Harriette Woods Baker

Harriette Newell Woods was born in Andover, Massachusetts on August 19, 1815 to Leonard Woods and Abigail Wheeler. She was one of the many children who were named after Harriet Newell, one of the first American missionaries.^[4] She was baptized on December 10, 1815 in Theological Seminary Church, which is now Philips Academy in Andover.^[5] Her father was the founder of Andover Theological Seminary and a friend of the polymath poet Oliver Wendell Holmes Sr.^[3] She was called "Hatty" during her younger years. According to an account from her father, she nearly died of typhoid fever when she was about two years old.^{[6][page needed]}

When she was a child, her family had a house guest, William Schauffler, a German Jew who was sent to her father's care for his theological education. He remained in Andover for several years and most of the time in the Woods' house. Harriette noticed Schauffler had a grey overcoat that was too small for him and that he was shivering in the cold. This incident inspired her to form a sewing society with her Sunday School classmate, Elizabeth Stuart, and earn money to buy a cloak for Schauffler.^{[6][page needed]}

After the sewing society, she and Stuart formed a literary society, which they named "The Fireside" with them being the only members. They met on alternate Wednesdays on which occasions they read a composition, a simple story, and discussed the styles with each other. This was before she published her work for the first time when she was eleven years old. She enclosed her short story to Deacon Nathaniel Willis with a note authorizing him to print it in his newspaper, The Youth’s Companion if he wished.^{[6][page needed]} She then received a US$1 for a short story to The Youth's Companion^[7] and The Puritan, the Congregational paper of that time.^[3] She provided other contributions, from time to time, without informing the editor of her age.^[8]

On June 17, 1829, when Baker was nearly fourteen, she, together with four sisters and a cousin, Almira Woods, set off for Abbot Female Seminary, the new academy founded by Mrs. Nehemiah Abbott,^{[6][page needed]} She attended it during its first year of existence,^[9] though age fifteen.^[7] She then removed to an academy in Catskill, New York,^{[8][10][6][page needed]} where her eldest sister, Mary G. W. Smith, lived. After this, she studied under the instruction of private tutors in mathematics, history, and philosophy.^[8][7]

At the age of 20, she married Rev. Abijah Richardson Baker, D. D., who was then a teacher in the Phillips Academy at Andover.^[11] She published during her residence in Medford, Massachusetts three small volumes, The String of Pearls, Louise Merton, and Frank Herbert. Of the second of these, the proof-reader in the office where it was printed, said: "I become so interested in the story that I forget to make the proper correction of typographical errors.” Her duties as a clergyman's wife and mother of five sons prevented her from realizing ambition further except for occasional articles.^[7]

In 1850, she removed to the city of Lynn, Massachusetts, where her husband was pastor of the Central Church.^[11] There she assisted him several years in editing two monthly journals: The Mother’s Assistant, and The Happy Home, which were extensively circulated. Many of her contributions to these periodicals were subsequently transferred to her volumes. From that period, she wrote and published constantly, her works being issued by different firms in Boston and New York City.^[7]

In 1855, she published under the name of "Mrs. Madeline Leslie", The Courtesies of Wedded Life. About the same time appeared anonymously another large volume, entitled Cora and the Doctor, which was ascribed to many persons of eminence. In plot and literary finish, in power and pathos, this is considered one of her happiest efforts, and called forth flattering notices and reviews from Washington Irving and other distinguished critics. The name of its author was repeatedly called for, and at length the call was answered by its issue with other volumes from her pen in a series entitled Home Life.^[7]

Many of her books had a religious or moral theme and her style was considered very true to life, with well drawn characters. Publishers of her books include Lee & Shepard. The wave of evangelical feeling that passed over New England consequent on the preaching of Dr. Finney, the evangelist, powerfully affected Baker, and turned her literary activities in religious channels. In the heyday of her success, the coming out of one of her books was looked upon as an event by her readers, and it was thought nothing remarkable to strike off an edition of 10,000 copies on the first appearance of a story whose title page bore the name of Madeline Leslie.^[3] Annual sales varied from 250,000 to 500,000.^[7]

Most of Baker's books were tales for Sunday-school and general reading. They attained great popularity, and several were republished in England, and were translated into German, French and Bohemian. Included in the list are the Silver Lake, Golden Spring, Brookside, as well as the "Tim" series and the "Leslie" stories. Tim: The Scissors Grinder was her most popular book, and (in the form of a cheap reprint) was sold or given away by thousands in England. Some of these were published over the pseudonyms "Mrs. Madeline Leslie" and "Aunt Hattie". Others, such as The Courtesies of Wedded Life (1855; new ed., 1869), and Cora and the Doctor, were published anonymously.^[8]

In late years, a new generation appeared, which was somewhat out of touch with the spirit of Baker's writings. She was well known in the older literary circle of the US. Her literary tastes and keen zest for the study of human character and action remained with her even in later years. Possessing the Macaulayan faculty of plucking the very heart out of a book in a space of time that for others would hardly more than suffice for turning its pages, she found in reading an unfailing delight. She was reading Victor Hugo's novels this week at the rate of a book a day, and on the evening previous to her death held an animated conversation with her son, Dr. Charles E. Baker, about one of the characters in Les Misérables.^[3]

While in Catskill, she had a relationship with John Maynard, whose father, before his death, had been a friend to her father's. She ended the relationship when she was fifteen after hearing a sad account of John's behavior in Yale.^{[6][page needed]}

On October 1, 1835, she married Abijah Richardson Baker (died 1876), who for 15 years was pastor of the Congregational Church at Medford, Massachusetts.^[11] He established and built up the Central Congregational Church at Lynn, Massachusetts and was also at one period, minister of the East Street Church in Boston.^[11] She was very affected by her husband's death on April 30, 1876, that she wrote about his sickness, which was to quote in her language "bound in green in her library in Brooklyn". She had since then moved home five times.^{[6][page needed]}

George Baker, her son, and his wife, Maggie, had invited her to stay with them in Batavia. This was her first home and first journey alone. She arrived there around the winter of 1876–77. She went east the following summer and stayed with her son William Baker in Northborough before they all returned to Boston.^{[6][page needed]} She visited Washington during the following winter before she went to New York. In 1880, she was living with her son, Dr. Charles Baker, her daughter-in-law, Mary, and her granddaughter, Sarah, in Brooklyn, New York.^[12] In Brooklyn, she became greatly interested in a large sewing class in Charles' parish where she taught the class how to knit upon her son's request.^{[6][page needed]}

Baker died in Brooklyn at the home of her son, Dr. Charles E. Baker, at 244 Washington Avenue, on April 26, 1893. She was survived by five sons, four of whom were Episcopal clergymen. They were Dr. George Baker, rector of St. Luke's Hospital, New York; Dr. Charles E. Baker, of the Church of the Messiah, and Dr. Frank Woods Baker and Dr. Walter A. Baker, of Cincinnati. Another son, William Baker, M.D., was Professor of Gynecology in Harvard University.^[3]

According to her letters, on the evening of Tuesday, 11 April, two weeks before her death, she complained of feeling “poorly” and finding it difficult to sleep. Upon awakening, she coughed so incessantly that to quote in her own language, she “saw stars”. Becoming anxious, her daughter, Mollie, went over to St Luke's Hospital, New York, and secured a trained nurse. For a week after this bronchial attack, she felt very sick and prepared for death.^{[citation needed]}

A day before her death she was in unusually good spirits and felt so well that she left her room to walk with her daughter, Mollie through the hall into a back room to see a sunset. She held an animated conversation with her son, Dr Charles Baker, that evening about one of the characters in “Les Miserables”. According to the nurse, she slept unusually well that night. In the morning at four, the nurse, who was called to her patient's bedside by her heavy breathing, lifted her up, as she had been directed to do at such times, when she said “I believe I am going to have another bad turn.” Then the nurse gave her some medicine and rubbed her, and at a quarter before five the patient said “Thank you. I am relieved. Now I think I can sleep.” These were her last words before she almost instantly fell asleep. A few minutes later, the nurse who stood watching her was surprised at seeing a sudden change pass over the countenance of the sleeping patient, and almost immediately those signs of death which are so well known to a trained nurse began to show themselves.^{[6][page needed]}

 

Her funeral was conducted by eight clergymen of the Episcopal Church on Friday afternoon, April 28, 1893. Her death was covered in the leading papers of the U.S. and referenced in Andover academic institutions. She had US$10,000 in her possession which she left for her family.^[13] Her grave was relocated to her birth place of Andover, Massachusetts.

Her characters were well drawn, and strikingly true to life. Her style was simple, chaste, often elegant; her plan was natural and progressive. Many of her scenes were picturesque and impressive, and charged with the power and pathos that belonged to the great masters of fiction. Moreover, her writings were all of moral tone, without mawkish sentimentality, but displaying a keen insight into the spiritual nature of man and woman, and a proper sense of their relations as moral and accountable beings.^[8]

Baker's books were written in good English, and were remarkably free from catch phrases and barbarisms, from eccentricities and extravagance, from bad grammar and rhetorical faults, which might have depressed the standard of literature and corrupted public taste. Her style was simple, chaste, often elegant; her plan natural and progressive. Reviewers compared her books, for literary execution, moral aim, and influence, with those of Hannah More, Mary Martha Sherwood, and Charlotte Elizabeth. They inculcated high moral and religious sentiments, but were free from the dialectics of the schools, and from all sectarianism; and therefore they were found in the libraries of all Christian denominations.^[10]

Many of her books were republished in England and other countries. Few if any of them were more popular and useful than Tim the Scissors-Grinder, later published in what was called the Tim Series. This volume first appeared as a serial in the Boston Recorder. Long before its completion in that paper, numerous applications were received from different houses for the right to publish it in a book. From all parts of the country, positive testimonials were received of its excellence and usefulness in the conversion and sanctification of very many.^[10]

•   This article incorporates text from this source, which is in the public domain: Derby, George; White, James Terry (1910). The National Cyclopædia of American Biography: Being the History of the United States as Illustrated in the Lives of the Founders, Builders, and Defenders of the Republic, and of the Men and Women who are Doing the Work and Moulding the Thought of the Present Time. J. T. White.
•   This article incorporates text from this source, which is in the public domain: Hart, John Seely (1873). A Manual of American Literature: A Text-Book for Schools and Colleges (Public domain ed.). Eldredge. p. 513.
•   This article incorporates text from this source, which is in the public domain: Kirk, John Foster (1891). A Supplement to Allibone's Critical Dictionary of English Literature and British and American Authors: Containing Over Thirty-seven Thousand Articles (authors), and Enumerating Over Ninety-three Thousand Titles (Public domain ed.). J. B. Lippincott Company.
•   This article incorporates text from this source, which is in the public domain: Leslie, Madeline (1894). The Autobiography of a Very Remarkable Woman (Public domain ed.). A.T. Roberts.
•   This article incorporates text from this source, which is in the public domain: Willard, Frances Elizabeth; Livermore, Mary Ashton Rice (1893). A Woman of the Century: Fourteen Hundred-seventy Biographical Sketches Accompanied by Portraits of Leading American Women in All Walks of Life (Public domain ed.). Moulton. p. 46.

 

Wikimedia Commons has media related to Harriette Newell Woods Baker.

• Works by Madeline Leslie at Project Gutenberg
• Works by or about Madeline Leslie at the Internet Archive
• Harriette Newell W. Baker at Wikisource
•   "Baker, Harriet Newell Woods". The Biographical Dictionary of America. Vol. 1. 1906. pp. 191–192.
• http://www.amherst.edu/~rjyanco94/genealogy/acbiorecord/1830.html#baker-ar
• http://www.readseries.com/auth-les-wise/baker-bio.html
• http://readseries.com/auth-les-wise/bakerbib.html