Anne Bancroft

Bancroft was born Anna Maria Luisa Italiano on September 17, 1931 in the Bronx, New York the middle of three daughters of Mildred (née Di Napoli), a telephone operator, and Michael G. Italiano, a dress pattern maker. Both of her parents' surnames were toponymic.^[4] Her parents were Italian immigrants from Southern Italy. In an interview, she said that her family was originally from Muro Lucano, in the province of Potenza, Basilicata in the Kingdom of Italy.^[5] She grew up Roman Catholic.^[6]

Bancroft was raised in Little Italy, in the Belmont neighborhood of the Bronx, attended P.S. 12, later moving to 1580 Zerega Ave. and graduating from Christopher Columbus High School in 1948.^[7][8] She then attended HB Studio,^[9] the American Academy of Dramatic Arts,^[8] the Actors Studio and the American Film Institute's Directing Workshop for Women at the University of California, Los Angeles. After appearing in a number of live television dramas, including Studio One^[8] and The Goldbergs^[8] under the name Anne Marno, later, at Darryl Zanuck's insistence,^[8] she chose the less Mediterranean surname of Bancroft "because it sounded dignified".^[10]

Bancroft made her screen debut with a major role in the 1952 Marilyn Monroe-led psychological thriller Don't Bother to Knock. She appeared in 14 films over the next five years, including Treasure of the Golden Condor (1953), Gorilla at Large (1954), Demetrius and the Gladiators (1954), New York Confidential (1955) and Walk the Proud Land (1956). In 1957, Bancroft was directed by Jacques Tourneur in a David Goodis adaptation, Nightfall. In 1958, she made her Broadway debut as lovelorn, Bronx-accented Gittel Mosca opposite Henry Fonda (as the married man Gittel loves) in William Gibson's two-character play Two for the Seesaw, directed by Arthur Penn.^[10][11] For the role, she won the Tony Award for Best Performance by a Featured Actress in a Play.^[11]

 

Bancroft won the Tony Award for Best Performance by a Leading Actress in a Play in 1960, again with playwright Gibson and director Penn, when she played Annie Sullivan, the young woman who teaches the child Helen Keller to communicate in The Miracle Worker.^[12] She reprised her role in the 1962 film version of the play and won the Academy Award for Best Actress, with Patty Duke repeating her own success as Keller alongside Bancroft.^[13] As Bancroft had returned to Broadway to star in Mother Courage and Her Children, Joan Crawford accepted the Oscar on her behalf and later presented the award to her in New York.^[14]

Bancroft co-starred as a medieval nun obsessed with a priest (Jason Robards) in the 1965 Broadway production of John Whiting's play The Devils. Produced by Alexander H. Cohen and directed by Michael Cacoyannis, it ran for 63 performances.^[15]

Bancroft received a second nomination for the Academy Award for Best Actress for her performance in The Pumpkin Eater (1964).^[17] Bancroft achieved stardom when she played the starring role as Mrs. Robinson in the romantic comedy-drama The Graduate (1967).^[18] In the film, she played an unhappily married woman who seduces the son of her husband's business partner, the much younger recent college graduate played by Dustin Hoffman.^[17] In the film, Hoffman's character later dates and falls in love with her daughter.^[18] Bancroft was ambivalent about her appearance in The Graduate; she said in several interviews that the role overshadowed her other work. Despite her character becoming an archetype of the "older woman" role, Bancroft was only 36 years old at the time—just eight years older than her onscreen daughter Katharine Ross and six years older than Hoffman. The film, and her performance, received widespread critical acclaim, earning her a third nomination for the Academy Award for Best Actress. A CBS television special, Annie: The Women in the Life of a Man (1970), won Bancroft an Emmy Award for her singing and acting.^[19]

 

Bancroft is one of ten actors to have won both an Academy Award and a Tony Award for the same role (as Annie Sullivan in The Miracle Worker),^[20] and one of very few entertainers to win an Oscar, an Emmy and a Tony award. This rare achievement is also known as the Triple Crown of Acting. She followed that success with a second television special, Annie and the Hoods (1974), which was telecast on ABC and featured her husband Mel Brooks as a guest star.^[21] She made an uncredited cameo in the film Blazing Saddles (1974), directed by Brooks. She made a career comeback with the ballet drama The Turning Point (1977), followed by the neo-noir mystery film Agnes of God (1985), which earned her two nominations for the Academy Award for Best Actress.^[22][23]

Bancroft made her debut as a screenwriter and director in Fatso (1980), in which she starred with Dom DeLuise.^[24]

Bancroft was the original choice to play Joan Crawford in the film Mommie Dearest (1981), but backed out and was replaced by Faye Dunaway.^[25][26] She was also a front-runner for the role of Aurora Greenway in Terms of Endearment (1983), but declined so that she could act in the remake of To Be or Not to Be (1983) with Brooks.^[27] In 1988, she played Harvey Fierstein's mother in the film version of his play Torch Song Trilogy.

During the 1990s and early 2000s, Bancroft took supporting roles in a number of films in which she co-starred with major film stars, including Honeymoon in Vegas (1992), Love Potion No. 9 (1992), Malice (1993), Point of No Return (1993), Home for the Holidays (1995), How to Make an American Quilt (1995), G.I. Jane (1997), Great Expectations (1998), Keeping the Faith (2000), Up at the Villa (2000) and Heartbreakers (2001). She lent her voice to the animated film Antz (1998).^[28][29]

Bancroft also starred in several television movies and miniseries, receiving six Emmy Award nominations (winning once for herself and shared for Annie, The Women in the Life of a Man),^[30][31] eight Golden Globe nominations (winning twice)^[32] and two Screen Actors Guild Awards. Her last appearance was as herself in a 2004 episode of HBO's Curb Your Enthusiasm.^[33] She was cast in Spanglish (2004) later in the year, but had to bow out due to a medical emergency.^[34] Her last project was the animated feature film Delgo, released posthumously in 2008.^[35] The film was dedicated to her.

Bancroft received a star on the Hollywood Walk of Fame at 6368 Hollywood Boulevard for her work in television.^[36] At the time of her star's installation in 1960,^[37] she had recently appeared in several TV series. She was also a member of the American Theater Hall of Fame, having been inducted in 1992.^[38]

 

Bancroft's first husband was lawyer Martin May, of Lubbock, Texas. They married on July 1, 1953, separated in November 1955, and divorced on February 13, 1957.^[1][39] She had previously been engaged to actor John Ericson in 1951.^[40] Lee Marvin's ex-wife Betty claimed in her 2010 book Tales of a Hollywood Housewife that Marvin had an affair with Bancroft when they co-starred in Gorilla at Large (1954) and A Life in the Balance (1955).^[41]

In 1961, Bancroft met Mel Brooks at a rehearsal for Perry Como's variety show Kraft Music Hall. Bancroft and Brooks married on August 5, 1964, at the Manhattan Marriage Bureau near New York City Hall, and were married until her death in 2005. Their son, Max Brooks, was born in 1972.^[42][43] Bancroft worked with her husband three times on the screen: dancing a tango in Brooks's Silent Movie (1976), in his remake of To Be or Not to Be (1983)^[10] and in the episode titled "Opening Night" (2004) of the HBO show Curb Your Enthusiasm.^[33] The couple also appeared in Dracula: Dead and Loving It (1995),^[10] but never appeared together again. Brooks produced the film The Elephant Man (1980), in which Bancroft acted. He was executive producer for the film 84 Charing Cross Road (1987) in which she starred. Both Brooks and Bancroft appeared in Season 6 of The Simpsons. According to the DVD commentary, when Bancroft came to record her lines for the episode "Fear of Flying", the Simpsons writers asked if Brooks had come with her (which he had); she joked, "I can't get rid of him!"

In a 2010 interview, Brooks credited Bancroft as being the guiding force behind his involvement in developing The Producers and Young Frankenstein for the musical theater. In the same interview, he said of their first meeting in 1961, "From that day, until her death on June 6, 2005, we were glued together."^[44] Bancroft's son, Max, said in a 2020 interview that she was "a secret, closet scientist". He said that, as a child, she read to him Paul de Kruif's Microbe Hunters (1926) as a bedtime story.^[45]

In 2005, shortly before her death, Bancroft became a grandmother when her daughter-in-law Michelle had a boy, Henry Michael Brooks.^[46] Bancroft had a drinking problem which resulted in being absent from work often, according to Elizabeth Wilson, who was Bancroft's understudy in The Little Foxes and co-starred with her in The Graduate (1967) and The Prisoner of Second Avenue (1975).^[47]

Bancroft died of uterine cancer at age 73 on June 6, 2005, at Mount Sinai Hospital in Manhattan.^[48] Her death surprised many, including some of her friends, as the intensely private Bancroft had not disclosed any details of her illness.^[49] Her body was interred at Kensico Cemetery in Valhalla, New York near her father, Michael Italiano, and her mother, Mildred Italiano (who died five years after Anne in April 2010).^[50] Her final film, Delgo, was dedicated to her memory.

•   Biography portal

 

Wikimedia Commons has media related to Anne Bancroft.

 

Wikiquote has quotations related to Anne Bancroft.

• Anne Bancroft at Find a Grave
• Anne Bancroft at IMDb
• Anne Bancroft at the Internet Broadway Database
• Anne Bancroft at the Internet Off-Broadway Database
• Anne Bancroft at Playbill Vault
• Anne Bancroft at the TCM Movie Database  
• Anne Bancroft at AllMovie
• Anne Bancroft at the University of Wisconsin's Actors Studio audio collection
• Image of Sidney Poitier holding his Oscar alongside Gregory Peck, Annabella and Anne Bancroft backstage at the Academy Awards, Los Angeles, 1964. Los Angeles Times Photographic Archive (Collection 1429). UCLA Library Special Collections, Charles E. Young Research Library, University of California, Los Angeles.