Holliday et al., 2018 - Google Patents
Fantasy/Animation: Connections Between Media, Mediums and GenresHolliday et al., 2018
- Document ID
- 6809490370393412044
- Author
- Holliday C
- Sergeant A
- Publication year
External Links
- 241000254032 Acrididae 0 description 45
Classifications
-
- G—PHYSICS
- G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
- G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
- G09B5/00—Electrically-operated educational appliances
- G09B5/06—Electrically-operated educational appliances with both visual and audible presentation of the material to be studied
- G09B5/065—Combinations of audio and video presentations, e.g. videotapes, videodiscs, television systems
-
- G—PHYSICS
- G06—COMPUTING; CALCULATING; COUNTING
- G06F—ELECTRICAL DIGITAL DATA PROCESSING
- G06F17/00—Digital computing or data processing equipment or methods, specially adapted for specific functions
- G06F17/20—Handling natural language data
-
- G—PHYSICS
- G06—COMPUTING; CALCULATING; COUNTING
- G06F—ELECTRICAL DIGITAL DATA PROCESSING
- G06F17/00—Digital computing or data processing equipment or methods, specially adapted for specific functions
- G06F17/30—Information retrieval; Database structures therefor; File system structures therefor
-
- G—PHYSICS
- G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
- G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
- G09B19/00—Teaching not covered by other main groups of this subclass
Similar Documents
| Publication | Publication Date | Title |
|---|---|---|
| Smith et al. | Critical approaches to comics: Theories and methods | |
| Kukkonen | Studying comics and graphic novels | |
| Royle | Veering: A theory of literature | |
| Power | God of comics: Osamu Tezuka and the creation of post-World War II manga | |
| Dalle Vacche | The visual turn: Classical film theory and art history | |
| Miller | Between us: Audiences, affect and the in-between | |
| Riis et al. | Screening characters: Theories of character in film, television, and interactive media | |
| Wells | Basics Animation 01: Scriptwriting | |
| Holliday et al. | Fantasy/Animation: Connections Between Media, Mediums and Genres | |
| Ligensa et al. | Film 1900: technology, perception, culture | |
| Rohdie | Film modernism | |
| Adelmann et al. | Visual culture revisited: German and American perspectives on visual culture (s) | |
| Demeschenko | Features of genre formation in film art of the 21st century | |
| Coates | Comparative Cinema: Late and Last Things in Literature and Film | |
| Trowell | Throbbing Gristle: An Endless Discontent | |
| Jacob Ramalho | Memory and the Gothic Aesthetic in Film | |
| Pettersen | Americanism, Media and the Politics of Culture in 1930s France | |
| Cooley | Picasso, Comics, and Cultural Divides: Why Krazy Kat Is a Kubist Kat | |
| Neff | THE PICTORIAL AND LINGUISTIC FEATURES OF COMIC BOOK FORMULAS. | |
| Cox | From Stage to Page | |
| Michael | Spider-Man: Into the Spider-Verse: Youth, Race, and the Hypertext | |
| Harestad | The Graphic novel is a new multimodal literary channel based on the visual language of comics. | |
| Holliday et al. | FANTASY/ANIMATION | |
| Ravalli | Lucas: His Hollywood Legacy | |
| Longcore | Camping Out in the Uncanny Valley: Symbolic Inversion in Animated Sitcoms |