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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 57 / 15 / 24 it is the complementary color CMYK 65 / 0 / 48 / 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 57 / 15 / 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 57 / 15 / 24 shade: CMYK 0 / 58 / 20 / 22, CMYK 0 / 53 / 17 / 15, CMYK 0 / 49 / 15 / 9, CMYK 0 / 45 / 13 / 2 and CMYK 0 / 39 / 7 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 57 / 15 / 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 57 / 15 / 24 shade: CMYK 0 / 57 / 15 / 24, CMYK 0 / 63 / 18 / 31, CMYK 0 / 71 / 21 / 37, CMYK 0 / 80 / 24 / 44 and CMYK 0 / 91 / 29 / 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 57 / 15 / 24 shade: CMYK 0 / 58 / 15 / 24, CMYK 0 / 58 / 31 / 24, CMYK 0 / 58 / 47 / 24 and CMYK 0 / 58 / 58 / 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 57 / 15 / 24 shade: CMYK 0 / 58 / 15 / 24, CMYK 1 / 58 / 0 / 24, CMYK 16 / 58 / 0 / 24, CMYK 32 / 58 / 0 / 24 and CMYK 48 / 58 / 0 / 24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 57 / 15 / 24 shade matches the following richer shades: CMYK 0 / 58 / 15 / 24, CMYK 0 / 71 / 18 / 17, CMYK 0 / 81 / 21 / 9 and CMYK 0 / 90 / 24 / 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 57 / 15 / 24 shade: CMYK 0 / 58 / 15 / 24, CMYK 0 / 43 / 11 / 31, CMYK 0 / 24 / 6 / 39, CMYK 1 / 0 / 1 / 46 and CMYK 25 / 0 / 18 / 38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 57 / 15 / 24 shade: CMYK 16 / 58 / 0 / 24, CMYK 1 / 58 / 0 / 24, CMYK 0 / 58 / 15 / 24, CMYK 0 / 58 / 30 / 24 and CMYK 0 / 58 / 46 / 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 57 / 15 / 24 shade: CMYK 0 / 65 / 17 / 44, CMYK 0 / 65 / 17 / 32, CMYK 0 / 58 / 15 / 24, CMYK 0 / 46 / 12 / 20 and CMYK 0 / 34 / 9 / 16

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 57 / 15 / 24 shade: CMYK 0 / 57 / 15 / 24, CMYK 0 / 32 / 58 / 24 and CMYK 58 / 0 / 9 / 24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 57 / 15 / 24 shade: CMYK 0 / 57 / 15 / 24, CMYK 15 / 0 / 58 / 24 and CMYK 58 / 15 / 0 / 24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 57 / 15 / 24 shade: CMYK 0 / 57 / 15 / 24, CMYK 0 / 32 / 58 / 24, CMYK 58 / 0 / 44 / 24 and CMYK 58 / 26 / 0 / 24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 57 / 15 / 24 shade: CMYK 0 / 57 / 15 / 24, CMYK 0 / 15 / 58 / 24, CMYK 58 / 0 / 44 / 24 and CMYK 58 / 44 / 0 / 24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 15 / 24

HEX #C253A5

RGB 194 83 165

HSL 315.68, 0.48%, 0.54%

LAB 52.26, 54.11, -22.93

 

Complementary color

CMYK 65 / 0 / 48 / 33

HEX #3DAC5A

RGB 61 172 90

HSL 135.68, 0.48%, 0.46%

LAB 62.71, -49.37, 33.04

 

CMYK 0 / 58 / 20 / 22

HEX #C753A0

RGB 199 83 160

HSL 320.17, 0.51%, 0.55%

LAB 52.8, 54.83, -19.09

 

CMYK 0 / 53 / 17 / 15

HEX #D865B3

RGB 216 101 179

HSL 319.3, 0.6%, 0.62%

LAB 59.12, 54.32, -20.25

 

CMYK 0 / 49 / 15 / 9

HEX #E977C6

RGB 233 119 198

HSL 318.42, 0.72%, 0.69%

LAB 65.43, 53.69, -21.21

 

CMYK 0 / 45 / 13 / 2

HEX #FA89D9

RGB 250 137 217

HSL 317.52, 0.92%, 0.76%

LAB 71.71, 52.99, -22.03

 

CMYK 0 / 39 / 7 / 0

HEX #FF9BEC

RGB 255 155 236

HSL 311.4, 1%, 0.8%

LAB 76.53, 48.57, -25.02

 

CMYK 0 / 57 / 15 / 24

HEX #C253A5

RGB 194 83 165

HSL 315.68, 0.48%, 0.54%

LAB 52.26, 54.11, -22.93

 

CMYK 0 / 63 / 18 / 31

HEX #B14192

RGB 177 65 146

HSL 316.61, 0.46%, 0.47%

LAB 45.91, 54.4, -21.64

 

CMYK 0 / 71 / 21 / 37

HEX #A02F7F

RGB 160 47 127

HSL 317.52, 0.55%, 0.41%

LAB 39.65, 54.26, -19.96

 

CMYK 0 / 80 / 24 / 44

HEX #8F1D6C

RGB 143 29 108

HSL 318.42, 0.66%, 0.34%

LAB 33.57, 53.36, -17.68

 

CMYK 0 / 91 / 29 / 51

HEX #7E0B59

RGB 126 11 89

HSL 319.3, 0.84%, 0.27%

LAB 27.84, 51.17, -14.47

 

CMYK 0 / 58 / 15 / 24

HEX #C251A4

RGB 194 81 164

HSL 315.93, 0.48%, 0.54%

LAB 51.88, 54.87, -22.92

 

CMYK 0 / 58 / 31 / 24

HEX #C25186

RGB 194 81 134

HSL 331.86, 0.48%, 0.54%

LAB 50.78, 50.68, -6.82

 

CMYK 0 / 58 / 47 / 24

HEX #C25167

RGB 194 81 103

HSL 348.32, 0.48%, 0.54%

LAB 49.9, 47.21, 10.52

 

CMYK 0 / 58 / 58 / 24

HEX #C25151

RGB 194 81 81

HSL 0, 0.48%, 0.54%

LAB 49.43, 45.32, 23.06

 

CMYK 0 / 58 / 15 / 24

HEX #C251A4

RGB 194 81 164

HSL 315.93, 0.48%, 0.54%

LAB 51.88, 54.87, -22.92

 

CMYK 1 / 58 / 0 / 24

HEX #C151C2

RGB 193 81 194

HSL 299.47, 0.48%, 0.54%

LAB 53.08, 59.51, -38.51

 

CMYK 16 / 58 / 0 / 24

HEX #A251C2

RGB 162 81 194

HSL 283.01, 0.48%, 0.54%

LAB 48.84, 51.56, -45.5

 

CMYK 32 / 58 / 0 / 24

HEX #8451C2

RGB 132 81 194

HSL 267.08, 0.48%, 0.54%

LAB 45.2, 44.11, -51.51

 

CMYK 48 / 58 / 0 / 24

HEX #6551C2

RGB 101 81 194

HSL 250.62, 0.48%, 0.54%

LAB 42.07, 37.07, -56.72

 

CMYK 0 / 58 / 15 / 24

HEX #C251A4

RGB 194 81 164

HSL 315.93, 0.48%, 0.54%

LAB 51.88, 54.87, -22.92

 

CMYK 0 / 71 / 18 / 17

HEX #D43EAD

RGB 212 62 173

HSL 315.6, 0.64%, 0.54%

LAB 52.35, 68.53, -27.23

 

CMYK 0 / 81 / 21 / 9

HEX #E72BB6

RGB 231 43 182

HSL 315.64, 0.8%, 0.54%

LAB 54.13, 79.36, -29.48

 

CMYK 0 / 90 / 24 / 2

HEX #FA18BF

RGB 250 24 191

HSL 315.66, 0.96%, 0.54%

LAB 56.82, 87.46, -30.25

 

CMYK 0 / 58 / 15 / 24

HEX #C251A4

RGB 194 81 164

HSL 315.93, 0.48%, 0.54%

LAB 51.88, 54.87, -22.92

 

CMYK 0 / 43 / 11 / 31

HEX #AF649B

RGB 175 100 155

HSL 316, 0.32%, 0.54%

LAB 52.5, 38.02, -16.91

 

CMYK 0 / 24 / 6 / 39

HEX #9C7792

RGB 156 119 146

HSL 316.22, 0.16%, 0.54%

LAB 54.38, 19.09, -9.03

 

CMYK 1 / 0 / 1 / 46

HEX #898A89

RGB 137 138 137

HSL 120, 0%, 0.54%

LAB 57.37, -0.56, 0.4

 

CMYK 25 / 0 / 18 / 38

HEX #769D80

RGB 118 157 128

HSL 135.38, 0.17%, 0.54%

LAB 61.24, -19.45, 10.89

 

CMYK 16 / 58 / 0 / 24

HEX #A251C2

RGB 162 81 194

HSL 283.01, 0.48%, 0.54%

LAB 48.84, 51.56, -45.5

 

CMYK 1 / 58 / 0 / 24

HEX #C051C2

RGB 192 81 194

HSL 298.94, 0.48%, 0.54%

LAB 52.93, 59.25, -38.75

 

CMYK 0 / 58 / 15 / 24

HEX #C251A5

RGB 194 81 165

HSL 315.4, 0.48%, 0.54%

LAB 51.92, 55.02, -23.45

 

CMYK 0 / 58 / 30 / 24

HEX #C25187

RGB 194 81 135

HSL 331.33, 0.48%, 0.54%

LAB 50.81, 50.81, -7.36

 

CMYK 0 / 58 / 46 / 24

HEX #C25169

RGB 194 81 105

HSL 347.26, 0.48%, 0.54%

LAB 49.95, 47.41, 9.39

 

CMYK 0 / 65 / 17 / 44

HEX #8E3276

RGB 142 50 118

HSL 315.65, 0.48%, 0.38%

LAB 36.63, 46.7, -19.27

 

CMYK 0 / 65 / 17 / 32

HEX #AD3C8F

RGB 173 60 143

HSL 315.93, 0.48%, 0.46%

LAB 44.37, 54.95, -22.26

 

CMYK 0 / 58 / 15 / 24

HEX #C251A4

RGB 194 81 164

HSL 315.93, 0.48%, 0.54%

LAB 51.88, 54.87, -22.92

 

CMYK 0 / 46 / 12 / 20

HEX #CC6FB4

RGB 204 111 180

HSL 315.48, 0.48%, 0.62%

LAB 59.44, 45.83, -20.49

 

CMYK 0 / 34 / 9 / 16

HEX #D78EC4

RGB 215 142 196

HSL 315.62, 0.48%, 0.7%

LAB 67.86, 35.78, -16.61

 

CMYK 0 / 57 / 15 / 24

HEX #C253A5

RGB 194 83 165

HSL 315.68, 0.48%, 0.54%

LAB 52.26, 54.11, -22.93

 

CMYK 0 / 32 / 58 / 24

HEX #C28451

RGB 194 132 81

HSL 27.08, 0.48%, 0.54%

LAB 60.4, 18.48, 36.87

 

CMYK 58 / 0 / 9 / 24

HEX #51C2B1

RGB 81 194 177

HSL 170.97, 0.48%, 0.54%

LAB 71.9, -36.11, -1.07

 

CMYK 0 / 57 / 15 / 24

HEX #C253A5

RGB 194 83 165

HSL 315.68, 0.48%, 0.54%

LAB 52.26, 54.11, -22.93

 

CMYK 15 / 0 / 58 / 24

HEX #A5C251

RGB 165 194 81

HSL 75.4, 0.48%, 0.54%

LAB 74.3, -26.49, 52.45

 

CMYK 58 / 15 / 0 / 24

HEX #51A5C2

RGB 81 165 194

HSL 195.4, 0.48%, 0.54%

LAB 63.8, -16.96, -22.58

 

CMYK 0 / 57 / 15 / 24

HEX #C253A5

RGB 194 83 165

HSL 315.68, 0.48%, 0.54%

LAB 52.26, 54.11, -22.93

 

CMYK 0 / 32 / 58 / 24

HEX #C28451

RGB 194 132 81

HSL 27.08, 0.48%, 0.54%

LAB 60.4, 18.48, 36.87

 

CMYK 58 / 0 / 44 / 24

HEX #51C26D

RGB 81 194 109

HSL 134.87, 0.48%, 0.54%

LAB 70.48, -50.51, 33.32

 

CMYK 58 / 26 / 0 / 24

HEX #518FC2

RGB 81 143 194

HSL 207.08, 0.48%, 0.54%

LAB 57.36, -4.82, -32.52

 

CMYK 0 / 57 / 15 / 24

HEX #C253A5

RGB 194 83 165

HSL 315.68, 0.48%, 0.54%

LAB 52.26, 54.11, -22.93

 

CMYK 0 / 15 / 58 / 24

HEX #C2A551

RGB 194 165 81

HSL 44.6, 0.48%, 0.54%

LAB 68.73, 0.48, 46.74

 

CMYK 58 / 0 / 44 / 24

HEX #51C26D

RGB 81 194 109

HSL 134.87, 0.48%, 0.54%

LAB 70.48, -50.51, 33.32

 

CMYK 58 / 44 / 0 / 24

HEX #516DC2

RGB 81 109 194

HSL 225.13, 0.48%, 0.54%

LAB 47.73, 15.59, -47.71

 

Description

Color code: CMYK 0 / 57 / 15 / 24 | qconv.com Color code: CMYK 0 / 57 / 15 / 24 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 83 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 83 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 15 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 15% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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