Papers by Aleksei Borisionok
Let’s Not Talk About It. The Odourless Version., 2020
“Let’s Not Talk About It” was planned as an improvisation lab on dance and writing in a shared ph... more “Let’s Not Talk About It” was planned as an improvisation lab on dance and writing in a shared physical space without the help of verbal communication. “The odourless version” is a mutated form that the lab was forced to take under the circumstances where a touch and bodily proximity were not really possible. Hosted through the series of zoom sessions, the lab touched upon contemplation, intimacy, non-activity, make-up, revolutionary movement(s) and various forms of being together besides many other things. This publication collects traces, records, images that appeared after a week of digital encounters.
Organised by Jennifer Lacey
Participants: Alex Baczynski-Jenkins, Alex Bailey, Aleksei Borisionok, Pêdra Costa, Alix Eynaudi, Day M. Eve, Anne Juren, Krõõt Juurak, Jennifer Lacey, Mzamo Nondlwana, Amanda Piña, Veza Fernández, Lily Wittenburg
Editors: Aleksei Borisionok, Jennifer Lacey, Lily Wittenburg
Design: Lily Wittenburg
19-30 May 2020 / Tanzquartier Wien
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Printing House KOPA, Lithuania, 2019
The book is an attempt to comprehend the history of Belarusian photography not through the creati... more The book is an attempt to comprehend the history of Belarusian photography not through the creation of a single, continuous narrative as a "natural history", but through an indication of the gaps, the inclusion of the excluded, the analysis of photographic infrastructures.
The book consists of three parts:
1. Analytics: articles about the methodological base of the book
2. People: stories about specific photographers
3. Events: key events and directions related to Belarusian photography at one time or another.
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Proceedings of the Art Museum of Estonia , 2019
The period of 1988–1992 in the Belarusian art field was characterised by the highest level of stu... more The period of 1988–1992 in the Belarusian art field was characterised by the highest level of student expulsions from the Academy of Arts and the Art College, which were followed by two student protests. Against the backdrop of dominating methods of teaching, the protesters criticised the specific constitution of the pedagogical process and academic education, forms and methods of training, as well as the fetishisation of traditional art
forms – painting, drawing and sculpture. The protests concluded with the exhibition Lessons in Bad Art in 1992.
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Бывший Запад и Новый Восток , 2017
Published at Moscow Art Magazine # 101 (2017)
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Materials for a Seminar That Hasn't Happened Yet, 2016
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Short text on the activities of gallery Brama in Minsk, Belarus. Published in Minsk. Non-conformi... more Short text on the activities of gallery Brama in Minsk, Belarus. Published in Minsk. Non-conformism of the 1980s, eds Taciana Arcimovich and Artur Klinov, Galiafy, Minsk, 2016.
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Published at Partisan Magazine №31
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Published online at Zbor (13.12.2015)
http://zbor.kalektar.org/9/ (more visual materials available)
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Тэкст пра персанальны праект Юры Шуста "Рэквіем па новым годзе" (Галерэя "Ў", Мінск, студзень 201... more Тэкст пра персанальны праект Юры Шуста "Рэквіем па новым годзе" (Галерэя "Ў", Мінск, студзень 2014).
Надрукавана ў часопісе Partisan № 28. Генерацыя Нуль (2015)
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Papers by Aleksei Borisionok
Organised by Jennifer Lacey
Participants: Alex Baczynski-Jenkins, Alex Bailey, Aleksei Borisionok, Pêdra Costa, Alix Eynaudi, Day M. Eve, Anne Juren, Krõõt Juurak, Jennifer Lacey, Mzamo Nondlwana, Amanda Piña, Veza Fernández, Lily Wittenburg
Editors: Aleksei Borisionok, Jennifer Lacey, Lily Wittenburg
Design: Lily Wittenburg
19-30 May 2020 / Tanzquartier Wien
The book consists of three parts:
1. Analytics: articles about the methodological base of the book
2. People: stories about specific photographers
3. Events: key events and directions related to Belarusian photography at one time or another.
forms – painting, drawing and sculpture. The protests concluded with the exhibition Lessons in Bad Art in 1992.
https://issuu.com/methodfund/docs/merged.compressed
Надрукавана ў часопісе Partisan № 28. Генерацыя Нуль (2015)
Organised by Jennifer Lacey
Participants: Alex Baczynski-Jenkins, Alex Bailey, Aleksei Borisionok, Pêdra Costa, Alix Eynaudi, Day M. Eve, Anne Juren, Krõõt Juurak, Jennifer Lacey, Mzamo Nondlwana, Amanda Piña, Veza Fernández, Lily Wittenburg
Editors: Aleksei Borisionok, Jennifer Lacey, Lily Wittenburg
Design: Lily Wittenburg
19-30 May 2020 / Tanzquartier Wien
The book consists of three parts:
1. Analytics: articles about the methodological base of the book
2. People: stories about specific photographers
3. Events: key events and directions related to Belarusian photography at one time or another.
forms – painting, drawing and sculpture. The protests concluded with the exhibition Lessons in Bad Art in 1992.
https://issuu.com/methodfund/docs/merged.compressed
Надрукавана ў часопісе Partisan № 28. Генерацыя Нуль (2015)