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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 59 / 67 / 8 it is the complementary color CMYK 89 / 11 / 0 / 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 59 / 67 / 8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 59 / 67 / 8 shade: CMYK 0 / 60 / 70 / 6, CMYK 0 / 55 / 64 / 0, CMYK 0 / 48 / 57 / 0, CMYK 0 / 41 / 49 / 0 and CMYK 0 / 34 / 42 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 59 / 67 / 8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 59 / 67 / 8 shade: CMYK 0 / 59 / 67 / 8, CMYK 0 / 64 / 73 / 15, CMYK 0 / 70 / 81 / 21, CMYK 0 / 77 / 89 / 28 and CMYK 0 / 86 / 99 / 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 59 / 67 / 8 shade: CMYK 0 / 60 / 68 / 8 and CMYK 0 / 68 / 68 / 8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 59 / 67 / 8 shade: CMYK 0 / 60 / 68 / 8, CMYK 0 / 41 / 68 / 8, CMYK 0 / 23 / 68 / 8, CMYK 0 / 5 / 68 / 8 and CMYK 14 / 0 / 68 / 8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 59 / 67 / 8 shade matches the following richer shades: CMYK 0 / 60 / 68 / 8 and CMYK 0 / 67 / 76 / 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 59 / 67 / 8 shade: CMYK 0 / 60 / 68 / 8, CMYK 0 / 51 / 58 / 14, CMYK 0 / 41 / 47 / 21, CMYK 0 / 30 / 33 / 27 and CMYK 0 / 15 / 18 / 33

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 59 / 67 / 8 shade: CMYK 0 / 68 / 40 / 8, CMYK 0 / 68 / 58 / 8, CMYK 0 / 60 / 68 / 8, CMYK 0 / 42 / 68 / 8 and CMYK 0 / 24 / 68 / 8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 59 / 67 / 8 shade: CMYK 0 / 79 / 89 / 20, CMYK 0 / 73 / 83 / 10, CMYK 0 / 60 / 68 / 8, CMYK 0 / 46 / 53 / 6 and CMYK 0 / 34 / 38 / 5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 59 / 67 / 8 shade: CMYK 0 / 59 / 67 / 8, CMYK 22 / 0 / 68 / 8 and CMYK 68 / 49 / 0 / 8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 59 / 67 / 8 shade: CMYK 0 / 59 / 67 / 8, CMYK 68 / 0 / 60 / 8 and CMYK 60 / 68 / 0 / 8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 59 / 67 / 8 shade: CMYK 0 / 59 / 67 / 8, CMYK 22 / 0 / 68 / 8, CMYK 68 / 8 / 0 / 8 and CMYK 46 / 68 / 0 / 8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 59 / 67 / 8 shade: CMYK 0 / 59 / 67 / 8, CMYK 42 / 0 / 68 / 8, CMYK 68 / 8 / 0 / 8 and CMYK 26 / 68 / 0 / 8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 67 / 8

HEX #EB604D

RGB 235 96 77

HSL 7.22, 0.8%, 0.61%

LAB 58.57, 52.6, 38.18

 

Complementary color

CMYK 89 / 11 / 0 / 30

HEX #149FB2

RGB 20 159 178

HSL 187.22, 0.8%, 0.39%

LAB 60.03, -26.79, -19.48

 

CMYK 0 / 60 / 70 / 6

HEX #F06048

RGB 240 96 72

HSL 8.57, 0.85%, 0.61%

LAB 59.31, 54.08, 41.96

 

CMYK 0 / 55 / 64 / 0

HEX #FF725B

RGB 255 114 91

HSL 8.41, 1%, 0.68%

LAB 65, 52.17, 39

 

CMYK 0 / 48 / 57 / 0

HEX #FF846E

RGB 255 132 110

HSL 9.1, 1%, 0.72%

LAB 68.67, 44.78, 33.25

 

CMYK 0 / 41 / 49 / 0

HEX #FF9681

RGB 255 150 129

HSL 10, 1%, 0.75%

LAB 72.67, 37.26, 28.11

 

CMYK 0 / 34 / 42 / 0

HEX #FFA894

RGB 255 168 148

HSL 11.21, 1%, 0.79%

LAB 76.92, 29.79, 23.54

 

CMYK 0 / 59 / 67 / 8

HEX #EB604D

RGB 235 96 77

HSL 7.22, 0.8%, 0.61%

LAB 58.57, 52.6, 38.18

 

CMYK 0 / 64 / 73 / 15

HEX #DA4E3A

RGB 218 78 58

HSL 7.5, 0.68%, 0.54%

LAB 52.58, 53.7, 40.95

 

CMYK 0 / 70 / 81 / 21

HEX #C93C27

RGB 201 60 39

HSL 7.78, 0.68%, 0.47%

LAB 46.71, 54.58, 43.95

 

CMYK 0 / 77 / 89 / 28

HEX #B82A14

RGB 184 42 20

HSL 8.05, 0.8%, 0.4%

LAB 41.05, 55.02, 46.8

 

CMYK 0 / 86 / 99 / 35

HEX #A71801

RGB 167 24 1

HSL 8.31, 0.99%, 0.33%

LAB 35.73, 54.62, 48.97

 

CMYK 0 / 60 / 68 / 8

HEX #EB5F4B

RGB 235 95 75

HSL 7.5, 0.8%, 0.61%

LAB 58.37, 52.94, 39.04

 

CMYK 0 / 68 / 68 / 8

HEX #EB4B4B

RGB 235 75 75

HSL 0, 0.8%, 0.61%

LAB 55.28, 61.25, 35.36

 

CMYK 0 / 60 / 68 / 8

HEX #EB5F4B

RGB 235 95 75

HSL 7.5, 0.8%, 0.61%

LAB 58.37, 52.94, 39.04

 

CMYK 0 / 41 / 68 / 8

HEX #EB8A4B

RGB 235 138 75

HSL 23.63, 0.8%, 0.61%

LAB 66.78, 31.77, 48.69

 

CMYK 0 / 23 / 68 / 8

HEX #EBB44B

RGB 235 180 75

HSL 39.38, 0.8%, 0.61%

LAB 76.57, 9.56, 59.3

 

CMYK 0 / 5 / 68 / 8

HEX #EBDF4B

RGB 235 223 75

HSL 55.5, 0.8%, 0.61%

LAB 87.46, -12.5, 70.5

 

CMYK 14 / 0 / 68 / 8

HEX #CBEB4B

RGB 203 235 75

HSL 72, 0.8%, 0.61%

LAB 88.27, -31.24, 70.53

 

CMYK 0 / 60 / 68 / 8

HEX #EB5F4B

RGB 235 95 75

HSL 7.5, 0.8%, 0.61%

LAB 58.37, 52.94, 39.04

 

CMYK 0 / 67 / 76 / 2

HEX #FB523B

RGB 251 82 59

HSL 7.19, 0.96%, 0.61%

LAB 58.84, 62.98, 48.83

 

CMYK 0 / 60 / 68 / 8

HEX #EB5F4B

RGB 235 95 75

HSL 7.5, 0.8%, 0.61%

LAB 58.37, 52.94, 39.04

 

CMYK 0 / 51 / 58 / 14

HEX #DB6B5C

RGB 219 107 92

HSL 7.09, 0.64%, 0.61%

LAB 58.37, 42.56, 29

 

CMYK 0 / 41 / 47 / 21

HEX #CA776C

RGB 202 119 108

HSL 7.02, 0.47%, 0.61%

LAB 58.82, 31.25, 20.07

 

CMYK 0 / 30 / 33 / 27

HEX #BA837C

RGB 186 131 124

HSL 6.77, 0.31%, 0.61%

LAB 60, 20.25, 12.26

 

CMYK 0 / 15 / 18 / 33

HEX #AA908C

RGB 170 144 140

HSL 8, 0.15%, 0.61%

LAB 61.99, 9.08, 5.74

 

CMYK 0 / 68 / 40 / 8

HEX #EB4B8E

RGB 235 75 142

HSL 334.88, 0.8%, 0.61%

LAB 56.73, 66.31, -2.02

 

CMYK 0 / 68 / 58 / 8

HEX #EB4B63

RGB 235 75 99

HSL 351, 0.8%, 0.61%

LAB 55.68, 62.67, 21.92

 

CMYK 0 / 60 / 68 / 8

HEX #EB5E4B

RGB 235 94 75

HSL 7.13, 0.8%, 0.61%

LAB 58.2, 53.39, 38.84

 

CMYK 0 / 42 / 68 / 8

HEX #EB884B

RGB 235 136 75

HSL 22.88, 0.8%, 0.61%

LAB 66.35, 32.81, 48.2

 

CMYK 0 / 24 / 68 / 8

HEX #EBB34B

RGB 235 179 75

HSL 39, 0.8%, 0.61%

LAB 76.32, 10.09, 59.04

 

CMYK 0 / 79 / 89 / 20

HEX #CD2C16

RGB 205 44 22

HSL 7.21, 0.81%, 0.45%

LAB 45.41, 60.79, 51.07

 

CMYK 0 / 73 / 83 / 10

HEX #E63D26

RGB 230 61 38

HSL 7.19, 0.79%, 0.53%

LAB 52.18, 63.33, 51.47

 

CMYK 0 / 60 / 68 / 8

HEX #EB5F4B

RGB 235 95 75

HSL 7.5, 0.8%, 0.61%

LAB 58.37, 52.94, 39.04

 

CMYK 0 / 46 / 53 / 6

HEX #EF8071

RGB 239 128 113

HSL 7.14, 0.8%, 0.69%

LAB 65.73, 41.1, 27.36

 

CMYK 0 / 34 / 38 / 5

HEX #F3A196

RGB 243 161 150

HSL 7.1, 0.79%, 0.77%

LAB 74.03, 29.14, 18.26

 

CMYK 0 / 59 / 67 / 8

HEX #EB604D

RGB 235 96 77

HSL 7.22, 0.8%, 0.61%

LAB 58.57, 52.6, 38.18

 

CMYK 22 / 0 / 68 / 8

HEX #B8EB4B

RGB 184 235 75

HSL 79.13, 0.8%, 0.61%

LAB 87.05, -38.57, 68.91

 

CMYK 68 / 49 / 0 / 8

HEX #4B79EB

RGB 75 121 235

HSL 222.75, 0.8%, 0.61%

LAB 53.13, 21.23, -62.31

 

CMYK 0 / 59 / 67 / 8

HEX #EB604D

RGB 235 96 77

HSL 7.22, 0.8%, 0.61%

LAB 58.57, 52.6, 38.18

 

CMYK 68 / 0 / 60 / 8

HEX #4BEB5E

RGB 75 235 94

HSL 127.13, 0.8%, 0.61%

LAB 82.76, -68.59, 55.32

 

CMYK 60 / 68 / 0 / 8

HEX #5E4BEB

RGB 94 75 235

HSL 247.13, 0.8%, 0.61%

LAB 43.37, 51.66, -78.12

 

CMYK 0 / 59 / 67 / 8

HEX #EB604D

RGB 235 96 77

HSL 7.22, 0.8%, 0.61%

LAB 58.57, 52.6, 38.18

 

CMYK 22 / 0 / 68 / 8

HEX #B8EB4B

RGB 184 235 75

HSL 79.13, 0.8%, 0.61%

LAB 87.05, -38.57, 68.91

 

CMYK 68 / 8 / 0 / 8

HEX #4BD8EB

RGB 75 216 235

HSL 187.13, 0.8%, 0.61%

LAB 79.96, -31.41, -20.35

 

CMYK 46 / 68 / 0 / 8

HEX #7E4BEB

RGB 126 75 235

HSL 259.13, 0.8%, 0.61%

LAB 46.27, 56.67, -73.27

 

CMYK 0 / 59 / 67 / 8

HEX #EB604D

RGB 235 96 77

HSL 7.22, 0.8%, 0.61%

LAB 58.57, 52.6, 38.18

 

CMYK 42 / 0 / 68 / 8

HEX #88EB4B

RGB 136 235 75

HSL 97.13, 0.8%, 0.61%

LAB 84.57, -55.28, 65.56

 

CMYK 68 / 8 / 0 / 8

HEX #4BD8EB

RGB 75 216 235

HSL 187.13, 0.8%, 0.61%

LAB 79.96, -31.41, -20.35

 

CMYK 26 / 68 / 0 / 8

HEX #AE4BEB

RGB 174 75 235

HSL 277.13, 0.8%, 0.61%

LAB 51.87, 65.73, -63.92

 

Description

Color code: CMYK 0 / 59 / 67 / 8 | qconv.com Color code: CMYK 0 / 59 / 67 / 8 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 96 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 96 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 67 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 67% 8% C M Y K

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Provide designers and agencies with accurate color values.

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