Fashion victim

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Kyoichi Tsuzuki: ‘Happy Victims’ (1999-2004) Tsuzuki captured portraits of individuals in their bedrooms, surrounded by piles and piles of clothes and accessories. Each of the above fashion victims shot by Kyoichi Tsuzuki has their own individual obsession. From Anna Sui to Vivienne Westwood, the cramped spaces filled with big brands are a testimony to the paradox of consumer culture. Versace Slides, Consumer Culture, Fashion Victim, Anna Sui, Clothes And Accessories, Japanese Fashion, Vivienne Westwood, Cool Photos, Ford

Kyoichi Tsuzuki: ‘Happy Victims’ (1999-2004) Tsuzuki captured portraits of individuals in their bedrooms, surrounded by piles and piles of clothes and accessories. Each of the above fashion victims shot by Kyoichi Tsuzuki has their own individual obsession. From Anna Sui to Vivienne Westwood, the cramped spaces filled with big brands are a testimony to the paradox of consumer culture.

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Kyoichi Tsuzuki: ‘Happy Victims’ (1999-2004) Tsuzuki captured portraits of individuals in their bedrooms, surrounded by piles and piles of clothes and accessories. Each of the above fashion victims shot by Kyoichi Tsuzuki has their own individual obsession. From Anna Sui to Vivienne Westwood, the cramped spaces filled with big brands are a testimony to the paradox of consumer culture. Consumer Culture, Silly Girls, Fashion Victim, Anna Sui, Clothes And Accessories, Vivienne Westwood, Looking Back, Mini Albums, Cool Photos

Kyoichi Tsuzuki: ‘Happy Victims’ (1999-2004) Tsuzuki captured portraits of individuals in their bedrooms, surrounded by piles and piles of clothes and accessories. Each of the above fashion victims shot by Kyoichi Tsuzuki has their own individual obsession. From Anna Sui to Vivienne Westwood, the cramped spaces filled with big brands are a testimony to the paradox of consumer culture.

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College Outfits Spring, University Tshirt, Exhibition Display, Laura Lee, Cotton Tank Top, Blue T, Blue Tshirt, College Outfits, Bored Panda

Each time the victim of sexual violence gets asked what they were wearing, it heartlessly implies that he or she was responsible for the assault and could have prevented it. Victim blaming drives responsibility away from a perpetrator and puts it on the victim's shoulders. To fight against the myth that sexual assault could be prevented by the victim alone, art exhibit displaying what victims were wearing during the assault was created.

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