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Color name
CMYK 0 / 5 / 75 / 57

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 5 / 75 / 57 it is the complementary color CMYK 36 / 34 / 0 / 11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 5 / 75 / 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 5 / 75 / 57 shade: CMYK 0 / 10 / 81 / 55, CMYK 0 / 8 / 69 / 48, CMYK 0 / 6 / 60 / 42, CMYK 0 / 5 / 52 / 35 and CMYK 0 / 4 / 46 / 28

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 5 / 75 / 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 5 / 75 / 57 shade: CMYK 0 / 5 / 75 / 57, CMYK 0 / 8 / 91 / 64, CMYK 0 / 11 / 100 / 70, CMYK 0 / 15 / 100 / 77 and CMYK 0 / 24 / 100 / 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 5 / 75 / 57 shade: CMYK 0 / 5 / 76 / 57, CMYK 0 / 25 / 76 / 57, CMYK 0 / 46 / 76 / 57, CMYK 0 / 67 / 76 / 57 and CMYK 0 / 76 / 76 / 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 5 / 75 / 57 shade: CMYK 0 / 5 / 76 / 57, CMYK 15 / 0 / 76 / 57, CMYK 35 / 0 / 76 / 57, CMYK 56 / 0 / 76 / 57 and CMYK 76 / 0 / 75 / 57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 5 / 75 / 57 shade matches the following richer shades: CMYK 0 / 5 / 76 / 57, CMYK 0 / 6 / 88 / 53 and CMYK 0 / 8 / 97 / 48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 5 / 75 / 57 shade: CMYK 0 / 5 / 76 / 57, CMYK 0 / 4 / 63 / 61, CMYK 0 / 3 / 44 / 65, CMYK 0 / 1 / 22 / 70 and CMYK 7 / 7 / 0 / 72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 5 / 75 / 57 shade: CMYK 0 / 46 / 76 / 57, CMYK 0 / 26 / 76 / 57, CMYK 0 / 6 / 76 / 57, CMYK 14 / 0 / 76 / 57 and CMYK 34 / 0 / 76 / 57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 5 / 75 / 57 shade: CMYK 0 / 7 / 77 / 83, CMYK 0 / 5 / 77 / 70, CMYK 0 / 5 / 76 / 57, CMYK 0 / 6 / 76 / 44 and CMYK 0 / 6 / 76 / 31

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 5 / 75 / 57 shade: CMYK 0 / 5 / 75 / 57, CMYK 76 / 0 / 67 / 57 and CMYK 36 / 76 / 0 / 57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 5 / 75 / 57 shade: CMYK 0 / 5 / 75 / 57, CMYK 76 / 0 / 6 / 57 and CMYK 6 / 76 / 0 / 57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 5 / 75 / 57 shade: CMYK 0 / 5 / 75 / 57, CMYK 76 / 0 / 67 / 57, CMYK 76 / 70 / 0 / 57 and CMYK 0 / 76 / 8 / 57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 5 / 75 / 57 shade: CMYK 0 / 5 / 75 / 57, CMYK 76 / 0 / 45 / 57, CMYK 76 / 70 / 0 / 57 and CMYK 0 / 76 / 32 / 57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 75 / 57

HEX #6E681B

RGB 110 104 27

HSL 55.66, 0.61%, 0.27%

LAB 43.2, -7.33, 41.72

 

Complementary color

CMYK 36 / 34 / 0 / 11

HEX #9197E4

RGB 145 151 228

HSL 235.66, 0.61%, 0.73%

LAB 64.77, 16.12, -39.68

 

CMYK 0 / 10 / 81 / 55

HEX #736816

RGB 115 104 22

HSL 52.9, 0.68%, 0.27%

LAB 43.66, -5.17, 44.23

 

CMYK 0 / 8 / 69 / 48

HEX #847A29

RGB 132 122 41

HSL 53.41, 0.53%, 0.34%

LAB 50.67, -6.34, 43.94

 

CMYK 0 / 6 / 60 / 42

HEX #958C3C

RGB 149 140 60

HSL 53.93, 0.43%, 0.41%

LAB 57.53, -7.24, 43.01

 

CMYK 0 / 5 / 52 / 35

HEX #A69E4F

RGB 166 158 79

HSL 54.48, 0.36%, 0.48%

LAB 64.26, -7.95, 41.85

 

CMYK 0 / 4 / 46 / 28

HEX #B7B062

RGB 183 176 98

HSL 55.06, 0.37%, 0.55%

LAB 70.87, -8.51, 40.63

 

CMYK 0 / 5 / 75 / 57

HEX #6E681B

RGB 110 104 27

HSL 55.66, 0.61%, 0.27%

LAB 43.2, -7.33, 41.72

 

CMYK 0 / 8 / 91 / 64

HEX #5D5608

RGB 93 86 8

HSL 55.06, 0.84%, 0.2%

LAB 35.98, -6, 41.14

 

CMYK 0 / 11 / 100 / 70

HEX #4C4400

RGB 76 68 0

HSL 53.68, 1%, 0.15%

LAB 28.57, -4.16, 37.4

 

CMYK 0 / 15 / 100 / 77

HEX #3B3200

RGB 59 50 0

HSL 50.85, 1%, 0.12%

LAB 20.87, -1.89, 29.34

 

CMYK 0 / 24 / 100 / 84

HEX #2A2000

RGB 42 32 0

HSL 45.71, 1%, 0.08%

LAB 12.77, 0.61, 18.91

 

CMYK 0 / 5 / 76 / 57

HEX #6E681A

RGB 110 104 26

HSL 55.71, 0.62%, 0.27%

LAB 43.2, -7.38, 42.11

 

CMYK 0 / 25 / 76 / 57

HEX #6E521A

RGB 110 82 26

HSL 40, 0.62%, 0.27%

LAB 36.79, 5.59, 35.82

 

CMYK 0 / 46 / 76 / 57

HEX #6E3B1A

RGB 110 59 26

HSL 23.57, 0.62%, 0.27%

LAB 30.68, 19.54, 29.5

 

CMYK 0 / 67 / 76 / 57

HEX #6E241A

RGB 110 36 26

HSL 7.14, 0.62%, 0.27%

LAB 25.72, 32.21, 24.06

 

CMYK 0 / 76 / 76 / 57

HEX #6E1A1A

RGB 110 26 26

HSL 0, 0.62%, 0.27%

LAB 24.09, 36.64, 22.2

 

CMYK 0 / 5 / 76 / 57

HEX #6E681A

RGB 110 104 26

HSL 55.71, 0.62%, 0.27%

LAB 43.2, -7.38, 42.11

 

CMYK 15 / 0 / 76 / 57

HEX #5E6E1A

RGB 94 110 26

HSL 71.43, 0.62%, 0.27%

LAB 43.66, -18.18, 42.08

 

CMYK 35 / 0 / 76 / 57

HEX #476E1A

RGB 71 110 26

HSL 87.86, 0.62%, 0.27%

LAB 42.1, -28.07, 40.02

 

CMYK 56 / 0 / 76 / 57

HEX #306E1A

RGB 48 110 26

HSL 104.29, 0.62%, 0.27%

LAB 40.98, -36.23, 38.54

 

CMYK 76 / 0 / 75 / 57

HEX #1A6E1B

RGB 26 110 27

HSL 120.71, 0.62%, 0.27%

LAB 40.33, -41.53, 37.25

 

CMYK 0 / 5 / 76 / 57

HEX #6E681A

RGB 110 104 26

HSL 55.71, 0.62%, 0.27%

LAB 43.2, -7.38, 42.11

 

CMYK 0 / 6 / 88 / 53

HEX #79720F

RGB 121 114 15

HSL 56.04, 0.78%, 0.27%

LAB 47.15, -8.21, 49.64

 

CMYK 0 / 8 / 97 / 48

HEX #857B04

RGB 133 123 4

HSL 55.35, 0.94%, 0.27%

LAB 50.88, -7.78, 55.38

 

CMYK 0 / 5 / 76 / 57

HEX #6E681A

RGB 110 104 26

HSL 55.71, 0.62%, 0.27%

LAB 43.2, -7.38, 42.11

 

CMYK 0 / 4 / 63 / 61

HEX #635F25

RGB 99 95 37

HSL 56.13, 0.46%, 0.27%

LAB 39.53, -6.73, 32.99

 

CMYK 0 / 3 / 44 / 65

HEX #585531

RGB 88 85 49

HSL 55.38, 0.28%, 0.27%

LAB 35.58, -4.81, 21.41

 

CMYK 0 / 1 / 22 / 70

HEX #4D4C3C

RGB 77 76 60

HSL 56.47, 0.12%, 0.27%

LAB 31.97, -2.72, 9.69

 

CMYK 7 / 7 / 0 / 72

HEX #424247

RGB 66 66 71

HSL 240, 0.04%, 0.27%

LAB 28.14, 1.15, -3.03

 

CMYK 0 / 46 / 76 / 57

HEX #6E3B1A

RGB 110 59 26

HSL 23.57, 0.62%, 0.27%

LAB 30.68, 19.54, 29.5

 

CMYK 0 / 26 / 76 / 57

HEX #6E511A

RGB 110 81 26

HSL 39.29, 0.62%, 0.27%

LAB 36.51, 6.2, 35.54

 

CMYK 0 / 6 / 76 / 57

HEX #6E671A

RGB 110 103 26

HSL 55, 0.62%, 0.27%

LAB 42.9, -6.81, 41.82

 

CMYK 14 / 0 / 76 / 57

HEX #5F6E1A

RGB 95 110 26

HSL 70.71, 0.62%, 0.27%

LAB 43.74, -17.73, 42.19

 

CMYK 34 / 0 / 76 / 57

HEX #496E1A

RGB 73 110 26

HSL 86.43, 0.62%, 0.27%

LAB 42.22, -27.27, 40.18

 

CMYK 0 / 7 / 77 / 83

HEX #2C290A

RGB 44 41 10

HSL 54.71, 0.63%, 0.11%

LAB 16.22, -3.51, 19.37

 

CMYK 0 / 5 / 77 / 70

HEX #4D4912

RGB 77 73 18

HSL 55.93, 0.62%, 0.19%

LAB 30.37, -5.85, 31.87

 

CMYK 0 / 5 / 76 / 57

HEX #6E681A

RGB 110 104 26

HSL 55.71, 0.62%, 0.27%

LAB 43.2, -7.38, 42.11

 

CMYK 0 / 6 / 76 / 44

HEX #908822

RGB 144 136 34

HSL 55.64, 0.62%, 0.35%

LAB 55.74, -8.91, 52.1

 

CMYK 0 / 6 / 76 / 31

HEX #B1A72A

RGB 177 167 42

HSL 55.56, 0.62%, 0.43%

LAB 67.39, -10.28, 61.23

 

CMYK 0 / 5 / 75 / 57

HEX #6E681B

RGB 110 104 27

HSL 55.66, 0.61%, 0.27%

LAB 43.2, -7.33, 41.72

 

CMYK 76 / 0 / 67 / 57

HEX #1A6E24

RGB 26 110 36

HSL 127.14, 0.62%, 0.27%

LAB 40.41, -40.57, 33.33

 

CMYK 36 / 76 / 0 / 57

HEX #461A6E

RGB 70 26 110

HSL 271.43, 0.62%, 0.27%

LAB 20.7, 37.63, -40.16

 

CMYK 0 / 5 / 75 / 57

HEX #6E681B

RGB 110 104 27

HSL 55.66, 0.61%, 0.27%

LAB 43.2, -7.33, 41.72

 

CMYK 76 / 0 / 6 / 57

HEX #1A6E67

RGB 26 110 103

HSL 175, 0.62%, 0.27%

LAB 41.77, -25.84, -3.16

 

CMYK 6 / 76 / 0 / 57

HEX #671A6E

RGB 103 26 110

HSL 295, 0.62%, 0.27%

LAB 26, 44.95, -31.34

 

CMYK 0 / 5 / 75 / 57

HEX #6E681B

RGB 110 104 27

HSL 55.66, 0.61%, 0.27%

LAB 43.2, -7.33, 41.72

 

CMYK 76 / 0 / 67 / 57

HEX #1A6E24

RGB 26 110 36

HSL 127.14, 0.62%, 0.27%

LAB 40.41, -40.57, 33.33

 

CMYK 76 / 70 / 0 / 57

HEX #1A216E

RGB 26 33 110

HSL 235, 0.62%, 0.27%

LAB 17.61, 25.85, -45.39

 

CMYK 0 / 76 / 8 / 57

HEX #6E1A65

RGB 110 26 101

HSL 306.43, 0.62%, 0.27%

LAB 26.72, 45.03, -24.31

 

CMYK 0 / 5 / 75 / 57

HEX #6E681B

RGB 110 104 27

HSL 55.66, 0.61%, 0.27%

LAB 43.2, -7.33, 41.72

 

CMYK 76 / 0 / 45 / 57

HEX #1A6E3D

RGB 26 110 61

HSL 145, 0.62%, 0.27%

LAB 40.75, -36.59, 20.43

 

CMYK 76 / 70 / 0 / 57

HEX #1A216E

RGB 26 33 110

HSL 235, 0.62%, 0.27%

LAB 17.61, 25.85, -45.39

 

CMYK 0 / 76 / 32 / 57

HEX #6E1A4B

RGB 110 26 75

HSL 325, 0.62%, 0.27%

LAB 25.45, 41.1, -9.08

 

Description

Color code: CMYK 0 / 5 / 75 / 57 | qconv.com Color code: CMYK 0 / 5 / 75 / 57 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 104 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 104 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 75 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 75% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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