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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 52 / 14 / 53 it is the complementary color CMYK 31 / 0 / 23 / 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 52 / 14 / 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 52 / 14 / 53 shade: CMYK 0 / 54 / 22 / 51, CMYK 0 / 46 / 18 / 44, CMYK 0 / 41 / 14 / 38, CMYK 0 / 36 / 12 / 31 and CMYK 0 / 33 / 10 / 24

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 52 / 14 / 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 52 / 14 / 53 shade: CMYK 0 / 52 / 14 / 53, CMYK 0 / 61 / 18 / 60, CMYK 0 / 74 / 24 / 66, CMYK 0 / 94 / 33 / 73 and CMYK 0 / 100 / 48 / 80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 52 / 14 / 53 shade: CMYK 0 / 52 / 14 / 53, CMYK 0 / 52 / 28 / 53, CMYK 0 / 52 / 43 / 53 and CMYK 0 / 52 / 52 / 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 52 / 14 / 53 shade: CMYK 0 / 52 / 14 / 53, CMYK 0 / 52 / 0 / 53, CMYK 14 / 52 / 0 / 53, CMYK 28 / 52 / 0 / 53 and CMYK 42 / 52 / 0 / 53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 52 / 14 / 53 shade matches the following richer shades: CMYK 0 / 52 / 14 / 53, CMYK 0 / 68 / 19 / 47, CMYK 0 / 81 / 22 / 42, CMYK 0 / 91 / 25 / 36 and CMYK 0 / 100 / 28 / 30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 52 / 14 / 53 shade: CMYK 0 / 52 / 14 / 53, CMYK 0 / 32 / 9 / 58, CMYK 0 / 5 / 1 / 64, CMYK 24 / 0 / 18 / 60 and CMYK 46 / 0 / 33 / 55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 52 / 14 / 53 shade: CMYK 14 / 52 / 0 / 53, CMYK 0 / 52 / 0 / 53, CMYK 0 / 52 / 14 / 53, CMYK 0 / 52 / 28 / 53 and CMYK 0 / 52 / 42 / 53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 52 / 14 / 53 shade: CMYK 0 / 52 / 14 / 75, CMYK 0 / 52 / 14 / 64, CMYK 0 / 52 / 14 / 53, CMYK 0 / 52 / 14 / 42 and CMYK 0 / 51 / 14 / 32

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 52 / 14 / 53 shade: CMYK 0 / 52 / 14 / 53, CMYK 0 / 28 / 52 / 53 and CMYK 52 / 0 / 7 / 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 52 / 14 / 53 shade: CMYK 0 / 52 / 14 / 53, CMYK 14 / 0 / 52 / 53 and CMYK 52 / 14 / 0 / 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 52 / 14 / 53 shade: CMYK 0 / 52 / 14 / 53, CMYK 0 / 28 / 52 / 53, CMYK 52 / 0 / 38 / 53 and CMYK 52 / 24 / 0 / 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 52 / 14 / 53 shade: CMYK 0 / 52 / 14 / 53, CMYK 0 / 13 / 52 / 53, CMYK 52 / 0 / 38 / 53 and CMYK 52 / 40 / 0 / 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 14 / 53

HEX #783A67

RGB 120 58 103

HSL 316.45, 0.35%, 0.35%

LAB 33.98, 33.34, -14.19

 

Complementary color

CMYK 31 / 0 / 23 / 23

HEX #87C598

RGB 135 197 152

HSL 136.45, 0.35%, 0.65%

LAB 74.41, -29.21, 16.36

 

CMYK 0 / 54 / 22 / 51

HEX #7D3A62

RGB 125 58 98

HSL 324.18, 0.37%, 0.36%

LAB 34.53, 34.22, -10.1

 

CMYK 0 / 46 / 18 / 44

HEX #8E4C75

RGB 142 76 117

HSL 322.73, 0.3%, 0.43%

LAB 41.54, 33.43, -11.15

 

CMYK 0 / 41 / 14 / 38

HEX #9F5E88

RGB 159 94 136

HSL 321.23, 0.26%, 0.5%

LAB 48.45, 32.6, -12

 

CMYK 0 / 36 / 12 / 31

HEX #B0709B

RGB 176 112 155

HSL 319.69, 0.29%, 0.56%

LAB 55.26, 31.8, -12.72

 

CMYK 0 / 33 / 10 / 24

HEX #C182AE

RGB 193 130 174

HSL 318.1, 0.34%, 0.63%

LAB 61.96, 31.05, -13.36

 

CMYK 0 / 52 / 14 / 53

HEX #783A67

RGB 120 58 103

HSL 316.45, 0.35%, 0.35%

LAB 33.98, 33.34, -14.19

 

CMYK 0 / 61 / 18 / 60

HEX #672854

RGB 103 40 84

HSL 318.1, 0.44%, 0.28%

LAB 26.85, 33.98, -13.05

 

CMYK 0 / 74 / 24 / 66

HEX #561641

RGB 86 22 65

HSL 319.69, 0.59%, 0.21%

LAB 19.78, 34.11, -11.34

 

CMYK 0 / 94 / 33 / 73

HEX #45042E

RGB 69 4 46

HSL 321.23, 0.89%, 0.14%

LAB 12.92, 33.21, -8.65

 

CMYK 0 / 100 / 48 / 80

HEX #34001B

RGB 52 0 27

HSL 328.85, 1%, 0.1%

LAB 7.31, 28.04, -3.15

 

CMYK 0 / 52 / 14 / 53

HEX #783A67

RGB 120 58 103

HSL 316.45, 0.35%, 0.35%

LAB 33.98, 33.34, -14.19

 

CMYK 0 / 52 / 28 / 53

HEX #783A56

RGB 120 58 86

HSL 332.9, 0.35%, 0.35%

LAB 33.33, 30.57, -4.31

 

CMYK 0 / 52 / 43 / 53

HEX #783A45

RGB 120 58 69

HSL 349.35, 0.35%, 0.35%

LAB 32.81, 28.26, 5.89

 

CMYK 0 / 52 / 52 / 53

HEX #783A3A

RGB 120 58 58

HSL 0, 0.35%, 0.35%

LAB 32.53, 27.02, 12.6

 

CMYK 0 / 52 / 14 / 53

HEX #783A67

RGB 120 58 103

HSL 316.45, 0.35%, 0.35%

LAB 33.98, 33.34, -14.19

 

CMYK 0 / 52 / 0 / 53

HEX #783A78

RGB 120 58 120

HSL 300, 0.35%, 0.35%

LAB 34.75, 36.51, -23.7

 

CMYK 14 / 52 / 0 / 53

HEX #673A78

RGB 103 58 120

HSL 283.55, 0.35%, 0.35%

LAB 32.4, 31.25, -27.55

 

CMYK 28 / 52 / 0 / 53

HEX #573A78

RGB 87 58 120

HSL 268.06, 0.35%, 0.35%

LAB 30.42, 26.4, -30.82

 

CMYK 42 / 52 / 0 / 53

HEX #463A78

RGB 70 58 120

HSL 251.61, 0.35%, 0.35%

LAB 28.6, 21.53, -33.82

 

CMYK 0 / 52 / 14 / 53

HEX #783A67

RGB 120 58 103

HSL 316.45, 0.35%, 0.35%

LAB 33.98, 33.34, -14.19

 

CMYK 0 / 68 / 19 / 47

HEX #862B6D

RGB 134 43 109

HSL 316.48, 0.51%, 0.35%

LAB 33.77, 46.05, -18.12

 

CMYK 0 / 81 / 22 / 42

HEX #951D74

RGB 149 29 116

HSL 316.5, 0.67%, 0.35%

LAB 35.06, 55.9, -20.34

 

CMYK 0 / 91 / 25 / 36

HEX #A30E7A

RGB 163 14 122

HSL 316.51, 0.84%, 0.35%

LAB 36.94, 63, -20.99

 

CMYK 0 / 100 / 28 / 30

HEX #B20081

RGB 178 0 129

HSL 316.52, 1%, 0.35%

LAB 39.66, 68.55, -20.9

 

CMYK 0 / 52 / 14 / 53

HEX #783A67

RGB 120 58 103

HSL 316.45, 0.35%, 0.35%

LAB 33.98, 33.34, -14.19

 

CMYK 0 / 32 / 9 / 58

HEX #6A4860

RGB 106 72 96

HSL 317.65, 0.19%, 0.35%

LAB 35.09, 18.72, -8.25

 

CMYK 0 / 5 / 1 / 64

HEX #5B565A

RGB 91 86 90

HSL 312, 0.03%, 0.35%

LAB 37.15, 2.86, -1.6

 

CMYK 24 / 0 / 18 / 60

HEX #4D6553

RGB 77 101 83

HSL 135, 0.13%, 0.35%

LAB 40.43, -13.02, 7.3

 

CMYK 46 / 0 / 33 / 55

HEX #3E734D

RGB 62 115 77

HSL 136.98, 0.3%, 0.35%

LAB 43.98, -26.83, 15.67

 

CMYK 14 / 52 / 0 / 53

HEX #673A78

RGB 103 58 120

HSL 283.55, 0.35%, 0.35%

LAB 32.4, 31.25, -27.55

 

CMYK 0 / 52 / 0 / 53

HEX #783A78

RGB 120 58 120

HSL 300, 0.35%, 0.35%

LAB 34.75, 36.51, -23.7

 

CMYK 0 / 52 / 14 / 53

HEX #783A67

RGB 120 58 103

HSL 316.45, 0.35%, 0.35%

LAB 33.98, 33.34, -14.19

 

CMYK 0 / 52 / 28 / 53

HEX #783A57

RGB 120 58 87

HSL 331.94, 0.35%, 0.35%

LAB 33.37, 30.72, -4.9

 

CMYK 0 / 52 / 42 / 53

HEX #783A46

RGB 120 58 70

HSL 348.39, 0.35%, 0.35%

LAB 32.83, 28.38, 5.29

 

CMYK 0 / 52 / 14 / 75

HEX #401F37

RGB 64 31 55

HSL 316.36, 0.35%, 0.19%

LAB 17.21, 19.88, -8.64

 

CMYK 0 / 52 / 14 / 64

HEX #5C2C4F

RGB 92 44 79

HSL 316.25, 0.35%, 0.27%

LAB 25.69, 27.12, -11.68

 

CMYK 0 / 52 / 14 / 53

HEX #783A67

RGB 120 58 103

HSL 316.45, 0.35%, 0.35%

LAB 33.98, 33.34, -14.19

 

CMYK 0 / 52 / 14 / 42

HEX #94477F

RGB 148 71 127

HSL 316.36, 0.35%, 0.43%

LAB 41.74, 39.81, -16.9

 

CMYK 0 / 51 / 14 / 32

HEX #AE5696

RGB 174 86 150

HSL 316.36, 0.35%, 0.51%

LAB 49.32, 44.21, -18.83

 

CMYK 0 / 52 / 14 / 53

HEX #783A67

RGB 120 58 103

HSL 316.45, 0.35%, 0.35%

LAB 33.98, 33.34, -14.19

 

CMYK 0 / 28 / 52 / 53

HEX #78573A

RGB 120 87 58

HSL 28.06, 0.35%, 0.35%

LAB 39.77, 9.86, 22.14

 

CMYK 52 / 0 / 7 / 53

HEX #3A7870

RGB 58 120 112

HSL 172.26, 0.35%, 0.35%

LAB 46.31, -22.12, -1.76

 

CMYK 0 / 52 / 14 / 53

HEX #783A67

RGB 120 58 103

HSL 316.45, 0.35%, 0.35%

LAB 33.98, 33.34, -14.19

 

CMYK 14 / 0 / 52 / 53

HEX #67783A

RGB 103 120 58

HSL 76.45, 0.35%, 0.35%

LAB 47.78, -16.81, 31.71

 

CMYK 52 / 14 / 0 / 53

HEX #3A6778

RGB 58 103 120

HSL 196.45, 0.35%, 0.35%

LAB 41.15, -10.39, -14.3

 

CMYK 0 / 52 / 14 / 53

HEX #783A67

RGB 120 58 103

HSL 316.45, 0.35%, 0.35%

LAB 33.98, 33.34, -14.19

 

CMYK 0 / 28 / 52 / 53

HEX #78573A

RGB 120 87 58

HSL 28.06, 0.35%, 0.35%

LAB 39.77, 9.86, 22.14

 

CMYK 52 / 0 / 38 / 53

HEX #3A784A

RGB 58 120 74

HSL 135.48, 0.35%, 0.35%

LAB 45.4, -31, 19.29

 

CMYK 52 / 24 / 0 / 53

HEX #3A5B78

RGB 58 91 120

HSL 208.06, 0.35%, 0.35%

LAB 37.37, -3.19, -20.1

 

CMYK 0 / 52 / 14 / 53

HEX #783A67

RGB 120 58 103

HSL 316.45, 0.35%, 0.35%

LAB 33.98, 33.34, -14.19

 

CMYK 0 / 13 / 52 / 53

HEX #78693A

RGB 120 105 58

HSL 45.48, 0.35%, 0.35%

LAB 44.8, -0.82, 28.44

 

CMYK 52 / 0 / 38 / 53

HEX #3A784A

RGB 58 120 74

HSL 135.48, 0.35%, 0.35%

LAB 45.4, -31, 19.29

 

CMYK 52 / 40 / 0 / 53

HEX #3A4878

RGB 58 72 120

HSL 226.45, 0.35%, 0.35%

LAB 31.56, 9.02, -29.19

 

Description

Color code: CMYK 0 / 52 / 14 / 53 | qconv.com Color code: CMYK 0 / 52 / 14 / 53 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 58 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 58 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 14 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 14% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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