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Color name
CMYK 0 / 67 / 30 / 54

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 67 / 30 / 54 it is the complementary color CMYK 36 / 0 / 20 / 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 67 / 30 / 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 67 / 30 / 54 shade: CMYK 0 / 68 / 37 / 52, CMYK 0 / 59 / 31 / 45, CMYK 0 / 52 / 26 / 39, CMYK 0 / 46 / 23 / 32 and CMYK 0 / 42 / 19 / 25

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 67 / 30 / 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 67 / 30 / 54 shade: CMYK 0 / 67 / 30 / 54, CMYK 0 / 79 / 37 / 61, CMYK 0 / 96 / 47 / 67, CMYK 0 / 100 / 62 / 74 and CMYK 0 / 100 / 88 / 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 67 / 30 / 54 shade: CMYK 0 / 67 / 30 / 54, CMYK 0 / 67 / 48 / 54, CMYK 0 / 67 / 66 / 54 and CMYK 0 / 67 / 67 / 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 67 / 30 / 54 shade: CMYK 0 / 67 / 30 / 54, CMYK 0 / 67 / 12 / 54, CMYK 6 / 67 / 0 / 54, CMYK 24 / 67 / 0 / 54 and CMYK 42 / 67 / 0 / 54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 67 / 30 / 54 shade matches the following richer shades: CMYK 0 / 67 / 30 / 54, CMYK 0 / 80 / 36 / 49, CMYK 0 / 91 / 41 / 44 and CMYK 0 / 99 / 44 / 39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 67 / 30 / 54 shade: CMYK 0 / 67 / 30 / 54, CMYK 0 / 50 / 23 / 59, CMYK 0 / 29 / 13 / 64, CMYK 0 / 4 / 1 / 69 and CMYK 26 / 0 / 14 / 65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 67 / 30 / 54 shade: CMYK 7 / 67 / 0 / 54, CMYK 0 / 67 / 11 / 54, CMYK 0 / 67 / 29 / 54, CMYK 0 / 67 / 47 / 54 and CMYK 0 / 67 / 64 / 54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 67 / 30 / 54 shade: CMYK 0 / 68 / 30 / 78, CMYK 0 / 67 / 30 / 66, CMYK 0 / 67 / 30 / 54, CMYK 0 / 67 / 30 / 42 and CMYK 0 / 67 / 30 / 29

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 67 / 30 / 54 shade: CMYK 0 / 67 / 30 / 54, CMYK 0 / 25 / 67 / 54 and CMYK 67 / 3 / 0 / 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 67 / 30 / 54 shade: CMYK 0 / 67 / 30 / 54, CMYK 29 / 0 / 67 / 54 and CMYK 67 / 29 / 0 / 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 67 / 30 / 54 shade: CMYK 0 / 67 / 30 / 54, CMYK 0 / 25 / 67 / 54, CMYK 67 / 0 / 38 / 54 and CMYK 67 / 42 / 0 / 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 67 / 30 / 54 shade: CMYK 0 / 67 / 30 / 54, CMYK 0 / 4 / 67 / 54, CMYK 67 / 0 / 38 / 54 and CMYK 67 / 63 / 0 / 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 30 / 54

HEX #752752

RGB 117 39 82

HSL 326.92, 0.5%, 0.31%

LAB 29.01, 38.72, -8.22

 

Complementary color

CMYK 36 / 0 / 20 / 15

HEX #8AD8AD

RGB 138 216 173

HSL 146.92, 0.5%, 0.69%

LAB 80.48, -33.27, 13.71

 

CMYK 0 / 68 / 37 / 52

HEX #7A274D

RGB 122 39 77

HSL 332.53, 0.52%, 0.32%

LAB 29.72, 39.67, -3.77

 

CMYK 0 / 59 / 31 / 45

HEX #8B3960

RGB 139 57 96

HSL 331.46, 0.42%, 0.38%

LAB 36.48, 39.24, -5.68

 

CMYK 0 / 52 / 26 / 39

HEX #9C4B73

RGB 156 75 115

HSL 330.37, 0.35%, 0.45%

LAB 43.27, 38.52, -7.12

 

CMYK 0 / 46 / 23 / 32

HEX #AD5D86

RGB 173 93 134

HSL 329.25, 0.33%, 0.52%

LAB 50.02, 37.71, -8.27

 

CMYK 0 / 42 / 19 / 25

HEX #BE6F99

RGB 190 111 153

HSL 328.1, 0.38%, 0.59%

LAB 56.7, 36.89, -9.22

 

CMYK 0 / 67 / 30 / 54

HEX #752752

RGB 117 39 82

HSL 326.92, 0.5%, 0.31%

LAB 29.01, 38.72, -8.22

 

CMYK 0 / 79 / 37 / 61

HEX #64153F

RGB 100 21 63

HSL 328.1, 0.65%, 0.24%

LAB 22.32, 38.47, -5.84

 

CMYK 0 / 96 / 47 / 67

HEX #53032C

RGB 83 3 44

HSL 329.25, 0.93%, 0.17%

LAB 15.93, 37.07, -2.33

 

CMYK 0 / 100 / 62 / 74

HEX #420019

RGB 66 0 25

HSL 337.27, 1%, 0.13%

LAB 10.77, 31.77, 3.86

 

CMYK 0 / 100 / 88 / 81

HEX #310006

RGB 49 0 6

HSL 352.65, 1%, 0.1%

LAB 6.02, 24.66, 7.05

 

CMYK 0 / 67 / 30 / 54

HEX #762753

RGB 118 39 83

HSL 326.58, 0.5%, 0.31%

LAB 29.23, 39.18, -8.54

 

CMYK 0 / 67 / 48 / 54

HEX #76273D

RGB 118 39 61

HSL 343.29, 0.5%, 0.31%

LAB 28.48, 36.48, 4.95

 

CMYK 0 / 67 / 66 / 54

HEX #762728

RGB 118 39 40

HSL 359.24, 0.5%, 0.31%

LAB 28, 34.66, 18.2

 

CMYK 0 / 67 / 67 / 54

HEX #762727

RGB 118 39 39

HSL 0, 0.5%, 0.31%

LAB 27.98, 34.59, 18.83

 

CMYK 0 / 67 / 30 / 54

HEX #762753

RGB 118 39 83

HSL 326.58, 0.5%, 0.31%

LAB 29.23, 39.18, -8.54

 

CMYK 0 / 67 / 12 / 54

HEX #762768

RGB 118 39 104

HSL 310.63, 0.5%, 0.31%

LAB 30.16, 42.42, -20.75

 

CMYK 6 / 67 / 0 / 54

HEX #6F2776

RGB 111 39 118

HSL 294.68, 0.5%, 0.31%

LAB 29.76, 43.06, -30.4

 

CMYK 24 / 67 / 0 / 54

HEX #5A2776

RGB 90 39 118

HSL 278.73, 0.5%, 0.31%

LAB 26.54, 37.67, -35.72

 

CMYK 42 / 67 / 0 / 54

HEX #442776

RGB 68 39 118

HSL 262.03, 0.5%, 0.31%

LAB 23.63, 32.37, -40.56

 

CMYK 0 / 67 / 30 / 54

HEX #762753

RGB 118 39 83

HSL 326.58, 0.5%, 0.31%

LAB 29.23, 39.18, -8.54

 

CMYK 0 / 80 / 36 / 49

HEX #831A54

RGB 131 26 84

HSL 326.86, 0.67%, 0.31%

LAB 29.92, 48.13, -7.91

 

CMYK 0 / 91 / 41 / 44

HEX #900D55

RGB 144 13 85

HSL 327.02, 0.83%, 0.31%

LAB 31.52, 54.68, -5.9

 

CMYK 0 / 99 / 44 / 39

HEX #9C0157

RGB 156 1 87

HSL 326.71, 0.99%, 0.31%

LAB 33.52, 59.4, -3.96

 

CMYK 0 / 67 / 30 / 54

HEX #762753

RGB 118 39 83

HSL 326.58, 0.5%, 0.31%

LAB 29.23, 39.18, -8.54

 

CMYK 0 / 50 / 23 / 59

HEX #693451

RGB 105 52 81

HSL 327.17, 0.34%, 0.31%

LAB 29.55, 27.61, -6.96

 

CMYK 0 / 29 / 13 / 64

HEX #5C4150

RGB 92 65 80

HSL 326.67, 0.17%, 0.31%

LAB 30.96, 14.41, -4.38

 

CMYK 0 / 4 / 1 / 69

HEX #504D4F

RGB 80 77 79

HSL 320, 0.02%, 0.31%

LAB 33.09, 1.66, -0.75

 

CMYK 26 / 0 / 14 / 65

HEX #435A4D

RGB 67 90 77

HSL 146.09, 0.15%, 0.31%

LAB 36.06, -11.78, 4.69

 

CMYK 7 / 67 / 0 / 54

HEX #6E2776

RGB 110 39 118

HSL 293.92, 0.5%, 0.31%

LAB 29.6, 42.8, -30.66

 

CMYK 0 / 67 / 11 / 54

HEX #762769

RGB 118 39 105

HSL 309.87, 0.5%, 0.31%

LAB 30.21, 42.59, -21.31

 

CMYK 0 / 67 / 29 / 54

HEX #762754

RGB 118 39 84

HSL 325.82, 0.5%, 0.31%

LAB 29.27, 39.32, -9.13

 

CMYK 0 / 67 / 47 / 54

HEX #76273F

RGB 118 39 63

HSL 341.77, 0.5%, 0.31%

LAB 28.54, 36.7, 3.7

 

CMYK 0 / 67 / 64 / 54

HEX #76272A

RGB 118 39 42

HSL 357.72, 0.5%, 0.31%

LAB 28.03, 34.8, 16.94

 

CMYK 0 / 68 / 30 / 78

HEX #381227

RGB 56 18 39

HSL 326.84, 0.51%, 0.15%

LAB 12.09, 21.71, -5.01

 

CMYK 0 / 67 / 30 / 66

HEX #571D3D

RGB 87 29 61

HSL 326.9, 0.5%, 0.23%

LAB 20.99, 30.53, -6.71

 

CMYK 0 / 67 / 30 / 54

HEX #762753

RGB 118 39 83

HSL 326.58, 0.5%, 0.31%

LAB 29.23, 39.18, -8.54

 

CMYK 0 / 67 / 30 / 42

HEX #953168

RGB 149 49 104

HSL 327, 0.51%, 0.39%

LAB 37.09, 47.2, -9.66

 

CMYK 0 / 67 / 30 / 29

HEX #B43C7E

RGB 180 60 126

HSL 327, 0.5%, 0.47%

LAB 44.86, 54.6, -11.08

 

CMYK 0 / 67 / 30 / 54

HEX #752752

RGB 117 39 82

HSL 326.92, 0.5%, 0.31%

LAB 29.01, 38.72, -8.22

 

CMYK 0 / 25 / 67 / 54

HEX #765927

RGB 118 89 39

HSL 37.97, 0.5%, 0.31%

LAB 39.82, 6.05, 32.84

 

CMYK 67 / 3 / 0 / 54

HEX #277376

RGB 39 115 118

HSL 182.28, 0.5%, 0.31%

LAB 44.23, -21.73, -8.5

 

CMYK 0 / 67 / 30 / 54

HEX #752752

RGB 117 39 82

HSL 326.92, 0.5%, 0.31%

LAB 29.01, 38.72, -8.22

 

CMYK 29 / 0 / 67 / 54

HEX #547627

RGB 84 118 39

HSL 85.82, 0.5%, 0.31%

LAB 45.62, -25.68, 38.35

 

CMYK 67 / 29 / 0 / 54

HEX #275476

RGB 39 84 118

HSL 205.82, 0.5%, 0.31%

LAB 34.15, -3.85, -23.94

 

CMYK 0 / 67 / 30 / 54

HEX #752752

RGB 117 39 82

HSL 326.92, 0.5%, 0.31%

LAB 29.01, 38.72, -8.22

 

CMYK 0 / 25 / 67 / 54

HEX #765927

RGB 118 89 39

HSL 37.97, 0.5%, 0.31%

LAB 39.82, 6.05, 32.84

 

CMYK 67 / 0 / 38 / 54

HEX #277649

RGB 39 118 73

HSL 145.82, 0.5%, 0.31%

LAB 44.04, -35.06, 17.94

 

CMYK 67 / 42 / 0 / 54

HEX #274476

RGB 39 68 118

HSL 217.97, 0.5%, 0.31%

LAB 29.09, 6.63, -31.92

 

CMYK 0 / 67 / 30 / 54

HEX #752752

RGB 117 39 82

HSL 326.92, 0.5%, 0.31%

LAB 29.01, 38.72, -8.22

 

CMYK 0 / 4 / 67 / 54

HEX #767127

RGB 118 113 39

HSL 56.2, 0.5%, 0.31%

LAB 46.72, -7.92, 40.32

 

CMYK 67 / 0 / 38 / 54

HEX #277649

RGB 39 118 73

HSL 145.82, 0.5%, 0.31%

LAB 44.04, -35.06, 17.94

 

CMYK 67 / 63 / 0 / 54

HEX #272C76

RGB 39 44 118

HSL 236.2, 0.5%, 0.31%

LAB 22.09, 23.25, -43.19

 

Description

Color code: CMYK 0 / 67 / 30 / 54 | qconv.com Color code: CMYK 0 / 67 / 30 / 54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 39 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 39 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 30 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 30% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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