Fortnite is the ultimate video game playground – with a rich world to explore, snappy third-person shooting, fun crossover content, and a wealth of cool side missions and objectives, it’s nearly impossible to get bored playing Epic’s definitive Battle Royale.
A deeply human film with no human characters, The Wild Robot is a tear-jerking and unpredictable animated adventure – and another triumph for Lilo & Stitch and How to Train Your Dragon co-director Chris Sanders.
Despite the best efforts of Joaquin Phoenix, Lady Gaga, and an opening hour set in Arkham Asylum, Joker: Folie à Deux wastes its potential as a movie musical, a courtroom drama, and a sequel that has anything meaningful to say about or add to the first Joker.
Warhammer 40,000: Space Marine 2 may not break the third-person shooter mold, but it looks amazing, makes good use of its Warhammer lore, and has brutal combat that just feels great.
Kaos repackages Greek mythology with some progressive quirks and a few reliable performances, but it struggles to sew the weighty threads of competing legends into a compelling journey.
Star Wars Outlaws is a fun intergalactic heist adventure with great exploration, but it’s hindered by simple stealth, repetitive combat, and a few too many bugs at launch.
Fallout London is a massive mod that makes good use of its untapped setting, with an impressive scope and some great stories – you'll just have to be prepared for technical issues and occasionally obtuse design choices along the way.
Despite some frustrating technical issues, Black Myth: Wukong is a great action game with fantastic combat, exciting bosses, tantalizing secrets, and a beautiful world.
Alien: Romulus’s back-to-basics approach to blockbuster horror boils everything fans love about the tonally-fluid franchise into one brutal, nerve-wracking experience.
Dustborn brings angst to a comic book caper about an alternate-reality America, and you'll get an emotional ride with a few exciting punk performances if you stick with it through a slow start.
Borderlands is a catastrophic disappointment that plays like hacked-to-pieces studio slop, betraying everything fans adore about Gearbox Software’s franchise in derivative, regrettable fashion.
Thanks to slick screenwriting, stylish art direction, and a sparkling lead performance from Blake Lively, It Ends with Us tackles difficult subject matter with maturity, tenderness, and just a dash of whimsy.
Nobody Wants to Die will hold your hand whether you want it to or not, but its deep dialogue trees and unique touches almost manage to elevate it into something special.
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