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Color name
CMYK 0 / 47 / 72 / 39

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 47 / 72 / 39 it is the complementary color CMYK 53 / 18 / 0 / 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 47 / 72 / 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 47 / 72 / 39 shade: CMYK 0 / 49 / 76 / 37, CMYK 0 / 44 / 67 / 30, CMYK 0 / 39 / 61 / 24, CMYK 0 / 36 / 55 / 17 and CMYK 0 / 33 / 50 / 10

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 47 / 72 / 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 47 / 72 / 39 shade: CMYK 0 / 47 / 72 / 39, CMYK 0 / 54 / 82 / 45, CMYK 0 / 62 / 95 / 52, CMYK 0 / 73 / 100 / 59 and CMYK 0 / 89 / 100 / 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 47 / 72 / 39 shade: CMYK 0 / 48 / 72 / 39, CMYK 0 / 67 / 72 / 39 and CMYK 0 / 72 / 72 / 39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 47 / 72 / 39 shade: CMYK 0 / 48 / 72 / 39, CMYK 0 / 28 / 72 / 39, CMYK 0 / 9 / 72 / 39, CMYK 11 / 0 / 72 / 39 and CMYK 30 / 0 / 72 / 39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 47 / 72 / 39 shade matches the following richer shades: CMYK 0 / 48 / 72 / 39, CMYK 0 / 56 / 84 / 33 and CMYK 0 / 62 / 94 / 27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 47 / 72 / 39 shade: CMYK 0 / 48 / 72 / 39, CMYK 0 / 38 / 58 / 45, CMYK 0 / 25 / 39 / 52, CMYK 0 / 8 / 13 / 58 and CMYK 17 / 6 / 0 / 58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 47 / 72 / 39 shade: CMYK 0 / 72 / 57 / 39, CMYK 0 / 67 / 72 / 39, CMYK 0 / 48 / 72 / 39, CMYK 0 / 29 / 72 / 39 and CMYK 0 / 10 / 72 / 39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 47 / 72 / 39 shade: CMYK 0 / 48 / 72 / 65, CMYK 0 / 48 / 72 / 52, CMYK 0 / 48 / 72 / 39, CMYK 0 / 48 / 72 / 27 and CMYK 0 / 41 / 63 / 20

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 47 / 72 / 39 shade: CMYK 0 / 47 / 72 / 39, CMYK 39 / 0 / 72 / 39 and CMYK 72 / 67 / 0 / 39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 47 / 72 / 39 shade: CMYK 0 / 47 / 72 / 39, CMYK 72 / 0 / 48 / 39 and CMYK 48 / 72 / 0 / 39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 47 / 72 / 39 shade: CMYK 0 / 47 / 72 / 39, CMYK 39 / 0 / 72 / 39, CMYK 72 / 24 / 0 / 39 and CMYK 34 / 72 / 0 / 39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 47 / 72 / 39 shade: CMYK 0 / 47 / 72 / 39, CMYK 60 / 0 / 72 / 39, CMYK 72 / 24 / 0 / 39 and CMYK 12 / 72 / 0 / 39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 72 / 39

HEX #9C522C

RGB 156 82 44

HSL 20.36, 0.56%, 0.39%

LAB 43.19, 27.59, 35.33

 

Complementary color

CMYK 53 / 18 / 0 / 17

HEX #63ADD3

RGB 99 173 211

HSL 200.36, 0.56%, 0.61%

LAB 67.46, -12.46, -26.33

 

CMYK 0 / 49 / 76 / 37

HEX #A15227

RGB 161 82 39

HSL 21.15, 0.61%, 0.39%

LAB 43.88, 29.44, 38.93

 

CMYK 0 / 44 / 67 / 30

HEX #B2643A

RGB 178 100 58

HSL 21, 0.51%, 0.46%

LAB 50.55, 27.76, 36.98

 

CMYK 0 / 39 / 61 / 24

HEX #C3764D

RGB 195 118 77

HSL 20.85, 0.5%, 0.53%

LAB 57.17, 26.27, 35.12

 

CMYK 0 / 36 / 55 / 17

HEX #D48860

RGB 212 136 96

HSL 20.69, 0.57%, 0.6%

LAB 63.71, 24.97, 33.41

 

CMYK 0 / 33 / 50 / 10

HEX #E59A73

RGB 229 154 115

HSL 20.53, 0.69%, 0.67%

LAB 70.18, 23.82, 31.84

 

CMYK 0 / 47 / 72 / 39

HEX #9C522C

RGB 156 82 44

HSL 20.36, 0.56%, 0.39%

LAB 43.19, 27.59, 35.33

 

CMYK 0 / 54 / 82 / 45

HEX #8B4019

RGB 139 64 25

HSL 20.53, 0.7%, 0.32%

LAB 36.42, 29.39, 37.31

 

CMYK 0 / 62 / 95 / 52

HEX #7A2E06

RGB 122 46 6

HSL 20.69, 0.91%, 0.25%

LAB 29.68, 31.32, 38.66

 

CMYK 0 / 73 / 100 / 59

HEX #691C00

RGB 105 28 0

HSL 16, 1%, 0.21%

LAB 23.11, 33.12, 33.97

 

CMYK 0 / 89 / 100 / 65

HEX #580A00

RGB 88 10 0

HSL 6.82, 1%, 0.17%

LAB 16.95, 33.8, 26.01

 

CMYK 0 / 48 / 72 / 39

HEX #9B512B

RGB 155 81 43

HSL 20.36, 0.57%, 0.39%

LAB 42.81, 27.67, 35.41

 

CMYK 0 / 67 / 72 / 39

HEX #9B332B

RGB 155 51 43

HSL 4.29, 0.57%, 0.39%

LAB 36.95, 42.79, 28.79

 

CMYK 0 / 72 / 72 / 39

HEX #9B2B2B

RGB 155 43 43

HSL 0, 0.57%, 0.39%

LAB 35.73, 46.11, 27.37

 

CMYK 0 / 48 / 72 / 39

HEX #9B512B

RGB 155 81 43

HSL 20.36, 0.57%, 0.39%

LAB 42.81, 27.67, 35.41

 

CMYK 0 / 28 / 72 / 39

HEX #9B6F2B

RGB 155 111 43

HSL 36.43, 0.57%, 0.39%

LAB 50.11, 10.63, 43.22

 

CMYK 0 / 9 / 72 / 39

HEX #9B8D2B

RGB 155 141 43

HSL 52.5, 0.57%, 0.39%

LAB 58.22, -6.19, 51.42

 

CMYK 11 / 0 / 72 / 39

HEX #8A9B2B

RGB 138 155 43

HSL 69.11, 0.57%, 0.39%

LAB 60.8, -21.1, 53.48

 

CMYK 30 / 0 / 72 / 39

HEX #6C9B2B

RGB 108 155 43

HSL 85.18, 0.57%, 0.39%

LAB 58.79, -33.45, 50.82

 

CMYK 0 / 48 / 72 / 39

HEX #9B512B

RGB 155 81 43

HSL 20.36, 0.57%, 0.39%

LAB 42.81, 27.67, 35.41

 

CMYK 0 / 56 / 84 / 33

HEX #AB4C1B

RGB 171 76 27

HSL 20.42, 0.73%, 0.39%

LAB 44.1, 36.24, 45.37

 

CMYK 0 / 62 / 94 / 27

HEX #BB470B

RGB 187 71 11

HSL 20.45, 0.89%, 0.39%

LAB 45.76, 44.48, 53.47

 

CMYK 0 / 48 / 72 / 39

HEX #9B512B

RGB 155 81 43

HSL 20.36, 0.57%, 0.39%

LAB 42.81, 27.67, 35.41

 

CMYK 0 / 38 / 58 / 45

HEX #8B563B

RGB 139 86 59

HSL 20.25, 0.4%, 0.39%

LAB 41.94, 19.05, 24.8

 

CMYK 0 / 25 / 39 / 52

HEX #7A5B4B

RGB 122 91 75

HSL 20.43, 0.24%, 0.39%

LAB 41.42, 10.37, 14.16

 

CMYK 0 / 8 / 13 / 58

HEX #6A615C

RGB 106 97 92

HSL 21.43, 0.07%, 0.39%

LAB 41.82, 2.64, 4.14

 

CMYK 17 / 6 / 0 / 58

HEX #5A666C

RGB 90 102 108

HSL 200, 0.09%, 0.39%

LAB 42.4, -3.17, -4.93

 

CMYK 0 / 72 / 57 / 39

HEX #9B2B42

RGB 155 43 66

HSL 347.68, 0.57%, 0.39%

LAB 36.16, 47.56, 13.4

 

CMYK 0 / 67 / 72 / 39

HEX #9B332B

RGB 155 51 43

HSL 4.29, 0.57%, 0.39%

LAB 36.95, 42.79, 28.79

 

CMYK 0 / 48 / 72 / 39

HEX #9B502B

RGB 155 80 43

HSL 19.82, 0.57%, 0.39%

LAB 42.58, 28.22, 35.16

 

CMYK 0 / 29 / 72 / 39

HEX #9B6E2B

RGB 155 110 43

HSL 35.89, 0.57%, 0.39%

LAB 49.85, 11.2, 42.95

 

CMYK 0 / 10 / 72 / 39

HEX #9B8C2B

RGB 155 140 43

HSL 51.96, 0.57%, 0.39%

LAB 57.94, -5.64, 51.15

 

CMYK 0 / 48 / 72 / 65

HEX #5A2F19

RGB 90 47 25

HSL 20.31, 0.57%, 0.23%

LAB 24.57, 17.46, 22.43

 

CMYK 0 / 48 / 72 / 52

HEX #7A4022

RGB 122 64 34

HSL 20.45, 0.56%, 0.31%

LAB 33.82, 22.48, 28.99

 

CMYK 0 / 48 / 72 / 39

HEX #9B512B

RGB 155 81 43

HSL 20.36, 0.57%, 0.39%

LAB 42.81, 27.67, 35.41

 

CMYK 0 / 48 / 72 / 27

HEX #BB6234

RGB 187 98 52

HSL 20.44, 0.56%, 0.47%

LAB 51.32, 32.22, 41.35

 

CMYK 0 / 41 / 63 / 20

HEX #CC784C

RGB 204 120 76

HSL 20.63, 0.56%, 0.55%

LAB 58.78, 28.81, 37.88

 

CMYK 0 / 47 / 72 / 39

HEX #9C522C

RGB 156 82 44

HSL 20.36, 0.56%, 0.39%

LAB 43.19, 27.59, 35.33

 

CMYK 39 / 0 / 72 / 39

HEX #5F9B2B

RGB 95 155 43

HSL 92.14, 0.57%, 0.39%

LAB 58.08, -38.3, 49.87

 

CMYK 72 / 67 / 0 / 39

HEX #2B339B

RGB 43 51 155

HSL 235.71, 0.57%, 0.39%

LAB 27.43, 32.8, -57.53

 

CMYK 0 / 47 / 72 / 39

HEX #9C522C

RGB 156 82 44

HSL 20.36, 0.56%, 0.39%

LAB 43.19, 27.59, 35.33

 

CMYK 72 / 0 / 48 / 39

HEX #2B9B50

RGB 43 155 80

HSL 139.82, 0.57%, 0.39%

LAB 56.62, -47.92, 30.45

 

CMYK 48 / 72 / 0 / 39

HEX #502B9B

RGB 80 43 155

HSL 259.82, 0.57%, 0.39%

LAB 28.9, 43.2, -55

 

CMYK 0 / 47 / 72 / 39

HEX #9C522C

RGB 156 82 44

HSL 20.36, 0.56%, 0.39%

LAB 43.19, 27.59, 35.33

 

CMYK 39 / 0 / 72 / 39

HEX #5F9B2B

RGB 95 155 43

HSL 92.14, 0.57%, 0.39%

LAB 58.08, -38.3, 49.87

 

CMYK 72 / 24 / 0 / 39

HEX #2B769B

RGB 43 118 155

HSL 199.82, 0.57%, 0.39%

LAB 46.76, -10.34, -26.62

 

CMYK 34 / 72 / 0 / 39

HEX #672B9B

RGB 103 43 155

HSL 272.14, 0.57%, 0.39%

LAB 31.76, 47.56, -50.22

 

CMYK 0 / 47 / 72 / 39

HEX #9C522C

RGB 156 82 44

HSL 20.36, 0.56%, 0.39%

LAB 43.19, 27.59, 35.33

 

CMYK 60 / 0 / 72 / 39

HEX #3E9B2B

RGB 62 155 43

HSL 109.82, 0.57%, 0.39%

LAB 56.72, -48.51, 48.05

 

CMYK 72 / 24 / 0 / 39

HEX #2B769B

RGB 43 118 155

HSL 199.82, 0.57%, 0.39%

LAB 46.76, -10.34, -26.62

 

CMYK 12 / 72 / 0 / 39

HEX #882B9B

RGB 136 43 155

HSL 289.82, 0.57%, 0.39%

LAB 36.61, 54.58, -42.15

 

Description

Color code: CMYK 0 / 47 / 72 / 39 | qconv.com Color code: CMYK 0 / 47 / 72 / 39 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 82 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 82 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 72 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 72% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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