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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 40 / 84 / 9 it is the complementary color CMYK 89 / 47 / 0 / 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 40 / 84 / 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 40 / 84 / 9 shade: CMYK 0 / 41 / 86 / 7, CMYK 0 / 38 / 80 / 0, CMYK 0 / 31 / 73 / 0, CMYK 0 / 24 / 65 / 0 and CMYK 0 / 17 / 58 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 40 / 84 / 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 40 / 84 / 9 shade: CMYK 0 / 40 / 84 / 9, CMYK 0 / 44 / 92 / 16, CMYK 0 / 48 / 100 / 22, CMYK 0 / 53 / 100 / 29 and CMYK 0 / 59 / 100 / 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 40 / 84 / 9 shade: CMYK 0 / 40 / 84 / 9, CMYK 0 / 63 / 84 / 9 and CMYK 0 / 84 / 84 / 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 40 / 84 / 9 shade: CMYK 0 / 40 / 84 / 9, CMYK 0 / 18 / 84 / 9, CMYK 5 / 0 / 84 / 9, CMYK 28 / 0 / 84 / 9 and CMYK 50 / 0 / 84 / 9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 40 / 84 / 9 shade matches the following richer shades: CMYK 0 / 40 / 84 / 9 and CMYK 0 / 44 / 93 / 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 40 / 84 / 9 shade: CMYK 0 / 40 / 84 / 9, CMYK 0 / 35 / 73 / 17, CMYK 0 / 29 / 61 / 24, CMYK 0 / 22 / 45 / 32 and CMYK 0 / 12 / 25 / 40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 40 / 84 / 9 shade: CMYK 0 / 84 / 82 / 9, CMYK 0 / 63 / 84 / 9, CMYK 0 / 41 / 84 / 9, CMYK 0 / 18 / 84 / 9 and CMYK 4 / 0 / 84 / 9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 40 / 84 / 9 shade: CMYK 0 / 43 / 90 / 34, CMYK 0 / 43 / 90 / 19, CMYK 0 / 40 / 84 / 9, CMYK 0 / 33 / 68 / 7 and CMYK 0 / 25 / 53 / 6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 40 / 84 / 9 shade: CMYK 0 / 40 / 84 / 9, CMYK 60 / 0 / 84 / 9 and CMYK 74 / 84 / 0 / 9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 40 / 84 / 9 shade: CMYK 0 / 40 / 84 / 9, CMYK 84 / 0 / 41 / 9 and CMYK 41 / 84 / 0 / 9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 40 / 84 / 9 shade: CMYK 0 / 40 / 84 / 9, CMYK 60 / 0 / 84 / 9, CMYK 84 / 44 / 0 / 9 and CMYK 24 / 84 / 0 / 9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 40 / 84 / 9 shade: CMYK 0 / 40 / 84 / 9, CMYK 84 / 0 / 82 / 9, CMYK 84 / 44 / 0 / 9 and CMYK 0 / 84 / 2 / 9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 84 / 9

HEX #E88B25

RGB 232 139 37

HSL 31.38, 0.81%, 0.53%

LAB 66.33, 28.5, 64.22

 

Complementary color

CMYK 89 / 47 / 0 / 15

HEX #1774DA

RGB 23 116 218

HSL 211.38, 0.81%, 0.47%

LAB 49.17, 12.73, -59.2

 

CMYK 0 / 41 / 86 / 7

HEX #ED8B20

RGB 237 139 32

HSL 31.32, 0.85%, 0.53%

LAB 66.96, 30.44, 66.56

 

CMYK 0 / 38 / 80 / 0

HEX #FE9D33

RGB 254 157 51

HSL 31.33, 0.99%, 0.6%

LAB 73.17, 28.55, 66.37

 

CMYK 0 / 31 / 73 / 0

HEX #FFAF46

RGB 255 175 70

HSL 34.05, 1%, 0.64%

LAB 77.5, 20.3, 63.07

 

CMYK 0 / 24 / 65 / 0

HEX #FFC159

RGB 255 193 89

HSL 37.59, 1%, 0.67%

LAB 81.9, 11.9, 59.48

 

CMYK 0 / 17 / 58 / 0

HEX #FFD36C

RGB 255 211 108

HSL 42.04, 1%, 0.71%

LAB 86.47, 3.84, 55.95

 

CMYK 0 / 40 / 84 / 9

HEX #E88B25

RGB 232 139 37

HSL 31.38, 0.81%, 0.53%

LAB 66.33, 28.5, 64.22

 

CMYK 0 / 44 / 92 / 16

HEX #D77912

RGB 215 121 18

HSL 31.37, 0.85%, 0.46%

LAB 60.04, 30.53, 63.71

 

CMYK 0 / 48 / 100 / 22

HEX #C66700

RGB 198 103 0

HSL 31.21, 1%, 0.39%

LAB 53.71, 32.75, 61.83

 

CMYK 0 / 53 / 100 / 29

HEX #B55500

RGB 181 85 0

HSL 28.18, 1%, 0.35%

LAB 47.39, 35.16, 56.75

 

CMYK 0 / 59 / 100 / 36

HEX #A44300

RGB 164 67 0

HSL 24.51, 1%, 0.32%

LAB 41.07, 37.47, 51.7

 

CMYK 0 / 40 / 84 / 9

HEX #E88B26

RGB 232 139 38

HSL 31.24, 0.81%, 0.53%

LAB 66.34, 28.52, 63.89

 

CMYK 0 / 63 / 84 / 9

HEX #E85726

RGB 232 87 38

HSL 15.15, 0.81%, 0.53%

LAB 56.2, 54, 55.15

 

CMYK 0 / 84 / 84 / 9

HEX #E82626

RGB 232 38 38

HSL 0, 0.81%, 0.53%

LAB 50.31, 70.22, 49.96

 

CMYK 0 / 40 / 84 / 9

HEX #E88B26

RGB 232 139 38

HSL 31.24, 0.81%, 0.53%

LAB 66.34, 28.52, 63.89

 

CMYK 0 / 18 / 84 / 9

HEX #E8BF26

RGB 232 191 38

HSL 47.32, 0.81%, 0.53%

LAB 78.79, 1.06, 74.38

 

CMYK 5 / 0 / 84 / 9

HEX #DCE826

RGB 220 232 38

HSL 63.71, 0.81%, 0.53%

LAB 88.48, -24.5, 82.06

 

CMYK 28 / 0 / 84 / 9

HEX #A7E826

RGB 167 232 38

HSL 80.1, 0.81%, 0.53%

LAB 85.03, -45.37, 77.75

 

CMYK 50 / 0 / 84 / 9

HEX #73E826

RGB 115 232 38

HSL 96.19, 0.81%, 0.53%

LAB 82.65, -62.51, 74.75

 

CMYK 0 / 40 / 84 / 9

HEX #E88B26

RGB 232 139 38

HSL 31.24, 0.81%, 0.53%

LAB 66.34, 28.52, 63.89

 

CMYK 0 / 44 / 93 / 2

HEX #FB8C12

RGB 251 140 18

HSL 31.42, 0.97%, 0.53%

LAB 68.97, 35.39, 72.3

 

CMYK 0 / 40 / 84 / 9

HEX #E88B26

RGB 232 139 38

HSL 31.24, 0.81%, 0.53%

LAB 66.34, 28.52, 63.89

 

CMYK 0 / 35 / 73 / 17

HEX #D48A39

RGB 212 138 57

HSL 31.35, 0.64%, 0.53%

LAB 63.73, 21.35, 53.04

 

CMYK 0 / 29 / 61 / 24

HEX #C1894C

RGB 193 137 76

HSL 31.28, 0.49%, 0.53%

LAB 61.44, 14.93, 40.7

 

CMYK 0 / 22 / 45 / 32

HEX #AE8860

RGB 174 136 96

HSL 30.77, 0.33%, 0.53%

LAB 59.39, 9.2, 26.99

 

CMYK 0 / 12 / 25 / 40

HEX #9A8873

RGB 154 136 115

HSL 32.31, 0.16%, 0.53%

LAB 57.77, 3.36, 13.77

 

CMYK 0 / 84 / 82 / 9

HEX #E82629

RGB 232 38 41

HSL 359.07, 0.81%, 0.53%

LAB 50.34, 70.29, 48.47

 

CMYK 0 / 63 / 84 / 9

HEX #E85626

RGB 232 86 38

HSL 14.85, 0.81%, 0.53%

LAB 56.04, 54.43, 55.01

 

CMYK 0 / 41 / 84 / 9

HEX #E88A26

RGB 232 138 38

HSL 30.93, 0.81%, 0.53%

LAB 66.12, 29.05, 63.7

 

CMYK 0 / 18 / 84 / 9

HEX #E8BE26

RGB 232 190 38

HSL 47.01, 0.81%, 0.53%

LAB 78.53, 1.58, 74.17

 

CMYK 4 / 0 / 84 / 9

HEX #DEE826

RGB 222 232 38

HSL 63.09, 0.81%, 0.53%

LAB 88.63, -23.67, 82.24

 

CMYK 0 / 43 / 90 / 34

HEX #A96111

RGB 169 97 17

HSL 31.58, 0.82%, 0.36%

LAB 48.29, 23.89, 52.36

 

CMYK 0 / 43 / 90 / 19

HEX #CF7615

RGB 207 118 21

HSL 31.29, 0.82%, 0.45%

LAB 58.3, 28.83, 61.19

 

CMYK 0 / 40 / 84 / 9

HEX #E88B26

RGB 232 139 38

HSL 31.24, 0.81%, 0.53%

LAB 66.34, 28.52, 63.89

 

CMYK 0 / 33 / 68 / 7

HEX #EC9F4B

RGB 236 159 75

HSL 31.3, 0.81%, 0.61%

LAB 71.65, 21.1, 54.07

 

CMYK 0 / 25 / 53 / 6

HEX #F0B370

RGB 240 179 112

HSL 31.41, 0.81%, 0.69%

LAB 77.24, 14.7, 42.6

 

CMYK 0 / 40 / 84 / 9

HEX #E88B25

RGB 232 139 37

HSL 31.38, 0.81%, 0.53%

LAB 66.33, 28.5, 64.22

 

CMYK 60 / 0 / 84 / 9

HEX #5DE826

RGB 93 232 38

HSL 102.99, 0.81%, 0.53%

LAB 81.94, -68.18, 73.85

 

CMYK 74 / 84 / 0 / 9

HEX #3C26E8

RGB 60 38 232

HSL 246.8, 0.81%, 0.53%

LAB 34.34, 65.4, -91.41

 

CMYK 0 / 40 / 84 / 9

HEX #E88B25

RGB 232 139 37

HSL 31.38, 0.81%, 0.53%

LAB 66.33, 28.5, 64.22

 

CMYK 84 / 0 / 41 / 9

HEX #26E88A

RGB 38 232 138

HSL 150.93, 0.81%, 0.53%

LAB 81.82, -65.84, 33.21

 

CMYK 41 / 84 / 0 / 9

HEX #8A26E8

RGB 138 38 232

HSL 270.93, 0.81%, 0.53%

LAB 42.18, 72.72, -78.2

 

CMYK 0 / 40 / 84 / 9

HEX #E88B25

RGB 232 139 37

HSL 31.38, 0.81%, 0.53%

LAB 66.33, 28.5, 64.22

 

CMYK 60 / 0 / 84 / 9

HEX #5DE826

RGB 93 232 38

HSL 102.99, 0.81%, 0.53%

LAB 81.94, -68.18, 73.85

 

CMYK 84 / 44 / 0 / 9

HEX #2683E8

RGB 38 131 232

HSL 211.24, 0.81%, 0.53%

LAB 54.52, 9.76, -58.46

 

CMYK 24 / 84 / 0 / 9

HEX #B126E8

RGB 177 38 232

HSL 282.99, 0.81%, 0.53%

LAB 47.7, 78.23, -68.96

 

CMYK 0 / 40 / 84 / 9

HEX #E88B25

RGB 232 139 37

HSL 31.38, 0.81%, 0.53%

LAB 66.33, 28.5, 64.22

 

CMYK 84 / 0 / 82 / 9

HEX #26E829

RGB 38 232 41

HSL 120.93, 0.81%, 0.53%

LAB 80.9, -77.02, 71.81

 

CMYK 84 / 44 / 0 / 9

HEX #2683E8

RGB 38 131 232

HSL 211.24, 0.81%, 0.53%

LAB 54.52, 9.76, -58.46

 

CMYK 0 / 84 / 2 / 9

HEX #E826E4

RGB 232 38 228

HSL 301.24, 0.81%, 0.53%

LAB 56.23, 86.76, -52.51

 

Description

Color code: CMYK 0 / 40 / 84 / 9 | qconv.com Color code: CMYK 0 / 40 / 84 / 9 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 139 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 139 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 84 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 84% 9% C M Y K

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