Merolla et al., 2012 - Google Patents
Multimedia research and documentation of oral genres in Africa: The step forwardMerolla et al., 2012
View PDF- Document ID
- 5127771393011096576
- Author
- Merolla D
- Jansen J
- Naït-Zerrad K
- Publication year
External Links
Snippet
This book approaches a central concern of oral literature studies worldwide, with a special focus on Africa: how to deal with oral genres in a world where new technologies have become available to more and more people? As the book asserts, what is new is that the …
- 230000003993 interaction 0 abstract description 11
Similar Documents
| Publication | Publication Date | Title |
|---|---|---|
| Gambier | Translations| Rapid and Radical Changes in Translation and Translation Studies | |
| Shiri et al. | Indigenous digital storytelling: digital interfaces supporting cultural heritage preservation and access | |
| Alieva et al. | Music computer technologies as a worth-while means of folklore studying, preserving and transmission | |
| Crosby et al. | Digital work practices: Affordances in design education | |
| Ormond-Parker et al. | Information technology and indigenous communities | |
| Turin et al. | Oral literature in the digital age: Archiving orality and connecting with communities | |
| Mitchell | Re-Sounding Feminist Radio: A Journey through Women's Community Radio Archives | |
| Iverson | From Text to Performance | |
| Bates et al. | The production of music and sound: A multidisciplinary critique | |
| Merolla et al. | Multimedia research and documentation of oral genres in Africa: The step forward | |
| Moisala | Reflections on an ethnomusicological study of a contemporary western art music composer | |
| King | Documenting traditions and the ethnographic double bind | |
| Kinnahan | An Interview with Caroline Bergvall | |
| Stockinger | Introduction to audiovisual archives | |
| Mehring et al. | Introduction. Sound and Vision: Intermediality and American Music | |
| Bastani | Experimental electronic sound as playful articulation of a compromised sociality in Iran | |
| Blevins | Sound and Community:" Singing Box 331" as Digital History | |
| Vlieghe et al. | Twitter, the most brilliant tough love editor you’ll ever have | |
| CONCEIÇÃO et al. | HYBRID GENDER IN METAMORPHOSIS: analysis of literary journalism characteristics in online editions of the UOL TAB platform (2014–2018) | |
| Salmouka et al. | Seeking the Sound: Sound-Based Interpretive Approaches in Exhibitions of Sound-Producing Objects | |
| Stockinger | Digital Audiovisual Archives | |
| Nogueira | Miguel and Paula Azguime and the New Op-Era | |
| Bassett et al. | Getting Scrappy in the Classroom During COVID-19: Collaboration, Open Educational Resources, and Hands-on Learning for Humanities Students | |
| Corn | Introduction: the Indigital revolution | |
| Daly et al. | Retelling the past using new technologies: A case study into the digitization of social work heritage material and the creation of a virtual exhibition |