A Kanak war club is a traditional weapon (mace) of the Kanak tribes of New Caledonia.
Uses
editUsually cut from a hardwood type of iron wood, gaiac or kohu[1] they were used for war. Like all the Pacific clubs, their forms were of a very wide variety and specific to each country and each purpose.[2] They were found in phallic form, but also in the form of a fungus or a bird’s beak.[3] Their striking head consisted of a root knot.[4] These weapons were originally decorated with plants, human hair, or cloths, and were wielded with one or two hands.[5]
Oceanian art specialist Roger Boulay makes a distinction between a mace, that is "an object whose percussion point is in the axis of the handle" and a club, that is "an object whose percussion point is shifted in relation to this axis".
The Kanak called the "bird beak" club a "turtle beak".[6]
Gallery
edit-
Kanak warriors holding clubs
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Kanak mace with fungus head
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Kanak mace fungus type
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Bird's beak club
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Kanak bird's beak club
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Phallic mace
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Kanak Mace
See also
editReferences
edit- ^ La 1ère Nouvelle-Calédonie
- ^ Susan Cochrane, Max Quanchi, Hunting the Collectors: Pacific Collections in Australian Museums, Art … Oxford Scholars Publishing
- ^ Gustave Regelsperger, L'Océanie française: la Nouvelle-Calédonie, les Nouvelles-Hébrides, les établissements français de l'Océanie, Édition Notre Domaine Colonial, 1922, p.15
- ^ Fergus Clunie, Fijian Weapons & Warfare, 2003, p. 136-7 et 142
- ^ La 1ère Nouvelle-Calédonie
- ^ Éliane Métais, Art Neo Caledonien, p.19
Bibliography
edit- John Charles Edler, Terence Barrow, Art of Polynesia, Hemmeter Publishing Corporation, 1990.
- Roger Boulay, Casse-Tête et Massues Kanak, 2015.
- Adrienne L. Kaeppler, Douglas Newton, Harry N. Abrams, Oceanic Art, 1997.
- Michael Gunn, William Teel, From the South Seas: Oceanic Art in the Teel Collection, Museum of Fine Arts, Boston, MFA Publications, 2006.
- André Breton, Arts primitifs, Camels Cohen, 2002.
- De jade et de nacre: patrimoine artistique kanak : Catalogue, Musée territorial de Nouvelle-Calédonie, Nouméa, mars-mai 1990, Musée national des arts africains et océaniens, Paris, octobre 1990-janvier 1991.
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