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JP2013034094A - Acoustic characteristic controller and electronic musical instrument - Google Patents

Acoustic characteristic controller and electronic musical instrument Download PDF

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JP2013034094A
JP2013034094A JP2011169089A JP2011169089A JP2013034094A JP 2013034094 A JP2013034094 A JP 2013034094A JP 2011169089 A JP2011169089 A JP 2011169089A JP 2011169089 A JP2011169089 A JP 2011169089A JP 2013034094 A JP2013034094 A JP 2013034094A
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JP5772356B2 (en
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Shigehide Kin
成英 金
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Yamaha Corp
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Abstract

PROBLEM TO BE SOLVED: To approximate spread of an acoustic image when allowing a listener to listen to a performance sound of an electronic piano via headphones, to spread of acoustic image when allowing the listener to listen to the sound via a speaker.SOLUTION: Band division parts 11L and 11R divide output signals L and R of an electronic piano 90 into three bands. A signal generation part 12 extracts MID component signals M, M, and Mand SIDE component signals S, S, and Sfrom band division signals L, R, L, R, L, and Rwhich belong to each band, mixes the signals M, M, and Mand the signals S, S, and Sin different ratios to generate component mixed signals LMX, RMX, LMX, RMX, LMX, and RMX, and supplies the signals LMX, LMX, and LMXto a left headphone unit 94L of headphones 93 and the signals RMX, RMX, and RMXto a right headphone unit 94R.

Description

本発明は、電子鍵盤楽器の演奏音をヘッドホンを介して聴取させる場合における音の音像を制御する技術に関する。   The present invention relates to a technique for controlling a sound image of a sound when a performance sound of an electronic keyboard instrument is heard through headphones.

電子ピアノの中には、ヘッドホンを接続するためのジャックを有しているものがある。この種の電子ピアノでは、演奏音を周囲に漏らしたくない場合は、演奏者の頭にヘッドホンを装着するとともに、ヘッドホンのプラグを電子ピアノのジャックに差し込み、この状態で演奏を行う。電子ピアノは、そのジャックにヘッドホンのプラグが差し込まれた状態において、鍵の打鍵を検知すると、打鍵音の左右2チャネルの音データを音源から読み出し、この左右2チャネルの音データを左右2チャネルの音信号としてヘッドホンの左ヘッドホンユニット及び右ヘッドホンユニットに供給する。ヘッドホンの左ヘッドホンユニットは、電子ピアノから供給された左チャネルの音信号を演奏者の左耳に向けて放音し、ヘッドホンの右ヘッドホンユニットは、電子ピアノから供給された右チャネルの音信号を演奏者の右耳に向けて放音する。これにより、演奏者は、電子ピアノの演奏音を周囲に漏らすことなく演奏を行うことができる。   Some electronic pianos have a jack for connecting headphones. In this type of electronic piano, when it is not desired to leak the performance sound to the surroundings, the headphone is attached to the performer's head, and the headphone plug is inserted into the jack of the electronic piano, and the performance is performed in this state. When the electronic piano detects a keystroke with the headphones plugged into the jack, it reads out the sound data of the left and right channels of the keystroke sound from the sound source, and reads the sound data of the left and right channels from the left and right channels. The sound signal is supplied to the left and right headphone units of the headphones. The left headphone unit of the headphones emits the sound signal of the left channel supplied from the electronic piano toward the player's left ear, and the right headphone unit of the headphones outputs the sound signal of the right channel supplied from the electronic piano. Sounds towards the performer's right ear. Thereby, the performer can perform the performance without leaking the performance sound of the electronic piano to the surroundings.

特開昭58−30300号公報JP 58-30300 A 米国特許公報第2010/0246832号明細書US Patent Publication No. 2010/0246832 米国特許5751817号明細書US Pat. No. 5,751,817

フリッツメンツァー,クリストフファーラー,Stereoto Binaural Conversion Using International Coherence Matching,オーディオエンジニアリングテクノロジーコンベンションペーパー7986,グレートブリテン及び北アイルランド連合王国,the128th Convention 2010年4月22日Fritz Menzer, Christoph Farrer, Stereoto Binaural Conversion Using International Coherence Matching, Audio Engineering Technology Convention Paper 7986, United Kingdom of Great Britain and Northern Ireland, the128th Convention April 22, 2010

しかしながら、電子ピアノの演奏音の聴取にヘッドホンを使用した場合、自然な音の拡がり感が得難いという問題がある。その理由は次の通りである。一般に、電子ピアノの音源内に格納されている左右2チャネルの音データは、アコースティックピアノの周辺に配置した複数のマイクロホンで収音した各鍵の打鍵音をミキシング調整して製作した音のデータとなっている。従って、図2(A)の例に示すように、電子ピアノ190の左チャネルの音信号の音及び右チャネルの音信号の音を演奏者の左前方と右前方の各位置(図2(A)の例では、演奏者の正面方向からみて30度左側の位置と30度右側の位置)に置いた2つのスピーカ200L及び200Rを介して演奏者Pに聴かせるようにした場合、左スピーカ200Lから放音される左チャネルの音信号の音が左耳ELだけでなく右耳ERにも聴こえ、右スピーカ200Rから放音される右チャネルの音信号の音が右耳ERだけでなく左耳ELにも聴こえる現象であるクロストークが発生する。ここで、左スピーカ200Lから左耳ELに伝わる音をALとし、右スピーカ200Rから右耳ERに伝わる音をARとし、左スピーカ200Lから右耳ERに伝わる音をALCRとし、右スピーカ200Rから左耳ELに伝わる音をARCRとすると、音ALが左耳ELに到達する時刻と音ALCRが右耳ERに到達する時刻との間には各々の音路長の差に応じた時間差ΔTLが生じる。同様に、音ARが右耳ERに到達する時刻と音ARCRが左耳ELに到達する時刻との間には各々の音路長の差に応じた時間差ΔTRが生じる。よって、この場合、演奏者Pは、演奏者Pから見て左スピーカ200Lと右スピーカ200Rのある方向にそれらのスピーカ200L及び200Rを含む左右方向の拡がりをもった音像があると感じる。 However, when headphones are used to listen to the performance sound of an electronic piano, there is a problem that it is difficult to obtain a natural sound spread. The reason is as follows. In general, the sound data of the left and right two channels stored in the sound source of an electronic piano is the sound data produced by mixing and adjusting the keystroke sound of each key picked up by a plurality of microphones arranged around the acoustic piano. It has become. Therefore, as shown in the example of FIG. 2A, the sound of the sound signal of the left channel and the sound signal of the right channel of the electronic piano 190 are moved to the left front and right front positions of the performer (FIG. 2A). In the example of (2), when the player P is listened to through the two speakers 200L and 200R placed at a position 30 degrees to the left and 30 degrees to the right when viewed from the front of the player, the left speaker 200L The sound of the left channel sound signal emitted from the right ear ER is heard not only by the left ear EL but also the right channel sound signal emitted from the right speaker 200R as well as the right ear ER. Crosstalk, a phenomenon that can be heard in EL, occurs. Here, the sound transmitted from the left speaker 200L to the left ear EL and AL, the sound transmitted from the right speaker 200R to the right ear ER and AR, and the sound transmitted from the left speaker 200L to the right ear ER and AL CR, from the right speaker 200R If the sound transmitted to the left ear EL is AR CR , the time difference corresponding to the difference in sound path length between the time when the sound AL reaches the left ear EL and the time when the sound AL CR reaches the right ear ER. ΔTL occurs. Similarly, a time difference ΔTR corresponding to the difference in sound path length is generated between the time when the sound AR reaches the right ear ER and the time when the sound AR CR reaches the left ear EL. Therefore, in this case, the performer P feels that there is a sound image having a left-right spread including the speakers 200L and 200R in a certain direction of the left speaker 200L and the right speaker 200R when viewed from the player P.

これに対して、図2(B)の例に示すように、電子ピアノ190の演奏音をヘッドホン193を介して聴かせるようにした場合、クロストークは発生しない。そして、この場合、演奏者は、自身を挟んだ左右両側の方向から左ヘッドホンユニット194Lの音ALと右ヘッドホンユニット194Rの音ARがそれぞれ聴こえる。よって、この場合、演奏者は、自身の前方に音像があるとは感じずに、左右に大きく拡がる音像の中に自身が居ると感じる。   On the other hand, as shown in the example of FIG. 2B, when the performance sound of the electronic piano 190 is heard through the headphones 193, crosstalk does not occur. In this case, the performer can hear the sound AL of the left headphone unit 194L and the sound AR of the right headphone unit 194R from both the left and right directions across the player. Therefore, in this case, the performer does not feel that there is a sound image in front of himself / herself, but feels that he / she is in a sound image that greatly expands to the left and right.

本発明は、このような課題に鑑みてなされたものであり、電子ピアノの演奏音の聴取にヘッドホンを使用した場合において、自然な音の拡がり感が得られる技術的手段を提供することを目的とする。   The present invention has been made in view of such problems, and it is an object of the present invention to provide technical means capable of obtaining a natural sound spread when headphones are used for listening to performance sounds of an electronic piano. And

上記課題を解決するため、本発明は、左右2チャネルの入力信号を複数の帯域に分割し、分割した各帯域に属する左右2チャネルの帯域分割信号を各々出力する帯域分割手段と、前記帯域分割手段により分割された各帯域の左右2チャネルの帯域分割信号について、当該帯域の左右2チャネルの帯域分割信号の和であるMID成分信号と当該帯域の左右2チャネルの帯域分割信号の差であるSIDE成分信号を生成し、各帯域のMID成分信号及びSIDE成分信号を混合して帯域毎の左右2チャネルの成分混合信号を生成し、各帯域の左チャネルの成分混合信号をヘッドホンの左ヘッドホンユニットに出力するとともに各帯域の右チャネルの成分混合信号を前記ヘッドホンの右ヘッドホンユニットに出力する信号生成手段とを具備する音響特性制御装置を提供する。   In order to solve the above problems, the present invention divides a left and right two-channel input signal into a plurality of bands, and outputs band divided signals of two left and right channels belonging to each divided band, and the band division For the left and right two-channel band-divided signals of each band divided by the means, the SIDE that is the difference between the MID component signal that is the sum of the left and right two-channel band-divided signals of the band and the right and left two-channel band-divided signals Generate component signals, mix MID component signals and SIDE component signals of each band to generate left and right two-channel component mixed signals for each band, and transfer the left channel component mixed signal of each band to the left headphone unit of the headphones And a signal generating means for outputting a right channel component mixed signal of each band to the right headphone unit of the headphone. Providing sexual controller.

本発明では、左右2チャネルの入力信号を分割した各帯域について、当該帯域のMID成分信号とSIDE成分信号とを混合して得られる左右2チャネルの成分混合信号を左ヘッドホンユニット及び右ヘッドホンユニットに出力する。よって、各帯域の左右2チャネルの各成分混合信号内におけるSIDE成分信号の比率を適切に決定することにより、演奏者が演奏音の聴取にヘッドホンを使用した場合に感じる音像の拡がり感を適度に狭め、より自然な音の拡がり感を創出することができる。   In the present invention, for each band obtained by dividing the left and right two-channel input signals, the left and right two-channel component mixed signals obtained by mixing the MID component signal and the SIDE component signal of the band are supplied to the left headphone unit and the right headphone unit. Output. Therefore, by appropriately determining the ratio of the SIDE component signals in the component mixed signals of the left and right two channels in each band, the sound image that the player feels when using headphones to listen to the performance sound is moderately Narrowing can create a more natural sense of sound expansion.

ここで、左右2チャネルのステレオ音声の拡がり感を制御する技術を開示した文献として、特許文献1〜3及び非特許文献1がある。しかし、特許文献1に開示された音場可変装置は、左右2チャネルの音信号L,Rの和M(M=L+R)と差S(S=L−R)から信号Mと信号Sの和信号M+Sと差信号M−Sを生成し、これらの信号M+S,M−Sを所定量の遅延を与えた上で元の音信号L,Rに加算し、この加算信号L+(M+S)及びR+(M−S)を出力するものである。また、特許文献2,3の技術は、左右2チャネルのステレオ音声信号に音の発生源から左右の耳に至る区間の頭部伝達関数を畳み込むものである。また、非特許文献1は、分割帯域Δf毎に音像の位置を計算し、この位置に定位するように頭部伝達関数を畳み込むものであり、本発明のように鍵盤楽器への適用を想定したものではない。よって、特許文献1〜3及び非特許文献1は、左右2チャネルの音信号の帯域分割と、分割した帯域分割信号の加算、減算、及び増幅とによって音像を制御する技術である本発明とは異なるものである。   Here, there are Patent Documents 1 to 3 and Non-Patent Document 1 as documents disclosing a technique for controlling the spread of stereo sound of two left and right channels. However, the sound field varying device disclosed in Patent Document 1 is a sum of a signal M and a signal S from a sum M (M = L + R) and a difference S (S = LR) of two left and right channel sound signals L and R. A signal M + S and a difference signal MS are generated, and these signals M + S and MS are added to the original sound signals L and R after giving a predetermined amount of delay, and the added signals L + (M + S) and R + are added. (MS) is output. In the techniques of Patent Documents 2 and 3, the head-related transfer function in the section from the sound source to the left and right ears is convolved with the left and right two-channel stereo audio signals. Non-Patent Document 1 calculates the position of a sound image for each divided band Δf and convolves the head-related transfer function so as to be localized at this position, and is assumed to be applied to a keyboard instrument as in the present invention. It is not a thing. Therefore, Patent Documents 1 to 3 and Non-Patent Document 1 describe the present invention which is a technique for controlling a sound image by band division of left and right two-channel sound signals and addition, subtraction, and amplification of the divided band division signals. Is different.

本発明の一実施形態である音響特性制御装置と電子ピアノを含む電子楽器の構成例を示す図である。It is a figure which shows the structural example of the electronic musical instrument containing the acoustic characteristic control apparatus and electronic piano which are one Embodiment of this invention. 従来技術の問題点を説明するための図である。It is a figure for demonstrating the problem of a prior art.

以下、図面を参照し、この発明の実施の形態を説明する。
図1は、本発明の一実施形態である音響特性制御装置10と電子ピアノ90とを備える電子楽器の構成例を示す図である。この電子楽器では、演奏者Pの頭部に装着されるヘッドホン93と演奏者Pにより演奏される電子ピアノ90とが音響特性制御装置10を介して接続されている。この電子楽器では、電子ピアノ90の左右2チャネルの出力信号L及びRが音響特性制御装置10による信号処理を経てヘッドホン93の左ヘッドホンユニット94L及び右ヘッドホンユニット94Rに供給される。図1に示すように、電子ピアノ90の筐体99の上面には、最も低いノートナンバの鍵91−1から最も高いノートナンバの鍵91−88に至る88個の鍵91−k(k=1〜88)が左右方向に並べて配置されている。電子ピアノ90の音源92には、鍵91−k(k=1〜88)の各々と対応する88組の音データDL−k(k=1〜88)及びDR−k(k=1〜88)が収録されている。1つの鍵91−kと対応する1組の音データDL−k及びDR−kは、アコースティックピアノの周辺に配置した複数のマイクロホンにより収音した打鍵音をミキシング調整した音のデータである。この電子ピアノ90は、筐体99の上面における鍵91−kが打鍵されると、打鍵された鍵91−kと対応する音データDL−k及びDR−kを音源92から読み出し、この音データDL−k及びDR−kを左右2チャネルの音信号L及びRとして音響特性制御装置10に出力する。
Embodiments of the present invention will be described below with reference to the drawings.
FIG. 1 is a diagram illustrating a configuration example of an electronic musical instrument including an acoustic characteristic control device 10 and an electronic piano 90 according to an embodiment of the present invention. In this electronic musical instrument, a headphone 93 attached to the head of the player P and an electronic piano 90 played by the player P are connected via the acoustic characteristic control device 10. In this electronic musical instrument, the left and right channel output signals L and R of the electronic piano 90 are supplied to the left headphone unit 94L and the right headphone unit 94R of the headphone 93 through signal processing by the acoustic characteristic control device 10. As shown in FIG. 1, 88 keys 91 -k (k = k = from the lowest note number key 91-1 to the highest note number key 91-88) are formed on the top surface of the housing 99 of the electronic piano 90. 1 to 88) are arranged side by side in the left-right direction. The sound source 92 of the electronic piano 90 includes 88 sets of sound data DL-k (k = 1 to 88) and DR-k (k = 1 to 88) corresponding to each of the keys 91-k (k = 1 to 88). ) Is recorded. A set of sound data DL-k and DR-k corresponding to one key 91-k is sound data obtained by mixing and adjusting keystroke sounds collected by a plurality of microphones arranged around the acoustic piano. When the key 91-k on the upper surface of the housing 99 is pressed, the electronic piano 90 reads the sound data DL-k and DR-k corresponding to the key 91-k that has been pressed from the sound source 92, and this sound data. DL-k and DR-k are output to the acoustic characteristic control apparatus 10 as sound signals L and R of two left and right channels.

次に、音響特性制御装置10の構成について説明する。音響特性制御装置10は、帯域分割部11L,11Rと信号生成部12とを有している。帯域分割部11Lは、電子ピアノ90から与えられる左チャネルの入力信号Lを、低域、中域、及び高域の3つの帯域に分割し、低域に属する帯域分割信号L、中域に属する帯域分割信号L、及び高域に属する帯域分割信号Lを出力する。帯域分割部11Rは、電子ピアノ90から与えられる右チャネルの入力信号Rを、低域、中域、及び高域の3つの帯域に分割し、低域に属する帯域分割信号R、中域に属する帯域分割信号R、及び高域に属する帯域分割信号Rを出力する。 Next, the configuration of the acoustic characteristic control device 10 will be described. The acoustic characteristic control device 10 includes band division units 11L and 11R and a signal generation unit 12. The band dividing unit 11L divides the input signal L of the left channel given from the electronic piano 90 into three bands, a low band, a middle band, and a high band, and a band divided signal L L belonging to the low band, The band division signal L M to which it belongs and the band division signal L H to which it belongs are output. The band dividing unit 11R divides the input signal R of the right channel given from the electronic piano 90 into three bands, a low band, a middle band, and a high band, and a band divided signal R L belonging to the low band, The band division signal R M to which it belongs and the band division signal R H that belongs to the high band are output.

信号生成部12は、帯域分割部11L,11Rにより分割された各帯域の帯域分割信号L、L、L、R、R、及びRについて、低域の帯域分割信号L及びRの和であるMID成分信号Mと両信号L及びRの差であるSIDE成分信号S、中域の帯域分割信号L及びRの和であるMID成分信号Mと両信号L及びRの差であるSIDE成分信号S、並びに高域の帯域分割信号L及びRの和であるMID成分信号Mと両信号L及びRの差であるSIDE成分信号Sを生成する。その上で、信号生成部12は、低域、中域、及び高域の各帯域のMID成分信号M,M,及びMとSIDE成分信号S,S,及びSについて、同じ帯域のもの同士の和または差を混合して帯域毎の左右2チャネルの成分混合信号LMX,LMX,LMX,RMX,RMX,及びRMXを生成し、各帯域の左チャネルの成分混合信号LMX,LMX,及びLMXの和を混合して左ヘッドホンユニット94Lに出力するとともに各帯域の右チャネルの成分混合信号RMX,RMX,及びRMXの和を混合して右ヘッドホンユニット94Rに出力する。 The signal generation unit 12 uses the low frequency band division signal L L for the band division signals L L , L M , L H , R L , R M , and R H of each band divided by the band division units 11L and 11R. and both signals and MID component signal M L is the sum of R L L L and SIDE component signal which is the difference between R L S L, MID component signal which is the sum of the band-divided signals L M and R M midrange M M And the difference between the two signals L H and R H , the SIDE component signal S M that is the difference between the two signals L M and R M , and the MID component signal MH that is the sum of the high frequency band division signals L H and R H A certain SIDE component signal SH is generated. On top of that, the signal generator 12, low, mid, and each band of the MID component signal M L of the high frequency, M M, and M H and SIDE component signal S L, S M, and the S H, The left or right two-channel component mixed signals LMX L , LMX M , LMX H , RMX L , RMX M , and RMX H for each band are generated by mixing the sum or difference of the same band. The sum of the component mixed signals LMX L , LMX M , and LMX H is mixed and output to the left headphone unit 94L, and the sum of the component mixed signals RMX L , RMX M , and RMX H of the right channel of each band is mixed. To the right headphone unit 94R.

より詳細に説明すると、信号生成部12は、低域処理部13と、中域処理部13と、高域処理部13と、加算部14L及び14Rとを有する。各部13、13、13、14L、及び14Rの役割は次の通りである。低域処理部13は、低域の帯域分割信号L及びRの和であるMID成分信号Mと両信号L及びRの差であるSIDE成分信号Sを生成し、信号M及び信号Sを混合比率α:(1−α 1/2及びα:−(1−α 1/2で各々混合して左右2チャネルの成分混合信号LMX及びRMXを生成し、信号LMX及びRMXを各々に固有の利得β及びγで増幅した信号LMX×β及びRMX×γを出力する。さらに詳述すると、低域処理部13は、加算部1、減算部2、増幅部3、増幅部4、加算部5、減算部6、増幅部7、及び増幅部8を含んでいる。加算部1は、信号Lと信号Rとを加算し、この加算結果L+Rを信号Mとして出力する。減算部2は、信号Lから信号Rを減算し、この減算結果L−Rを信号Sとして出力する。増幅部3は、加算部1の出力信号Mを混合比率αで増幅した信号M×αを出力する。増幅部4は、減算部2の出力信号Sを混合比率(1−α 1/2で増幅した信号S×(1−α 1/2を出力する。ここで、本実施形態では、増幅部3の混合比率α及び増幅部4の混合比率(1−α 1/2の大小関係をα>(1−α 1/2と設定する。混合比率αは本来0<α<1なので、増幅部3の混合比率αの設定範囲は1>α>(1/2)1/2となり、増幅部4の混合比率(1−α 1/2の設定範囲は(1/2)1/2>(1−α 1/2>0となる。加算部5は、増幅部3の出力信号M×αと増幅部4の出力信号S×(1−α 1/2を加算し、この加算結果M×α+S×(1−α 1/2を信号LMXとして出力する。減算部6は、増幅部3の出力信号M×αから増幅部4の出力信号S×(1−α 1/2を減算し、この減算結果M×α−S×(1−α 1/2を信号RMXとして出力する。増幅部7は、加算部5の出力信号LMXを利得βで増幅した信号LMX×βを出力する。増幅部8は、減算部6の出力信号RMXを利得γで増幅した信号RMX×γを出力する。 More specifically, the signal generation unit 12 includes a low frequency processing unit 13 L , a mid frequency processing unit 13 M , a high frequency processing unit 13 H , and addition units 14 L and 14 R. The role of each unit 13 L, 13 M, 13 H , 14L, and 14R are as follows. Lowpass processor 13 L generates SIDE component signal S L is the difference between the band-divided signals L L and R both signals and MID component signal M L is the sum of the L L L and R L of the low frequency signal M L and signal S L are mixed at mixing ratios α L : (1-α L 2 ) 1/2 and α L :-( 1-α L 2 ) 1/2 respectively, and left and right two-channel component mixed signal LMX It generates L and RMX L, and outputs a signal LMX L and signals the RMX L was amplified each with a unique gain beta L and gamma L LMX L × beta L and RMX L × gamma L. More specifically, the low frequency processing unit 13 L includes an adding unit 1 L , a subtracting unit 2 L , an amplifying unit 3 L , an amplifying unit 4 L , an adding unit 5 L , a subtracting unit 6 L , an amplifying unit 7 L , and an amplifying unit. Part 8L is included. Addition section 1 L adds the signal L L and the signal R L, and outputs the sum L L + R L as the signal M L. Subtraction unit 2 L subtracts the signal R L from the signal L L, and outputs the subtraction result L L -R L as the signal S L. Amplifying section 3 L outputs a signal M L × alpha L obtained by amplifying the output signal M L of the adder 1 L with mixing ratio alpha L. Amplifying unit 4 L the subtraction section 2 L of the output signal S L mixing ratio (1-α L 2) 1/2 amplified signal S L × (1-α L 2) for outputting a 1/2. In the present embodiment, the mixing ratio of the mixing ratio alpha L and amplifier unit 4 L of the amplifying part 3 L (1-α L 2 ) 1/2 of the magnitude relationship α L> (1-α L 2) 1 Set to / 2 . Since the mixing ratio α L is originally 0 <α L <1, the setting range of the mixing ratio α L of the amplifying unit 3 L is 1> α L > (1/2) 1/2 and the mixing ratio of the amplifying unit 4 L ( The setting range of 1-α L 2 ) 1/2 is (1/2) 1/2 > (1-α L 2 ) 1/2 > 0. Adding unit 5 L, the amplification unit 3 L output signal of the output signal M L × α L an amplifier 4 L of S L × (1-α L 2) 1/2 adds, the addition result M L × alpha L + S L × (1−α L 2 ) 1/2 is output as the signal LMX L. Subtraction unit 6 L, the amplification unit 3 L of the output signal M L × output signal of the amplifier 4 L from α L S L × (1- α L 2) 1/2 subtracted, the subtraction result M L × alpha L− S L × (1−α L 2 ) 1/2 is output as the signal RMX L. Amplifying portion 7 L outputs a signal LMX L × β L obtained by amplifying the output signal LMX L of the adder 5 L with a gain beta L. Amplifying unit 8 L outputs a signal RMX L × γ L obtained by amplifying the output signal RMX L of the subtraction unit 6 L with a gain gamma L.

中域処理部13は、中域の帯域分割信号L及びRの和であるMID成分信号Mと両信号L及びRの差であるSIDE成分信号Sを生成し、当該帯域の左右2チャネルの成分混合信号LMX及びRMXに占める信号Mの割合が低域の左右2チャネルの成分混合信号LMX及びRMXに占める信号Mの割合よりも小さくなるような混合比率α:(1−α1/2(αはαよりも小さい値)及びα:−(1−α1/2で信号M及び信号Sを各々混合して左右2チャネルの成分混合信号LMX及びRMXを生成し、信号LMX及びRMXを各々に固有の利得β及びγで増幅した信号LMX×β及びRMX×γを出力する。さらに詳述すると、中域処理部13は、加算部1、減算部2、増幅部3、増幅部4、加算部5、減算部6、増幅部7、及び増幅部8を含んでいる。加算部1は、信号Lと信号Rとを加算し、この加算結果L+Rを信号Mとして出力する。減算部2は、信号Lから信号Rを減算し、この減算結果L−Rを信号Sとして出力する。増幅部3は、加算部1の出力信号Mを混合比率αで増幅した信号M×αを出力する。増幅部4は、減算部2の出力信号Sを混合比率(1−α1/2で増幅した信号S×(1−α1/2を出力する。加算部5は、増幅部3の出力信号M×αと増幅部4の出力信号S×(1−α1/2を加算し、この加算結果M×α+S×(1−α1/2を信号LMXとして出力する。減算部6は、増幅部3の出力信号M×αから増幅部4の出力信号S×(1−α1/2を減算し、この減算結果M×α−S×(1−α1/2を信号RMXとして出力する。増幅部7は、加算部5の出力信号LMXを利得βで増幅した信号LMX×βを出力する。増幅部8は、減算部6の出力信号RMXを利得γで増幅した信号RMX×γを出力する。 The mid-band processing unit 13 M generates an MID component signal M M that is the sum of the mid-band band-divided signals L M and R M and a SIDE component signal S M that is the difference between the two signals L M and R M. such as the ratio of the signal M M occupying the components mixed signal of two left and right channels of the band LMX M and RMX M is smaller than the ratio of the signal M L occupying the components mixed signal LMX L and RMX L of left and right channels of the low-pass The signal M M and the signal S M are mixed at a mixing ratio α M : (1-α M ) 1/2M is a value smaller than α L ) and α M :-( 1-α M ) 1/2. The left and right two-channel component mixed signals LMX M and RMX M are generated, and the signals LMX M × β M and RMX M × γ M are obtained by amplifying the signals LMX M and RMX M with their inherent gains β M and γ M , respectively. Is output. More specifically, the mid-band processing unit 13 M includes an adding unit 1 M , a subtracting unit 2 M , an amplifying unit 3 M , an amplifying unit 4 M , an adding unit 5 M , a subtracting unit 6 M , an amplifying unit 7 M , and an amplifying unit. Part 8 M is included. Addition section 1 M adds the signal L M and the signal R M, and outputs the sum L M + R M as the signal M M. Subtraction unit 2 M subtracts the signal R M from the signal L M, and outputs the subtraction result L M -R M as the signal S M. Amplifying section 3 M outputs signal M M × alpha M obtained by amplifying the output signal M M of the adder 1 M in mixing ratio alpha M. Amplifying unit 4 M outputs the subtraction unit of 2 M output signals S M The mixing ratio (1-α M) amplified signal S M × at 1/2 (1-α M) 1/2 . Adding unit 5 M includes an amplifier unit 3 outputs signal M M × α M and the output signal S M × amplification section 4 M (1-α M) of M 1/2 adds, the addition result M M × alpha M + S M × (1−α M ) 1/2 is output as the signal LMX M. Subtraction unit 6 M includes an amplifier unit 3 outputs signal M M × alpha output signal of the amplifier 4 M from M S M × (1-α M) of M 1/2 subtracted, the subtraction result M M × alpha M -S M × (1-α M ) 1/2 is output as the signal RMX M. Amplifying portion 7 M outputs a signal LMX M × β M obtained by amplifying the output signal LMX M of the adder 5 M with a gain beta M. Amplifying section 8 M outputs the signal RMX M × γ M obtained by amplifying the output signal RMX M of the subtraction unit 6 M a gain gamma M.

高域処理部13は、高域の帯域分割信号L及びRの和であるMID成分信号Mと両信号L及びRの差であるSIDE成分信号Sを生成し、当該帯域の左右2チャネルの成分混合信号LMX及びRMXに占める信号Mの割合が低域の左右2チャネルの成分混合信号LMX及びRMXに占める信号Mの割合とほぼ同じになるような混合比率α:(1−α1/2(αはαとほぼ同じ値)及びα:−(1−α1/2で信号M及び信号Sを各々混合して左右2チャネルの成分混合信号LMX及びRMXを生成し、信号LMX及びRMXを各々に固有の利得β及びγで増幅した信号LMX×β及びRMX×γを出力する。さらに詳述すると、高域処理部13は、加算部1、減算部2、増幅部3、増幅部4、加算部5、減算部6、増幅部7、及び増幅部8を含んでいる。加算部1は、信号Lと信号Rとを加算し、この加算結果L+Rを信号Mとして出力する。減算部2は、信号Lから信号Rを減算し、この減算結果L−Rを信号Sとして出力する。増幅部3は、加算部1の出力信号Mを混合比率αで増幅した信号M×αを出力する。増幅部4は、減算部2の出力信号Sを混合比率(1−α 1/2で増幅した信号S×(1−α 1/2を出力する。加算部5は、増幅部3の出力信号M×αと増幅部4の出力信号S×(1−α 1/2を加算し、この加算結果M×α+S×(1−α1/2を信号LMXとして出力する。減算部6は、増幅部3の出力信号M×αから増幅部4の出力信号S×(1−α1/2を減算し、この減算結果M×α−S×(1−α1/2を信号RMXとして出力する。増幅部7は、加算部5の出力信号LMXを利得βで増幅した信号LMX×βを出力する。増幅部8は、減算部6の出力信号RMXを利得γで増幅した信号RMX×γを出力する。 High-frequency processing unit 13 H generates the SIDE component signal S H is the difference between the band-divided signals L H and R H is the sum of the MID component signal M H and both signals L H and R H of the high band, the as the ratio of the signal M H occupying the components mixed signal of two left and right channels of the band LMX H and RMX H is approximately the same as the ratio of the signal M L occupying the components mixed signal of two left and right channels of the low-LMX L and RMX L Do mixing ratio alpha M: respectively (1-α M) 1/2 ( α H is alpha L substantially equal) and α M :-( 1-α M) 1/2 the signal M H and the signal S H Signals LMX H × β H and RMX H × γ are generated by mixing to generate component mixed signals LMX M and RMX M of left and right channels, and amplifying the signals LMX H and RMX H with inherent gains β H and γ H , respectively. H is output. More specifically, the high frequency processing unit 13 H includes an adding unit 1 H , a subtracting unit 2 H , an amplifying unit 3 H , an amplifying unit 4 H , an adding unit 5 H , a subtracting unit 6 H , an amplifying unit 7 H , and an amplifying unit. Part 8H is included. Addition unit 1 H adds the signal L H and the signal R H, and outputs the sum L H + R H as a signal M H. Subtraction section 2 H subtracts the signal R H from the signal L H, and outputs the subtraction result L H -R H as the signal S H. Amplifying section 3 H outputs a signal M H × alpha H obtained by amplifying the output signal M H of the adder 1 H at a mixing ratio alpha H. Amplifying portion 4 H includes subtraction section 2 signal was amplified by the output signal S H to the mixing ratio (1-α H 2) 1/2 of the H S H × (1-α H 2) outputs 1/2. Adding unit 5 H includes an amplifier unit 3 outputs signal S H × (1-α H 2) of the output signal M H × α H an amplifier 4 H of H 1/2 adds, the addition result M H × alpha H + S H × (1- α H) outputs 1/2 as signal LMX H. Subtraction unit 6 H includes an amplifier unit 3 H output signal M H × alpha output signal of the amplifier 4 H from H S H × (1-α H) of 1/2 subtracted, the subtraction result M H × α H -S H × (1-α H ) outputs 1/2 as signal RMX H. Amplifying portion 7 H outputs a signal LMX H × β H obtained by amplifying the output signal LMX H of the adder 5 H with a gain beta H. Amplifying unit 8 H outputs a signal RMX H × γ H obtained by amplifying the output signal RMX H of the subtraction unit 6 H a gain gamma H.

加算部14Lは、増幅部7,7,7の出力信号LMX×βL,LMX×β,LMX×βを加算し、この加算結果LMX×βL+LMX×β+LMX×βを信号LMXとして左ヘッドホンユニット94Lに出力する。加算部14Rは、増幅部8,8,8の出力信号RMX×γL,RMX×γ,RMX×γを加算し、この加算結果RMX×γL+RMX×γ+RMX×γを信号RMXとして右ヘッドホンユニット94Rに出力する。以上の手順によって生成された左右2チャネルの音信号LMX及びRMXは、左右のヘッドホンユニット94L及び94Rから演奏者Pの左耳及び右耳に音として放音される。 The adder 14L adds the output signals LMX L × β L , LMX M × β M , LMX H × β H of the amplifiers 7 L , 7 M and 7 H , and the addition result LMX L × β L + LMX M × β M + LMX H × β H is output as a signal LMX to the left headphone unit 94L. The adder 14R adds the output signals RMX L × γ L , RMX M × γ M , RMX M × γ H of the amplifiers 8 L , 8 M , and 8 H , and the addition result RMX L × γ L + RMX M × γ M + RMX H × γ H is output as a signal RMX to the right headphone unit 94R. The left and right two-channel sound signals LMX and RMX generated by the above procedure are emitted as sounds to the left and right ears of the player P from the left and right headphone units 94L and 94R.

以上が、本実施形態の構成の詳細である。この実施形態によると次の効果が得られる。
第1に、本実施形態では、低域について、MID成分信号MとSIDE成分信号Sとを混合して得られる成分混合信号LMX及びRMXを左右のヘッドホンユニット94L及び94Rにそれぞれ出力する。また、中域について、MID成分信号MとSIDE成分信号Sとを混合して得られる成分混合信号LMX及びRMXを左右のヘッドホンユニット94L及び94Rにそれぞれ出力する。また、高域について、MID成分信号MとSIDE成分信号Sとを混合して得られる成分混合信号LMX及びRMXを左右のヘッドホンユニット94L及び94Rにそれぞれ出力する。よって、本実施形態によると、演奏者Pが電子ピアノ90の演奏音の聴取にヘッドホン93を使用した場合に感じる音像の拡がり感が適度に狭まり、自然な音の拡がり感を創出することができる。
The above is the details of the configuration of the present embodiment. According to this embodiment, the following effects can be obtained.
First, in the present embodiment, the low-frequency, MID component signal M L and the SIDE component signal S L and the component obtained by mixing a mixed signal LMX L and respectively outputs the RMX L to the left and right headphone units 94L and 94R To do. Further, for the middle range, component mixed signals LMX M and RMX M obtained by mixing the MID component signal M M and the SIDE component signal S M are output to the left and right headphone units 94L and 94R, respectively. Further, for the high-frequency, and it outputs the MID component signal M H and SIDE component signal S component mixed signal obtained by mixing the H LMX H and RMX H on the left and right headphone units 94L and 94R. Therefore, according to the present embodiment, the feeling of expansion of the sound image felt when the player P uses the headphones 93 to listen to the performance sound of the electronic piano 90 is moderately reduced, and a natural sound expansion feeling can be created. .

第2に、本実施形態では、中域については、当該帯域の左右2チャネルの成分混合信号LMX及びRMXに占めるMID成分信号Mの割合が低域及び高域の左右2チャネルの成分混合信号LMX,及びRMX,に占めるMID成分信号Mの割合よりも小さくなるような混合比率α:(1−α1/2(α<α≒α)及びα:−(1−α1/2でMID成分信号M及びSIDE成分信号Sを各々混合して左右2チャネルの成分混合信号LMX及びRMXを生成する。ここで、ある帯域の左右2チャネルの成分混合信号LMX及びRMXに占めるMID成分信号Mの割合が小さくなるとその帯域の成分混合信号LMX及びRMXよって創出される音像は広くなる。よって、本実施形態によると、低域の成分混合信号LMX及びRMXや高域の成分混合信号LMX及びRMXによって創出される音像は中域の成分混合信号LMX及びRMXによって創出される音像に比べて相対的に狭くなる。また、電子ピアノ90の鍵91−k(k=1〜88)は、ノートナンバの低いものが左に、ノートナンバの高いものが右に配置されている。このため、演奏者Pが左側の鍵91−kを打鍵したときの入力信号L及びRは低域の成分を多く含んでおり、演奏者Pが正面の鍵91−kを打鍵したときの入力信号L及びRは中域の成分を多く含んでおり、演奏者Pが右側の鍵91−kを打鍵したときの入力信号L及びRは高域の成分を多く含んでいる。従って、本実施形態によると、演奏者Pが左側や右側の鍵91−kを打鍵したときの音像が演奏者Pが正面の鍵91−kを打鍵したときの音像よりも狭くなり、より自然な聴感を演奏者Pに与えることができる。 Secondly, in the present embodiment, for the middle range, the ratio of the MID component signal M M occupying the left and right two-channel component mixed signals LMX M and RMX M of the corresponding band is a low-frequency and high-frequency left-right two-channel component. mixed signal LMX L, and RMX L, accounted MID component signal M becomes smaller such mixing ratios than the ratio of L α M: (1-α M) 1/2 (α M <α L ≒ α H) and alpha M :-( 1-α M) for generating a 1/2 MID component signal M H and SIDE component signal S component mixed signal of each mix to the left and right 2 channel M LMX M and RMX M. Here, when the proportion of the MID component signal M in the left and right two-channel component mixed signals LMX and RMX in a certain band decreases, the sound image created by the component mixed signals LMX and RMX in that band becomes wider. Therefore, according to the present embodiment, sound images created by the low-frequency component mixed signals LMX L and RMX L and the high-frequency component mixed signals LMX H and RMX H are created by the mid-frequency component mixed signals LMX M and RMX M. It becomes relatively narrower than the sound image to be played. The keys 91-k (k = 1 to 88) of the electronic piano 90 are arranged such that those with a low note number are on the left and those with a high note number are on the right. For this reason, the input signals L and R when the player P presses the left key 91-k includes many low-frequency components, and the input when the player P presses the front key 91-k. The signals L and R contain a lot of mid-frequency components, and the input signals L and R when the player P has pressed the right key 91-k contain a lot of high-frequency components. Therefore, according to the present embodiment, the sound image when the player P strikes the left or right key 91-k is narrower than the sound image when the player P strikes the front key 91-k, which is more natural. Can give the player P a pleasant audibility.

第3に、本実施形態では、低域の成分混合信号LMX及びRMX、中域の成分混合信号LMX及びRMX、高域の成分混合信号LMX及びRMXを各々について設定された利得β,γ,β,γ,β,γで増幅し、この増幅を経た各帯域の左チャネルの成分混合信号LMX×β,LMX×β,LMX×β,及び右チャネルの成分混合信号RMX×γ,RMX×γ,RMX×γを左右のヘッドホンユニット94L及び94Rに各々出力する。ここで、例えば、低域の左チャネルの成分混合信号LMXの利得βの方が低域の右チャネルの成分混合信号RMXの利得γよりも大きい場合、演奏者Pは左側の鍵91−kを打鍵したときに感じる音像が全体として左に寄っていると感じる。また、高域の右チャネルの成分混合信号RMXの利得γよりも高域の左チャネルの成分混合信号LMXの利得βの方が小さい場合、演奏者Pは右側の鍵91−kを打鍵したときに感じる音像が全体として右に寄っていると感じる。また、中域の左チャネルの成分混合信号LMXの利得βと中域の右チャネルの成分混合信号RMXの利得γがほぼ同じである場合、演奏者Pは中央の鍵91−kを打鍵したときに感じる音像が全体として中央に寄っていると感じる。よって、本実施形態では、例えば、低域における左右2チャネルの成分混合信号LMX及びRMXを左チャネルの成分混合信号LMXの割合が大きくなるような利得β及びγ(β>γ)で各々増幅し、中域における左右2チャネルの成分混合信号LMX及びRMXを左チャネルの成分混合信号LMXと右チャネルの成分混合信号RMXの割合が略等しくなるような利得β及びγ(β≒γ)で各々増幅し、高域における左右2チャネルの成分混合信号LMX及びRMXを左チャネルの成分混合信号LMXの割合が小さくなるような利得β及びγ(β<γ)で各々増幅することにより、電子ピアノ90における演奏者Pが押下した鍵91−kのある方向と演奏者Pが感じるその鍵91−kの音像の方向とを一致させ、演奏者Pにより自然な聴感を与えることができる。 Third, in the present embodiment, the low-frequency component mixed signals LMX L and RMX L , the mid-frequency component mixed signals LMX M and RMX M , and the high-frequency component mixed signals LMX H and RMX H are set for each. Amplified with gains β L , γ L , β M , γ M , β H , γ H , and left channel component mixed signals LMX L × β L , LMX M × β M , LMX H × after this amplification β H and right channel component mixed signals RMX L × γ L , RMX M × γ M and RMX H × γ H are output to the left and right headphone units 94L and 94R, respectively. Here, for example, when the gain β L of the low-frequency left-channel component mixed signal LMX L is larger than the gain γ L of the low-frequency right-channel component mixed signal RMX L , the performer P has the left key I feel that the sound image that I feel when I hit 91-k is on the left as a whole. When the gain β H of the high-frequency left-channel component mixed signal LMX H is smaller than the gain γ H of the high-frequency right-channel component mixed signal RMX H , the performer P has the right key 91-k. I feel that the sound image that I feel when I hit the key is on the right as a whole. When the gain β M of the left mixed channel component signal LMX M and the gain γ M of the right mixed signal component RMX M of the middle band are substantially the same, the player P has the central key 91-k. I feel that the sound image that I feel when I hit the key is closer to the center as a whole. Therefore, in the present embodiment, for example, the gains β L and γ LL >) in which the ratio of the left and right channel component mixed signals LMX L and RMX L in the low frequency range becomes larger than the left channel component mixed signal LMX L. A gain such that the left and right two-channel component mixed signals LMX M and RMX M are amplified by γ L ) and the ratio of the left channel component mixed signal LMX M and the right channel component mixed signal RMX M is substantially equal. A gain β that amplifies the signals by β M and γ MM ≈γ M ), respectively, and reduces the ratio of the left and right channel component mixed signals LMX H and RMX H to the left channel component mixed signal LMX H. By amplifying each of H and γ HHH ), the direction of the key 91-k pressed by the player P on the electronic piano 90 and the key 91 felt by the player P are displayed. The direction of the sound image of −k can be matched to give the player P a natural audibility.

第4に、本実施形態では、MID成分信号M及びSIDE成分信号Sを混合比率α:(1−α 1/2及び混合比率α:−(1−α 1/2で混合し、MID成分信号M及びSIDE成分信号Sを混合比率α:(1−α 1/2及び混合比率α:−(1−α 1/2で混合し、MID成分信号M及びSIDE成分信号Sを混合比率α:(1−α 1/2及び混合比率α:−(1−α 1/2で混合する。ここで、αと(1−α 1/2の2乗和、αと−(1−α 1/2の2乗和、αと(1−α 1/2の2乗和、αと−(1−α 1/2の2乗和、αと(1−α 1/2の2乗和、及びαと−(1−α 1/2の2乗和はいずれも1である。よって、本実施形態によると、演奏者Pが感じる演奏音の大きさ(エネルギ量)を変化させずにその音像だけを制御することができる。 Fourth, in the present embodiment, MID component signal M L and the SIDE component signal S L mixing ratio α L: (1-α L 2) 1/2 , and the mixing ratio α L :-( 1-α L 2 ) Mixing by 1/2 , the MID component signal M M and the SIDE component signal S M are mixed in a mixing ratio α M : (1-α M 2 ) 1/2 and a mixing ratio α M :-( 1-α M 2 ) 1 / 2 and mixing the MID component signal MH and the SIDE component signal SH at a mixing ratio α H : (1-α H 2 ) 1/2 and a mixing ratio α H :-( 1-α H 2 ) 1/2 . Mix. Here, α L and (1-α L 2 ) 1/2 sum of squares, α L and-(1-α L 2 ) 1/2 sum of squares, α M and (1-α M 2 ) 1/2 sum of squares, α M and-(1-α M 2 ) 1/2 sum of squares, α H and (1-α H 2 ) 1/2 sum of squares, and α H and- The sum of squares of (1-α H 2 ) 1/2 is 1. Therefore, according to the present embodiment, it is possible to control only the sound image without changing the magnitude (energy amount) of the performance sound felt by the player P.

<他の実施形態>
以上、この発明の一実施形態について説明したが、この発明には他にも実施形態があり得る。例えば、以下の通りである。
(1)上記実施形態では、電子ピアノ90の左右2チャネルの出力信号L及びRを各々3つの帯域に分割した。しかし、信号L及びRを2つまたは4つ以上の帯域に分割してもよい。例えば、信号L及びRを電子ピアノ90の鍵91−k(k=1〜88)と同じ88個の帯域に分割し、ある鍵91−kが打鍵された場合にその打鍵された鍵91−kの位置に音像の拡がりの中心が位置するように各帯域の成分混合信号LMX及びRMXにおけるMID成分信号MとSIDE成分信号Sの比率を制御するようにしてもよい。
<Other embodiments>
Although one embodiment of the present invention has been described above, the present invention may have other embodiments. For example, it is as follows.
(1) In the embodiment described above, the left and right channel output signals L and R of the electronic piano 90 are each divided into three bands. However, the signals L and R may be divided into two or four or more bands. For example, the signals L and R are divided into 88 bands that are the same as the keys 91-k (k = 1 to 88) of the electronic piano 90, and when a certain key 91-k is pressed, the key 91-k that is pressed. The ratio of the MID component signal M and the SIDE component signal S in the component mixed signals LMX and RMX in each band may be controlled so that the center of the sound image spread is located at the position k.

(2)上記実施形態において、各帯域の左右2チャネルの成分混合信号LMX及びRMXについての利得β,γ,β,γ,β,γを演奏者の頭部の動きに連動して変化させるようにしてもよい。より具体的には、演奏者の頭部が正面の電子ピアノ90に対して左側を向くときは、各帯域の左右2チャネルの成分混合信号LMX,RMX,LMX,RMX,LMX,RMXによって創出される音像が右側に移動するように利得β,γ,β,γ,β,γを制御し、演奏者の頭部が正面の電子ピアノ90に対して右側を向くときは、各帯域の左右2チャネルの成分混合信号LMX,RMX,LMX,RMX,LMX,RMXによって創出される音像が左側に移動するように利得β,γ,β,γ,β,γを制御するとよい。 (2) In the above embodiment, the gains β L , γ L , β M , γ M , β H , γ H for the component mixed signals LMX and RMX of the left and right channels in each band are used as the movement of the player's head. You may make it change in conjunction. More specifically, when the performer's head faces the left side with respect to the front electronic piano 90, the left and right two-channel component mixed signals LMX L , RMX L , LMX M , RMX M , LMX H , RMX H controls the gains β L , γ L , β M , γ M , β H , γ H so that the sound image created by RMX H moves to the right, and the player's head is in front of the electronic piano 90. When turning to the right side, gain β L , so that the sound image created by the left and right channel component mixed signals LMX L , RMX L , LMX M , RMX M , LMX H , RMX H of each band moves to the left side. γ L , β M , γ M , β H , and γ H may be controlled.

(3)上記実施形態は、電子鍵盤楽器である電子ピアノ90の出力音の制御に本発明を適用したものであった。しかし、電子ピアノ90以外の、例えば電子パイプオルガンなどの電子鍵盤楽器の出力音の制御に本発明を適用してもよい。また、音高を異にする複数種類の音の発生源を有する楽器(例えば、ドラム,チャイムなど)を模擬した電子楽器の出力音の制御に本発明を適用してもよい。 (3) In the above embodiment, the present invention is applied to the control of the output sound of the electronic piano 90 which is an electronic keyboard instrument. However, the present invention may be applied to control of output sound of an electronic keyboard instrument other than the electronic piano 90, such as an electronic pipe organ. Further, the present invention may be applied to control of output sound of an electronic musical instrument that simulates a musical instrument (for example, drum, chime, etc.) having a plurality of types of sound sources with different pitches.

(4)上記実施形態では、電子ピアノ90とヘッドホン93の間に音響特性制御装置10が介挿されていた。しかし、電子ピアノ90やその他の電子鍵盤楽器の演奏音のステレオオーディオ信号(例えば、EFM(Eight-to-fourteen modulation)やMP3(MPEG Audio
Layer-3))を再生する再生装置とヘッドホン93の間に音響特性制御装置10を介挿してもよい。また、この再生装置に音響特性制御装置10を組み込んだ構成としてもよい。また、電子ピアノ90と音響特性制御装置10とを同一筐体に収めて1つの電子楽器を構成してもよい。
(4) In the above embodiment, the acoustic characteristic control device 10 is interposed between the electronic piano 90 and the headphones 93. However, stereo audio signals of performance sounds of the electronic piano 90 and other electronic keyboard instruments (for example, EFM (Eight-to-fourteen modulation) or MP3 (MPEG Audio
The acoustic characteristic control device 10 may be interposed between the playback device that reproduces Layer-3)) and the headphones 93. Moreover, it is good also as a structure which incorporated the acoustic characteristic control apparatus 10 in this reproducing | regenerating apparatus. Alternatively, the electronic piano 90 and the acoustic characteristic control device 10 may be housed in the same casing to constitute one electronic musical instrument.

(5)上記実施形態において、低域の信号M及び信号S、中域の信号M及び信号S、中域の信号M及び信号Sを、上記実施形態における混合比率と異なる任意の混合比率で各々混合した信号を各帯域の左右2チャネルの成分混合信号LMX,RMX,LMX,RMX,LMX,RMXにしてもよい。 (5) In the above embodiment, the signal of the low-pass M L and the signal S L, the signal of the middle band M M and signal S M, the signal M H and the signal S H midrange, different from the mixing ratio of the above-described embodiment The signals mixed at an arbitrary mixing ratio may be used as left and right two-channel component mixed signals LMX L , RMX L , LMX M , RMX M , LMX H , and RMX H in each band.

1,5,14…加算部、2,6…減算部、3,4,7,8…増幅部、10…音響特性制御装置、11…帯域分割部、12…信号生成部、90…電子ピアノ、91…鍵、92…音源、93…ヘッドホン、94…ヘッドホンユニット。 DESCRIPTION OF SYMBOLS 1,5,14 ... Addition part, 2,6 ... Subtraction part, 3, 4, 7, 8 ... Amplification part, 10 ... Acoustic characteristic control apparatus, 11 ... Band division part, 12 ... Signal generation part, 90 ... Electronic piano 91 ... Key, 92 ... Sound source, 93 ... Headphone, 94 ... Headphone unit.

Claims (5)

左右2チャネルの入力信号を複数の帯域に分割し、分割した各帯域に属する左右2チャネルの帯域分割信号を各々出力する帯域分割手段と、
前記帯域分割手段により分割された各帯域の左右2チャネルの帯域分割信号について、当該帯域の左右2チャネルの帯域分割信号の和であるMID成分信号と当該帯域の左右2チャネルの帯域分割信号の差であるSIDE成分信号を生成し、各帯域のMID成分信号及びSIDE成分信号を混合して帯域毎の左右2チャネルの成分混合信号を生成し、各帯域の左チャネルの成分混合信号をヘッドホンの左ヘッドホンユニットに出力するとともに各帯域の右チャネルの成分混合信号を前記ヘッドホンの右ヘッドホンユニットに出力する信号生成手段と
を具備することを特徴とする音響特性制御装置。
Band dividing means for dividing an input signal of two left and right channels into a plurality of bands, and outputting each of the divided signals of the left and right two channels belonging to each divided band;
The difference between the MID component signal, which is the sum of the left and right two-channel band-divided signals in the corresponding band, and the left and right two-channel band-divided signals in the corresponding band divided by the band dividing means SIDE component signal is generated, and the MID component signal and SIDE component signal of each band are mixed to generate a left and right two-channel component mixed signal for each band, and the left channel component mixed signal of each band is An acoustic characteristic control device comprising: signal generation means for outputting a right channel component mixed signal of each band to the headphone unit and to the right headphone unit of the headphone.
前記信号生成手段は、前記各帯域のMID成分信号及びSIDE成分信号を帯域毎の混合比率で各々混合して帯域毎の左右2チャネルの成分混合信号を生成することを特徴とする請求項1に記載の音響特性制御装置。   2. The signal generating unit according to claim 1, wherein the MID component signal and the SIDE component signal of each band are mixed at a mixing ratio for each band to generate a left and right two-channel component mixed signal for each band. The acoustic characteristic control device described. 前記帯域分割手段は、電子鍵盤楽器から供給される左右2チャネルの音信号を前記左右2チャネルの入力信号とし、この左右2チャネルの音信号を低域、中域、及び高域の3つの帯域に分割し、低域における左右2チャネルの帯域分割信号、中域における左右2チャネルの帯域分割信号、及び高域における左右2チャネルの帯域分割信号を出力するものであり、
前記信号生成手段は、中域については、当該帯域の左右2チャネルの成分混合信号に占めるMID成分信号の割合が低域及び高域の左右2チャネルの成分混合信号に占めるMID成分信号の割合よりも小さくなるような混合比率で当該帯域のMID成分信号及びSIDE成分信号を混合すること
を特徴とする請求項1または2の記載の音響特性制御装置。
The band dividing means uses the left and right two-channel sound signals supplied from the electronic keyboard instrument as the left and right two-channel input signals, and the left and right two-channel sound signals are divided into three bands of low, middle, and high frequencies. And outputs a left and right two-channel band-divided signal in the low band, a right and left two-channel band-divided signal in the middle band, and a left and right two-channel band-divided signal in the high band,
The signal generating means is configured such that, for the middle band, the ratio of the MID component signal in the left and right two-channel component mixed signals in the band is higher than the ratio of the MID component signal in the low band and the high-frequency left and right two-channel component mixed signals. 3. The acoustic characteristic control device according to claim 1, wherein the MID component signal and the SIDE component signal in the band are mixed at a mixing ratio that also decreases.
前記各帯域の左右2チャネルの成分混合信号を各々について設定された利得で増幅し、増幅した信号を前記左ヘッドホンユニットおよび右ヘッドホンユニットに各々出力する増幅部を具備することを特徴とする請求項1乃至3のいずれか1の請求項に記載の音響特性制御装置。   The system further comprises an amplifying unit that amplifies the left and right channel component mixed signals of each band with a gain set for each, and outputs the amplified signals to the left headphone unit and the right headphone unit, respectively. The acoustic characteristic control device according to any one of claims 1 to 3. 鍵盤を有し、前記鍵盤の操作に応じた左右2チャネルの音信号を出力する電子鍵盤楽器と、
前記電子鍵盤楽器から出力される左右2チャネルの入力信号を複数の帯域に分割し、分割した各帯域に属する左右2チャネルの帯域分割信号を各々出力する帯域分割手段と、前記帯域分割手段により分割された各帯域の左右2チャネルの帯域分割信号について、当該帯域の左右2チャネルの帯域分割信号の和であるMID成分信号と当該帯域の左右2チャネルの帯域分割信号の差であるSIDE成分信号を生成し、各帯域のMID成分信号及びSIDE成分信号を混合して帯域毎の左右2チャネルの成分混合信号を生成し、各帯域の左チャネルの成分混合信号をヘッドホンの左ヘッドホンユニットに出力するとともに各帯域の右チャネルの成分混合信号を前記ヘッドホンの右ヘッドホンユニットに出力する信号生成手段とを含む音響特性制御装置と
を具備することを特徴とする電子楽器。
An electronic keyboard instrument that has a keyboard and outputs two left and right channel sound signals according to the operation of the keyboard;
The left and right two-channel input signals output from the electronic keyboard instrument are divided into a plurality of bands, and divided by the band dividing means for outputting the left and right two-channel band divided signals belonging to the divided bands, respectively. For the left and right two-channel band-divided signals in each band, the SIDE component signal that is the difference between the MID component signal that is the sum of the left and right two-channel band-divided signals in the band and the left and right two-channel band-divided signals in the band is Generate and mix the MID component signal and SIDE component signal of each band to generate a left and right channel component mixed signal for each band, and output the left channel component mixed signal of each band to the left headphone unit of the headphones. Acoustic characteristic control including signal generation means for outputting a right channel component mixed signal of each band to the right headphone unit of the headphone Electronic musical instrument, characterized in that it comprises a location.
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