Lester Bowie

Born in the historic village of Bartonsville in Frederick County, Maryland, United States, Bowie grew up in St Louis, Missouri.^[2] At the age of five, he started studying the trumpet with his father, a professional musician. He played with blues musicians such as Little Milton and Albert King, and rhythm and blues stars such as Solomon Burke, Joe Tex, and Rufus Thomas. In 1965, he became Fontella Bass's musical director and husband.^[3] He was a co-founder of Black Artists Group (BAG) in St Louis.

In 1966, he moved to Chicago, where he worked as a studio musician, and met Muhal Richard Abrams and Roscoe Mitchell and became a member of the AACM.^[4] In 1968, he founded the Art Ensemble of Chicago^[2] with Mitchell, Joseph Jarman, and Malachi Favors. He remained a member of this group for the rest of his life, and was also a member of Jack DeJohnette's New Directions quartet. He lived and worked in Jamaica and Nigeria, and played and recorded with Fela Kuti.^[1] Bowie's onstage appearance, in a white lab coat, with his goatee waxed into two points, was an important part of the Art Ensemble's stage show.

In 1984, he formed Lester Bowie's Brass Fantasy, a brass nonet in which Bowie demonstrated jazz's links to other forms of popular music, a decidedly more populist approach than that of the Art Ensemble. With this group he recorded songs previously associated with Whitney Houston, Michael Jackson, and Marilyn Manson, along with other material. His New York Organ Ensemble featured James Carter and Amina Claudine Myers. In the mid-1980s, he was also part of the jazz supergroup The Leaders. Featuring tenor saxophonist Chico Freeman, alto saxophonist Arthur Blythe, drummer Famoudou Don Moye, pianist Kirk Lightsey, and bassist Cecil McBee. At this time, he was also playing the opening theme music for The Cosby Show.

Although seen as part of the avant-garde, Bowie embraced techniques from the whole history of jazz trumpet, filling his music with humorous smears, blats, growls, half-valve effects, and so on. His affinity for reggae and ska is exemplified by his composition "Ska Reggae Hi-Bop", which he performed with the Skatalites on their 1994 Hi-Bop Ska, and also with James Carter on Conversin' with the Elders. He also appeared on the 1994 Red Hot Organization's compilation album, Stolen Moments: Red Hot + Cool. The album, which was produced to raise awareness and funds in support of the AIDS epidemic in relation to the African-American community, was heralded as "Album of the Year" by Time.

In 1993, he played on the David Bowie album Black Tie White Noise, including the song "Looking for Lester", which was named after him. (Lester and David Bowie are not related—David Bowie's birth name was David Jones.)

Bowie took an adventurous and humorous approach to music and criticized Wynton Marsalis for his conservative approach to jazz tradition. ^{[citation needed]}

Bowie died of liver cancer in 1999 at his Clinton Hill, Brooklyn, New York house he shared with second wife Deborah for 20 years.^[1] The following year, he was inducted into the Down Beat Jazz Hall of Fame.^[5] In 2001, the Art Ensemble of Chicago recorded Tribute to Lester. In 2020, Bowie was featured in a mural painted by Rafael Blanco in his hometown of Frederick, Maryland.

 

 

• Mudfoot (Black Hawk), 1986
• Out Here Like This (Black Saint), 1986
• Unforeseen Blessings (Black Saint), 1988
• Slipping and Sliding (Sound Hills), 1994

With David Bowie

• Black Tie White Noise (Savage, 1993)

With James Carter

• Conversin' with the Elders (Atlantic, 1995)

With Jack DeJohnette

• New Directions (ECM, 1978)
• New Directions in Europe (ECM, 1979)
• Zebra (MCA, 1989)

With Brigitte Fontaine

• Comme à la Radio (Saravah, 1971)

With Melvin Jackson

• Funky Skull (Limelight, 1969)

With Fela Kuti

• Stalemate (Afrodisia, 1977)
• No Agreement (Afrodisia, 1977)
• Sorrow Tears and Blood (Kalakuta Records, 1977)
• Fear not for man (Afrodisia, 1977)

With Frank Lowe

• Fresh (Freedom, 1975)

With Jimmy Lyons

• Free Jazz No. 1 (Concert Hall, 1969)
• Other Afternoons (BYG, 1970)

With Roscoe Mitchell

• Sound (Delmark, 1966)

With David Murray

• Live at the Lower Manhattan Ocean Club (India Navigation, 1978)

With Sunny Murray

• Sunshine (BYG, 1969)
• Homage to Africa (BYG, 1969)

With Charles Bobo Shaw

• Under the Sun (Freedom, 1973)
• Streets of St. Louis (Moers Music, 1974)

With Archie Shepp

• Yasmina, a Black Woman (BYG, 1969)
• Blasé (BYG, 1969)
• Pitchin Can (America, 1970)
• Coral Rock (America, 1970)

With Alan Silva

• Seasons (BYG, 1971)

With Wadada Leo Smith

• Divine Love (ECM, 1979)

With others

• Funky Donkey Vol. 1 & 2 (Atavistic) (Luther Thomas & the Human Arts Ensemble)
• Under the Sun (Universal Justice) 1974 (Human Arts Ensemble)
• Funky Donkey 1977 (Circle) (Luther Thomas Creative Ensemble)
• Free to Dance (Black Saint), 1978 (Marcello Melis)
• 6 x 1 = 10 Duos for a New Decade (Circle), 1980 (John Fischer)
• The Razor's Edge/Strangling Me With Your Love (Hannibal, 12"), 1982 (Defunkt)
• The Ritual (Sound Aspects), 1985 (Kahil El'Zabar)
• Meet Danny Wilson (Virgin), 1987 (Danny Wilson)
• Sacred Love (Sound Aspects), 1988 (Kahil El'Zabar)
• Avoid The Funk (Hannibal), 1988 (Defunkt)
• Environ Days (Konnex), 1991 (John Fischer)
• Cum Funky (Enemy), 1994 (Defunkt)
• Hi-Bop Ska, 1994 (Skatalites)
• Stolen Moments: Red Hot + Cool (Impulse!), 1994 (Various Artists) appears on one track with Digable Planets
• Bluesiana Hurricane (Shanachie), 1995 with Rufus Thomas, Bill Doggett, Chuck Rainey, Bobby Watson, Will Calhoun, and Sue Foley
• Buddy Bolden's Rag (Delmark), 1995 (Malachi Thompson & Africa Brass)
• Not Two (Biodro Records), 1995 (Miłość and Lester Bowie)
• No Ways Tired (Nonesuch), 1995 (Fontella Bass)
• Mac's Smokin' Section (McKenzie), 1996 (Mac Gollehon)
• Hello Friend: To Ennis with Love (Verve), 1997 (Bill Cosby)
• My Secret Life (Calliope), 1998 (Sonia Dada)
• Amore Pirata (Il Manifesto), 1998 (Lorenzo Gasperoni Mamud Band feat. Lester Bowie)
• Smokin' Live (McKenzie), 1999 (Mac Gollehon)
• G:MT – Greenwich Mean Time (Island Records), 1999 (Guy Sigsworth)
• Talkin' About Life And Death (Biodro Records), 1999 (Miłość and Lester Bowie)
• Test Pattern (Razor & Tie), 2004 (Sonia Dada)
• Hiroshima (Art Yard), 2007 (The Sun Ra All Stars Band)
• The Ancestors Are Amongst Us (Katalyst, recorded live at Jazzfestival Saafelden August 28, 1987 and released 2010) - with Kahil El'Zabar and the Ritual Trio

• Carles, Philippe; Clergeat, André; Comolli, Jean-Louis (1994). Dictionnaire du Jazz. Paris: R. Laffont. ISBN 978-2221115923.
• Carr, Ian; Fairweather, Digby; Priestley, Brian (1987). Jazz: the Essential Companion. London: Prentice Hall Press. ISBN 978-0135092743.
• Cook, Richard; Morton, Brian (2002). The Penguin Guide to Jazz on CD (6th ed.). Penguin Books. ISBN 978-0140515213.

• Lester Bowie at the Art Ensemble of Chicago
• Lester Bowie discography at Discogs
• Lester Bowie at IMDb