Nothing Special   »   [go: up one dir, main page]

Chowning, 2011 - Google Patents

Turenas: the realization of a dream

Chowning, 2011

View PDF
Document ID
5944664653283175810
Author
Chowning J
Publication year
Publication venue
Journées d'Informatique Musicale

External Links

Snippet

The culmination of two research paths, Turenas (1972), embodies both sound localization (begun in 1964) and Frequency Modulation (FM) synthesis (begun in 1967). Illusory motion of sound in space was a musical goal from the very beginning of my work with computers, a …
Continue reading at hal.science (PDF) (other versions)

Classifications

    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H1/00Details of electrophonic musical instruments
    • G10H1/0033Recording/reproducing or transmission of music for electrophonic musical instruments
    • G10H1/0041Recording/reproducing or transmission of music for electrophonic musical instruments in coded form
    • G10H1/0058Transmission between separate instruments or between individual components of a musical system
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H2210/00Aspects or methods of musical processing having intrinsic musical character, i.e. involving musical theory or musical parameters or relying on musical knowledge, as applied in electrophonic musical tools or instruments
    • G10H2210/155Musical effects
    • G10H2210/265Acoustic effect simulation, i.e. volume, spatial, resonance or reverberation effects added to a musical sound, usually by appropriate filtering or delays
    • G10H2210/295Spatial effects, musical uses of multiple audio channels, e.g. stereo
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H1/00Details of electrophonic musical instruments
    • G10H1/0008Associated control or indicating means
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H3/00Instruments in which the tones are generated by electromechanical means
    • G10H3/12Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument
    • G10H3/14Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H2240/00Data organisation or data communication aspects, specifically adapted for electrophonic musical tools or instruments
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10KSOUND-PRODUCING DEVICES; ACOUSTICS NOT OTHERWISE PROVIDED FOR
    • G10K15/00Acoustics not otherwise provided for

Similar Documents

Publication Publication Date Title
Chowning Turenas: the realization of a dream
Manning Electronic and computer music
Wilmering et al. A history of audio effects
Emmerson et al. Electro-acoustic music
Boulanger The Csound book: perspectives in software synthesis, sound design, signal processing, and programming
Ziemer Psychoacoustic music sound field synthesis: creating spaciousness for composition, performance, acoustics and perception
Pejrolo et al. Creating sounds from scratch: a practical guide to music synthesis for producers and composers
d'Escrivan Music technology
Réveillac Musical sound effects: Analog and digital sound processing
Barrett Interactive spatial sonification of multidimensional data for composition and auditory display
GB2532034A (en) A 3D visual-audio data comprehension method
Rocchesso Spatial effects
Kronland-Martinet et al. Real-time perceptual simulation of moving sources: application to the Leslie cabinet and 3D sound immersion
Wozniewski et al. A spatial interface for audio and music production
Knight-Hill Electroacoustic Music: An Art of Sound
Rosli Spatiotemporal granulation
Rossetti et al. Studying the Perception of Sound in Space: Granular Sounds Spatialized in a High-Order Ambisonics System
Gottfried Studies on the compositional use of space
Callery et al. Synthesizing reverberation impulse responses from audio signals: Auto-reverberation and interactive environments
Munoz Space Time Exploration of Musical Instruments
De Poli Sound models for synthesis: a structural viewpoint
Lossius Sound space body: Reflections on artistic practice
Papatrechas Sculpting Sonic Spaces and Examining the Micro: An Exploration of Creativity and Compositional Practice
Weitzner Spatial Audio Fields
Weinel et al. Melting in the Mind’s Eye: Real-Time Performances