Glenarvon was Lady Caroline Lamb's first novel.[1] It created a sensation when published on 9 May 1816. Set in the Irish Rebellion of 1798, the book satirized the Whig Holland House circle,[2][3] while casting a sceptical eye on left-wing politics.[4] Its rakish title character, Lord Glenarvon, is an unflattering depiction of her ex-lover, Lord Byron.[5] In 1866, it was reprinted under the title, The Fatal Passion.[6]
Theme
editGlenarvon corrupts the innocent young bride Calantha (Caroline herself), leading to their mutual ruin and death. The picture of her husband, William Lamb (the 2nd Viscount Melbourne from 1828), called Lord Avondale in the book, is more favourable, although he too is held to be partly responsible for Calantha's misfortunes: his biographer remarks that the book's message is that Caroline's troubles are everybody else's fault.[7] The book is full of wildly improbable melodramatic scenes: Calantha's infant brother, the heir to a dukedom, is apparently murdered on the orders of their aunt Lady Margaret, to ensure that her son will inherit the estates; yet later we are told that the child is still alive.
Lady Caroline was unprepared for the negative reaction to Glenarvon. The day after it was published, messages of outrage began to arrive. A second edition softened somewhat the book's sensationalism.[8]
Impact
editThe book was an enormous success with the reading public, but ruined Lamb's already questionable reputation.[7] Society's leaders did not greatly mind reading about her love affairs, but they deeply resented the vicious and easily recognisable portraits of themselves in the book, which were its chief selling point. One of those thus satirised, Lady Jersey, took her revenge by barring Lamb from Almack's, the centre of fashionable life, a sign that she was socially an outcast. A Melbourne biographer remarked that Lamb never found her way back into society again.[7]
Queen Victoria acquired a copy in September 1841, the day after her last official dispatch from former Prime Minister and close friend Lord Melbourne, who was alluded to in the form of the character Lord Avondale.[9]
Literary echoes
edit- The title character's full name is Clarence de Ruthven. John Polidori used a vampire named Lord Ruthven as a characterization of Lord Byron in his short story "The Vampyre" published in 1819.[10]
- In the Regency novel Bath Tangle, by Georgette Heyer, the heroine is sent a copy of Glenarvon, which she pronounces both "the most diverting book that ever was written" and "the most absurd farrago of nonsense".[11] After some banter about whether she is herself an innocent Calantha, a partial key to the book is offered, with Lady Morganet taken as a mix of Caroline's mother and her aunt, Lady Bessborough and the Duchess of Devonshire.[12]
Popular culture
editThe New York City band Glenarvon took their name from the novel.
See also
editReferences
edit- ^ "Glenarvon". www.litencyc.com.
- ^ Wright, C. J. "Holland House set (act. 1797–1845)". Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/93786. (Subscription or UK public library membership required.)
- ^ "The Holland House Set". 6 January 2011.
- ^ R Gleckner ed., Romantic Generation (2001) p. 159-61
- ^ Sutherland, John (2008). Curiosities of Literature. London: Random House. p. 134. ISBN 978-1-905211-97-5.
- ^ Lamb, Lady Caroline (1866). The Fatal Passion.
- ^ a b c Lord David Cecil (1965). Melbourne. Pan Books Edition. p. 122.
- ^ "Caro: The Lady Caroline Lamb Website". sites.google.com.
- ^ "Queen Victoria's Journals - Information Site". qvj.chadwyck.com. Retrieved 17 January 2023.
- ^ Barger, Andrew (2011). BlooDeath: The Best Vampire Short Stories 1800–1849. U.S.: Bottletree Books. p. 15. ISBN 978-1-933747-35-4. Archived from the original on 15 August 2017. Retrieved 25 May 2013.
- ^ G. Heyer, Bath Tangle (London 1974) p. 125
- ^ G. Heyer, Bath Tangle (London 1974) p. 129
External links
edit- Glenarvon at The University of Adelaide Library closed 7 Jan. 2020
- Glenarvon at the Open Library, including full text