Lewis et al., 2020 - Google Patents
Gestured by Brass Art: Gestures, ambiguity, and material transformation at Chetham's LibraryLewis et al., 2020
- Document ID
- 16900924654333841225
- Author
- Lewis C
- Mojsiewicz K
- Pettican A
- Publication year
- Publication venue
- Contemporary Art in Heritage Spaces
External Links
Snippet
Located in the heart of Manchester, on a sandstone bluff next to Victoria Station, sits the Chetham's College complex, overlooking the river boundary between Manchester and Salford, two cities forever in redevelopment. Chetham's remains open to readers and writers …
- 239000000463 material 0 title abstract description 18
Classifications
-
- G—PHYSICS
- G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
- G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
- G09B23/00—Models for scientific, medical, or mathematical purposes, e.g. full-sized devices for demonstration purposes
- G09B23/06—Models for scientific, medical, or mathematical purposes, e.g. full-sized devices for demonstration purposes for physics
-
- G—PHYSICS
- G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
- G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
- G09B19/00—Teaching not covered by other main groups of this subclass
-
- G—PHYSICS
- G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
- G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
- G09B23/00—Models for scientific, medical, or mathematical purposes, e.g. full-sized devices for demonstration purposes
- G09B23/28—Models for scientific, medical, or mathematical purposes, e.g. full-sized devices for demonstration purposes for medicine
-
- G—PHYSICS
- G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
- G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
- G09B5/00—Electrically-operated educational appliances
- G09B5/06—Electrically-operated educational appliances with both visual and audible presentation of the material to be studied
-
- G—PHYSICS
- G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
- G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
- G09B5/00—Electrically-operated educational appliances
- G09B5/02—Electrically-operated educational appliances with visual presentation of the material to be studied, e.g. using film strip
-
- G—PHYSICS
- G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
- G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
- G09B21/00—Teaching, or communicating with, the blind, deaf or mute
- G09B21/001—Teaching or communicating with blind persons
Similar Documents
| Publication | Publication Date | Title |
|---|---|---|
| Gunning | To Scan a Ghost: The Ontology of Mediated Vision. | |
| Baugh | Theatre, performance and technology: The development and transformation of scenography | |
| Gunning | To scan a ghost: The ontology of mediated vision | |
| Noë | Learning to Look: Dispatches from the Art World | |
| Gunning | Animating the Nineteenth Century: Bringing Pictures to Life (or Life to Pictures?) | |
| Milano | The portrait bust and French cultural politics in the eighteenth century | |
| Lewis et al. | Gestured by Brass Art: Gestures, ambiguity, and material transformation at Chetham’s Library | |
| Hunter | “Mr. Hooke's Reflecting Box” Modeling the Projected Image in the Early Royal Society | |
| Cogeval et al. | E. Vuillard | |
| Rollins | Immaterial Remains: the (im) possibilities of preserving China's shadow puppet tradition | |
| Carrier | Naturalism and allegory in Flemish painting | |
| Kressner | Sites of Disquiet: The Non-Space in Spanish American Short Narratives and Their Cinematic Transformations | |
| Väliaho | Projecting spirits: speculation, providence, and early modern optical media | |
| Barnstone | The Color of Modernism: Paints, Pigments, and the Transformation of Modern Architecture in 1920s Germany | |
| Spasskaia | The Formation of the Visual Theatre Aesthetics: Theater Practice and Experiments of the Russian Avant-garde in the 1900–1930s | |
| Bowlt | The Presence of Absence: The Aesthetic of Transparency in Russian Modernism | |
| Collaku | Perception and memory of urban space: a psychogeographical study of the Cannaregio district in Venice | |
| Williamson | Watching closely with turn-of-the-century eyes: Obscured histories of magic, science, and animation in the cinema | |
| Gill | Reformations: The Painted Interiors of Augustine and Jerome | |
| Shubert | Virtual Realism: Victorian Fiction as Optical Technology | |
| Koureas | " Art, History and the Senses": 1830 to the Present | |
| McKinney et al. | Contemporary Performance Lighting: Experience, Creativity and Meaning | |
| Baumiller | Of Mind and Matter-Inventing Space | |
| van Dooren | We are not ourselves all of the time and we are not all of ourselves at any time: Heteronyms, personas and contemporary art | |
| Filipowska | PLASTICITY AGAINST PLASTIC |