.5%, 0.38%

LAB 39.65, 0.16, -31.79

 

CMYK 0 / 67 / 34 / 43

HEX #913060

RGB 145 48 96

HSL 330.31, 0.5%, 0.38%

LAB 35.94, 45.38, -6.38

 

CMYK 0 / 20 / 67 / 43

HEX #917430

RGB 145 116 48

HSL 42.06, 0.5%, 0.38%

LAB 50.36, 3.49, 40.77

 

CMYK 67 / 0 / 34 / 43

HEX #309160

RGB 48 145 96

HSL 149.69, 0.5%, 0.38%

LAB 53.73, -39.98, 17.98

 

CMYK 67 / 47 / 0 / 43

HEX #304D91

RGB 48 77 145

HSL 222.06, 0.5%, 0.38%

LAB 33.94, 12.49, -40.86

 

CMYK 0 / 67 / 34 / 43

HEX #913060

RGB 145 48 96

HSL 330.31, 0.5%, 0.38%

LAB 35.94, 45.38, -6.38

 

CMYK 0 / 0 / 67 / 43

HEX #919130

RGB 145 145 48

HSL 60, 0.5%, 0.38%

LAB 58.49, -12.54, 49.36

 

CMYK 67 / 0 / 34 / 43

HEX #309160

RGB 48 145 96

HSL 149.69, 0.5%, 0.38%

LAB 53.73, -39.98, 17.98

 

CMYK 67 / 67 / 0 / 43

HEX #303091

RGB 48 48 145

HSL 240, 0.5%, 0.38%

LAB 26.12, 31.83, -53.53

 

Description

Color code: CMYK 0 / 67 / 34 / 43 | qconv.com Color code: CMYK 0 / 67 / 34 / 43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 48 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 48 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 34 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 34% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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