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Average Price: $1,172
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Description
Welcome to the world of the Roland JC-120 Jazz Chorus, the quintessential amp that's been trusted by musicians for over two decades. This iconic amplifier is renowned for its exceptional clean sound and its rich, stereo chorus. It's the go-to gear for jazz musicians and guitarists who demand the best from their equipment.
The Roland JC-120 isn't just about clean sounds, it's about clarity and authenticity. When your instrument is plugged into this amp, the true tonal character shines through with remarkable fidelity. The distortion is kept to a bare minimum, allowing every note to be heard with crystal clear precision.
But the Roland JC-120 doesn't stop at clarity. It's also about versatility and tonal flexibility. The built-in effects, including the famous wide-spatial chorus, add depth and dimension to your sound. Other integrated effects include vibrato with adjustable rate and depth, mild distortion, and clear reverb. These can all be activated or deactivated with footswitches for on-the-fly adjustments.
The stereo effects loop on channel 2 meets full professional specifications, allowing you to select series/parallel connections and switch between different input and output signal levels. This ensures that your effects come through in their full glory.
Despite the refined sound, the Roland JC-120 is built to last. It's solidly constructed and can handle the rigours of the road better than many rock amps. Whether you're a jazz musician or not, if you're after a dependable stereo amp that sets professional standards, the Roland JC-120 Jazz Chorus is the one for you.
Key Features:
- Twin 60W + 60W amps
- Two 12 in. speakers
- 2 input channels each with 3-band EQ
- Low distortion and high-frequency response
- Stereo effects loop on channel 2 with series/parallel connections
- Integrated effects: wide-spatial chorus, vibrato, mild distortion, and clear reverb
- Footswitch control for effects
- Solid construction for road durability
Product specs
Amp Type | solid state |
Total Power | 2 x 60w |
Speaker Size | 2 x 12" |
Onboard Reverb | yes |
Weight | 61.73 lbs. |
Equipboard's Expert Review
Equipboard tested this
The Clean Machine's Legendary Status
The Roland JC-120 Jazz Chorus is a titan in the world of solid-state amplifiers. In our tests, we were immediately struck by its robust build quality and iconic design. The amp's weight and size are substantial, which can be a double-edged sword - great for stability on stage, but a challenge for transportation.
We found the controls intuitive and responsive, with the chorus and reverb effects being particular standouts. The clean tones are nothing short of spectacular, where this simply can't be beat. For us, the JC-120 excelled in jazz, fusion, and pop genres, delivering warm, pristine cleans with impressive headroom.
The distortion left much to be desired, and we noticed some noise issues, particularly in the effects loop. While it takes pedals well for the most part, high-gain distortion pedals didn't quite mesh as seamlessly as we'd hoped.
In our opinion, the JC-120 is a solid investment for players seeking unparalleled clean tones and legendary chorus effects. Its durability and minimal maintenance requirements make it a workhorse for gigging musicians. However, those prioritizing portability or seeking high-gain tones might want to look elsewhere. Despite its high price point, we believe the JC-120's timeless sound quality and reliability make it a worthwhile consideration for serious clean tone enthusiasts.
Videos
nikmarkmedia
JC-120 Roland Jazz Chorus Amp
Reviews
PROS
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Legendary clean tone, unmatched in clarity and warmth
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Iconic, lush chorus and vibrato effects built-in
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Exceptional build quality, especially in older models
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Handles pedals and external effects exceptionally well
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Durable and reliable, with many units lasting decades
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Versatile for genres like jazz, funk, blues, and twang rock
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Good for both studio and live performances due to analog I/O
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Practical features and ease of use, even for beginners
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Solid state with a tube-like sound without the maintenance
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Has a distinct sound that’s been on many famous recordings
CONS
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Distortion channel is not suitable for heavy genres
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Large and heavy, making it difficult to transport
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Some models develop a hiss over time due to lesser quality parts
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Original models lack modern features like stereo input options
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Fixed chorus setting on older models with no depth/speed control
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Effects loop can be noisy compared to other models
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High price point, although justified by sound quality and durability
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Distortion is unusable for some, requiring external pedals for drive sounds
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Not very practical compared to smaller, more modern versions
Critic Reviews
5.0 out of 5
Based on 23 Reviews and 123 Ratings
Best amp i will be using on my whole life
This amp is loud asf!!! It didnt mud my guitar tone when its loud and my jazz chorus is now 36yrs old and no repair history still works!!
Preferred Settings + Usage:
A bit of detune and chorus from the jc120 and compressor is heaven! And i use it as my clean and high gain amp
260
Best Clean and Chorus amp EVER
This is the sound I have searched to get the best metal clean sounds.
377
In no way shape or form is this a "bad" piece of equipment, I did however get rid of mine; I can explain.
Right off the bat this amplifier is an icon and I have no negative bias towards it, I got rid of mine however due to a couple reasons. First, The model that I owned was an original from the late 70's, so it was the largest Fucking piece of equipment I've ever owned (i have speaker cabinets that are easier to transport than this thing!) 2x12 combo amps by nature tend to take up space but this thing weighed 100 lbs and took up 1/3 of my entire bedroom, eventually it became more of a hassle than recreation. Second, I much prefer high-gain distortion and overdrive tones as opposed to cleans and reverb, so by nature this amplifier is much more difficult for me to work with if I have no overdrive or distortion pedal. The unit itself however does in fact sound very good and produces a multitude of classic and rich sounding tones, the built in chorus and vibrato effects are phenomenal and really allow you to mold them into a very unique way that modern amps simply don't offer anymore. I haven't plugged into one of the re-issue models that are being produced nowadays, so I can't tell you if there are any differences in how they both sound; In retrospect I'm very glad I owned one for a brief period and got to experience one the most influential solid state amps ever manufactured.
One of the Best Clean Amps
Much has been said about this, so I won't cover what has been said.
The older version is what you want. It is the standard in clean amps having been used on many recordings that you hear. The older one was extremely clean with no background noise. I point this out as I also owned a newer one. It developed a small hissssssss as it got older. My amp tech told me this was due to lesser quality parts. He was able to make the repair, but it never lived up to the older one.
It takes pedals extremely well.
41
Cleanest Cleans/Chorusiest Chorus
What attracted me to this amp was how clean and pure the tone is and how lush the chorus is. It does not try to be tube which is my least favorite thing about most solid state amps. It is just a big DI box with some nice color to the tone. The stereo chorus is almost always on when I play. It does a great job at adding a rich texture without getting in the way of anything. The reverb on the amp is nice and ample but nothing crazy. I am not much for vibrato but the vibrato can also provide some nice textures that mix well in the overall tone. The reason I did not give this amp 5 stars though was because the distortion is unusable. It is not a big deal for me because I have plenty of pedals but it was disappointing to find. The JC 40 has a really nice distortion effect though, that almost reminds me of a transparent overdrive, plus it is not insanely loud like this monster.
687
Read the review - there are caveats for the three stars.
This is a great amp but not very practical compared to the more recent smaller versions. Mine is an original 70s model and does NOT have the stereo input options or loop inputs found on later versions. It DOES have the original spring reverb. Cross-plugging inputs isn't an option. It's big, loud and only does stereo with its own inbuilt effects. Chorus has one setting. Vibrato is adjustable. Reverb is great. Distortion is a waste of time. I pair this up with an AC30 to blend different sounds. I live in Denmark and they aren't all that in demand here, so I got it for a lot less than a JC40 would have cost new - so if you can get one cheap, great. But for full price it's too much amp for most people. Nice to have but there are better options out there for most players.
528
Good, but not great
Loud and clean, great chorus and especially vibrato, average reverb. But rather noisy (mine is decades old, newer ones might be quieter) and does not, in my opinion, take distortion pedals as well as people say. Much better than the average modern solid-stade amp, but nowhere near my LAB Series L5 in quality. Would probably benefit from a speaker upgrade.
5821
I'm a child of the late 80's & 90's
I loved the sound of this fella long before I knew what it was. "Chorus on everything!" Phase? Yup, had one. After that nonsense pasted it was used largely on Keys and lived a very hard life on the road. I was juuust coming back around to playing guitar thru it and well, she's gonna need a trip to the doctor some TLC before that'll happen.
It's a staple sound for sure- The amp & it's Chorus. There is a matter of taste with these matters tho. Me? I LOVE this guy. For a mix of reasons. Sturdy bastard! Lord we were hard on it (it's actually sitting next to me, serving as an end table sadly). I will admit there is like a mix of conscious nostalgia for its sound and also just baked into me from the music of my youth.
They're not too hard to find & I'd definitely encourage anyone to go & see if it's a sound you dig. Lord knows you'll have loads of company. Good company in lots of cases.
Dammit. There goes my day. I'm fixing my Jazz Chorus dammit.
1724
A great solid state pedal platform amp
Everyone from Fripp, Slowdive, Adam Jones, Alex Scally, Adrian Belew and many other guitarists who use effects have had this amp for it's clean tone and compatibility with pedals. I've had mine for 2 years now and it isn't going to be leaving my studio or live rig any time soon.
270
Studio Standard:
This amp has been around the block with me. It's a great sounding amp that takes pedals VERY well. It's a workhorse, and it's solid and dependable. I love the clear tones. The chorus is legendary.
Artist usage
Add artistJohn Frusciante in a band called H.A.T.E. along with Flea. Roland JC-120 can be seen behind him.
Slash used this amp for the clean sounds in the studio for songs like:
Paradise City My Michelle Sweet Child O' Mine Knockin' On Heaven's Door Estranged Yesterdays November Rain Live And Let Die Civil War Rocket Queen Coma So Fine
The Roland JC120 has been a main part of James's clean sound since the recording of Master Of Puppets. He still uses it today.
In this video from 2012 south american tour the band performed in the stage with roland jc-120 amplifiers
Alex Turner can be seen standing in front of his JC-120 in this photo taken by Ben Campbell while practicing before a show. The amplifier has been seen since Arctic Monkeys second tour of their Favourite Worst Nightmare tour used for both guitars and keys. More recently it was seen during the AM Tour used by Tom Rowley to amp the keyboards used during that tour.
In this image from Muse's studio recording of the album "Drones", we can see the Jazz Chorus-120 wired up.
In an article by Phil Weller for Guitar World, published on February 3, 2025, Steve Vai's guitar technician, Doug MacArthur, confirmed the use of the Roland JC-120 Jazz Chorus amplifier, stating, "We also used a UA Max compressor. That was just for the Roland JC-120 Jazz Chorus amplifier."
"The Fender has also got the best reverb, so I just let the Roland handle the top end most of the time; it's a dream and sounds great. It's something that I wanted to get together for a long time. On the first long British tour I used either one or the other depending on what sounded good in the sound check."
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