Books by Lise Bender Jørgensen
Creativity is an integral part of human history, yet most studies focus on the modern era, leavin... more Creativity is an integral part of human history, yet most studies focus on the modern era, leaving unresolved questions about the formative role that creativity has played in the past. This book explores the fundamental nature of creativity in the European Bronze Age. Considering developments in crafts that we take for granted today, such as pottery, textiles, and metalwork, the volume compares and contrasts various aspects of their development, from the construction of the materials themselves, through the production processes, to the design and effects deployed in finished objects. It explores how creativity is closely related to changes in material culture, how it directs responses to the new and unfamiliar, and how it has resulted in changes to familiar things and practices. Written by an international team of scholars, the case studies in this volume consider wider issues and provide detailed insights into creative solutions found in specific objects.
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Creativity is an integral part of human history, yet most studies focus on the modern era, leavin... more Creativity is an integral part of human history, yet most studies focus on the modern era, leaving unresolved questions about the formative role that creativity has played in the past. This book explores the fundamental nature of creativity in the European Bronze Age. Considering developments in crafts that we take for granted today, such as pottery, textiles, and metalwork, the volume compares and contrasts various aspects of their development, from the construction of the materials themselves, through the production processes , to the design and eff ects deployed in fi nished objects. It explores how creativity is closely related to changes in material culture, how it directs responses to the new and unfamiliar, and how it has resulted in changes to familiar things and practices. Written by an international team of scholars, the case studies in this volume consider wider issues and provide detailed insights into creative solutions found in specifi c objects.
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Close Document Image Close Document Printer Image Print This Document! Conservation Information N... more Close Document Image Close Document Printer Image Print This Document! Conservation Information Network (BCIN). Author: Jorgensen, Lise Bender Title of Source: North European textiles until AD 1000 Publisher/Distributor ...
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Esbjerg: Sydjysk Universitetsforlag, Jan 1, 1990
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Subject Keywords French: Textile; Archéologie; Fouille; Objet de fouille; Technique; Laine; Soie;... more Subject Keywords French: Textile; Archéologie; Fouille; Objet de fouille; Technique; Laine; Soie; Produits; Typologie; Tissage; Filature; Outil; Outillage; Tapisserie; Fabrication; Tombe; Cimetière; Fibre; Analyse; Costume; Histoire; Conservation; Dessèchement; ...
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... Author: Ingstad, Anne Stine Editor: Jorgensen, Lise Bender; Magnus, Bente; Munksgaard, Elisab... more ... Author: Ingstad, Anne Stine Editor: Jorgensen, Lise Bender; Magnus, Bente; Munksgaard, Elisabeth Title Article/Chapter: "Textiles from ... Norway Meeting Date: 19840000 Subject Keywords English: textiles;fiber;weave;spin;burial;provenance;Oseberg;trade; Gokstad; Kaupang ...
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The Archaerology of Svendborg vol. No. 4, 1986
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Papers by Lise Bender Jørgensen
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The Eastern Desert of Egypt during the Greco-Roman Period: Archaeological Reports, 2018
Jacquard weaving provides the opportunity to design complex pictorial and other patterning effect... more Jacquard weaving provides the opportunity to design complex pictorial and other patterning effects From the combination of warp and weft colors and /weaves. In the traditional fabric design process, the resultant visual perception of the design, using different colored yarns, can be attained only through the production of actual physical fabric sample, and this is every time consuming process. No truly accurate digital color methodology is yet available to assist designers in the initial development of product samples. Currently, there is very poor correlation between the color that is shown on the screen and the actual weave structure. On The following research we back to the nature as a main source of colors by using digital photos of several nature sources such as water, grass, clouds, sunrise, and sunset.....ECT. And by analyzing colors for this natural sources by the computer processes to implement color data base to be reference for the designer helping him to select warp and weft colors also the mix between warp and weft from several color verities and use the correct weaves to rich this color. Experimental work: The researchers select some patterns from nature sources to be an example for the application directed to jacquard upholstery fabrics.
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Creativity in the Bronze Age
Bronze Age weavers used a range of diff erent fi bres: fl ax, nettle, hemp, and a variety of bast... more Bronze Age weavers used a range of diff erent fi bres: fl ax, nettle, hemp, and a variety of basts that had been used for millennia (RastEicher 2005 ). Sheep’s wool, however, was a novelty and the introduction of wool as an important raw material for textiles caused changes in the way textiles were produced and used. It also caused changes in animal husbandry, land use, social structures, and in the mindset of people but most of all, the sheep themselves, and in particular their wool, were changed. Early domesticated sheep were kept for their meat and possibly skin, but they did not have wool in our sense of the word. Like other mammals they had a coat of hair that included soft downy underwool that grew when winter was approaching and was moulted in early summer. What the early domesticated sheep did have was a potential; their fuzzy underwool had the genetic capacity to develop into wool.
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Books by Lise Bender Jørgensen
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Papers by Lise Bender Jørgensen
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