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Color name
CMYK 0 / 49 / 72 / 40

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 49 / 72 / 40 it is the complementary color CMYK 52 / 17 / 0 / 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 49 / 72 / 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 49 / 72 / 40 shade: CMYK 0 / 51 / 76 / 38, CMYK 0 / 45 / 67 / 31, CMYK 0 / 41 / 60 / 25, CMYK 0 / 37 / 55 / 18 and CMYK 0 / 34 / 50 / 11

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 49 / 72 / 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 49 / 72 / 40 shade: CMYK 0 / 49 / 72 / 40, CMYK 0 / 56 / 82 / 47, CMYK 0 / 65 / 96 / 53, CMYK 0 / 76 / 100 / 60 and CMYK 0 / 93 / 100 / 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 49 / 72 / 40 shade: CMYK 0 / 49 / 72 / 41, CMYK 0 / 69 / 72 / 41 and CMYK 0 / 72 / 72 / 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 49 / 72 / 40 shade: CMYK 0 / 49 / 72 / 41, CMYK 0 / 30 / 72 / 41, CMYK 0 / 11 / 72 / 41, CMYK 9 / 0 / 72 / 41 and CMYK 28 / 0 / 72 / 41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 49 / 72 / 40 shade matches the following richer shades: CMYK 0 / 49 / 72 / 41, CMYK 0 / 57 / 84 / 35 and CMYK 0 / 64 / 94 / 29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 49 / 72 / 40 shade: CMYK 0 / 49 / 72 / 41, CMYK 0 / 39 / 57 / 47, CMYK 0 / 26 / 39 / 53, CMYK 0 / 10 / 14 / 59 and CMYK 16 / 6 / 0 / 59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 49 / 72 / 40 shade: CMYK 0 / 72 / 56 / 41, CMYK 0 / 68 / 72 / 41, CMYK 0 / 49 / 72 / 41, CMYK 0 / 30 / 72 / 41 and CMYK 0 / 11 / 72 / 41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 49 / 72 / 40 shade: CMYK 0 / 49 / 72 / 66, CMYK 0 / 49 / 72 / 54, CMYK 0 / 49 / 72 / 41, CMYK 0 / 49 / 72 / 28 and CMYK 0 / 44 / 65 / 20

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 49 / 72 / 40 shade: CMYK 0 / 49 / 72 / 40, CMYK 37 / 0 / 72 / 41 and CMYK 72 / 66 / 0 / 41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 49 / 72 / 40 shade: CMYK 0 / 49 / 72 / 40, CMYK 72 / 0 / 49 / 41 and CMYK 49 / 72 / 0 / 41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 49 / 72 / 40 shade: CMYK 0 / 49 / 72 / 40, CMYK 37 / 0 / 72 / 41, CMYK 72 / 23 / 0 / 41 and CMYK 35 / 72 / 0 / 41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 49 / 72 / 40 shade: CMYK 0 / 49 / 72 / 40, CMYK 59 / 0 / 72 / 41, CMYK 72 / 23 / 0 / 41 and CMYK 13 / 72 / 0 / 41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 72 / 40

HEX #994E2B

RGB 153 78 43

HSL 19.09, 0.56%, 0.38%

LAB 41.84, 28.48, 34.25

 

Complementary color

CMYK 52 / 17 / 0 / 17

HEX #66B1D4

RGB 102 177 212

HSL 199.09, 0.56%, 0.62%

LAB 68.77, -13.65, -24.87

 

CMYK 0 / 51 / 76 / 38

HEX #9E4E26

RGB 158 78 38

HSL 20, 0.61%, 0.38%

LAB 42.55, 30.31, 37.9

 

CMYK 0 / 45 / 67 / 31

HEX #AF6039

RGB 175 96 57

HSL 19.83, 0.51%, 0.45%

LAB 49.22, 28.63, 35.88

 

CMYK 0 / 41 / 60 / 25

HEX #C0724C

RGB 192 114 76

HSL 19.66, 0.48%, 0.53%

LAB 55.85, 27.14, 33.97

 

CMYK 0 / 37 / 55 / 18

HEX #D1845F

RGB 209 132 95

HSL 19.47, 0.55%, 0.6%

LAB 62.41, 25.83, 32.22

 

CMYK 0 / 34 / 50 / 11

HEX #E29672

RGB 226 150 114

HSL 19.29, 0.66%, 0.67%

LAB 68.89, 24.66, 30.64

 

CMYK 0 / 49 / 72 / 40

HEX #994E2B

RGB 153 78 43

HSL 19.09, 0.56%, 0.38%

LAB 41.84, 28.48, 34.25

 

CMYK 0 / 56 / 82 / 47

HEX #883C18

RGB 136 60 24

HSL 19.29, 0.7%, 0.31%

LAB 35.07, 30.26, 36.34

 

CMYK 0 / 65 / 96 / 53

HEX #772A05

RGB 119 42 5

HSL 19.47, 0.92%, 0.24%

LAB 28.35, 32.11, 37.78

 

CMYK 0 / 76 / 100 / 60

HEX #661800

RGB 102 24 0

HSL 14.12, 1%, 0.2%

LAB 21.86, 33.71, 32.47

 

CMYK 0 / 93 / 100 / 67

HEX #550600

RGB 85 6 0

HSL 4.24, 1%, 0.17%

LAB 15.81, 34.04, 24.44

 

CMYK 0 / 49 / 72 / 41

HEX #974D2A

RGB 151 77 42

HSL 19.27, 0.56%, 0.38%

LAB 41.3, 28.13, 34.12

 

CMYK 0 / 69 / 72 / 41

HEX #972F2A

RGB 151 47 42

HSL 2.75, 0.56%, 0.38%

LAB 35.56, 43.07, 27.58

 

CMYK 0 / 72 / 72 / 41

HEX #972A2A

RGB 151 42 42

HSL 0, 0.56%, 0.38%

LAB 34.81, 45.11, 26.7

 

CMYK 0 / 49 / 72 / 41

HEX #974D2A

RGB 151 77 42

HSL 19.27, 0.56%, 0.38%

LAB 41.3, 28.13, 34.12

 

CMYK 0 / 30 / 72 / 41

HEX #976A2A

RGB 151 106 42

HSL 35.23, 0.56%, 0.38%

LAB 48.33, 11.62, 41.68

 

CMYK 0 / 11 / 72 / 41

HEX #97872A

RGB 151 135 42

HSL 51.19, 0.56%, 0.38%

LAB 56.16, -4.77, 49.66

 

CMYK 9 / 0 / 72 / 41

HEX #89972A

RGB 137 151 42

HSL 67.71, 0.56%, 0.38%

LAB 59.54, -19.55, 52.6

 

CMYK 28 / 0 / 72 / 41

HEX #6C972A

RGB 108 151 42

HSL 83.67, 0.56%, 0.38%

LAB 57.55, -31.66, 49.95

 

CMYK 0 / 49 / 72 / 41

HEX #974D2A

RGB 151 77 42

HSL 19.27, 0.56%, 0.38%

LAB 41.3, 28.13, 34.12

 

CMYK 0 / 57 / 84 / 35

HEX #A6471A

RGB 166 71 26

HSL 19.29, 0.73%, 0.38%

LAB 42.29, 36.76, 43.89

 

CMYK 0 / 64 / 94 / 29

HEX #B6410B

RGB 182 65 11

HSL 18.95, 0.89%, 0.38%

LAB 43.87, 45.36, 51.8

 

CMYK 0 / 49 / 72 / 41

HEX #974D2A

RGB 151 77 42

HSL 19.27, 0.56%, 0.38%

LAB 41.3, 28.13, 34.12

 

CMYK 0 / 39 / 57 / 47

HEX #87523A

RGB 135 82 58

HSL 18.7, 0.4%, 0.38%

LAB 40.4, 19.54, 23.32

 

CMYK 0 / 26 / 39 / 53

HEX #775849

RGB 119 88 73

HSL 19.57, 0.24%, 0.38%

LAB 40.22, 10.59, 13.68

 

CMYK 0 / 10 / 14 / 59

HEX #685E59

RGB 104 94 89

HSL 20, 0.08%, 0.38%

LAB 40.69, 3.07, 4.31

 

CMYK 16 / 6 / 0 / 59

HEX #586369

RGB 88 99 105

HSL 201.18, 0.09%, 0.38%

LAB 41.25, -2.82, -4.83

 

CMYK 0 / 72 / 56 / 41

HEX #972A42

RGB 151 42 66

HSL 346.79, 0.56%, 0.38%

LAB 35.26, 46.67, 12.05

 

CMYK 0 / 68 / 72 / 41

HEX #97302A

RGB 151 48 42

HSL 3.3, 0.56%, 0.38%

LAB 35.71, 42.64, 27.76

 

CMYK 0 / 49 / 72 / 41

HEX #974D2A

RGB 151 77 42

HSL 19.27, 0.56%, 0.38%

LAB 41.3, 28.13, 34.12

 

CMYK 0 / 30 / 72 / 41

HEX #97692A

RGB 151 105 42

HSL 34.68, 0.56%, 0.38%

LAB 48.07, 12.2, 41.41

 

CMYK 0 / 11 / 72 / 41

HEX #97862A

RGB 151 134 42

HSL 50.64, 0.56%, 0.38%

LAB 55.88, -4.22, 49.38

 

CMYK 0 / 49 / 72 / 66

HEX #562C18

RGB 86 44 24

HSL 19.35, 0.56%, 0.22%

LAB 23.15, 17.36, 21.24

 

CMYK 0 / 49 / 72 / 54

HEX #763C21

RGB 118 60 33

HSL 19.06, 0.56%, 0.3%

LAB 32.24, 22.97, 27.62

 

CMYK 0 / 49 / 72 / 41

HEX #974D2A

RGB 151 77 42

HSL 19.27, 0.56%, 0.38%

LAB 41.3, 28.13, 34.12

 

CMYK 0 / 49 / 72 / 28

HEX #B75D33

RGB 183 93 51

HSL 19.09, 0.56%, 0.46%

LAB 49.66, 33.19, 39.88

 

CMYK 0 / 44 / 65 / 20

HEX #CB7248

RGB 203 114 72

HSL 19.24, 0.56%, 0.54%

LAB 57.27, 31.35, 38.19

 

CMYK 0 / 49 / 72 / 40

HEX #994E2B

RGB 153 78 43

HSL 19.09, 0.56%, 0.38%

LAB 41.84, 28.48, 34.25

 

CMYK 37 / 0 / 72 / 41

HEX #5F972A

RGB 95 151 42

HSL 90.83, 0.56%, 0.38%

LAB 56.81, -36.61, 48.97

 

CMYK 72 / 66 / 0 / 41

HEX #2A3397

RGB 42 51 151

HSL 235.05, 0.56%, 0.38%

LAB 27, 31.23, -55.79

 

CMYK 0 / 49 / 72 / 40

HEX #994E2B

RGB 153 78 43

HSL 19.09, 0.56%, 0.38%

LAB 41.84, 28.48, 34.25

 

CMYK 72 / 0 / 49 / 41

HEX #2A974D

RGB 42 151 77

HSL 139.27, 0.56%, 0.38%

LAB 55.24, -47.08, 30.28

 

CMYK 49 / 72 / 0 / 41

HEX #4D2A97

RGB 77 42 151

HSL 259.27, 0.56%, 0.38%

LAB 28.03, 42.05, -53.99

 

CMYK 0 / 49 / 72 / 40

HEX #994E2B

RGB 153 78 43

HSL 19.09, 0.56%, 0.38%

LAB 41.84, 28.48, 34.25

 

CMYK 37 / 0 / 72 / 41

HEX #5F972A

RGB 95 151 42

HSL 90.83, 0.56%, 0.38%

LAB 56.81, -36.61, 48.97

 

CMYK 72 / 23 / 0 / 41

HEX #2A7497

RGB 42 116 151

HSL 199.27, 0.56%, 0.38%

LAB 45.93, -10.75, -25.56

 

CMYK 35 / 72 / 0 / 41

HEX #622A97

RGB 98 42 151

HSL 270.83, 0.56%, 0.38%

LAB 30.61, 46.05, -49.68

 

CMYK 0 / 49 / 72 / 40

HEX #994E2B

RGB 153 78 43

HSL 19.09, 0.56%, 0.38%

LAB 41.84, 28.48, 34.25

 

CMYK 59 / 0 / 72 / 41

HEX #3E972A

RGB 62 151 42

HSL 108.99, 0.56%, 0.38%

LAB 55.41, -47.09, 47.08

 

CMYK 72 / 23 / 0 / 41

HEX #2A7497

RGB 42 116 151

HSL 199.27, 0.56%, 0.38%

LAB 45.93, -10.75, -25.56

 

CMYK 13 / 72 / 0 / 41

HEX #832A97

RGB 131 42 151

HSL 288.99, 0.56%, 0.38%

LAB 35.43, 53.09, -41.65

 

Description

Color code: CMYK 0 / 49 / 72 / 40 | qconv.com Color code: CMYK 0 / 49 / 72 / 40 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 78 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 78 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 72 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 72% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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