Nothing Special   »   [go: up one dir, main page]

Bottomore, 1999 - Google Patents

The panicking audience?: Early cinema and the'train effect'

Bottomore, 1999

View PDF
Document ID
161013312377375430
Author
Bottomore S
Publication year
Publication venue
Historical Journal of Film, Radio and Television

External Links

Snippet

In thefolklore'of cinema history there is one anecdote which seems to be perennially fascinating to layman and historian alike. It might be summarised as follows: an audience in the early days of the cinema is seated in a hall when a® lm of an approaching train is …
Continue reading at www.academia.edu (PDF) (other versions)

Classifications

    • AHUMAN NECESSITIES
    • A63SPORTS; GAMES; AMUSEMENTS
    • A63GMERRY-GO-ROUNDS; SWINGS; ROCKING-HORSES; CHUTES; SWITCHBACKS; SIMILAR DEVICES FOR PUBLIC AMUSEMENT
    • A63G31/00Amusement arrangements
    • A63G31/16Amusement arrangements creating illusions of travel

Similar Documents

Publication Publication Date Title
Bottomore The panicking audience?: Early cinema and the'train effect'
Schnapp Crash (speed as engine of individuation)
Daly Literature, technology, and modernity, 1860-2000
Stern The Scorsese Connection
Brode The Films of Steven Spielberg
Seed Cinematic fictions
Wright Terror park: A future theme park in 2100
Carter et al. The Proustian Quest
Vonnegut Between Time and Timbuktu: Or, Prometheus-5, a Space Fantasy
Shone The Nolan variations: The movies, mysteries, and marvels of Christopher Nolan
Pomerance The horse who drank the sky: film experience beyond narrative and theory
Zischler Kafka goes to the Movies
Alea The viewer’s dialectic
Slugan Fiction and imagination in early cinema: A philosophical approach to film history
Low NFB kids: portrayals of children by the National Film Board of Canada, 1939-1989
Seel The arts of cinema
Perry Masterpieces of modernist cinema
Kosinski Passing by: selected essays, 1962-1991
Sellars Applied ballardianism: memoir from a parallel universe
Warner “Come to Hecuba”: Theatrical Empathy and Memories of Troy
Krehan „Trust Me–It’s Paradise “The Escapist Motif in Into the Wild, The Beach and Are You Experienced?
McKernan Picturegoers: A Critical Anthology of Eyewitness Experiences
Raimbault Technology and the Cinematographic Writing of Trauma in Kipling’s Motoring Short Stories
Tupicoff Matters of Life and Death: my animated films (1976-2019)
D'Arc The Mormon as Vampire: A Comparative Study of Winifred Graham's The Love Story of a Mormon, the Film Trapped by the Mormons, and Bram Stoker's Dracula