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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 55 / 19 / 59 it is the complementary color CMYK 28 / 0 / 18 / 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 55 / 19 / 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 55 / 19 / 59 shade: CMYK 0 / 57 / 27 / 57, CMYK 0 / 49 / 22 / 50, CMYK 0 / 42 / 18 / 44, CMYK 0 / 37 / 15 / 37 and CMYK 0 / 33 / 12 / 30

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 55 / 19 / 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 55 / 19 / 59 shade: CMYK 0 / 55 / 19 / 59, CMYK 0 / 67 / 25 / 65, CMYK 0 / 85 / 34 / 72, CMYK 0 / 100 / 48 / 79 and CMYK 0 / 100 / 76 / 85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 55 / 19 / 59 shade: CMYK 0 / 55 / 19 / 59, CMYK 0 / 55 / 34 / 59, CMYK 0 / 55 / 49 / 59 and CMYK 0 / 55 / 55 / 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 55 / 19 / 59 shade: CMYK 0 / 55 / 19 / 59, CMYK 0 / 55 / 4 / 59, CMYK 10 / 55 / 0 / 59, CMYK 26 / 55 / 0 / 59 and CMYK 41 / 55 / 0 / 59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 55 / 19 / 59 shade matches the following richer shades: CMYK 0 / 55 / 19 / 59, CMYK 0 / 70 / 24 / 54, CMYK 0 / 83 / 28 / 49 and CMYK 0 / 93 / 32 / 44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 55 / 19 / 59 shade: CMYK 0 / 55 / 19 / 59, CMYK 0 / 37 / 13 / 64, CMYK 0 / 10 / 4 / 69, CMYK 19 / 0 / 13 / 67 and CMYK 42 / 0 / 27 / 62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 55 / 19 / 59 shade: CMYK 11 / 55 / 0 / 59, CMYK 0 / 55 / 4 / 59, CMYK 0 / 55 / 18 / 59, CMYK 0 / 55 / 33 / 59 and CMYK 0 / 55 / 48 / 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 55 / 19 / 59 shade: CMYK 0 / 56 / 19 / 81, CMYK 0 / 56 / 19 / 70, CMYK 0 / 55 / 19 / 59, CMYK 0 / 55 / 19 / 47 and CMYK 0 / 55 / 19 / 36

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 55 / 19 / 59 shade: CMYK 0 / 55 / 19 / 59, CMYK 0 / 26 / 55 / 59 and CMYK 55 / 0 / 4 / 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 55 / 19 / 59 shade: CMYK 0 / 55 / 19 / 59, CMYK 18 / 0 / 55 / 59 and CMYK 55 / 18 / 0 / 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 55 / 19 / 59 shade: CMYK 0 / 55 / 19 / 59, CMYK 0 / 26 / 55 / 59, CMYK 55 / 0 / 37 / 59 and CMYK 55 / 30 / 0 / 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 55 / 19 / 59 shade: CMYK 0 / 55 / 19 / 59, CMYK 0 / 10 / 55 / 59, CMYK 55 / 0 / 37 / 59 and CMYK 55 / 46 / 0 / 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 19 / 59

HEX #692F55

RGB 105 47 85

HSL 320.69, 0.38%, 0.3%

LAB 28.62, 31.1, -10.97

 

Complementary color

CMYK 28 / 0 / 18 / 18

HEX #96D0AA

RGB 150 208 170

HSL 140.69, 0.38%, 0.7%

LAB 78.75, -26.4, 12.95

 

CMYK 0 / 57 / 27 / 57

HEX #6E2F50

RGB 110 47 80

HSL 328.57, 0.4%, 0.31%

LAB 29.23, 32.06, -6.7

 

CMYK 0 / 49 / 22 / 50

HEX #7F4163

RGB 127 65 99

HSL 327.1, 0.32%, 0.38%

LAB 36.35, 31.25, -7.96

 

CMYK 0 / 42 / 18 / 44

HEX #905376

RGB 144 83 118

HSL 325.57, 0.27%, 0.45%

LAB 43.4, 30.4, -8.94

 

CMYK 0 / 37 / 15 / 37

HEX #A16589

RGB 161 101 137

HSL 324, 0.24%, 0.51%

LAB 50.32, 29.57, -9.76

 

CMYK 0 / 33 / 12 / 30

HEX #B2779C

RGB 178 119 156

HSL 322.37, 0.28%, 0.58%

LAB 57.13, 28.79, -10.46

 

CMYK 0 / 55 / 19 / 59

HEX #692F55

RGB 105 47 85

HSL 320.69, 0.38%, 0.3%

LAB 28.62, 31.1, -10.97

 

CMYK 0 / 67 / 25 / 65

HEX #581D42

RGB 88 29 66

HSL 322.37, 0.5%, 0.23%

LAB 21.38, 31.64, -9.54

 

CMYK 0 / 85 / 34 / 72

HEX #470B2F

RGB 71 11 47

HSL 324, 0.73%, 0.16%

LAB 14.31, 31.32, -7.21

 

CMYK 0 / 100 / 48 / 79

HEX #36001C

RGB 54 0 28

HSL 328.89, 1%, 0.11%

LAB 7.84, 28.78, -3.09

 

CMYK 0 / 100 / 76 / 85

HEX #250009

RGB 37 0 9

HSL 345.41, 1%, 0.07%

LAB 3.73, 17.19, 2.21

 

CMYK 0 / 55 / 19 / 59

HEX #692F55

RGB 105 47 85

HSL 320.69, 0.38%, 0.3%

LAB 28.62, 31.1, -10.97

 

CMYK 0 / 55 / 34 / 59

HEX #692F45

RGB 105 47 69

HSL 337.24, 0.38%, 0.3%

LAB 28.02, 28.6, -1.32

 

CMYK 0 / 55 / 49 / 59

HEX #692F36

RGB 105 47 54

HSL 352.76, 0.38%, 0.3%

LAB 27.58, 26.69, 8.01

 

CMYK 0 / 55 / 55 / 59

HEX #692F2F

RGB 105 47 47

HSL 0, 0.38%, 0.3%

LAB 27.41, 25.95, 12.41

 

CMYK 0 / 55 / 19 / 59

HEX #692F55

RGB 105 47 85

HSL 320.69, 0.38%, 0.3%

LAB 28.62, 31.1, -10.97

 

CMYK 0 / 55 / 4 / 59

HEX #692F65

RGB 105 47 101

HSL 304.14, 0.38%, 0.3%

LAB 29.35, 34.02, -20.24

 

CMYK 10 / 55 / 0 / 59

HEX #5E2F69

RGB 94 47 105

HSL 288.62, 0.38%, 0.3%

LAB 27.93, 31.41, -25.15

 

CMYK 26 / 55 / 0 / 59

HEX #4E2F69

RGB 78 47 105

HSL 272.07, 0.38%, 0.3%

LAB 25.78, 26.54, -28.7

 

CMYK 41 / 55 / 0 / 59

HEX #3E2F69

RGB 62 47 105

HSL 255.52, 0.38%, 0.3%

LAB 23.92, 21.92, -31.77

 

CMYK 0 / 55 / 19 / 59

HEX #692F55

RGB 105 47 85

HSL 320.69, 0.38%, 0.3%

LAB 28.62, 31.1, -10.97

 

CMYK 0 / 70 / 24 / 54

HEX #752359

RGB 117 35 89

HSL 320.49, 0.54%, 0.3%

LAB 28.66, 41.5, -13.36

 

CMYK 0 / 83 / 28 / 49

HEX #82165D

RGB 130 22 93

HSL 320.56, 0.71%, 0.3%

LAB 29.69, 50.14, -14.18

 

CMYK 0 / 93 / 32 / 44

HEX #8E0A61

RGB 142 10 97

HSL 320.45, 0.87%, 0.3%

LAB 31.42, 55.98, -13.92

 

CMYK 0 / 55 / 19 / 59

HEX #692F55

RGB 105 47 85

HSL 320.69, 0.38%, 0.3%

LAB 28.62, 31.1, -10.97

 

CMYK 0 / 37 / 13 / 64

HEX #5D3B51

RGB 93 59 81

HSL 321.18, 0.22%, 0.3%

LAB 29.54, 18.78, -7.15

 

CMYK 0 / 10 / 4 / 69

HEX #50484D

RGB 80 72 77

HSL 322.5, 0.05%, 0.3%

LAB 31.52, 4.39, -1.77

 

CMYK 19 / 0 / 13 / 67

HEX #445449

RGB 68 84 73

HSL 138.75, 0.11%, 0.3%

LAB 34.09, -8.77, 4.37

 

CMYK 42 / 0 / 27 / 62

HEX #386046

RGB 56 96 70

HSL 141, 0.26%, 0.3%

LAB 37.2, -20.56, 10.51

 

CMYK 11 / 55 / 0 / 59

HEX #5D2F69

RGB 93 47 105

HSL 287.59, 0.38%, 0.3%

LAB 27.79, 31.1, -25.39

 

CMYK 0 / 55 / 4 / 59

HEX #692F65

RGB 105 47 101

HSL 304.14, 0.38%, 0.3%

LAB 29.35, 34.02, -20.24

 

CMYK 0 / 55 / 18 / 59

HEX #692F56

RGB 105 47 86

HSL 319.66, 0.38%, 0.3%

LAB 28.66, 31.27, -11.56

 

CMYK 0 / 55 / 33 / 59

HEX #692F46

RGB 105 47 70

HSL 336.21, 0.38%, 0.3%

LAB 28.06, 28.74, -1.94

 

CMYK 0 / 55 / 48 / 59

HEX #692F37

RGB 105 47 55

HSL 351.72, 0.38%, 0.3%

LAB 27.61, 26.8, 7.38

 

CMYK 0 / 56 / 19 / 81

HEX #301527

RGB 48 21 39

HSL 320, 0.39%, 0.14%

LAB 11.35, 16.67, -6.26

 

CMYK 0 / 56 / 19 / 70

HEX #4D223E

RGB 77 34 62

HSL 320.93, 0.39%, 0.22%

LAB 20.32, 24.36, -8.58

 

CMYK 0 / 55 / 19 / 59

HEX #692F55

RGB 105 47 85

HSL 320.69, 0.38%, 0.3%

LAB 28.62, 31.1, -10.97

 

CMYK 0 / 55 / 19 / 47

HEX #863C6C

RGB 134 60 108

HSL 321.08, 0.38%, 0.38%

LAB 36.71, 37.82, -12.99

 

CMYK 0 / 55 / 19 / 36

HEX #A24983

RGB 162 73 131

HSL 320.9, 0.38%, 0.46%

LAB 44.35, 43.93, -15.16

 

CMYK 0 / 55 / 19 / 59

HEX #692F55

RGB 105 47 85

HSL 320.69, 0.38%, 0.3%

LAB 28.62, 31.1, -10.97

 

CMYK 0 / 26 / 55 / 59

HEX #694E2F

RGB 105 78 47

HSL 32.07, 0.38%, 0.3%

LAB 35.32, 7.24, 22.65

 

CMYK 55 / 0 / 4 / 59

HEX #2F6965

RGB 47 105 101

HSL 175.86, 0.38%, 0.3%

LAB 40.65, -19.95, -3.53

 

CMYK 0 / 55 / 19 / 59

HEX #692F55

RGB 105 47 85

HSL 320.69, 0.38%, 0.3%

LAB 28.62, 31.1, -10.97

 

CMYK 18 / 0 / 55 / 59

HEX #56692F

RGB 86 105 47

HSL 79.66, 0.38%, 0.3%

LAB 41.67, -17.33, 29.95

 

CMYK 55 / 18 / 0 / 59

HEX #2F5669

RGB 47 86 105

HSL 199.66, 0.38%, 0.3%

LAB 34.56, -7.85, -15.18

 

CMYK 0 / 55 / 19 / 59

HEX #692F55

RGB 105 47 85

HSL 320.69, 0.38%, 0.3%

LAB 28.62, 31.1, -10.97

 

CMYK 0 / 26 / 55 / 59

HEX #694E2F

RGB 105 78 47

HSL 32.07, 0.38%, 0.3%

LAB 35.32, 7.24, 22.65

 

CMYK 55 / 0 / 37 / 59

HEX #2F6942

RGB 47 105 66

HSL 139.66, 0.38%, 0.3%

LAB 39.75, -28.67, 16.32

 

CMYK 55 / 30 / 0 / 59

HEX #2F4A69

RGB 47 74 105

HSL 212.07, 0.38%, 0.3%

LAB 30.69, -0.3, -21.15

 

CMYK 0 / 55 / 19 / 59

HEX #692F55

RGB 105 47 85

HSL 320.69, 0.38%, 0.3%

LAB 28.62, 31.1, -10.97

 

CMYK 0 / 10 / 55 / 59

HEX #695F2F

RGB 105 95 47

HSL 49.66, 0.38%, 0.3%

LAB 40.23, -3, 28.64

 

CMYK 55 / 0 / 37 / 59

HEX #2F6942

RGB 47 105 66

HSL 139.66, 0.38%, 0.3%

LAB 39.75, -28.67, 16.32

 

CMYK 55 / 46 / 0 / 59

HEX #2F3969

RGB 47 57 105

HSL 229.66, 0.38%, 0.3%

LAB 25.41, 11.12, -29.47

 

Description

Color code: CMYK 0 / 55 / 19 / 59 | qconv.com Color code: CMYK 0 / 55 / 19 / 59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 47 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 47 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 19 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 19% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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